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Realism, Cultural Politics, and Language as Mediation in Mark Twain and Others

Published online by Cambridge University Press:  30 July 2009

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Extract

American classical realists in the period 1865–1900 sought, in one way or another, to grasp the essence of their new concern and method. William Dean Howells defined it as “nothing more and nothing less than the truthful treatment of material.” Mark Twain claimed in the preface to his first book, “I am sure I have written honestly, whether wisely or not,” whereas Henry James (in The Art of Fiction, 1884) enjoined the aspiring writer not to “think too much about optimism and pessimism; try and catch the color of life itself.” Truth, honesty, faithfulness to the “color of life itself”—what serious writer, in any period and writing in any mode, is not committed to those things? The problem, of course, lies in what we mean by each term, where the “material” and the “color of life” are, and by what standards (and by whom) they are to be validated. The resolution of those questions is a version of cultural politics.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1983

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References

NOTES

1. Howells, W. D., Criticism and Fiction (New York: Harper & Bros., 1891), p. 73.Google Scholar

2. Twain, Mark, The Innocents Abroad or the New Pilgrim's Progress (1869; rpt. London: Collins, 1954), p. 21.Google Scholar

3. James, Henry, “The Art of Fiction,” in Gottesman, R. et al. , eds., The Norton Anthology of American Literature, 2 (New York: W. W. Norton, 1979), 498.Google Scholar

4. See Fredric Jameson's discussion of mediation as the “strategic and local invention of a code which can be used about two distinct phenomena,” in his dispute with the Althusser, French Marxist Louis in The Political Unconscious: Narrative as a Socially Symbolic Act (Ithaca: Cornell Univ. Press, 1981), p. 41Google Scholar. In the long first chapter of that book, Jameson presents a useful and comprehensive analytic survey of poststructuralist Marxist, psychoanalytic, and semiological positions (“On Interpretation,” pp. 17102).Google Scholar

5. Whitman, Walt, Leaves of Grass and Selected Prose, ed. Kouwenhoven, John A. (New York: Modern Library, 1950), p. 504.Google Scholar

6. Kaplan, Justin, Walt Whitman: A Life (New York: Simon & Schuster, 1980), p. 27.Google Scholar

7. Santayana, George, “The Genteel Tradition in American Philosophy,” in Lyon, Richard C., ed., Santayana on America (New York: Harcourt, Brace & World, 1968), pp. 3656.Google Scholar

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9. Blair, Walter, ed., Selected Shorter Writings of Mark Twain (Boston: Houghton Mifflin, 1962), pp. 116117.Google Scholar

10. Smith, Henry Nash, Mark Twain: The Development of a Writer (New York: Atheneum, 1967), pp. 92112.Google Scholar

11. Twain, Mark, “The Whittier Birthday Speech,”Google Scholar in Blair, , pp. 151–55.Google Scholar

12. Ibid., p. 154.

13. Twain, Mark, “A Genuine Mexican Plug,”Google Scholar in Blair, , p. 46.Google Scholar

14. Twain, Mark, “Old Times,”Google Scholar in Blair, , pp. 9192.Google Scholar

15. Ibid., p. 110.

16. Sachs, Viola, “The Gnosis of Hawthorne and Melville: An Interpretation of The Scarlet Letter and Moby Dick,” American Quarterly, 32, No. 2 (Summer 1980), 123–43.CrossRefGoogle Scholar

17. See Moers, Ellen, “Curious Shifts of the Poor,” in Two Dreisers (New York: Viking Press, 1969), pp. 5769.Google Scholar

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19. Ibid., pp. 277–78.

20. Ibid., p. 278. Italics added.

21. Ibid.

22. Chametzky, Jules, From the Ghetto: The Fiction of Abraham Cahan (Amherst: Univ. of Massachusetts Press, 1977), pp. 7174.Google Scholar