My understanding of the avant-garde—and the state of avant-garde studies—was cast in stark relief by the social, political, military, and legal events that coincided with the period during which I was revising the manuscript of my first book. What those events were is no surprise: 9/11 and its various aftermaths. Many of this journal's readers have experienced a similar shift in perspective on their work—be it ethical, epistemological, or archival—leading them to reassess both their scholarly subjects and their methods in the face of what may well be a profound reconfiguration of power and knowledge.