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  • This textbook has now been replaced with a newer edition 9781108917896. On 1 July 2024 it will be withdrawn from future institutional sales; further information is available on our editions management page. This will not affect customers who have redeemed access codes or purchased via ecommerce, or institutions who have purchased perpetual access prior to that date.
  • Cited by 7
Publisher:
Cambridge University Press
Online publication date:
August 2014
Print publication year:
2014
Online ISBN:
9781139151788

Book description

Sappho, the earliest and most famous Greek woman poet, sang her songs around 600 BCE on the island of Lesbos. Of the little that survives from the approximately nine papyrus scrolls collected in antiquity, all is translated here: substantial poems, fragments, single words - and, notably, five stanzas of a poem that came to light in 2014. Also included are new additions to five fragments from the latest discovery, and a nearly complete poem published in 2004. The power of Sappho's poetry - her direct style, rich imagery, and passion - is apparent even in these remnants. Diane Rayor's translations of Greek poetry are graceful and poetic, modern in diction yet faithful to the originals. The full range of Sappho's voice is heard in these poems about desire, friendship, rivalry, family, and 'passion for the light of life'. In the introduction and notes, internationally respected Sappho scholar André Lardinois presents plausible reconstructions of Sappho's life and work, the importance of the recent discoveries in understanding the performance of her songs, and the story of how these fragments survived.

Reviews

'Even the tiniest scraps can be potent, as Rayor’s lucid and comprehensive translation makes clear … Diane J. Rayor captures the distinctively plainspoken quality of Sappho’s Greek, which, for all the poet’s naked emotionality and love of luxe, is never overwrought or baroque.'

Daniel Mendelsohn Source: The New Yorker

'For readers who want a complete, up-to-date collection of all Sappho’s extant oeuvre in faithful and cautious English translation, this new edition, by two acclaimed classical scholars, is currently the sole satisfactory option … Almost everything an undergraduate or interested lay reader requires to embark on a first voyage into Sappho’s world can be found within this elegant volume.'

Edith Hall Source: The New York Review of Books

'Rayor’s translations allow the poetry of Sappho to shine. Every piece of what remains of Sappho’s songs is reproduced here, including the most recent discoveries, thereby providing the reader with the most comprehensive English collection available. A wonderful and inspiring work.'

Marguerite Johnson - University of Newcastle, Australia

'This book joins an eloquent translation of Sappho’s wide range of expression with a judicious guide to problems of text and interpretation. The combination provides a reliable and enjoyable introduction to Sappho’s poetry and a firm basis for discussion of the many responses it has evoked.'

Joel Lidov - City University of New York

'Diane Rayor’s translation captures the quality of Sappho’s poetry: seemingly simple, but luminous, with unexpected shifts of perspective that change the meaning. Neither too literal nor too free, her lucid, musical rendering of Sappho’s Greek is a delight to read, and to read aloud.'

Eva Stehle - University of Maryland

'With lovely translations and lucid commentary, Rayor and Lardinois re-create the Sapphic fragments (including several rediscovered in our own century) in subtle colors, presenting Sappho like Aphrodite on her ‘throne of many hues'. This volume is a welcome addition to the long tradition of translating Sappho; ideal for students and teachers, and a delight to all readers eager to read Sappho anew.'

Yopie Prins - University of Michigan

'This is the best version of Sappho in English.'

Thomas L. Cooksey Source: Library Journal

'This excellent new translation of Sappho by Rayor … will appeal to the general public as well as scholars of Sappho and classicists … Rayor offers versions of all the poems known today, including two fragments published as recently as 2014. The excellent introduction to Sappho's times and opus by Lardinois provides the necessary background in clear, elegant, jargon-free language; the notes are concise but informative. Highly recommended.'

P. Nieto Source: Choice

'Anyone with an interest in Sappho will want to add this to their library: It includes a thorough scholarly introduction, copious notes, all extant fragments, an appendix on the new poem, and unvarnished translations that hew dutifully to the originals. Usefully, the authors have set forth the fragments in ‘order’, rather than grouping them by subject, making it easier to track down a specific fragment.'

Source: The Weekly Standard

'This beautiful book offers exactly what it says on its cover: a new translation of the complete works of Sappho. The fullness and quality of the work make it a wonderful resource for the Greekless, and it will be of considerable value to students of classical literature too. Cambridge University Press deserves our thanks for producing such an accurate and attractive volume at such a reasonable price.'

Source: Bryn Mawr Classical Review

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Contents

Selected Bibliography

Aloni, A. 1997. Saffo: Framenti. Florence: Giunti.
Burris, S, Fish, J. and D. Obbink. 2014. “New Fragments of Book 1 of Sappho.” Zeitschrift für Papyrologie und Epigraphik 189: 1–28.
Burris, S. and J. Fish. 2014. “Sappho 16.13-14 and a Marginal Annotation Attributed in PSI 123 to Nicanor.” Zeitschrift für Papyrologie und Epigraphik 189: 29–31.
Calame, C. 2001. Choruses of Young Women in Ancient Greece. Rev. ed. Lanham, MD: Rowman & Littlefield.
Campbell, D. A., ed. and trans. 1990. Greek Lyric I. 2d ed. Cambridge, MA: Harvard University Press.
D’Angour, A. 2006. “Conquering Love: Sappho 31 and Catullus 51.” Classical Quarterly 56: 297300.
DeJean, Joan. 1989. Fictions of Sappho, 1546–1937. Chicago: Chicago University Press.
Ferrari, F., trans. B. Acosta-Hughes and L. Prauscello. 2010. Sappho’s Gift: The Poet and Her Community. Ann Arbor: Michigan Classical Press.
Gallavotti, C. 1957. Saffo e Alceo: Testimonianze e frammenti. Vol 1: Saffo, 3d ed. Naples: Libreria Scientifica Editrice.
Greene, E., ed. 1996a. Reading Sappho: Contemporary Approaches. Berkeley: University of California Press.
Greene, E., ed. 1996b. Re-Reading Sappho: Reception and Transmission. Berkeley: University of California Press.
Greene, E. and M. Skinner, eds. 2009. The New Sappho on Old Age. Cambridge, MA: Center for Hellenic Studies.
Gronewald, M. and R. W. Daniel. 2004a. “Ein neuer Sappho-Papyrus.” Zeitschrift für Papyrologie und Epigraphik 147: 18.
Gronewald, M. and R. W. Daniel 2004b. “Nachtrag zum neuen Sappho-Papyrus.” Zeitschrift für Papyrologie und Epigraphik 149: 14.
Gronewald, M. and R. W. Daniel 2005. “Lyrischer Text (Sappho-Papyrus).” Zeitschrift für Papyrologie und Epigraphik 154: 712.
Gronewald, M. and R. W. Daniel 2007. “Griechische Literarische Texte: 429. Sappho.” Kölner Papyri, 11: 111.
Hague, R. 1983. “Ancient Greek Wedding Songs: The Tradition of Praise.” Journal of Folklore Research 20: 13143.
Johnson, M. 2007. Sappho: Ancients in Action. London: Bristol Classical Press.
Johnson, W. R. 1982. The Idea of Lyric. Berkeley: University of California Press.
Kamerbeek, J. C. 1956. “Sapphica.” Mnemosyne 9: 97102.
Kirk, G. S. 1963. “A Fragment of Sappho Reinterpreted.” Classical Quarterly 13: 5152.
Kivilo, M. 2010. Early Greek Poets’ Lives: The Shaping of the Tradition, esp. 167200. Leiden: Brill.
Lardinois, A. 1989. “Lesbian Sappho and Sappho of Lesbos.” In From Sappho to de Sade: Moments in the History of Sexuality. Ed. J. N. Bremmer, 1535. London: Routledge.
Lardinois, A. 1994. “Subject and Circumstance in Sappho’s Poetry.” Transactions and Proceedings of the American Philological Association 124: 5784.
Lardinois, A. 1996. “Who Sang Sappho’s Songs?” In Reading Sappho: Contemporary Approaches. Ed. E. Greene, 15072. Berkeley: University of California Press.
Lardinois, A. 2001. “Keening Sappho: Female Speech Genres in Sappho’s Poetry.” In Making Silence Speak: Women’s Voices in Greek Literature and Society. Eds. A. Lardinois and L. McClure, 7592. Princeton, NJ: Princeton University Press.
Lardinois, A. 2008. “‘Someone, I say, will remember us’: Oral Memory in Sappho’s Poetry.” In Orality, Literacy, Memory in the Ancient Greek and Roman World: Orality and Literacy in Ancient Greece. Ed. E. A. MacKay, 7996. Leiden: Brill.
Lardinois, A. 2010. “Lesbian Sappho Revisited.” In Myths, Martyrs, and Modernity: Studies in the History of Religions in Honour of Jan N. Bremmer. Eds. Y. B. Kuiper, J. H. F. Dijkstra. and J. E. A. Kroesen, 1330. Leiden: Brill.
Lidov, J. 1993. “The Second Stanza of Sappho 31.” American Journal of Philology 114: 50335.
Lidov, J. 2002. ‘Sappho, Herodotus, and the ‘Hetaira’Classical Philology 97.3: 20337.
Lobel, E. and D. L. Page, eds. 1955. Poetarum Lesbiorum Fragmenta. Oxford: Clarendon Press.
Nagy, G. 1996. “Mimesis in Lyric: Sappho’s Aphrodite and the Changing Woman of the Apache.” In G. Nagy, Poetry as Performance, 87103. Cambridge: Cambridge University Press.
Obbink, D. 2014a. “Two New Poems by Sappho.” Zeitschrift für Papyrologie und Epigraphik 189: 32–49.
Obbink, D. 2014b. “Interim Notes on the New Sappho Papyri.” Zeitschrift für Papyrologie und Epigraphik.
Page, D. L. 1955. Sappho and Alcaeus: An Introduction to the Study of Lesbian Poetry. Oxford: Clarendon Press.
Parker, H. 1993. “Sappho Schoolmistress.” Transactions and Proceedings of the American Philological Association 123: 30951.
Parker, H. 2005. “Sappho’s Public World.” In Women Poets in Ancient Greece and Rome. Ed. E. Greene, 324. Norman: Oklahoma University Press.
Parker, H. 2006. “What Lobel Hath Joined Together: Sappho 49 LP.” Classical Quarterly 56: 37492.
Pfrommer, M. 1986. “Bemerkungen zum Tempel von Mesa auf Lesbos.” Mitteilungen des Deutschen archäologischen Instituts: Abteilung Istanbul 36: 77–84.
Prins, Y. 1999. Victorian Sappho. Princeton, NJ: Princeton University Press.
Rayor, D. J. 1991. Sappho’s Lyre: Archaic Lyric and Women Poets of Ancient Greece. Berkeley: University of California Press.
Rayor, D. J. 2014. The Homeric Hymns: A Translation, with Introduction and Notes. Updated Edition. Berkeley: University of California Press.
Rayor, D. J. 2005. “The Power of Memory in Erinna and Sappho.” In Women Poets in Ancient Greece and Rome. Ed. E. Greene, 5971. Norman: Oklahoma University Press.
Reiner, P. and D. Kovacs. 1993. “Deduke men a Selanna: The Pleiades in Mid-Heaven (PMG Frag.Adesp. 976 = Sappho, Fr. 168B Voigt).” Mnemosyne 46: 14559.
Sampson, M. 2013. “A New Reconstruction of Sappho 44: P.Oxy. 1232 + P.Oxy. 2076” 27th International Congress of Papyrology: Warsaw.
Sider, D. 1986. “Sappho 168B Voight [sic]: Deduke men a Selanna.” Eranos 84: 5768.
Snyder, J. M. 1989. The Woman and the Lyre: Women Writers in Classical Greece and Rome. Carbondale: Southern Illinois University Press.
Snyder, J. M. 1997. Lesbian Desire in the Lyrics of Sappho. New York: Columbia University Press.
Stehle, E. 1996. “Sappho’s Gaze: Fantasies of a Goddess and Young Man.” In Reading Sappho: Contemporary Approaches. Ed. E. Greene, 193225. Berkeley: University of California Press.
Stehle, E. 1997. Performance and Gender in Ancient Greece. Princeton, NJ: Princeton University Press.
Steinrück, M. 2000. “Neues zu Sappho.” Zeitschrift für Payrologie und Epigraphik 131: 1012.
Svenbro, J. 1975. “Sappho and Diomedes: Some Notes on Sappho 1 LP and the Epic,.” Museum Philologum Londiniense 1: 3749.
Uzzi, J. D. and J. Thomson. Forthcoming. Complete Poems of Catullus: An Annotated Translation. Cambridge: Cambridge University Press.
Voigt, E.-M. 1971. Sappho et Alcaeus: Fragmenta. Amsterdam: Athenaeum-Polak and Van Gennep.
West, M. L. 1970. “Burning Sappho.” Maia 22: 30730.
West, M. L. 2005. “The New Sappho.” Zeitschrift für Papyrologie und Epigraphik 151: 19.
Williamson, M. 1995. Sappho’s Immortal Daughters. Cambridge, MA: Harvard University Press.
Wittig, M and S. Zeig. 1979. Lesbian Peoples: Material for a Dictionary. New York: Avon.
Yatromanolakis, D. 2007. Sappho in the Making: The Early Reception. Cambridge, MA: Center for Hellenic Studies.
Yatromanolakis, D. 2009. “Alcaeus and Sappho.” In The Cambridge Companion to Greek Lyric. Ed. F. Budelmann, 20426. Cambridge: Cambridge University Press.
For further reading see D. E. Gerber, “Greek Lyric Poetry since 1920, Part I: General, Lesbian Poets,” Lustrum 35 (1993): 35144 (an annotated bibliography until 1989) and the bibliographies on the Web sites greeksong.ruhosting.nl/ and www.stoa.org/diotima.

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