This collection of 16 essays brings 20th-century French philosopher Henri Bergson's work on immanence together with the latest ideas in art theory and the practice of immanent art as found in painting, photography and film. It places Bergson’s work and influence in a wide historical context and applies a rigorous conceptual framework to contemporary art theory and practice.Key Features16 essays from world-renowned art theorists, philosophers and Bergson scholarsContributors include Iris van der Tuin, Eric Alliez, Simon O'Sullivan and Howard CaygillOffers a variety of perspectives and methodological approaches that will appeal to both art theorists and practitionersExplores concepts of rhythmic duration, perception, affectivity, the body, memory and intuition – all of which were first formulated as immanent objects through the work of Bergson.ContributorsEric Alliez Mark Antliff Stella Baraklianou Howard Caygill Felicity Colman James Day Charlotte De Mille Adi Efal Jae Emerling Craig Lundy John Mullarkey Simon O’Sullivan Brendan Prendeville Iris van der Tuin Sarah Wilson