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David Bentley Hart, The Beauty of the Infinite: The Aesthetics of Christian Faith (Cambridge and Grand Rapids: Eeerdmans Publishing. 2003), pp. xii + 448. $45.00

Published online by Cambridge University Press:  25 January 2007

John A. McGuckin
Affiliation:
Columbia University and Union Theological Seminary, NY10027 mcguckin@uts.columbia.edu

Extract

Publishers' blurbs for new books are often de trop. Those accompanying David Bentley Hart's opus, however, are surprising in the array of notable names that have acclaimed him, even in the pre-production phase. One of the famed maintains that with this first book Bentley Hart has emerged as the ‘best living American systematic theologian’, and another of the great and good hails him as: ‘one of his generation's leading theologians’. No small potatoes this, considering the first book in question is the revision of a doctoral thesis of a young man who has yet to start a university career. It seems, moreover, to have been two theses rolled into one. Having read the book, one understands why the accolades were so heart-felt. It is indeed a most learned, profound and immensely rich volume. It is undoubtedly one of the most important and timely works of theology written for many decades past, and will prove itself to be so, I suspect, despite its (many) eccentricities and idiosyncratic judgements, and despite its failure to say many things one might have wanted it to: but then at 448 pages, one needs to draw a line somewhere.

Type
Article Review
Copyright
© Scottish Journal of Theology Ltd 2007

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