Hostname: page-component-8448b6f56d-42gr6 Total loading time: 0 Render date: 2024-04-25T00:38:41.246Z Has data issue: false hasContentIssue false

Popular dance music elements in the folk music of Gypsies in Hungary

Published online by Cambridge University Press:  11 November 2008

Extract

Gypsy folk music is of a distinctive character compared with that of the other East European ethnic communities. The pecularities differentiating it from these other forms of folk music – improvisation and a readiness to adopt new influences – have continued to be of significance. While in several cases the folk music of peoples who have established themselves in national states is kept alive by artificial means (e.g. by promoting folk singing groups, by teaching folksongs in schools and by various revival movements), the vast majority of Gypsies have preserved their traditional music as an almost exclusive musical language.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1987

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Csenki, I. 1955. Bazsarózsa. 99 cigádny népdal [Bazsarózsa. 99 Gypsy folk songs] (Budapest)Google Scholar
Hajdú, A. 1955. ‘Van-e cigány népzene? Hozzászólás a Bazsarózsa c. gyűjteményhez’ [Does Gypsy folk music exist at all? Remarks on the collection entitled ‘Bazsarózsa’], Új Zenei Szemle, 10, pp. 130Google Scholar
Hajdú, A. 1958, ‘Les Tsiganes de Hongrie et leur musique’, Etudes Tsigane, 1–2, pp. 133 (Paris)Google Scholar
Kemény, I. 1974. ‘A magyarországi cigány lakosság’, [The Gypsy population in Hungary], Valóság, 1, pp. 6372Google Scholar
Kovalcsik, K. 1981. ‘A Szatmár megyei oláh cigányok lassú dalainak többszólamúsága’ [Polyphony in the slow songs of the Vlach Gypsies in Szatmár county], Zenetudományi Dolgozatok, pp. 261–71Google Scholar
Kovalcsik, K. 1984. ‘Vázlat a bulgáriai cigányokról’ [On the Bulgarian Gypsies], Zenetudományi Dolgozatok, pp. 209–33Google Scholar
Kovalcsik, K. 1985 a. ‘The Place of the Gypsies' Tradition in the Folk-Music of the Peoples of Eastern Europe’, Proceedings of the Meeting of Ethnomusicologists on the Occasion of the European Year of Music 1985, Traditional Music of Ethnic Groups – Minorities (Zagreb, 22–24 07), pp. 176–82Google Scholar
Kovalcsik, K. 1985 b. Vlach Gypsy folk songs in Slovakia (Budapest)Google Scholar
Lévai, J. and Vitányi, I. 1973. Miből lesz a sláger? [What makes a hit?] (Budapest)Google Scholar
Losonczi, A. 1974. Zene–ifjúság–mozgalom [Music–youth–movement] (Budapest)Google Scholar
Lotjanu, E. 1976. Tabor uhogit v nebo [The Gypsy Camp Goes to Heaven] (a film by Mosfilm)Google Scholar
Maróthy, J. 1981. ‘A music of your own’, Popular music, 1, pp. 1525CrossRefGoogle Scholar
Martin, G. 1980. ‘A cigányság hagyományai és szerepe a kelet-európai népek tánckultúrájában’ [The traditions and the role of Gypsies in the dance culture of East-European peoples], Zenetudományi Dolgozatok, pp. 6774Google Scholar
Sárosi, B. 1978. Gypsy Music (Budapest)Google Scholar
Sárosi, B. 1980. ‘Hungary, II. Folk music’, The New Grove Dictionary of Music and Musicians, ed. Sadie, S., 8, pp. 803–11Google Scholar
Szegő, L. (ed.). 1980. Cigány bölcsődal [Gypsy lullaby] (Budapest)Google Scholar
Szemere, A. 1983, ‘Some institutional aspects of pop and rock music in Hungary’, Popular music, 3, pp. 121–42CrossRefGoogle Scholar
Víg, R. 1976. Gypsy Folk Songs from Hungary, SLPX 18028–29 (see also the commentary on the record)Google Scholar