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Michael Burden,Wendy Heller,Jonathan Hicks and Ellen Lockhart, eds, Staging History 1780–1840 (Oxford: Bodleian Library, 2017). 224 pp. $45.00.
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Michael Burden, Wendy Heller, Jonathan Hicks and Ellen Lockhart, eds, Staging History 1780–1840 (Oxford: Bodleian Library, 2017). 224 pp. $45.00.
Published online by Cambridge University Press: 02 April 2018
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References
1 Davis, Tracy C., ‘Introduction: The Pirouette, Detour, Revolution, Deflection, Deviation, Tack, and Yaw of the Performative Turn’, in The Cambridge Companion to Performance Studies, ed. Tracy C. Davis (Cambridge: Cambridge University Press, 2008), 7 (emphasis in original)CrossRefGoogle Scholar.
2 For selected examples, see Davis, Tracy C. and Holland, Peter eds., The Performing Century: Nineteenth-Century Theatre’s History (New York: Palgrave Macmillan, 2007)CrossRefGoogle Scholar; Weiss, Piero, Opera: A History in Documents (New York: Oxford University Press, 2002)Google Scholar; Johnson, James, Listening in Paris: A Cultural History (Berkeley: University of California Press, 1995)Google Scholar; Weber, William, ‘Did People Listen in the 18th Century?’, Early Music 25/4 (1997): 678–691 CrossRefGoogle Scholar.
3 For further critical exploration of these ideas in a nineteenth-century context see, for example, Schwartz, Vanessa R. and Przyblyski, Jeannene M., eds, The Nineteenth-Century Visual Culture Reader (New York: Routledge, 2004)Google Scholar.
4 Nora, Pierre, ‘Entre Mémoire et Histoire’, in Les Lieux de Mémoire, ed. Pierre Nora (Paris: Gallimard, 1984): 23–43 Google Scholar. This essay has appeared in translation as ‘Between Memory and History: Les Lieux de Mémoire’, Representations 26 (1989): 7–24.