Theatre Research International: Volume 37 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

URL: /core/journals/theatre-research-international
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Volume 37 - July 2012

Book Review

Cognition in the Globe: Attention and Memory in Shakespeare's Theatre. By Evelyn B. Tribble. New York: Palgrave Macmillan, 2011. Pp. 166. £54/$80 Hb.

Ken Campbell: The Great Caper. By Michael Coveney. London: Nick Hern Books, 2011. Pp. xix + 268 + 37 illus. £14.99 Pb.

Das Drama des Prekären: Über die Wiederkehr der Ethik in Theater und Performance (The Drama of the Precarious: On the Return of Ethics in Theatre and Performance). By Katharina Pewny. Bielefeld: transcript, 2011. Pp. 336. €32.80 Pb.

The Framing Text in Early Modern English Drama: ‘Whining’ Prologues and ‘Armed’ Epilogues. By Brian W. Schneider. Farnham: Ashgate, 2011. Pp. 320. £60 Hb.

Don Gil de las calzas verdes. By Tirso de Molina. Edited by Enrique García Santo-Tomás. Madrid: Cátedra, Letras Hispánicas, 2009. Pp. 224. €8.30 Pb.

Re-visioning Myth: Modern and Contemporary Drama by Women. By Frances Babbage. Manchester: Manchester University Press, 2011. Pp. x + 261. £60 Hb.

Christoph Schlingensief: Art without Borders. Edited by Tara Forrest and Anna Teresa Scheer. Bristol: Intellect, 2010. Pp. vi + 223. £22.50 Pb.

The African American Theatrical Body: Reception, Performance, and the Stage. By Soyica Diggs Colbert. Cambridge: Cambridge University Press, 2011. Pp. xiii + 329 + 11 illus. $110 Hb.

Indonesian Postcolonial Theatre: Spectral Genealogies and Absent Faces. By Evan Darwin Winet. Basingstoke: Palgrave Macmillan, 2010. Pp. xvi + 262 + 24 illus. £55/$85 Hb.

Performing South Africa's Truth Commission: Stages of Transition. By Catherine M. Cole. Bloomington and Indianapolis: Indiana University Press, 2010. Pp. xviii + 227 + 10 illus. $65 Hb; $24.95 Pb.

Alternative Chinese Opera in the Age of Globalization: Performing Zero. By Daphne P. Lei. Basingstoke: Palgrave Macmillan, 2011. Pp. xii + 232. £50 Hb.

A Pathognomy of Performance. By Simon Bayly. Basingstoke: Palgrave Macmillan, 2011. Pp. 246 + 22 illus. £55/$80 Hb.

Eurasian Theatre: Drama and Performance between East and West from Classical Antiquity to the Present. By Nicola Savarese. Holstebro, Malta and Wroclaw: Icarus Publishing Enterprise, 2010. Pp. 640. €27 Hb.

Liverpool Playhouse: A Theatre & Its City. By Ros Merkin. Liverpool: Liverpool University Press, 2011. Pp. 224. £25 Hb.

So Much Wasted: Hunger, Performance and the Morbidity of Resistance. By Patrick Anderson. Durham, NC: Duke University Press, 2010. Pp. ix + 188. £56/$74.95 Hb; £14.99/$21.95 Pb.

Playwright, Space and Place in Early Modern Performance: Shakespeare and Company. By Tim Fitzpatrick. Farnham: Ashgate, 2011. Pp. xiv + 314. £65 Hb.

La Boite: The Story of an Australian Theatre Company. By Christine Comans. Brisbane: Playlab Press, 2009. Pp. 352 + illus. $55 Pb.

Transfigured Stages: Major Practitioners and Theatre Aesthetics in Australia. By Margaret Hamilton. Amsterdam and New York: Rodopi, 2011. Pp. 244 + illus. $65; €48 Pb.

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Volume 37 - July 2012

Book Review