Book contents
- The Cambridge Critical Guide to Latin Literature
- The Cambridge Critical Guide to Latin Literature
- Copyright page
- Dedication
- Contents
- Figures and Tables
- Contributors
- Preface
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Canons
- Chapter 3 Periodisations
- Chapter 4 Author and Identity
- Chapter 5 Intertextuality
- Chapter 6 Mediaeval Latin
- Chapter 7 Neo-Latin
- Chapter 8 Reception
- Chapter 9 National Traditions
- Chapter 10 Editing
- Chapter 11 Latin Literature and Linguistics
- Chapter 12 Latin Literature and Material Culture
- Chapter 13 Philosophy
- Chapter 14 Political Thought
- Chapter 15 Latin Literature and Roman History
- Chapter 16 Latin Literature and Greek
- Envoi
- Index Locorum
- General Index
- References
Chapter 4 - Author and Identity
Published online by Cambridge University Press: 04 January 2024
Book contents
- The Cambridge Critical Guide to Latin Literature
- The Cambridge Critical Guide to Latin Literature
- Copyright page
- Dedication
- Contents
- Figures and Tables
- Contributors
- Preface
- Abbreviations
- Chapter 1 Introduction
- Chapter 2 Canons
- Chapter 3 Periodisations
- Chapter 4 Author and Identity
- Chapter 5 Intertextuality
- Chapter 6 Mediaeval Latin
- Chapter 7 Neo-Latin
- Chapter 8 Reception
- Chapter 9 National Traditions
- Chapter 10 Editing
- Chapter 11 Latin Literature and Linguistics
- Chapter 12 Latin Literature and Material Culture
- Chapter 13 Philosophy
- Chapter 14 Political Thought
- Chapter 15 Latin Literature and Roman History
- Chapter 16 Latin Literature and Greek
- Envoi
- Index Locorum
- General Index
- References
Summary
This chapter addresses problems in the philosophy of interpretation with regard to Latin authors. Its central question is what we mean by the ‘author’. The history of ‘persona’, the notion that the speaker in first-person literature and by extension the image of the author presented in any text is a ‘mask’, is explored for its theoretical and interpretive value, but also critiqued for the potential ethical and political issues it raises. The author should be considered not a window onto the life of the flesh-and-blood Roman, but rather as a construct arising in part, but only in part, from an initial human consciousness living in a specific historical place and time, then developed through a dynamic process of reception. The battle for the life and soul of the author is the story of interpretation, in which the question of the extent to which ‘original intention’ can or should be the goal of exegesis was one of the great controversies of the 20th century and remains a creatively unsolvable problem. I argue that there are certain kinds of readings which are rightly and explicitly situated outside the scope of ‘original intention’, of which I take feminist readings as exemplary.
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- The Cambridge Critical Guide to Latin Literature , pp. 158 - 207Publisher: Cambridge University PressPrint publication year: 2024
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