Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-18T05:18:03.028Z Has data issue: false hasContentIssue false

Melody: A Popular Perspective

Published online by Cambridge University Press:  11 November 2008

Extract

Current musicology has not developed such a methodical or systematic knowledge of melody as it has of other aspects of music. Music schools have courses and examinations in harmony, counterpoint, musical forms, etc., but not in melody; in the same way, books dealing with melody are rare exceptions.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Adorno, T. W. 1976. Introduction to the Sociology of Music (New York)Google Scholar
Asafiev, B. V. 1976. Die musikalische Form als Prozess (Berlin)Google Scholar
Boilès, C. 1977. ‘Canto’, in Enciclopedia (Turin), vol. IIGoogle Scholar
Bolinger, D. (ed.) 1972. Intonation (Harmondsworth)Google Scholar
Certeau de, M. 1980. L'invention du quotidien, I/Arts de faire (Paris)Google Scholar
Costère, E. 1961. ‘Mélodie (B)’, in Encyclopédie de la musique (Paris), vol. IIIGoogle Scholar
Dahlhaus, C. 1961. ‘Melodie’, in Die Musik in Geschichte und Gegenwart, ed. Blume, F. (Kassel), sect. B, C, DGoogle Scholar
Dalmonte, L. 1984. Semiologia dei sistemi musicali: l'intervallo di quinta, University of Bologna, Ph.D. dissertationGoogle Scholar
DEUMM, Dizionario enciclopedico della musica e dei musicisti, 1984, ed. Basso, A. (Turin), II Lessico: vol. III, ‘Melodia’Google Scholar
Ferretti, P. 1934. Estetica gregoriana / ossia Trattato delle forme musicali del canto gregoriano (Rome)Google Scholar
Fonagy, I. 1981. ‘Emotions, voice and music’, in Research Aspects on Singing, Publications issued by the Royal Swedish Academy of Music, 33, pp. 5179Google Scholar
Fonagy, I. 1983. La vive voix. Essais de psycho-phonétique (Paris)Google Scholar
Fornari, F. 1984. Psicoanalisi della musica (Milan)Google Scholar
Garzanti, 1983. La nouva enciclopedia della musica Garzanti (Milan)Google Scholar
Jiranek, J. 1972. ‘Assafjews Intonationslehre und ihre Perspektiven’, De Musica Disputationes Pragenses, 1, pp. 1345Google Scholar
Lomax, A. 1976. Cantometrics: an Approach to the Anthropology of Music (Berkeley)Google Scholar
Migliorini, B. 1965. Vocabolario della lingua italiana (Turin)Google Scholar
Mukarovsky, J. 1973. ‘Il dettaglio come unità semantica fondamentale nell'arte popolare’, in Il significato dell'estetica (Turin), pp. 128–50Google Scholar
Nattiez, J.-J. 1979. ‘Melodia’, in Enciclopedia (Turin), vol. VIIIGoogle Scholar
Oxford Concise Dictionary of Current English, 5th edn, 1964Google Scholar
Reik, T. 1953. The Haunting Melody. Psychoanalytic Experiences in Life and Music (New York), 2nd edn 1983 (New York)Google Scholar
Ringer, A. 1980. ‘Melody’, in The New Grove Dictionary of Music and Musicians (London), vol. 12Google Scholar
Robert, P. 1967. Dictionnaire alphabétique et analogique de la langue française (Paris)Google Scholar
Sachs, C. 1962. The Wellsprings of Music (The Hague)CrossRefGoogle Scholar
Smits van Waesberghe, J. 1955. A Textbook of Melody (Rome/Cambridge Mass.)Google Scholar
Souris, A. 1961. ‘Mélodie (A)’, in Encyclopédie de la musique (Paris), vol. IIIGoogle Scholar
Stefani, G. 1976. Introduzione alla semiotica della musica (Palermo).Google Scholar
Stefani, G. 1981. ‘Eine Theorie der musikalischen Kompetenz’, in Die Zeichen. Neue Aspekte der musikalischen Ästhetik II, ed. Henze, H. W. (Frankfurt am Main), pp. 157–78Google Scholar
Stefani, G. 1982. La competenza musicale (Bologna)Google Scholar
Stefani, G. 1984. ‘Una nuova teoria degli intervalli’, Rivista Italiana di Musicologia, 1, pp. 131–46Google Scholar
Stefani, G. 1985. Competenza musicale e cultura della pace (Bologna)Google Scholar
Stefani, G. 1986. Semiotica della musica (Palermo)Google Scholar
Stefani, G. forthcoming (1987), ‘A theory of musical competence’, Semiotica, special issue on Semiotics of MusicGoogle Scholar
Sutter, D. 1984. La ‘nota dolente’ nel melodramma verdiano, University of Bologna Ph.D. dissertationGoogle Scholar
Szabolcsi, B. 1965. A History of Melody (London)Google Scholar
Tagg, P. 1982. ‘Analysing popular music’, Popular Music, 2, pp. 3767CrossRefGoogle Scholar
Ujfalussy, J. 1961. ‘Intonation, Charakterbildung und Typengestaltung in Mozarts Werken’, Studia Musicologica, 1, pp. 93145CrossRefGoogle Scholar
Wahrig, C. 1968. Deutsches Wörterbuch (Gütersloh)Google Scholar
Zaccaria, P. 1985. Melodie del sogno, University of Bologna Ph.D. dissertationGoogle Scholar
Zak, V. 1982. ‘Asaf'ev's theory of intonation and the analysis of popular song’, Popular Music, 2, pp. 91111CrossRefGoogle Scholar