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Motion and landscape: Otl Aicher, Günther Grzimek and the graphic and garden designs of the 1972 Munich Olympics

  • KAY SCHILLER (a1) and CHRISTOPHER YOUNG (a2)
  • DOI: http://dx.doi.org/10.1017/S0963926810000350
  • Published online: 01 July 2010
Abstract
ABSTRACT:

This article focuses on Otl Aicher's design and Günther Grzimek's garden architecture for the 1972 Munich Olympics. We argue that the functionalist aesthetics of the Munich Olympic site should be interpreted as a translation into graphic and landscape design of 1960s progressivism in West German society and democracy. In the process Aicher and Grzimek somewhat paradoxically drew on the tradition of the Olympic Gesamtkunstwerk inaugurated in Berlin in 1936.

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This list contains references from the content that can be linked to their source. For a full set of references and notes please see the PDF or HTML where available.

J. Paulmann , ‘Representation without emulation: German cultural diplomacy in search of integration and self-assurance during the Adenauer era’, German Politics and Society, 25, 2 (2007), 168200

A.D. Moses , ‘The forty-fivers: a generation between fascism and democracy’, German Politics and Society, 17, 1 (1999), 94126

B. Chalkley and S. Essex , ‘Urban development through hosting international events: a history of the Olympic Games’, Planning Perspectives, 14 (1999), 369–94

E. Modrey , ‘Architecture as a mode of self-representation at the Olympic Games in Rome (1960) and Munich (1970)’, European Review of History – Revue européenne d'histoire, 15, 6 (2008), 691706

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Urban History
  • ISSN: 0963-9268
  • EISSN: 1469-8706
  • URL: /core/journals/urban-history
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