Skip to main content Accessibility help
×
  • Cited by 7
Publisher:
Cambridge University Press
Online publication date:
December 2015
Print publication year:
2016
Online ISBN:
9781316410851

Book description

This is an entertaining account of Shakespeare's afterlives in fiction. Paul Franssen offers the first sustained analysis of stories and films that involve the character of Shakespeare. Taking a broad international and historical perspective, he shows how fictions about Shakespeare help us understand what he meant to a certain age, nation, or author, and how they have become a vital aspect of the Shakespeare industry. Appearing sometimes as a ghost or time-traveller, fictional Shakespeares have been made to speak to many issues, such as the French Revolution, the Irish conflict, colonialism, the Anglo-American relationship, sexual orientation, race and class. Written in an accessible style, this book will appeal to advanced students as well as academic researchers in Shakespeare studies, film and cultural studies, literary reception and creative writing.

Awards

Honourable Mention, 2017 PROSE Award for Literature

Reviews

'Franssen's meticulous scholarship and his impressive pan-European reach will immediately establish this book as the most important study of Shakespeare's afterlife as a character since Schoenbaum's Shakespeare's Lives and O'Sullivan's Shakespeare's Other Lives. It will be as invaluable as a reference work as it will be fascinating to anyone studying the international reception of the Shakespeare canon and his posthumous personal appearances in drama, poetry and fiction.'

Michael Dobson - University of Birmingham

'Paul Franssen’s Shakespeare’s Literary Lives is an enormous pleasure to read and offers a key contribution to Shakespeare studies by drawing together an impressive range of research enquiries across European and North American scholarship. One of its most striking features, in evidence throughout, is its readability for both the informed reader and the general public.'

Andrew Hiscock Source: Modern Language Review

‘Paul Franssen’s fascinating and astonishingly wide-ranging study often suggests that Shakespeare’s (supposed) 'life' has been even more stimulating to the imagination than his own plays and poems. … In all, this is a wonderful and richly interesting study which deserves to be in all academic libraries …'

Katherine Duncan-Jones Source: Archiv

‘[This] book covers a wide terrain, provides invaluable insights into the appropriations of Shakespeare and the underlying ideological assumptions, not just in the Anglophone world, but also in Continental Europe … It is telling that I felt myself wanting to read on at the end, a tribute not just to the topic of the book, but also to the accessible style it was written in.’

Source: Translation, Appropriation and Performance

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography

The Age, 19th Century UK Periodicals.
Aggeler, Geoffrey, ‘Incest and the Artist: MF’, in Aggeler, Geoffrey (ed.), Critical Essays on Anthony Burgess (Boston: Hall, 1986), 172–85.
Ahnfelt, Arvid, Europas Konstnärer: Alfabetiskt Ordnade Biografier Öfver Vårt Århundrades Förnämsta Artister (Stockholm: Lamm, 1887), http://runeberg.org/eurkonst/0015.html.
Akenside, Mark, The Poetical Works of Mark Akenside, ed. Dix, Robin (Cranbury, NJ: Associated University Presses, 1996).
Alexander, Louis C., The Autobiography of Shakespeare: A Fragment (London: Headley Brothers, 1911).
American National Biography, ed. Garraty, John A. and Carnes, Mark C., 24 vols. (Oxford University Press, 1999).
A.P.H., ‘Little Talks’, Punch 10.4 (1940), 390–99.
Asimov, Isaac, Asimov’s Guide to Shakespeare (New York: Doubleday, 1970).
Asimov, Isaac, ‘The Immortal Bard’, in Earth is Room Enough (1957; rpt. St. Albans: Panther, 1960), 149–51.
Baker, Susan, ‘Shakespearean Authority in the Classic Detective Story’, Shakespeare Quarterly 46.4 (Winter 1995), 424–48.
‘The Bard’ (1963), dir. Butler, David, written by Serling, Rod, The Twilight Zone: The Complete Fourth Season, DVD, CBS 2013.
Barker, Deborah E., and Kamps, Ivo, Shakespeare and Gender: A History (London: Verso, 1995).
Bate, Jonathan, Shakespearean Constitutions: Politics, Theatre, Criticism 1730–1830 (Oxford: Clarendon Press, 1989).
Bellier-Dumaine, Ch., Alexandre Duval et son oeuvre dramatique, Thesis Université de Rennes (Paris: Librairie Hachette, 1905).
Bell’s Life in London and Sporting Chronicle, 19th Century UK Periodicals.
Benford, Gregory, ‘Not of an Age’, in Kerr, Katharine and Greenberg, Martin H. (eds.), Weird Tales from Shakespeare (New York: Daw Books, 1994), 277–91.
Bertha, Csilla, ‘“They Raigne Ouer Change, and Doe Their States Maintaine”: Change, Stasis, and Postcoloniality in Frank McGuinness’s Mutabilitie’, Irish University Review 33.2 (2003), 307–21.
Blackadder Back & Forth, script by Richard Curtis and Ben Elton, BBC 1999, YouTube, www.youtube.com/watch?v=rzHn2H2V8N4.
Blakeley, John, ‘Shakespearean Relocations: The Final Scene of John Madden’s Shakespeare in Love’, Shakespeare Bulletin 27.2 (2009), 249–59.
Bond, Edward, Bingo: Scenes of Money and Death (London: Methuen, 1974).
Bonfio, Conte Giacomo Filippo (tr.), Shakespeare Innamorato (Venice: Rizzi, 1820).
Booth, Stephen (ed.), Shakespeare’s Sonnets (New Haven: Yale University Press, 1977).
Borges, Jorge Luis, Collected Fictions, tr. Hurley, Andrew (London: Penguin, 1999).
Boyd, Elizabeth, Don Sancho: Or the Students Whim (London: printed for the author, 1739), Eighteenth Century Collections Online, Gale.
Boye, Caspar Johannes, William Shakspeare: Romantisk skuespil (Copenhagen: Schultz, 1826).
Bradshaw, Christopher Brooke, Shakspere and Company: A Comedy in Five Acts (London: Fox, 1845).
Brahms, Caryl, and Simon, S.J., No Bed for Bacon (1941; new ed.; London: Black Swan, 1999).
Bridi, Carlo (tr.), Shakespeare Innamorato, Commedia di un atto solo di Allessandro Duval, Traduzione libera, Bibliotheca Ebdomadaria-Teatrale, Fasc. 32 (Milan: Visaj, 1829).
Bristol, Michael D., Shakespeare’s America, America’s Shakespeare (London: Routledge, 1990).
British Biographical Archive, ed. Baillie, Laureen and Sieveking, Paul (Munich: Sauer, 1984), microfiches.
Brodersen, D. (tr.), Shakespeare oder der beglückte Dichter, Lustspiel in einem Akt, Nach dem Französischen des Alexis Duvals (Königsberg: Haberland, 1810).
Brophy, John, Gentleman of Stratford (1939; New York: Harper, 1940).
Brown, Ivor, and Fearon, George, This Shakespeare Industry: Amazing Monument (New York: Harper, 1939).
Bruun, Niels Thoroup (tr.), Shakespeare som Elsker eller Prøven paa Richard den Tredie, Lystspil i een Act af Alexander Duval (Copenhagen: Brummer, 1813).
Burgess, Anthony, Enderby’s Dark Lady: Or No End to Enderby (New York: McGraw-Hill, 1984).
Burgess, Anthony, ‘Genesis and Headache’, in McCormack, Thomas (ed.), Afterwords: Novelists on Their Novels (New York: Harper and Row, 1969), 2847.
Burgess, Anthony, ‘A Meeting in Valladolid’, The Devil’s Mode (London: Hutchinson, 1989), 521.
Burgess, Anthony, Nothing Like the Sun (1964; London: Vintage, 1992).
Burgess, Anthony, Shakespeare (London: Jonathan Cape, 1970).
Burgess, Anthony, You’ve Had Your Time (London: Heinemann, 1990).
Burrow, Colin (ed.), The Complete Sonnets and Poems, The Oxford Shakespeare (Oxford University Press, 2002).
Burt, Richard, ‘Shakespeare in Love and the End of the Shakespearean: Academic and Mass Culture Constructions of Literary Authorship’, in Burnett, Mark Thornton and Wray, Ramona (eds.), Shakespeare, Film, Fin de Siècle (Houndmills, Basingstoke: Macmillan, 2000), 203–31.
Burton, Philip, You, My Brother (New York: Random House, 1973).
Butterworth, Charles C., The Literary Lineage of the King James Bible: 1340–1611 (Philadelphia: University of Pennsylvania Press, 1941).
Calder, Charles, ‘Hugh Kingsmill’, Dictionary of Literary Biography 149 (1995), 109–15.
Calvo, Clara, ‘Shakespeare and Cervantes in 1916: The Politics of Language’, in Lambert, Ladina Bezzola and Engler, Balz (eds.), Shifting the Scene: Shakespeare in European Culture (Cranbury, NJ: Associated University Presses, 2004), 7894.
Calvo, Clara, ‘Shakespeare, Napoleon, and Juan de Grimaldi: Cultural Politics and French Troops in Spain’, in Delabastita, Dirk et al. (eds.), Shakespeare and European Politics (Newark: University of Delaware Press, 2008), 109–23.
Carlyle, Thomas, On Heroes, Hero-Worship, and the Heroic in History (1841; Boston: Ginn, 1901).
Carrell, Jennifer Lee, Interred with Their Bones (New York: Dutton, 2007).
Carrington, Charles, Rudyard Kipling: His Life and Work (1955; Harmondsworth: Penguin, 1986).
Catalogue of the Books, Manuscripts, Works of Art, Antiquities and Relics at Present Exhibited in Shakespeare’s Birthplace (Stratford-upon-Avon: printed for the Trustees and Guardians of Shakespeare’s Birthplace, 1910), Archive.org.
Chancellor, Louise Beecher, The Players of London: A Tale of an Elizabethian [sic] Smart Set (New York: Dodge, 1909).
Chapman, Robin, Shakespeare’s Don Quixote (Np: Book Now, 2011).
Chedgzoy, Kate, ‘“Strange Worship”: Oscar Wilde and the Key to Shakespeare’s Sonnets’, in her Shakespeare’s Queer Children: Sexual Politics and Contemporary Culture (Manchester University Press, 1995), 135–76.
Cheyfitz, Eric, The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan, expanded ed. (Philadelphia: University of Pennsylvania Press, 1997).
Chvátal, Emanuel (tr.), Zamilovany Shakespeare (Prague: Srp, 1887).
Clarke, Sandra, ‘Shakespeare on Stage’, Folio 14.1 (2007), 526.
Cleave’s Penny Gazette of Variety, 19th Century UK Periodicals.
Coale, Samuel, Anthony Burgess (New York: Ungar, 1981).
Collinson, Patrick, ‘William Shakespeare’s Religious Inheritance’, in his Elizabethan Essays (London: Hambledon Press, 1994), 219–52.
A Comparison between the Two Stages (London, 1702; rpt. New York: Garland, 1973).
Connell, Norreys [pseudonym O’Riordan, Conal], Shakespeare’s End and Other Irish Plays (Adelphi: Stephen Swift, 1912).
Cooke, Katharine, A.C. Bradley and His Influence in Twentieth-Century Shakespeare Criticism (Oxford: Clarendon, 1972).
Cooper, Susan, King of Shadows (1999; Harmondsworth: Penguin, 2000).
Cumberland, Richard, Memoirs of Richard Cumberland, Written by Himself (London: Lackington, Allen, and Co., 1807), Archive.org.
Danchin, Pierre (ed.), The Prologues and Epilogues of the Restoration, 1660–1700, 7 vols. (Nancy: Publications Université de Nancy II, 1981–88).
Danchin, Pierre (ed.). The Prologues and Epilogues of the Eighteenth Century: A Complete Edition, 8 vols. (Nancy: Publications Université de Nancy II, 1990–2001).
Dane, Clemence [pseudonym Ashton, Winifred], Will Shakespeare: An Invention in Four Acts (New York: Macmillan, 1922).
‘The Dark Lady Players to Perform Shakespeare in New York’, PR Newswire, 4 March 2008, Web, www.prnewswire.com/news-releases/56805312.html
de Armas, Frederick A., ‘Heretical Stars: The Politics of Astrology in Cervantes’, in Cruz, Anne J. (ed.), Material and Symbolic Circulation between Spain and England, 1554–1604 (Aldershot: Ashgate, 2008), 89100.
de Coster, Marc, ‘Verkante keer’, Fryske Akademy 2003, Web.
de Grazia, Margreta, ‘The Scandal of Shakespeare’s Sonnets’, in Alexander, Catherine M.S. and Wells, Stanley (eds.), Shakespeare and Sexuality (Cambridge University Press, 2001), 146–67.
de Quincey, Thomas, Biographies: Shakspeare, Pope, Goethe, and Schiller, De Quincey’s Works, vol. xv (Edinburgh: Black, 1863).
Dean, Joan FitzPatrick, ‘Advice to the Players (and the Historians): The Metatheatricality of McGuinness’s Mutabilitie’, Irish University Review 40.1 (2010), 8191.
Delabastita, Dirk, et al. (eds.), Shakespeare and European Politics (Newark: University of Delaware Press, 2008).
Dhondy, Farrukh, Black Swan (London: Gollancz, 1992).
Dictionary of American Biography, ed. Malone, Dumas, 28 vols. (New York: Scribner’s Sons, 1928–65).
Dictionary of National Biography, ed. Lee, Sidney (London: Smith, Elder, and Co., 1894).
DiPietro, Cary, ‘Sex, Lies and Videotape: Representing the Past in Shakespeare in Love, Mapping a Future for Presentism’, Shakespeare 3.1 (April 2007), 4062.
DiPietro, Cary, Shakespeare and Modernism (Cambridge University Press, 2006).
Dobson, Michael, ‘Accents Yet Unknown: Canonisation and the Claiming of Julius Caesar’, in Marsden, Jean I. (ed.), The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (New York and London: Harvester Wheatsheaf, 1991), 1128.
Dobson, Michael, ‘Bowdler and Britannia: Shakespeare and the National Libido’, Shakespeare Survey 46 (1994), 137–44.
Dobson, Michael, The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769 (Oxford: Clarendon, 1992).
Dobson, Michael, and Watson, Nicola J., England’s Elizabeth: An Afterlife in Fame and Fantasy (Oxford University Press, 2002).
Drakakis, John, ‘Theatre, Ideology, and Institution: Shakespeare and the Roadsweepers’, in Holderness, Graham (ed.), The Shakespeare Myth (Manchester University Press, 1988), 2441.
Drake, Nathan, Montchensey, in his Noontide Leisure … Including a Tale of the Days of Shakspeare, 2 vols. (London: Cadell, 1824).
Drake, Nathan, Shakspeare and His Times (London: Cadell and Davies, 1817).
Dramatisch Nieuwjaar-geschenk of tooneel-almanak voor de Hollandsche departementen, schrikkel-jaar 1812 (Amsterdam: Maaskamp, 1812).
Duncan-Jones, Katherine (ed.), Shakespeare’s Sonnets, The Arden Shakespeare Third Series (NP: Thomas Nelson, 1997).
Duncan-Jones, Katherine, Ungentle Shakespeare: Scenes from His Life (London: The Arden Shakespeare, 2001).
Duval, Alexandre, Shakespeare amoureux; ou, la pièce à l’étude, in Oeuvres complètes d’Alexandre Duval (Brussels: Hayez, 1824–5), vol. viii, 305–48.
Edmondson, Paul, and Wells, Stanley, Shakespeare’s Sonnets, Oxford Shakespeare Topics (Oxford University Press, 2004).
Ellis, David, That Man Shakespeare: Icon of Modern Culture (London: Helm, 2005).
Ellman, Richard, Oscar Wilde (London: Hamish Hamilton, 1987).
Engler, Balz, ‘Constructing Shakespeares in Europe’, in Pujante, Angel-Luis and Hoenselaars, Ton (eds.), Four Hundred Years of Shakespeare in Europe (Newark: Associated University Presses, 2003), 2639.
Evans, Anna Laura, The Disestablishment of the Church of Ireland in 1869, PhD thesis Columbia 1928 (Lancaster, PA: Lancaster Press, 1929).
Evans, Malcolm, Signifying Nothing: Truth’s True Contents in Shakespeare’s Text (New York: Harvester Wheatsheaf, 1986).
Ewbank, Inga Stena, ‘As They Liked It: Shakespearean Comedy Goes Continental’, in Marshall, Gail and Poole, Adrian (eds.), Victorian Shakespeare Volume I: Theatre, Drama and Performance (Houndmills, Basingstoke: Palgrave MacMillan, 2003), 128–45.
Fagan, J. B., Shakespear v. Shaw, 1905, unpublished play, University of Birmingham, Spielmann collection.
Feuer, Lois, ‘Joyce the Postmodern: Shakespeare as Character in Ulysses’, in Franssen, Paul and Hoenselaars, Ton (eds.), The Author as Character: Representing Historical Writers in Western Literature (Madison: Fairleigh Dickinson University Press, 1999), 167–80.
Foulkes, Richard, The Shakespeare Tercentenary of 1864 (London: The Society for Theatre Research, 1984).
Franssen, Paul, ‘The (absent) Dutch Shakespeare Cult’, in Brooks, Douglas A. et al. (eds.), Shakespeare and the Low Countries, Shakespeare Yearbook 15 (Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2005), 211–32.
Franssen, Paul, ‘Fictional Treatments of Shakespeare’s Authorship’, in Edmondson, Paul and Wells, Stanley (eds.), Shakespeare Beyond Doubt: Evidence, Argument, Controversy (Cambridge University Press, 2013), 189200.
Franssen, Paul, ‘Half a Miracle: A Response to William Harmon’, Connotations 3.2 (1993–4), 118–22.
Franssen, Paul, ‘Shakespeare’s Life on Film and Television: Shakespeare in Love and A Waste of Shame’, in Minier, Márta and Pennacchia, Maddalena (eds.), Adaptation, Intermediality and the British Celebrity Biopic (Farnham: Ashgate, 2014), 101–13.
Franssen, Paul, and Koster, Cees, ‘Shakespeare’s Sonnets into Dutch and Flemish’, in Pfister, Manfred and Gutsch, Jürgen (eds.), William Shakespeare’s Sonnets for the First Time Globally Reprinted: A Quatercentenary Anthology (Dozwil, Switzerland: Edition SIGNAThUR, 2009), 171–80.
Franssen, Paul, and Hoenselaars, Ton (eds.), The Author as Character: Representing Historical Writers in Western Literature (Madison: Fairleigh Dickinson University Press, 1999).
Friesner, Esther M., ‘Titus!’, in Kerr, Katharine and Greenberg, Martin H. (eds.), Weird Tales from Shakespeare (New York: Daw Books, 1994), 170–91.
Fryer, Peter, Staying Power: The History of Black People in Britain (London: Pluto, 1984).
Gaiman, Neil, The Sandman 13: The Doll’s House part 4 (February 1990).
Gaiman, Neil, The Sandman 19: Dream Country: A Midsummer Nights Dream (September 1990).
Gaiman, Neil, and Vess, Charles, The Sandman 75: The Tempest (March 1996).
Garnett, Richard, William Shakespeare, Pedagogue and Poacher (London and New York: John Lane/The Bodley Head, 1905).
Garrick in the Shades (London: Southern, 1779), Eighteenth Century Collections Online, Gale.
Geraghty, Tom J., A Pound of Flesh, in Nicholson, Kenyon (ed.), Hollywood Plays: Twelve One-Act Plays from the Repertory of the Writers’ Club of Hollywood, California (New York: Samuel French, 1930), 105–26.
Gibson, William, A Cry of Players (1946), revised version (New York: Dramatists Play Service, 1968).
Gifford, Don, and Seidman, Robert J., Ulysses Annotated, 2nd, rev. exp. ed. (Berkeley: University of California Press, 1989).
Golder, John, Shakespeare for the Age of Reason: The Earliest Stage Adaptations of Jean-François Ducis 1769–1792 (Oxford: The Alden Press, 1992).
Good, James A., ‘A “World-Historical Idea”: The St. Louis Hegelians and the Civil War’, Journal of American Studies 34.3 (December 2000), 447–64.
Green, Paul, The Lost Colony: A Symphonic Drama of American History (1937), ed. Avery, Laurence G. (Chapel Hill: The University of North Carolina Press, 2001).
Greenblatt, Stephen, Shakespearean Negotiations (Oxford: Clarendon, 1988).
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (London: Jonathan Cape, 2004).
Gregg, Tresham D., Queen Elizabeth: or the Origin of Shakespeare (London: Macintosh, 1872).
Gregor, Keith, ‘Shakespeare as a Character on the Spanish Stage: A Metaphysics of Bardic Presence’, in Pujante, Angel-Luis and Hoenselaars, Ton (eds.), Four Hundred Years of Shakespeare in Europe (Newark: Associated University Presses, 2003), 4353.
Gregor, Keith, and Vidal, Encarna, ‘The “Other” William and the Question of Authority in Spanish Stage Depictions of Shakespeare’, SEDERI 12 (2002), 237–46.
Grendel, Frédéric, Beaumarchais ou la calomnie (Paris: Flammarion, 1973).
Grene, Nicholas, ‘Mutabilitie: In Search of Shakespeare’, Irish University Review 40.1 (2010), 92100.
Grillo, Ernesto, Shakespeare and Italy (Glasgow University Press, 1949).
Gruner, E. Hamilton, With Golden Quill: A Cavalcade, Depicting Shakespeare’s Life and Times in Three Acts (Stratford: Shakespeare Press, 1936).
Gurr, Andrew, ‘Shakespeare’s First Poem: Sonnet 145’, Essays in Criticism 21 (July 1971), 221–6.
Habicht, Werner, ‘The Making of the Poet: Fictions of Shakespeare’s Artistic Breakthrough’, Folio 7.2 (2000), 1829.
Habicht, Werner, Shakespeare and the German Imagination, International Shakespeare Association Occasional Paper No. 5 (Hertford: Austin, 1994).
Hackett, Helen, Shakespeare and Elizabeth: The Meeting of Two Myths (Princeton University Press, 2009).
Hall, Kim F., Things of Darkness: Economies of Race and Gender in Early Modern England (Ithaca: Cornell University Press, 1995).
Hamilton, Donna B., ‘Shakespeare and Religion’, in Elton, W. R. and Mucciolo, John M. (eds.), The Shakespearean International Yearbook: 1. Where Are We Now in Shakespearean Studies (Aldershot: Ashgate, 1999), 187202.
Hamilton, Donna B., and Strier, Richard (eds.), Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge University Press, 1996).
Sir Hamley, Edward, Shakespeare’s Funeral (1873), rpt. in Shakespeare’s Funeral and Other Papers by Sir Edward Hamley (Edinburgh: Blackwood, 1889), 171.
St. Hankin, John, The New Wing at Elsinore, Punch 120 (16 January 1901), rpt. in Mr Punch’s Dramatic Sequels (London: Bradbury, Agnew, & Co., ND), 2136, Archive.org.
Hansen, Niels Bugge, ‘Something Is Rotten…’, in King, Ros and Franssen, Paul (eds.), Shakespeare and War (Houndmills, Basingstoke: Palgrave Macmillan, 2008), 153–65.
Harmon, William, ‘Paronomastics: The Name of the Poet from Shakespeare and Donne to Glück and Morgan’, Connotations 2.2 (1992), 115–25.
Harris, Frank, The Man Shakespeare and His Tragic Life Story (1909; Teddington, Middlesex: The Echo Library, 2006).
Harris, Frank, Shakespeare and His Love (London: Palmer, 1910).
Harrison, George B., Shakespeare under Elizabeth (1933), new ed. as Shakespeare at Work, 1592–1603 (Ann Arbor: University of Michigan Press, 1958).
Hawkes, Terence, Meaning by Shakespeare (London: Routledge, 1992).
Hawkes, Terence, That Shakespeherian Rag: Essays on a Critical Process (London: Methuen, 1986).
Helsingfors Tidningar no 55. 18 Juli 1846. http://digi.kansalliskirjasto.fi/sanomalehti/binding/384979.
Henderson, Diana E., ‘Othello Redux?: Scott’s Kenilworth and the Trickiness of “Race” on the Nineteenth-Century Stage’, in Marshall, Gail and Poole, Adrian (eds.), Victorian Shakespeare Volume 2: Literature and Culture (Houndmills, Basingstoke: Palgrave Macmillan, 2003), 1429.
Hoenselaars, Ton, ‘Frank Harris, Bardolatry and Wagnerism’, in Kennan, Patricia and Tempera, Mariangela (eds.), Metamorphosing Shakespeare: Mutual Illuminations of the Arts (Bologna: CLUEB, 2004), 163–74.
Höfele, Andreas, Der Spitzel (Frankfurt am Main: Suhrkamp, 1997).
Höfele, Andreas, ‘Portraits of Mr. W. S.: Shakespeare als Rätsel in Iris Murdochs The Black Prince und Anthony Burgess’ Enderby’s Dark Lady’, Deutsche Shakespeare Gesellschaft West Jahrbuch 1985, 117–31.
Holderness, Graham, ‘Bardolatry: or The Cultural Materialist’s Guide to Stratford-upon-Avon’, in Holderness, Graham, ed., The Shakespeare Myth (Manchester University Press, 1988), 215.
Holderness, Graham, Nine Lives of William Shakespeare (London: Continuum, 2011).
Holderness, Graham, Tales from Shakespeare: Creative Collisions (Cambridge University Press, 2014).
Holland, Peter, ‘Dramatizing the Dramatist’, Shakespeare Survey 58 (2005), 137–47.
Holroyd, Michael (ed.), The Best of Hugh Kingsmill (London: Gollancz, 1970).
Honigmann, E. A. J., Shakespeare: The ‘Lost Years’ (Manchester University Press, 1985).
Hotson, Leslie, Mr W. H. (London: Rupert Hart-Davis, 1964).
Howells, William Dean, The Seen and Unseen at Stratford-on-Avon: A Fantasy (New York: Harper and Brothers, 1914).
Hudson, John, The Dark Lady: The Woman Who Wrote Shakespeare, YouTube, February 2008. www.youtube.com/watch?v=tyn-3GNOd7w.
Hulme, Peter, Colonial Encounters: Europe and the Native Caribbean 1492–1797 (1986; London: Routledge, 1992).
Hulme, Peter, and Sherman, William H. (eds), The Tempest and Its Travels (London: Reaktion Books, 2000).
Hunt, Marvin, ‘Be Dark but Not Too Dark; Shakespeare’s Dark Lady as a Sign of Color’, in Schiffer, James (ed.), Shakespeare’s Sonnets: Critical Essays (New York: Garland, 1999), 368–89.
Ife, B. W., ‘Cervantes and Shakespeare: Asymmetrical Conversations’, in de Sevilla, José Manuel González Fernández (ed.), Cervantes y/and Shakespeare (Alicante: Universidad de Alicante, 2006), 2149.
Inchbald, Elizabeth (ed.), The British Theatre … with Biographical and Critical Remarks by Mrs. Inchbald, 25 vols. (London: Longman, Hurst, Reese and Orme, 1806–9).
Irving, Washington, The Sketch Book of Geoffrey Crayon, Gent. (Boston: Dana Estes and Co., 1820), Archive.org.
Iyengar, Sujata, ‘Shakespeare in HeteroLove’, Film/Literature Quarterly 29 (2001), 122–7.
Jacquot, Jean, Shakespeare en France: Mises en scènes d’hier et d’aujourd’hui (Paris: Le temps, 1964).
James, Henry, ‘The Birthplace’ (1903), in his The Altar of the Dead, The Beast in the Jungle, The Birthplace and Other Tales (New York: Charles Scribner’s Sons, 1909), 131213.
Jensen, Niels, Danske Litteraturpriser, www.litteraturpriser.dk.
Johnston, Carol, ‘Erica Jong’, Dictionary of Literary Biography 2 (1978), 252–5.
Jones, Peter (ed.), Shakespeare: The Sonnets. A Casebook (London: Macmillan, 1977).
Jong, Erica, Serenissima: A Novel of Venice (London: Bantam, 1987).
Joyce, James, Ulysses (1922), The Corrected Text, ed. Gabler, Hans Walter et al. (New York: Vintage Books, 1986).
Kemp, Sandra, Kipling’s Hidden Narratives (Oxford: Blackwell, 1988).
Kingsmill, Hugh, The Return of William Shakespeare (Indianapolis: Bobbs-Merrill, 1929).
Kipling, Rudyard, ‘Proofs of Holy Writ’, in Mrs Bathurst and Other Stories, ed. Lewis, Lisa, Introduction by Bayley, John, The World’s Classics (Oxford University Press, 1991), 251–63.
Kipling, Rudyard, ‘Shakespeare and The Tempest’ (1898), in The Collected Works of Rudyard Kipling, XXIII, Uncollected Prose (1941; New York: AMS Press, 1970), 401–5.
Kipling, Rudyard, The Works of Rudyard Kipling (Ware: Wordsworth Editions, 1994).
Koch, Frederick Henry, Raleigh: The Shepherd of the Ocean: A Pageant-Drama (Raleigh, NC: Edwards and Broughton, 1920).
Koch, Frederick Henry et al., The Book of Shakespeare, the Playmaker (Grand Forks, ND: The University of North Dakota, 1916).
Kuyper, Amanda, ‘Ilja Reijngoud over Shakespeare en jazz’, NRC-Handelsblad (9 February 2009), 8.
Landor, Walter Savage, Citation and Examination of William Shakspeare … before the Worshipful Sir Thomas Lucy Knight Touching Deer-Stealing (London: Saunders and Otley, 1834).
Lanier, Douglas, Shakespeare and Modern Popular Culture (Oxford University Press, 2002).
Lanier, Douglas, ‘ShakespeareTM: Myth and Biographical Fiction’, in Shaughnessy, Robert (ed.), The Cambridge Companion to Shakespeare and Popular Culture (Cambridge University Press, 2007), 93113.
Lanier, Douglas, ‘William Shakespeare, Filmmaker’, in Cartmell, Deborah and Whelehan, Imelda (eds.), The Cambridge Companion to Literature on Screen (Cambridge University Press, 2007), 6174.
Laroche, Rebecca, ‘The Sonnets on Trial: Reconsidering The Portrait of Mr. W.H. ’, in Schiffer, James (ed.), Shakespeare’s Sonnets: Critical Essays (New York: Garland, 1999), 391409.
‘The Latest Word’, Steamshovel, www.umsl.edu/~thomaskp/sbible.htm.
[Lawrence, Herbert]. The Life and Adventures of Common Sense: An Historical Allegory (1769), 3rd ed. (Dublin: Moncrieffe, 1771).
Lebrün, Carl, Shakespeare: Ein Spiel in Versen (Mainz: Kupferberg, 1818).
Lehmann, Courtney, ‘Shakespeare in Love: Romancing the Author, Mastering the Body’, in Lehmann, Courtney and Starks, Lisa S. (eds.), Spectacular Shakespeare: Critical Theory and Popular Cinema (Madison: Fairleigh Dickinson University Press, 2002), 125–45.
Lenz, Jakob Michael Reinhold, Werke und Schriften, 2 vols., ed. Titel, Britta & Haug, Hellmut (Stuttgart: Goverts, 1966–7).
Levenson, Jill L., ‘Shakespeare in Drama since 1990: Vanishing Act’, Shakespeare Survey 58 (2005), 148–59.
Levine, Lawrence W., Highbrow / Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA: Harvard University Press, 1988).
Lojek, Helen Heusner, ‘Playing Together: William Shakespeare and Frank McGuinness’, in Clare, Janet and O’Neill, Stephen (eds.), Shakespeare and the Irish Writer (Dublin: University College Dublin Press, 2010), 179–94.
Longhurst, Derek, ‘“You Base Football Player!”: Shakespeare in Contemporary Popular Culture’, in Holderness, Graham (ed.), The Shakespeare Myth (Manchester University Press, 1988), 5973.
Longworth de Chambrun, Clara, My Shakespeare, Rise! (London: Lippincott, 1935).
Loring, E. Bertrand, ‘The Man Who Wrote Shakespeare’, The Magazine of Fantasy and Science Fiction 72.1 (January 1987), 127–34.
Malone, Edmund, Historical Account of the Rise and Progress of the English Stage (Basil: Tourneisen, 1799).
Márkus, Zoltán, ‘Der Merchant von Velence: The Merchant of Venice in London, Berlin, and Budapest during World War II’, in Delabastita, Dirk et al. (eds.), Shakespeare and European Politics (Newark: University of Delaware Press, 2008), 143–57.
Marrapodi, Michele, Hoenselaars, A. J. et al. (eds.), Shakespeare’s Italy: Functions of Italian Locations in Renaissance Drama (Manchester University Press, 1993).
Mayo, Sarah, ‘“A Shakespeare for the People”? Negotiating the Popular in Shakespeare in Love and Michael Hoffman’s A Midsummer Night’s Dream’, Textual Practice 17.2 (2003), 295315.
McGuinness, Frank, ‘Foreword’, in Burnett, Mark Thornton and Wray, Ramona (eds.), Shakespeare and Ireland: History, Politics, Culture (London: Macmillan, 1997), xixii.
McGuinness, Frank, Mutabilitie (London: Faber and Faber, 1997).
McMahon, Joseph H., ‘Ducis: Unkindest Cutter?’, Yale French Studies 33 (1964), 1425.
McPherson, David C., Shakespeare, Jonson, and the Myth of Venice (Newark: University of Delaware Press, 1990).
Memoirs of the Shakespear’s-Head in Covent-Garden. By the Ghost of Shakespear, 2 vols. (London: Noble, 1755), Eighteenth Century Collections Online, Gale.
Miguel y William, dir. París, Inés, 2007, DVD, Warner 2007.
Moody, Jane, Illegitimate Theatre in London, 1770–1840 (Cambridge University Press, 2000).
Mortimer, John, Will Shakespeare: The Untold Story (New York: Dell, 1977).
Munk, Kaj, ‘Kaj Munk taler med Shakespeare’, Forum, Tidsskrift for Musik og Teater 3 (March 1935), 810.
Murphy, Andrew, Shakespeare for the People: Working Class Readers, 1800–1900 (Cambridge University Press, 2008).
Newey, Katherine, ‘Reform on the London Stage’, in Burns, Arthur and Innes, Joanna (eds.), Rethinking the Age of Reform: Britain 1780–1850 (Cambridge University Press, 2003), 238–53.
Nichols, James W., ‘Shakespeare as a Character in Drama: 1679–1899’, Educational Theatre Journal 15.1 (March 1963), 2432.
Nichols, James W., ‘William Shakespeare on the Stage: An Historical and Critical Study of the Figure of William Shakespeare in British and American Drama’, Unpublished MA Thesis Birmingham, 1951, Birmingham University Library.
Norman, Marc, and Stoppard, Tom, Shakespeare in Love [screenplay] (London: Faber and Faber, 1999).
Novy, Marianne (ed.), Women’s Re-Visions of Shakespeare (Urbana: University of Illinois Press, 1990).
Nye, Robert, Mrs Shakespeare: The Complete Works (London: Sinclair-Stevenson, 1993).
O’Sullivan, Maurice J. (ed.), Shakespeare’s Other Lives: An Anthology of Fictional Depictions of the Bard (Jefferson, NC: McFarland, 1997).
O’Sullivan, Maurice J., ‘Shakespeare’s Other Lives’, Shakespeare Quarterly 38.2 (Summer 1987), 133–50.
The Oxford Companion to Irish History, ed. Connolly, S. J. (Oxford University Press, 1990).
Oya, Reiko, ‘“Talk to Him”: Wilde, His Friends, and Shakespeare’s Sonnets’, Critical Survey 21.3 (2009), 2240.
Pennacchia, Maddalena, Shakespeare e il Sogno di un’Estate (Rome: Edizioni Lapis, 2009).
The Penny Satirist, 19th Century UK Periodicals.
Pequigney, Joseph, Such Is My Love: A Study of Shakespeare’s Sonnets (Chicago: The University of Chicago Press, 1985).
Peterson, Richard F., and Phillips, Gary, ‘W. B. Yeats and Norreys Connell’, Yeats Annual 2 (1983), 4658.
Pownall, David, The Catalogue of Men (London: Picador, 1999).
Praz, Mario, ‘Shakespeare’s Italy’, Shakespeare Survey 7 (1954), 95106.
Pronzini, Bill, and Malzberg, Barry N., ‘Shakespeare MCMLXXXV’, The Magazine of Fantasy and Science Fiction 63.5 (November 1982), 65–9.
Pujante, Angel-Luis, ‘Spanish and European Shakespeares’, Folio 6.2 (1999), 1840.
Pujante, Angel-Luis, and Vera, Noemí, ‘Shakespeare as Character in Two Works by José Carlos Somoza’, Critical Survey 25.1 (2013), 4958.
Pujante, Angel-Luis, The Queen’s Command, unpublished Ms., BL Add. Ms 42947, Lord Chamberlain’s Plays, May-July 1838, No. 22, Ff. 844–61b.
Ramirez, Frank, ‘The Merchant of Stratford’, Isaac Asimov’s Science Fiction Magazine 3.7 (July 1979), 125–33.
‘Repertoaret ved Det Norske Theater’, Universitetsbibliotheket in Bergen, website, www.ub.uib.no/fag/hf-fag/teater/0DNTrepertoar1.pdf.
Répertoire du théâtre français à Berlin 280 (Berlin: Schlesinger, 1843).
Report from the Select Committee on Dramatic Literature, with the Minutes of Evidence, 1832, Selection of Reports and Papers of the House of Commons, vol. xxxii, Literary and Scientific (1836), Google Books.
Revue d’histoire littéraire de la France (Paris: Colin, 1894–).
Rollins, Hyder Edward (ed.), A New Variorum Edition of Shakespeare: The Sonnets (Philadelphia: J.B. Lippincott, 1944).
Roobol, Cornelis J. (tr.), Shakspeare terug in zijn geboorteplaats (Amsterdam: Hassels, 1857).
Roobol, Cornelis J.(tr.), William Shakspeare, of de roeping (Amsterdam: Van Kesteren, 1840).
Rooke, Leon, Shakespeare’s Dog (New York: Alfred A. Knopf, 1983).
Rosenbaum, Ron, ‘Shakespeare in Rewrite’, The New Yorker, 13 May 2002, 72.
Rosenthal, Laura J., ‘The Author as Ghost in the Eighteenth Century’, 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 3 (1997), 2956.
Rowell, George, Queen Victoria Goes to the Theatre (London: Paul Elek, 1978).
Rubinstein, H. F., and Bax, Clifford, Shakespeare: A Play in Five Episodes (London: Benn Brothers, 1921).
Rudkin, David, Will’s Way (Halford, Shipston-on-Stour: The Celandine Press, 1993).
Rush, Christopher, Will (London: Beautiful Books, 2007).
Rylance, Mark, ‘The Big Secret Live! “I am Shakespeare” Webcam Daytime Chat-room Show!!!’, 2007, unpublished typescript.
Sand, George, Le roi attend: Prologue (1848), in Théatre complet, i (Paris: Lévy, 1876), 125–42.
The Satirist; or, the Censor of the Times, 19th Century UK Periodicals.
Scheil, Katherine, ‘The Second Best Bed and the Legacy of Anne Hathaway’, Critical Survey 21.3 (2009), 5971.
Scheil, Katherine, ‘The Shakespeare Courtship in the Millennium’, Critical Survey 25.1 (2013), 618.
Schiller, Friedrich, Schillers Werke: Nationalausgabe, ed. Oellers, Norbert (Weimar: Hermann Böhlaus Nachfolger, 1983).
Schink, Johann Friedrich, Shakespeare in der Klemme (1780), in Müller-Schwefe, Gerhard (ed.), Shakespeare im Narrenhaus: Deutschsprachige Shakespeare-Parodien aus zwei Jahrhunderten (Tübingen: Francke Verlag, 1990), 126–34.
Schoch, Richard W., Shakespeare’s Victorian Stage: Performing History in the Theatre of Charles Kean (Cambridge University Press, 1998).
Schoenbaum, Samuel, Shakespeare’s Lives (Oxford: Clarendon Press, 1970).
Schoenbaum, Samuel, Shakespeare’s Lives, new rev. ed. (Oxford University Press, 1993). References are to the revised edition, unless otherwise indicated.
Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life (1977; rev. ed. Oxford University Press, 1987).
Schubert, Berit Bettina, [Enter Shakespeare] Der Dramatiker als Figur im modernen Drama, Diss. Munich 2002 (Frankfurt am Main: Peter Lang, 2003).
Schutte, William M., Joyce and Shakespeare: A Study in the Meaning of Ulysses (New Haven: Yale University Press, 1957).
Schwartz-Gastine, Isabelle, ‘Shakespeare on the French Stage: A Historical Survey’, in Pujante, Angel-Luis and Hoenselaars, Ton (eds.), Four Hundred Years of Shakespeare in Europe (Newark: Associated University Presses, 2003), 223–40.
Scott, Walter, Kenilworth, 3 vols. (Edinburgh: Constable, 1821).
Shakespeare and Burbage or Royal Precedence: A Burletta in One Act, unpublished Ms., BL Add. Ms 42947, Lord Chamberlain’s Plays, May–July 1838, No. 23, Ff. 862–86b.
The Shakespeare Code’, 2007, Doctor Who, written by Davies, Russell T. and Roberts, Gareth, Series 3, Volume 1, DVD, BBC 2007.
Shakespeare in Love, dir. Madden, John, screenplay Norman, Marc and Stoppard, Tom, DVD, Miramax 1998.
Shakespeare Kär. Komedi uti En Akt. Af Alexander Duval. Öfversättning [af Joh. Imnelius, handwritten remark] (Stockholm: Wennlundska Boktryckeriet, 1826).
‘The Shakespeare Sketch’, written by Curtis, Richard and Elton, Ben, Blackadder Hall 1989, www.blackadderhall.com/?page_id=258.
Shakespeare’s Ghost’, Gentleman’s Magazine 73 (1803), 664.
Shand, Alexander I., The Life of General Sir Edward Bruce Hamley, K.C.B., K.C.M.G., 2 vols. (Edinburgh: Blackwood, 1895).
Shapiro, James, Contested Will: Who Wrote Shakespeare? (London: Faber and Faber, 2010).
Shaw, George Bernard, Misalliance, The Dark Lady of the Sonnets, Fanny’s First Play (London: Constable, 1930).
Shewan, Rodney, Oscar Wilde: Art and Egotism (London: Macmillan, 1977).
Shuger, Deborah K., Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture (Berkeley: University of California Press, 1990).
Sinfield, Alan, ‘Making Space: Appropriation and Confrontation in Recent British Plays’, in Holderness, Graham (ed.), The Shakespeare Myth (Manchester University Press, 1988), 128–44.
Smith, D. Nichol (ed.), Eighteenth Century Essays on Shakespeare, 2nd ed. (Oxford: Clarendon Press, 1963).
Smith, Gretchen E., ‘Aurore Dupin Dudevant and Jean-Baptiste Poquelin: George Sand Reconstructs Molière’, in Franssen, Paul and Hoenselaars, Ton (eds.), The Author as Character: Representing Historical Writers in Western Literature (Madison: Fairleigh Dickinson University Press, 1999), 141–56.
Smith, Kay H., ‘Will! or Shakespeare in Hollywood: Anthony Burgess’s Cinematic Presentation of Shakespearean Biography’, in Aebischer, Pascale et al. (eds.), Remaking Shakespeare: Performance across Media, Genres and Cultures (Houndmills, Basingstoke: Palgrave MacMillan, 2003), 134–50.
Smith, Richard Penn, Shakespeare in Love, in The Sentinels and Other Plays by Richard Penn Smith, ed. Ware, Ralph H. and Schoenberger, H. W. (1940; Bloomington: Indiana University Press, 1965), 101–14.
Smith, Sarah, Chasing Shakespeares (New York: Washington Square Press, 2003).
Snider, Denton Jaques, The Rise of Young Shakespeare: A Biographic Novel (Saint Louis: William Harvey Miner Co, 1925).
Snider, Denton Jaques, The Shakespeariad: A Dramatic Epos (St. Louis: Sigma Publishing, [1916?]).
Somerset, Charles A., Shakspeare’s Early Days: A Historical Play, in Two Acts (London: Cumberland, [1829]).
Somoza, José, ‘Una conversación del otro mundo, entre el español Cervantes y el inglés Shakespeare’ (1838), in Pujante, Angel-Luis and Arnaiz, Laura Campillo (eds.), Shakespeare en España: textos 1764–1916 (Granada y Murcia: Universidad de Granada y Universidad de Murcia, 2007), 111–13.
Soyinka, Wole, ‘Shakespeare and the Living Dramatist’, Shakespeare Survey 36 (1983), 110.
Spielmann, Marion H., ‘Shakespeare’s Ghost’, Times Literary Supplement, 27 October 1921, 698–9.
Spielmann, Marion H., ‘Shakespeare Treads the Boards [I]’, Times Literary Supplement, 1 December 1921, 788.
Spielmann, Marion H., ‘Shakespeare Treads the Boards [II]’, Times Literary Supplement, 2 February 1922, 76.
Spielmann, Marion H., ‘“Shakespeare Treads the Boards” with the Earl of Essex’, Times Literary Supplement, 22 June 1933, 428.
Spielmann, Percy, ‘Shakespeare: A Character in the Play’, unpublished bibliography, Birmingham University Library, Spielmann collection.
Stein, Karl, Shakespeares Bestimmung, in Deutsches Theater von Karl Stein (Berlin: Stuhr, 1820), 4092.
Stephens, John Russell, ‘Moncrieff, William Gibbs Thomas (1794–1857)’, Oxford Dictionary of National Biography (Oxford University Press, 2004), www.oxforddnb.com.
Sterling, Sara Hawks, Shake-speare’s Sweetheart (Philadelphia: George W. Jacobs, 1905).
Stewart, David H., ‘Kipling’s Portrait of the Artist’, English Literature in Transition 31 (1988), 265–83.
Stinson, John J., Anthony Burgess Revisited (Boston: Twayne, 1991).
Stinson, John J., ‘“Nothing Like the Sun”: The Faces in Bella Cohen’s Mirror’, Journal of Modern Literature 5.1 (February 1976), 131–47.
Sturgess, Kim C., Shakespeare and the American Nation (Cambridge University Press, 2004).
Sweigart-Gallagher, Angela, ‘The Promise of Democracy: Imagining National Community in Paul Green’s The Lost Colony’, Theatre Symposium 17 (2009), 97112.
Taylor, Gary, ‘Forms of Opposition: Shakespeare and Middleton’, English Literary Renaissance 24 (1994), 283314.
Taylor, Gary, Reinventing Shakespeare: A Cultural History from the Restoration to the Present (London: Hogarth Press, 1990).
‘Théâtre français à l’étranger au XIXe’, Colloque, Calenda, 15 April 2002, http://calenda.org/187129.
Tieck, Ludwig, Dichterleben (1826–29), in Novellen (Darmstadt: Wissenschaftliche Buchgesellschaft, 1965), 301549.
Tieck, Ludwig, ‘Die Sommernacht: Ein dramatisches Fragment’ (1789), in Ludwig Tieck’s nachgelassene Schriften: Auswahl und Nachlese, ed. Köpke, Rudolf, vol. i (Leipzig: Brockhaus, 1855; rpt. Berlin: De Gruyter, 1974), 420.
Tieck, Ludwig, The Life of Poets (Leipsic: Fleischer, 1830).
Tieck, Ludwig, Prinz Zerbino oder Die Reise nach dem guten Geschmack (1796), in Ludwig Tiecks Schriften, vol. x (Berlin: Reimer, 1828).
Time Flies (1944), dir. Forde, Walter, Screenplay Kavanagh, Ten and Orton, J. O. C., Gainsborough Pictures, DVD Armand Movies, nd.
Tompkins, Cynthia, ‘Erica Jong’, in Dictionary of Literary Biography 152 (1995), 99106.
Tronch-Pérez, Jesús, ‘Breaking Shakespeare’s Image in Late Spanish Drama and Film’, in Burnett, Mark Thornton and Streete, Adrian (eds.), Filming and Performing Renaissance History (Basingstoke: Palgrave Macmillan, 2011), 3349.
Turtledove, Harry, Ruled Britannia (London: Penguin, 2002).
Twain, Mark, Is Shakespeare Dead? (New York: Harper, 1909).
van der H[oop], A. Jr, ‘De Schim van Shakespear’, De Nederlandsche Mercurius 26 (4 March 1829), 409–10.
van der Vijver, C. (tr.), Shakespeare Minnaar, Blijspel; naar het Fransch van Alexander Duval (Amsterdam: Van Esveldt-Holtrop, 1810).
van Emde Boas, Coenraad, Shakespeare’s Sonnetten en hun verband met de travesti-double spelen: Een medisch-psychologische studie, Diss. Amsterdam, 1951 (Amsterdam: Wereldbibliotheek, n.d.).
van Kampen, N. G., ‘Redevoering over William Shakespear, … Voorgelezen … den 9 December 1814’, in Mnemosyne: Mengelingen voor Wetenschappen en Fraaije Letteren, ed. Tydeman, H. W. and van Kampen, N. G., vol. i (Dordrecht: Blussé, 1815), 61119.
Vaughan, Alden T., and Vaughan, Virginia Mason, Shakespeare’s Caliban: A Cultural History (Cambridge University Press, 1991).
Vaughan, Alden T. (eds.), Shakespeare in American Life (Washington, DC: Folger Shakespeare Library, 2007).
Vera, Noemí, ‘Inés París’ Miguel y William: Shakespeare’s Spanish Shipwreck’, unpublished paper.
The Visitation; or an Interview between the Ghost of Shakespear and D–v–d G–rr–ck, Esq. (1755), in O’Sullivan, Maurice J. (ed.), Shakespeare’s Other Lives (Jefferson, NC: McFarland, 1997), 205–9.
Vitaliani, C. (tr.), Shakespeare Innamorato. Commedia. Ridotta del francese, Bound with Scalvini, A., I sogni di Ettore, Florilegio Drammatico, vols. 106–7 (Milan: Libreria Editrice, 1876).
[Vogt, Niklas], Schakespear’s Beruf und Triumpf (Mainz: Fischer, 1792).
von Holtei, Carl, Shakspere in der Heimath, oder: Die Freunde, in Theater von Carl von Holtei (Breslau: Schulz, 1845), 439–64.
von Kurländer, Franz August (tr.), Shakspeare als Liebhaber: Lustspiel in einem Act. Nach Duval frey bearbeitet, in Almanach Dramatischer Spiele (Vienna: Wallishauser, 1818), 144.
Waller, Gary (ed.), Shakespeare’s Comedies (London: Longman, 1991).
A Waste of Shame: A Drama Exploring the Story behind Shakespeare’s Love Sonnets, dir. Mackay, John, screenplay by Boyd, William, broadcast BBC 2005, DVD, BBC/The Open University, 2005.
Watson, Nicola J., ‘Kemble, Scott, and the Mantle of the Bard’, in Marsden, Jean I. (ed.), The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (London: Harvester Wheatsheaf, 1991), 7392.
Wayne, Valerie, ‘Don Quixote and Shakespeare’s Collaborative Turn to Romance’, in Carnegie, David and Taylor, Gary (eds.), The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play (Oxford University Press, 2012), 217–38.
Whelan, Peter, The School of Night (London: Warner Chappell Plays, 1992).
Wilde, Oscar, Intentions (New York: Brentano’s, 1905).
Wilde, Oscar, The Picture of Dorian Gray (1891), ed. Ackroyd, Peter (Harmondsworth: Penguin, 1985).
Wilde, Oscar, ‘The Portrait of Mr. W. H.’ (1889), in Small, Ian (ed.), Oscar Wilde: Complete Short Fiction (Harmondsworth: Penguin, 1994), 4779.
Wilde, Oscar, The Portrait of Mr. W. H.: The Greatly Enlarged Version Prepared by the Author after the Appearance of the Story in 1889 but not Published, ed. Holland, Vyvyan (London: Methuen, 1921; rpt. 1958).
‘William Boyd Talks to Stuart Jeffries About Writing for Film’, www.buzzle.com/editorials/1-20-2006-86890.asp. 20 January 2006.
Williams, Robert Folkestone, The Secret Passion (1844; New York: Stringer and Townsend, 1847).
Will Shakespeare, dir. Cullingham, Mark, Knights, Robert and Wood, Peter, script by Mortimer, John, ITV 1978, DVD Granada 2009.
Wilson, Angus, The Strange Ride of Rudyard Kipling: His Life and Works (New York: Viking, 1977).
Wilson, Edwin (ed.), Shaw on Shakespeare: An Anthology of Bernard Shaw’s Writings on the Plays and Production of Shakespeare (1961; London: Cassell, 1962).
Wilson, Richard, ‘“Like the Old Robin Hood”: As You Like It and the Enclosure Riots’, Shakespeare Quarterly 43.1 (Spring 1992), 119.
Wilson, Snoo, More Light: A Play about the Heretic Giordano Bruno (Oxford: Mandrake, 1990).
Wood, Michael, In Search of Shakespeare (2003; London: BBC Books, 2005).
Woodward, George M., ‘Familiar Verses from the Ghost of Willy Shakspeare to Sammy Ireland’, in O’Sullivan, Maurice J. (ed.), Shakespeare’s Other Lives (Jefferson, NC: McFarland, 1997), 210–13.
Worp, Jacob A., Geschiedenis van het drama en van het tooneel in Nederland (Groningen: Wolters, 1908).
Zogry, Michael J., ‘Lost in Conflation: Visual Culture and Constructions of the Category of Religion’, American Indian Quarterly 35.1 (Winter 2011), 155.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.