Bibliography
Adams, Joseph Quincy, ed., The Passionate Pilgrime by William Shakespeare (New York and London: Charles Scribner’s Sons, 1939).
Akrigg, G. P. V., Shakespeare and the Earl of Southampton (London: H. Hamilton, 1968).
Alexander, Catherine M. S., “The Province of Pirates: The Editing and Publication of Shakespeare’s Poems in the Eighteenth Century,” in Gondris, , ed., Reading Readings, 345–65.
Baker, David, “Cavalier Shakespeare: The 1640 Poems of John Benson,” Studies in Philology 95, no. 2 (1998): 152–73.
Bald, R. C., “Francis Kirkman, Bookseller and Author,” Modern Philology 41 (1943): 17–32.
Baldwin, T. W., On the Literary Genetics of Shakespeare’s Poems & Sonnets (Urbana: University of Illinois Press, 1950).
Baldwin, T. W., William Shakspere’s Small Latine and Lesse Greek, 2 vols. (Urbana: University of Illinois Press, 1944).
Barnard, John, “London Publishing, 1640–1660: Crisis, Continuity, and Innovation,” Book History 4 (2001): 1–16.
Baron, Sabrina Alcorn, Lindquist, Eric N., and Shevlin, Eleanor F., eds., Agent of Change: Print Culture Studies after Elizabeth L. Eisenstein (Amherst: University of Massachusetts Press, 2007).
Barroll, Leeds, “A New History for Shakespeare and His Time,” Shakespeare Quarterly 39, no. 4 (1988): 441–64.
Barroll, Leeds, “Privileged Biographies, Marginal Shakespeare,” in Politics, Plague, and Shakespeare’s Theatre: The Stuart Years (Ithaca and London: Cornell University Press, 1991), 1–22.
Barthes, Roland, “The Death of the Author,” Aspen, no. 5–6 (1967).
Barthes, Roland, “The Death of the Author,” in Image—Music—Text, trans. Heath, Stephen (London: Fortuna, 1977).
Bartlett, Henrietta C. and Pollard, Alfred W., A Census of Shakespeare’s Plays in Quarto 1594–1709 (Yale University Press and Oxford University Press, 1916).
Bate, Jonathan, Shakespeare and Ovid (Oxford: Clarendon Press, 1993).
Baynes, T. S., “What Shakespeare Learnt at School (II),” Fraser’s Magazine 601 (Jan. 1880): 83–102.
Bearman, Robert, Shakespeare in the Stratford Records (Stratford-upon-Avon: Alan Sutton Publishing, in association with The Shakespeare Birthplace Trust, 1994).
Belanger, Terry, “Tonson, Wellington and the Shakespeare Copyrights,” in Hunt, R. W., Philip, I. G., and Roberts, R. J., eds., Studies in the Book Trade in Honour of Graham Pollard (Oxford Bibliographical Society, 1975), 195–209.
Birrell, T. A., “Anthony Wood, John Bagford and Thomas Hearne as Bibliographers,” in Myers, Robin and Harris, Michael, eds., Pioneers in Bibliography (Winchester: St. Paul’s Bibliographies, 1988), 25–39.
Blayney, Peter W. M., “The Alleged Popularity of Playbooks,” Shakespeare Quarterly 56, no. 1 (2005): 33–50.
Blayney, Peter W. M., The Bookshops in Paul’s Cross Churchyard (London: Bibliographical Society, 1990).
Blayney, Peter W. M., The First Folio of Shakespeare (Washington, DC: Folger Library Publications, 1991).
Blayney, Peter W. M., “The Publication of Playbooks,” in Cox, and Kastan, , eds., New History, 383–422.
Blayney, Peter W. M., The Texts of King Lear and Their Origins (Cambridge University Press, 1982).
Blench, J. W., Preaching in England in the Late Fifteenth and Sixteenth Centuries: A Study of English Sermons 1450–c. 1600 (Oxford: Basil Blackwell, 1964).
Bliss, Philip, ed., Athenae Oxonienses, 3rd edn., 4 vols. (London, 1813–20).
Bourdieu, Pierre, in Johnson, Randal ed., The Field of Cultural Production: Essays on Art and Literature (New York: Columbia University Press, 1993).
Bourne, Claire M. L., “What Is a Play? Print, Performance, and the Stationers’ Register” (paper presented at the Renaissance Society of America annual conference, New York, March 2014).
Boutcher, Warren, “‘Who taught thee Rhetoricke to deceive a maid?’: Christopher Marlowe’s Hero and Leander, Juan Boscán’s Leandro, and Renaissance Vernacular Humanism,” Comparative Literature 52, no. 1 (2000): 11–52.
Bowers, Fredson, Bibliography and Textual Criticism (Oxford: Clarendon Press, 1964).
Bowers, Fredson, “The Early Editions of Marlowe’s Ovid’s Elegies,” Studies in Bibliography 25 (1972): 149–73.
Bradbrook, Muriel, “Beasts and Gods: Greene’s Groats-Worth of Witte and the Social Purpose of Venus and Adonis,” Shakespeare Survey 25 (1962): 62–72.
Brayman Hackel, Heidi, “‘Rowme’ of Its Own: Printed Drama in Early Libraries,” in Cox, and Kastan, , eds., New History, 113–32.
Brennan, M. G., “William Ponsonby: Elizabethan Stationer,” Analytical and Enumerative Bibliography 7 (1983): 91–110.
Bristol, Michael, “Henry Clay Folger, Jr.,” in DiPietro, Cary, ed., Great Shakespeareans, Volume IX (London: Continuum, 2011), 114–75.
Brooks, Douglas A., From Playhouse to Printing House (Cambridge University Press, 2000).
Brown, Meaghan J., “The Fragmented Armada: The Transmission of an Armada News Pamphlet,” Papers of the Bibliographical Society of Canada 53, no. 1 (2015).
Brown, Meaghan J., “‘The Hearts of All Sorts of People were Enflamed’: Manipulating Readers of Spanish Armada News,” Book History 17 (2014): 94–116.
Brown, Georgia, Redefining Elizabethan Literature (Cambridge University Press, 2004).
Bruster, Douglas, “Shakespeare’s Lady 8,” Shakespeare Quarterly 66, no. 1 (2015): 47–88.
Burke, Seán, The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault, and Derrida, 2nd edn. (Edinburgh University Press, 1998).
Burrow, Colin, ed. The Complete Sonnets and Poems (Oxford University Press, 2002).
Butler, Martin, ed., Cymbeline (Cambridge University Press, 2005).
Cain, Tom, ed., Poetaster (Manchester University Press, 1995).
Callaghan, Dympna, “Comedy and Epyllion in Post-Reformation England,” Shakespeare Survey 56 (2003): 27–38.
Campbell, Gordon, “Shakespeare and the Youth of Milton,” Milton Quarterly 33, no. 4 (1999): 95–109.
Cannan, Paul D. “Early Shakespeare Criticism, Charles Gildon, and the Making of Shakespeare the Playwright-Poet,” Modern Philology 102, no. 1 (2004): 35–55.
Cannan, Paul D. The Emergence of Dramatic Criticism in England: From Jonson to Pope (Houndmills, Basingstoke: Palgrave Macmillan, 2006).
Chambers, E. K., The Elizabethan Stage, 4 vols. (Oxford: Clarendon Press, 1923).
Chambers, E. K., William Shakespeare: A Study of Facts and Problems, 2 vols. (Oxford: Clarendon Press, 1930).
Chartier, Roger and Stallybrass, Peter, “Reading and Authorship: The Circulation of Shakespeare 1590–1619,” in Murphy, Andrew, ed., A Concise Companion to Shakespeare and the Text (Oxford: Blackwell, 2007), 35–56.
Cheney, Patrick, Shakespeare, National Poet-Playwright (Cambridge University Press, 2004).
Cheney, Patrick, Shakespeare’s Literary Authorship (Cambridge University Press, 2008).
Clair, Colin, “Christopher Plantin’s Trade-Connexions with England and Scotland,” The Library, 5th ser., 14, no. 1 (1950): 28–45.
Clair, Colin, “Refugee Printers and Publishers in Britain during the Tudor Period,” Proceedings of the Huguenot Society of London 12, no. 2 (1972): 115–26.
Clark, Anthony, ed., The Life and Times of Anthony Wood, 5 vols. (Oxford Historical Society, 1891–1900).
Clegg, Cyndia Susan, “Renaissance Play-Readers, Ordinary and Extraordinary,” in Straznicky, , ed., The Book of the Play, 23–38.
Coatalen, Guillaume, “Shakespeare and Other ‘Tragicall Discourses’ in an Early-Seventeenth-Century Commonplace Books from Oriel College, Oxford,” English Manuscript Studies 1100–1700 (2007): 120–64.
Coates, Richard A., “A Personal Name Etymology and a Shakespearean Dramatic Motiv,” Names 24, no. 1 (1976): 4.
Colie, Rosalie L., “Mel and Sal: Some Problems in Sonnet-Theory,” in Shakespeare’s Living Art (Princeton University Press, 1974), 68–134.
Collier, John Payne, “Life of William Shakespeare,” in The Works of William Shakespeare, 8 vols. (London: Whitaker and Co., 1844), I:lix–cclxvi.
Collier, John Payne, The Shakespeare Society’s Papers, Vol. IV (London: Printed for The Shakespeare Society, 1849).
Collins, D. C., Battle of Nieuport 1600: Two News Pamphlets and a Ballad (Oxford: Published for the Shakespeare Association by Humphrey Milford, Oxford University Press, 1935).
Collinson, Patrick, “Some Lady Margaret’s Professors, 1559–1649,” in Collinson, , Rex, Richard, and Stanton, Graham, eds., Lady Margaret Beaufort and Her Professors of Divinity at Cambridge 1502–1649 (Cambridge University Press, 2003), 57–86.
Connor, Francis X., Literary Folios and Ideas of the Book in Early Modern England (Basingstoke, Hampshire: Palgrave Macmillan, 2014).
Connor, Francis X., “Shakespeare, Poetic Collaboration and The Passionate Pilgrime,” Shakespeare Survey 67 (2014): 119–30.
Corbin, Peter and Sedge, Douglas, eds., The Oldcastle Controversy: Sir John Oldcastle, Part I, and The Famous Victories of Henry V (Manchester University Press, 1991).
Cox, John D. and Kastan, David Scott, eds., A New History of Early English Drama (New York: Columbia University Press, 1997).
Crawford, Charles, “J. Bodenham’s Belvedere,” in Ingleby, , et al., The Shakspere Allusion-Book, Appendix D, II:489–515.
Crockett, Bryan, “From Pulpit to Stage: Thomas Playfere’s Influence on Shakespeare,” Notes and Queries 49, no. 2 (2002): 243–5.
Crockett, Bryan, The Play of Paradox: Stage and Sermon in Renaissance England (Philadelphia: University of Pennsylvania Press, 1995).
Crockett, Bryan, “Thomas Playfere’s Poetics of Preaching,” in Ferrell, Lori Anne and McCullough, Peter, eds., The English Sermon Revised: Religion, Literature and History 1600–1750 (Manchester University Press, 2000), 61–83.
Cummings, Brian, “Last Words: The Biographemes of Shakespeare,” Shakespeare Quarterly 65, no. 4 (2014): 482–90.
Dane, Joseph A. and Gillespie, Alexandra, “The Myth of the Cheap Quarto,” in King, , ed., Tudor Books and Readers, 25–45.
Davenport, Arnold, ed., Faunus and Melliflora (1600) by John Weever (University Press of Liverpool, 1948).
Davies, Horton, Like Angels from a Cloud: The English Metaphysical Preachers, 1588–1645 (San Marino, CA: Huntington Library, 1986).
Davis, Walter R., “Henry Smith: The Preacher as Poet,” English Literary Renaissance 12, no. 1 (1982): 30–52.
Dawson, Giles E, “Some Bibliographical Irregularities in the Shakespeare Fourth Folio,” Studies in Bibliography 2 (1949–50): 93–103.
De Grazia, Margreta, “The Scandal of Shakespeare’s Sonnets,” Shakespeare Survey 46 (1993): 35–49.
De Grazia, Margreta, “Shakespeare’s Timeline,” Shakespeare Quarterly 65, no. 4 (2014): 379–98.
De Grazia, Margreta, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus (Oxford: Clarendon Press, 1991).
De Grazia, Margreta and Stallybrass, Peter, “The Materiality of the Shakespearean Text,” Shakespeare Quarterly 44, no. 3 (1993): 255–83.
Dobson, Michael, The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769 (Oxford: Clarendon Press, 1992).
Donno, Elisabeth Story, ed., Sir John Harington’s A New Discourse of a Stale Subject, Called the Metamorphosis of Ajax (London: Routledge and Kegan Paul, 1962).
Dugas, Don-John, Marketing the Bard: Shakespeare in Performance and Print 1660–1740 (Columbia: University of Missouri Press, 2006).
Duncan-Jones, Katherine, “Christs Teares, Nashe’s ‘Forsaken Extremeties,’” Review of English Studies, n.s. 49, no. 194 (1988): 167–80.
Duncan-Jones, Katherine, “Shakespeare among the Heralds,” The Coat of Arms n.s. 13 (2000): 317–30.
Duncan-Jones, Katherine, Ungentle Shakespeare (London: Thomson Learning, 2001).
Duncan-Jones, Katherine and Woudhuysen, H. R., eds., Shakespeare’s Poems, The Arden Shakespeare (London: Thomson Learning, 2007).
Dzelzainis, Martin, “Shakespeare and Political Thought,” in Kastan, David Scott, ed., A Companion to Shakespeare (Oxford: Blackwell, 1999), 100–16.
Eccles, Mark, Shakespeare in Warwickshire (Madison: University of Wisconsin Press, 1961).
Elson, John J., ed., The Wits (Ithaca: Cornell University Press, 1932).
Erickson, Wayne, “William Ponsonby,” in Bracken, James K. and Silver, Joel, eds., The British Literary Book Trade, 1475–1700, Dictionary of Literary Biography 170 (Detroit: Gale Research, 1996).
Erler, Mary C., ed., Ecclesiastical London, Records of Early English Drama (London and Toronto: The British Library and University of Toronto Press, 2008).
Erne, Lukas, Shakespeare and the Book Trade (Cambridge University Press, 2013).
Erne, Lukas, “Shakespeare and the Publication of His Plays,” Shakespeare Quarterly 53, no. 1 (2002): 1–20.
Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge University Press, 2003).
Erne, Lukas, Shakespeare as Literary Dramatist, 2nd edn. (Cambridge University Press, 2013).
Erne, Lucas and Badcoe, Tamsin, “Shakespeare and the Popularity of Poetry Books in Print, 1583–1622,” The Review of English Studies, n.s. 65, no. 268 (2013): 33–57.
Evans, Geraint, “Heb Ddieu Heb Ddim: The Welsh Printer’s Device on Shakespeare Quarto Title-pages,” Studia Celtica 44 (2010): 155–64.
Farmer, Alan B., “John Norton and the Politics of Shakespeare’s History Plays in Caroline England,” in Straznicky, , ed., Shakespeare’s Stationers, 147–76.
Farmer, Alan B., “The Myth of Shakespeare’s Indifference to Print, or Shakespeare the Obsessive Reviser” (paper presented to the European Shakespeare Research Association biennial conference, Montpellier, France, June, 27 2013).
Farmer, Alan B. and Lesser, Zachary, “The Popularity of Playbooks Revisited,” Shakespeare Quarterly 56, no. 1 (2005): 1–32.
Farmer, Alan B. and Lesser, Zachary, “Structures of Popularity in the Early Modern Book Trade,” Shakespeare Quarterly 56, no. 2 (2005): 206–13.
Farmer, Alan B. and Lesser, Zachary, “What Is Print Popularity?” in Kesson, Andy and Smith, Emma, eds., The Elizabethan Top Ten: Defining Print Popularity in Early Modern England (Farnham, Surrey: Ashgate, 2013), 19–54.
Farr, Harry, “Notes on Shakespeare’s Printers and Publishers with Special Reference to the Poems and Hamlet,” The Library, 4th ser., 3, no. 4 (1923): 225–60.
Fehrenbach, R. J. and Leedham-Green, Elisabeth, eds., Private Libraries in Renaissance England, 6 vols. (Binghamton, NY: Medieval & Renaissance Texts & Studies, 1992–2004).
Ferguson, F. S., “Relations between London and Edinburgh Printers and Stationers (–1640),” The Library, 4th ser., 3, no. 2 (1927): 145–98.
Ferguson, W. Craig, “The Stationers Company Poor Book, 1608–1700,” The Library, 5th ser., 31 (1976): 37–51.
Folger, H. C. Jr., “A Unique First Folio,” The Outlook (1907): 687–91.
Forker, Charles R., “How Did Shakespeare Come by His Books?” Shakespeare Yearbook 14 (2004): 109–20.
Foucault, Michel, “Qu’est-ce qu’un auteur?” Bulletin de la Société française de Philosophie 63, no. 3 (1969): 73–104.
Foucault, Michel, “What Is an Author?” in Bouchard, Donald F., ed., Language, Counter-Memory, Practice: Selected Essays and Interviews, trans. Bouchard, Donald F. and Simon, Sherry (Ithaca: Cornell University Press, 1977), 113–38.
Foucault, Michel, “What Is an Author?” in Harari, Josué V., ed., Textual Strategies: Perspectives in Post-Structuralist Criticism (Ithaca: Cornell University Press, 1979), 141–60.
Freeman, Arthur, “The Beginnings of Shakespearean (and Jonsonian) Forgery: Attribution and the Politics of Exposure, Part II,” The Library 5, no. 4 (2004): 402–27.
Freeman, Arthur and Freeman, Janet Ing, John Payne Collier: Scholarship & Forgery in the Nineteenth Century, 2 vols. (New Haven: Yale University Press, 2004).
French, J. Milton, “Moseley’s Advertisements of Milton’s Poems, 1650–1660,” Huntington Library Quarterly 25, no. 4 (1962): 337–45.
Fripp, Edgar I, Shakespeare’s Stratford (Oxford University Press, 1928).
Galbraith, Steven, “English Literary Folios 1593–1623,” in King, , ed., Tudor Books and Readers, 46–67.
Gibson, Strickland, “A Bibliography of Francis Kirkman,” Oxford Bibliographical Society Publications n.s. 1 (1947): 1–148.
Gill, Roma, ed., The Complete Works of Christopher Marlowe, 5 vols. (Oxford: Clarendon Press, 1987).
Golding, Sanford, “The Sources of the Theatrum Poetarum,” PMLA 76 (1961): 48–53.
Gollancz, Israel, ed., Studies in the First Folio (London: Humphrey Milford, Printed for the Oxford University Press, 1924).
Gondris, Joanna, ed., Reading Readings: Essays on Shakespeare Editing in the Eighteenth Century (Madison, NJ: Fairleigh Dickinson University Press, 1998).
Grant, Stephen H., Collecting Shakespeare: The Story of Henry and Emily Folger (Baltimore: Johns Hopkins University Press, 2014).
Green, Ian, Print and Protestantism in Early Modern England (Oxford University Press, 2000).
Green, Mary Anne Everett, ed., Calendar of State Papers, Domestic Series, of the Reign of Elizabeth, 1591–1594 (London: Longmans, Green, Reader, and Dyer, 1867).
Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (New York: W.W. Norton, 2004).
Greene, Jody, “Francis Kirkman’s Counterfeit Authority: Autobiography, Subjectivity, Print,” PMLA 121, no. 1 (2006): 17–32.
Greg, W. W., “Authorship Attributions in the Early Play-Lists, 1656–1671,” Edinburgh Bibliographical Society Transactions 2, no. 4 (1946): 305–26.
Greg, W. W., “On Certain False Dates in Shakespearian Quartos,” The Library 2nd ser., 9 (1908): 113–31; 381–409.
Greg, W. W., A Companion to Arber (Oxford: Clarendon Press, 1967).
Greg, W. W., “Gerard Langbaine the Younger and Nicholas Cox,” The Library, 4th ser., 25 (1945): 67–70.
Greg, W. W., Licensers for the Press to 1640 (Oxford Bibliographical Society, 1962).
Greg, W. W., “Notes on Dramatic Bibliographies,” Malone Society Collections 1, no. 4–5 (1911): 324–40.
Greg, W. W., The Shakespeare First Folio: Its Bibliographical and Textual History (Oxford: Clarendon Press, 1955).
Greg, W. W. and Boswell, Eleanore, eds., Records of the Court of the Stationers’ Company 1576 to 1602 from Register B (London: The Bibliographical Society, 1930).
Hadfield, Andrew, “Foreword: Why Does Literary Biography Matter?” Shakespeare Quarterly 65, no. 4 (2014): 371–78.
Hailey, R. Carter, “The Dating Game: New Evidence for the Dates of Q4 Romeo and Juliet and Q4 Hamlet,” Shakespeare Quarterly 58, no. 3 (2007): 367–87.
Jr. Hamm, Robert B., “Rowe’s Shakespear (1709) and the Tonson House Style,” College Literature 31 (2004): 179–205.
Heffernan, Megan, “Turning Sonnets into Poems: Textual Affect and John Benson’s Metaphysical Shakespeare,” Shakespeare Quarterly 64, no. 1 (2013): 71–98.
Herbert, William, Typographical Antiquities, 3 vols. (London, 1785–1790).
Herr, Alan Fager, The Elizabethan Sermon: A Survey and a Bibliography (Philadelphia: University of Pennsylvania, 1940).
Hibbard, G. R., Thomas Nashe: A Critical Introduction (Cambridge: Harvard University Press, 1962).
Hinman, Charlton, The Printing and Proof-Reading of the First Folio of Shakespeare, 2 vols. (Oxford: Clarendon Press, 1963).
Hinman, Charlton, ed., The First Folio of Shakespeare, The Norton Facsimile, 2nd edn. (New York: W. W. Norton & Company, 1996).
Hobday, C. H., “Shakespeare’s Venus and Adonis Sonnets,” Shakespeare Survey 26 (1973): 103–9.
Holland, Peter, “Introduction,” in The Works of Mr. William Shakespear edited by Nicholas Rowe, 1709, 7 vols. (London: Pickering and Chatto, 1999), I:vii–xxxv.
Hollingsworth, Mark, “A National Biography: Shakespeare and the DNB,” Working with English: Medieval and Modern Language, Literature and Drama 2, no. 1 (2006): 47–53.
Honan, Park, Shakespeare: A Life (Oxford University Press, 1998).
Honigmann, E. A. J., John Weever: A Biography of a Literary Associate of Shakespeare and Jonson (Manchester University Press, 1987).
Honigmann, E. A. J., “How Happy Was Shakespeare with the Printed Versions of His Plays?” Modern Language Review 105, no. 4 (2010): 937–51.
Hooks, Adam G., “Booksellers’ Catalogues and the Classification of Printed Drama in Seventeenth-Century England,” Papers of the Bibliographical Society of America 102, no. 4 (2008): 445–64.
Hooks, Adam G., “First Folios: Shakespeare and Jonson,” in DeMaria, Robert, Chang, Heesok, and Zacher, Samantha, eds., A Companion to British Literature, 4 vols. (Oxford: Wiley-Blackwell, 2014), II:280–94.
Hooks, Adam G., “Introduction: Shakespeare for Sale,” Philological Quarterly 91, no. 2 (2012): 139–50.
Howard, Jean E. and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (New York and London: Routledge, 1997).
Hudson, Hoyt H., ed., Directions for Speech and Style (Princeton University Press, 1935).
Hymers, J., ed., The Funeral Sermons of Margaret Countess of Richmond and Derby … Preached by Bishop Fisher in 1509 (Cambridge: At the University Press, 1811).
Ingleby, C. M., Smith, L. Toulmin, and Furnivall, F. J., eds. The Shakspere Allusion-Book 2 vols. (London: Oxford University Press, 1932).
Jackson, William A., ed., Records of the Court of the Stationers’ Company 1602 to 1640 (London: The Bibliographical Society, 1957).
Jaggard, William, Shakespeare Bibliography: A Dictionary of Every Known Issue of the Writings of Our National Poet and of Recorded Opinion Thereon in the English Language (Stratford-on-Avon: Shakespeare Press, 1911).
Capt. Jaggard, W., Shakespeare Once a Printer and Bookman (Stratford-on-Avon: Shakespeare Press, 1933).
Jahn, Robert, “Letters and Booklists of Thomas Chard (or Chare) of London, 1583–4,” The Library 4th ser., 4, no. 3 (1924): 219–37.
Johnson, Gerald D., “The Stationers versus the Drapers: Control of the Press in the Late Sixteenth Century,” The Library 6th ser., 10, no. 1 (1988): 1–17.
Johnson, Samuel, The Lives of the English Poets (London, 1779).
Johnson, Samuel and Steevens, George, eds., The Plays of William Shakspeare, 10 vols. (London, 1778).
Jones, Jeanne, ed., Stratford-upon-Avon Inventories 1538–1669, 2 vols. (The Dugdale Society in association with The Shakespeare Birthplace Trust, 2002).
Jowett, John, Shakespeare and Text (Oxford University Press, 2007).
Kane, Robert J., “‘Richard du Champ’ in Cymbeline,” Shakespeare Quarterly 4, no. 2 (1953): 206.
Kastan, David Scott, “Humphrey Moseley and the Invention of English Literature,” in Baron, , Lindquist, , and Shevlin, , eds., Agent of Change, 105–24.
Kastan, David Scott, “Performances and Playbooks: The Closing of the Theatres and the Politics of Drama,” in Sharpe, Kevin and Zwicker, Steven N., eds., Reading, Society and Politics in Early Modern England (Cambridge University Press, 2003), 167–84.
Kastan, David Scott, Shakespeare and the Book (Cambridge University Press, 2001).
Kenney, E. J. ed., P. Ovidi Nasonis Amores, Medicamina Faciei Femineae, Ars Amatoria, Remedia Amoris (Oxonii: E Typographeo Clarendoniano. 1961, rpt. 1994).
Kewes, Paulina, Authorship and Appropriation: Writing for the Stage in England, 1660–1710 (Oxford: Clarendon Press, 1998).
Kewes, Paulina, “Between the ‘Triumvirate of wit’ and the Bard: The English Dramatic Canon, 1660–1720,” in Brown, Cedric C. and Marotti, Arthur F., eds., Texts and Cultural Change in Early Modern England (Basingstoke: MacMillan, 1997).
Kewes, Paulina, “‘Give me the sociable pocket-books’: Humphrey Moseley’s Serial Publication of Octavo Play Collections,” Publishing History 38 (1995): 5–21.
Kewes, Paulina, “Shakespeare’s Lives in Print, 1662–1821,” in Lives in Print: Biography and the Book Trade from the Middle Ages to the 21st Century, Myers, Robin, Harris, Michael, and Mandelbrote, Giles, eds. (New Castle, DE, and London: Oak Knoll Press and The British Library, 2002), 55–82.
Kiessling, Nicholas, The Library of Anthony Wood (Oxford Bibliographical Society, 2002).
King, John N., ed., Tudor Books and Readers: Materiality and the Construction of Meaning (Cambridge University Press, 2013).
Kirschbaum, Leo, Shakespeare and the Stationers (Columbus: Ohio State University Press, 1955).
Kirwood, A. E. M., “Richard Field, Printer, 1589–1624,” Library, 4th ser., 12, no. 1 (1931): 1–39.
Kiséry, András, “An Author and a Bookhshop: Publishing Marlowe’s Remains at the Black Bear,” Philological Quarterly 91, no. 3 (2012): 361–92.
Kiséry, András, “‘They are Least Usefull of Any’: Catalogues, Booksellers, and the Invention of Literature in Seventeenth-Century England” (paper delivered at the Center for the Study of Books and New Media Graduate Student Conference, Princeton University, Feb. 2005).
Klene, Jean, ed., The Southwell-Sibthorpe Commonplace Book (Tempe, AZ: Medieval & Renaissance Texts & Studies, 1997).
Knapp, Jeffrey, Shakespeare Only (University of Chicago Press, 2009).
Knight, Jeffrey Todd, Bound to Read: Compilations, Collections, and the Making of Renaissance Literature (Philadelphia: University of Pennsylvania Press, 2013).
Knight, Jeffrey Todd, “Invisible Ink: A Note on Ghost Images in Early Printed Books,” Textual Cultures 5, no. 2 (2010): 53–62.
Knight, Jeffrey Todd, Making Shakespeare’s Books: Assembly and Intertextuality in the Archives,” Shakespeare Quarterly 60, no. 3 (2009): 304–40.
Lake, Peter, The Anti-Christ’s Lewd Hat: Protestants, Papists and Players in Post-Reformation England (New Haven: Yale University Press, 2002).
Lee, Sidney, A Life of William Shakespeare (London: 1898).
Lee, Sidney, “The Shakespeare First Folio: Some Notes and a Discovery,” Cornill Magazine (April 1899): 449–58.
Lee, Sidney, Shakespeares Venus and Adonis Being a Reproduction in Facsimile of the First Edition 1593 (Oxford: Clarendon Press, 1905).
Leedham-Green, Elisabeth, ed., Books in Cambridge Inventories, 2 vols. (Cambridge University Press, 1986).
LeFanu, W. R., “Thomas Vautrollier, Printer and Bookseller,” Proceedings of the Huguenot Society of London 20 (1959): 12–25.
Leishman, J. B., ed. The Three Parnassus Plays (London: Ivor Nicholson & Watson, 1949).
Lesser, Zachary, Hamlet after Q1: An Uncanny History of the Shakespearean Text (Philadelphia: University of Pennsylvania Press, 2015).
Lesser, Zachary, Renaissance Drama and the Politics of Publication: Readings in the English Book Trade (Cambridge University Press, 2004).
Lesser, Zachary and Stallybrass, Peter, “The First Literary Hamlet and the Commonplacing of Professional Plays,” Shakespeare Quarterly 59, no. 4 (2008): 371–420.
Lesser, Zachary and Stallybrass, Peter, “Shakespeare Between Pamphlet and Book,” in Massai, Sonia and Kidnie, M. J., eds., Shakespeare and Textual Studies (Cambridge University Press, 2015).
Lillywhite, Bryant, London Signs (London: George Allen and Unwin, 1972).
Lindenbaum, Peter, “Publishers’ Booklists in Late Seventeenth-Century London,” The Library, 7th ser., 11, no. 4 (2010): 381–404.
Linster, Jillian, “When ‘Nothing’ Goes Missing: The Censorship of Helkiah Crooke’s Mikrokosmographia” (paper presented to the Society for Textual Scholarship Conference, Chicago, IL, March 7, 2013).
Logan, Robert A., Shakespeare’s Marlowe (Aldershot: Ashgate, 2007).
Lyons, Tara L., “English Printed Drama in Collection before Jonson and Shakespeare” (Ph.D. thesis, University of Illinois, Urbana-Champaign, 2011).
Lyons, Tara L., “Serials, Spinoffs, and Histories: Selling ‘Shakespeare’ in Collection before the Folio,” Philological Quarterly 91, no. 2 (2012): 185–220.
Lyne, Raphael, Ovid’s Changing Worlds: English Metamorphoses, 1567–1632 (Oxford University Press, 2001).
Macdonald, Hugh, “Gerard Langbaine the Younger and Nicholas Cox,” The Library, 4th ser., 25 (1945): 186.
Maclure, Millar, The Paul’s Cross Sermons 1534–1642 (University of Toronto Press, 1958).
Maguire, Laurie, Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts (Cambridge University Press, 1996).
Maguire, Laurie, Shakespeare’s Names (Oxford University Press, 2007).
Malone, Edmond, An Inquiry into the Authenticity of Certain Miscellaneous Papers and Legal Instruments (London, 1796).
Malone, Edmond, “The Life of William Shakspeare,” in The Plays and Poems of William Shakspeare. 21 vols. (London, 1821), II:1–525.
Malone, Edmond, The Plays and Poems of William Shakspeare, 10 vols. (London, 1790).
Maltby, Arthur, Shakespeare as a Challenge for Literary Biography: A History of Biographies of Shakespeare since 1898. With a Foreword by Park Honan (Lewiston, NY: The Edwin Mellen Press, 2009).
Marcus, Leah, Puzzling Shakespeare: Local Reading and Its Discontents (Berkeley: University of California Press, 1988).
Marino, James J., Owning William Shakespeare: The King’s Men and Their Intellectual Property (Philadelphia: University of Pennsylvania Press, 2011).
Marino, James J., “William Shakespeare’s Sir John Oldcastle,” Renaissance Drama 30 (1999–2001): 93–114.
Martindale, Charles, and Burrow, Colin, “Clapham’s Narcissus: A Pre-Text for Shakespeare’s Venus and Adonis?” English Literary Renaissance 22 (1992): 147–76.
Maslen, R. W., “Myths Exploited: The Metamorphoses of Ovid in Early Elizabethan England,” in Taylor, A. B., ed., Shakespeare’s Ovid (Cambridge University Press, 2000), 15–30.
Massai, Sonia, “Edward Blount, the Herberts, and the First Folio,” in Straznicky, , ed., Shakespeare’s Stationers, 132–46.
Massai, Sonia, Shakespeare and the Rise of the Editor (Cambridge University Press, 2007).
Masten, Jeffrey, “Ben Jonson’s Head,” Shakespeare Studies 28 (2000): 160–68.
Masten, Jeffrey, “Playwrighting: Authorship and Collaboration,” in Cox, and Kastan, , eds., New History, 357–82.
McClure, Norman Egbert, ed., The Letters of John Chamberlain, 2 vols. (Philadelphia: The American Philosophical Society, 1935).
McCullough, Peter, Sermons at Court: Politics and Religion in Elizabethan and Jacobean Preaching (Cambridge University Press, 1998).
McEvilla, Joshua J., “A Catalogue of Book Advertisements from English Serials: Printed Drama, 1646–1668,” PBSA 107, no. 1 (2013): 10–48.
McGann, Jerome J., A Critique of Modern Textual Criticism (Charlottesville: University Press of Virginia, 1983).
McKeon, J. C., Ovid: Amores: Text, Prolegomena and Commentary, 4 vols. (Leeds: Francis Cairns, 1989).
McKerrow, R. B., Printers’ & Publishers’ Devices in England & Scotland, 1485–1640 (London: The Bibliographical Society, 1913).
McKitterick, David, A History of Cambridge University Press: Volume 1: Printing and the Book Trade in Cambridge 1534–1698 (Cambridge University Press, 1992).
McMillin, Scott, “Shakespeare and the Chamberlain’s Men in 1598,” Medieval and Renaissance Drama in England 17 (2005): 205–15.
McNulty, Robert, ed., Orlando Furioso, by Sir Harington, John (Oxford: Clarendon Press, 1972).
Mikalachki, Jodi, “The Masculine Romance of Roman Britain: Cymbeline and Early Modern English Nationalism,” Shakespeare Quarterly 46, no. 3 (1995): 301–22.
Millar, Gerald, comp., English Inn Signs. Being a Revised and Modernized Version of History of Signboards by Jacob Larwood and John Camden Hotten (London: Chatto and Windus, 1951, rpt. edn. New York: Arco Publishing, 1985).
Mitchell, W. Fraser, English Pulpit Oratory from Andrewes to Tillotson (1932, rpt. New York: Russell and Russell, 1962).
Moore-Smith, G. C. and Greg, W. W., eds. Tom Tyler. Malone Society Reprints (London: Printed for the Malone Society by Charles Whittingham and Company at the Chiswick Press, 1910).
Moss, Ann, Printed Commonplace Books and the Structuring of Renaissance Thought (Oxford: Clarendon Press, 1996).
Murphy, Andrew, Shakespeare in Print (Cambridge University Press, 2003).
Neidig, William, “The Shakespeare Quartos of 1619,” Modern Philology 8 (1910): 145–63.
Newcomb, Lori Humphrey, “Literary Restoration: Francis Kirkman and the Canons of Pre-War Drama and Romance,” Analytical & Enumerative Bibliography 12 (2001): 229–40.
Newcomb, Lori Humphrey, Reading Popular Romance in Early Modern England (New York: Columbia University Press, 2002).
Nicholl, Charles, A Cup of News: The Life of Thomas Nashe (London: Routledge and Kegan Paul, 1984).
Nicholl, Charles, The Lodger Shakespeare: His Life on Silver Street (New York: Viking Penguin, 2008).
North, Marcy, “Anonymity’s Revelations in The Arte of English Poesie,” Studies in English Literature 1500–1900 39, no. 1 (1999): 1–18.
Nosworthy, J. M., “The Integrity of Shakespeare: Illustrated from Cymbeline,” Shakespeare Survey 8 (1955): 52–6.
Nosworthy, J. M., ed., Cymbeline, the Arden Shakespeare (London: Methuen, 1955).
Orlin, Lena Cowen, “Anne by Indirection,” Shakespeare Quarterly 65, no. 4 (2014): 421–54.
Pafford, J. H. P., “W.R. Chetwood and the Fictitious Shakespeare Quartos,” Notes and Queries 22, no. 4 (April 1975): 176–7.
Paige, Donald, “An Additional Letter and Booklist of Thomas Chard, Stationer of London,” Library 4th ser., 21, no. 1 (1940): 26–43.
Parker, William Riley, “Winstanley’s Lives: An Appraisal,” Modern Language Quarterly 6 (1945): 313–18.
Partridge, A. C., Orthography in Shakespeare and Elizabethan Drama (London: Edward Arnold, 1964).
Partridge, A. C., A Substantive Grammar of Shakespeare’s Nondramatic Texts (Charlottesville: Published for the Bibliographical Society of Virginia by the University Press of Virginia, 1976).
Pasupathi, Vimala C., “Arms and the Book: ‘Workes,’ ‘Playes,’ and ‘Warlike Accoutrements’ in William Cavendish’s The Country Captain,” Philological Quarterly 91, no. 2 (2012): 277–303.
Pasupathi, Vimala C., “Falstaff’s Rump: A Seventeenth-Century Corpus of Henry IV’s ‘wittiest’ Parts” (paper delivered at the Renaissance Society of America conference, March 2014).
Pater, Walter, “Shakespeare’s English Kings,” in Appreciations (New York: MacMillan and Co., 1889).
Phelps, Wayne H., “The Leakes of St. Dunstan’s in the West: A Family of Seventeenth-Century Stationers,” Papers of the Bibliographical Society of America 73, no. 1 (1979): 86–9.
Pitcher, John, “Names in Cymbeline,” Essays in Criticism 43, no. 1 (1993): 1–16.
Plomer, H. R., Abstracts from the Wills of English Printers and Stationers, from 1492 to 1630 (London: The Bibliographical Society, 1903).
Plomer, H. R., “The Printers of Shakespeare’s Plays and Poems,” Library 2nd ser., 7, no. 26 (1906): 149–66.
Pollard, A. W., “A Literary Causerie: Shakespeare in the Remainder Market,” Academy (June 2, 1906): 528–9.
Pollard, A. W., Shakespeare Folios and Quartos: A Study in the Bibliography of Shakespeare’s Plays 1594–1685 (London: Methuen, 1909).
Pollard, Graham and Ehrman, Albert, The Distribution of Books by Catalogue from the Invention of Printing to A.D. 1800 (Cambridge: Printed for Presentation to the Roxburghe Club, 1965).
Potter, Lois, “Having Our Will: Imagination in Recent Shakespeare Biographies,” Shakespeare Survey 58 (2005): 1–8.
Potter, Lois, The Life of Shakespeare: A Critical Biography (Chichester, West Sussex: Wiley-Blackwell, 2012).
Pritchard, Allan, “According to Wood: Sources of Anthony Wood’s Lives of Poets and Dramatists,” Review of English Studies, n.s., 28, no. 112 (1977): 407–20.
Pritchard, Allan, English Biography in the Seventeenth Century: A Critical Survey (University of Toronto Press, 2005).
Rasmussen, Eric, “Anonymity and the Erasure of Shakespeare’s First Eighteenth-Century Editor,” in Gondris, , ed., Reading Readings, 318–22.
Rasmussen, Eric and West, Anthony James, The Shakespeare First Folios: A Descriptive Catalogue (Houndsmills, Basingstoke: Palgrave Macmillan, 2012).
Raven, James, “The Oxford Dictionary of National Biography: Dictionary or Encyclopedia?” The Historical Journal 50, no. 4 (2007): 991–1006.
Read, Conyers, Lord Burghley and Queen Elizabeth (New York: Knopf, 1960).
Reed, J. C., “Additions and Corrections: Humphrey Moseley,” Oxford Bibliographical Society Publications, n.s. 1 (1947): 39.
Reed, J. C., “Humphrey Moseley, Publisher,” Proceedings and Papers of the Oxford Bibliographical Society 2, no. 2 (1928): 57–142.
Rhatigan, Emma, “Reading the White Devil in Thomas Adams and John Webster,” in Streete, Adrian, ed., Early Modern Drama and the Bible: Contexts and Readings, 1570–1625 (Palgrave Macmillan, 2012): 176–94.
Riddell, James, “Ben Jonson and Marlowe’s ‘Mighty Line.” in Friedenreich, Kenneth, Gill, Roma, and Kuriyama, Constance B., eds., “A Poet and a filthy Play-maker”: New Essays on Christopher Marlowe (New York: AMS Press, 1988), 37–48.
Roberts, Sasha, Reading Shakespeare’s Poems in Early Modern England (Basingstoke: Palgrave Macmillan, 2003).
Roe, Johns, ed., The Poems (Cambridge University Press, 1992; updated edn., 2006).
Rowe, Nicholas, “Some Account of the Life, &c. of Mr. William Shakespear,” in The Works of Mr. William Shakespear. 6 vols. (London, 1709), I:i–xl.
Rozett, Martha Tuck, The Doctrine of Election and the Emergence of Elizabethan Tragedy (Princeton University Press, 1984).
Russell, D. A., Ancient Literary Criticism (Oxford University Press, 1972, rpt. 2003).
Schoenbaum, S., “Shakespeare and the Problem of Biography,” Literary Half-Yearly 16, no. 1 (1975): 53–71.
Schoenbaum, S., Shakespeare’s Lives (Oxford: Clarendon Press, 1970).
Schoenbaum, S., Shakespeare’s Lives, rev. edn. (Oxford University Press, 1991).
Schoenbaum, S., William Shakespeare: A Compact Documentary Life (Oxford University Press, 1977; rev. edn., 1987).
Schoenbaum, S., William Shakespeare: A Documentary Life (Oxford: Clarendon Press, 1975).
Schoenbaum, S., William Shakespeare: Records and Images (London: Scolar Press, 1981).
Schotte, Margaret, “‘Books for the Use of the Learned and Studious’: William London’s Catalogue of Most Vendible Books,” Book History 11 (2008): 33–57.
Scott-Warren, Jason, Sir John Harington and the Book as Gift (Oxford University Press, 2001).
Shaaber, M. A., “The Meaning of the Imprint in Early Printed Books,” The Library, 4th ser., 24, no. 3–4 (1944): 120–41.
Shady, Raymond C., “W.W. Greg’s Edition of the Rogers and Ley Play-Catalogue: Some Additional Information,” The Library 5th ser., 33 (1978): 325–6.
Shaheen, Naseeb, Biblical References in Shakespeare’s Plays (Newark and London: University of Delaware Press and Associated University Presses, 1999).
Shapiro, James, 1599: A Year in the Life of William Shakespeare (New York: Harper Collins, 2005)
Shapiro, James, “Toward a New Biography of Shakespeare,” Shakespeare Survey 58 (2005): 9–14.
Shepherd, Geoffrey, ed., An Apology for Poetry, rev. Maslen, R. W. (Manchester University Press, 2002).
Shrank, Cathy, “Reading Shakespeare’s Sonnets: John Benson and the 1640 Poems,” Shakespeare 5, no. 3 (2009): 271–91.
Smith, Bruce R., “THWS, CWWS, WSAF, and WSCI in the Shakespeare Book Biz,” Shakespeare Studies 35 (2007): 158–85.
Smith, Emma, Shakespeare’s First Folio: The Biography (Oxford University Press, 2016).
Smith, Helen, “Grossly Material Things”: Women and Book Production in Early Modern England (Cambridge University Press, 2012).
Sorlien, Robert Parker, ed., The Diary of John Manningham of the Middle Temple 1602–1603 (Hanover, NH: For University of Rhode Island by University Press of New England, 1976).
Spevack, Marvin, Sidney Lee: Biographer, Shakespearean, Comparatist, Educator (Hildesheim: Georg Olms Verlag, 2009).
Spurgeon, Caroline, Shakespeare’s Imagery and What It Tells Us (Cambridge University Press, 1935).
Stallybrass, Peter, “Little Jobs: Broadsides and the Printing Revolution,” in Baron, , Lindquist, , and Shevlin, , eds., Agent of Change, 315–41.
Steevens, George, Twenty Plays of Shakespeare (London, 1766).
Stern, Tiffany, Documents of Performance in Early Modern England (Cambridge University Press, 2009).
Stern, Tiffany, “On each Wall and Corner Poast: Playbills, Title-Pages, and Advertising in Early Modern London,” English Literary Renaissance 36, no. 1 (2006): 57–89.
Stern, Tiffany, Making Shakespeare: From Stage to Page (New York: Routledge, 2004).
Stern, Tiffany, “Sermons, Plays and Note-Takers: Hamlet Q1 as a ‘Noted’ Text,” Shakespeare Survey 66 (2013): 1–23.
Stern, Tiffany, “Watching as Reading: The Audience and Written Text in Shakespeare’s Playhouse,” in Maguire, Laurie, ed., How to Do Things with Shakespeare (Malden, MA, and Oxford: Blackwell Publishing, 2008), 136–59.
Stratman Carl, J., Dramatic Play Lists 1591–1963 (New York Public Library, 1966).
Straznicky, Marta, ed., The Book of the Play: Playwrights, Stationers, and Readers in Early Modern England (Amherst: University of Massachusetts Press, 2006).
Straznicky, Marta, Shakespeare’s Stationers: Studies in Cultural Bibliography (Philadelphia, University of Pennsylvania Press, 2013).
Stone, Lawrence, An Elizabethan: Sir Horatio Palavicino (Oxford: Clarendon Press, 1956).
Stopes, Charlotte Carmichael, Shakespeare’s Warwickshire Contemporaries (Stratford-upon-Avon: Shakespeare Head Press, 1907).
Sutton, Dana F., Unpublished Works by William Alabaster (Salzburg: Institut feur Anglistik und Amerikanistik, 1997).
Taylor, Gary, “Making Meaning Marketing Shakespeare 1623,” in Holland, Peter and Orgel, Stephen, eds., From Performance to Print in Shakespeare’s England (Basingstoke: Palgrave Macmillan, 2006), 55–72.
Thomas, David, Shakespeare in the Public Records (London: Her Majesty’s Stationery Office, 1985).
Wall, Wendy, The Imprint of Gender: Authorship and Publication in the English Renaissance (Ithaca: Cornell University Press, 1993).
Welch, Charles, “The City Printers,” Transactions of the Bibliographical Society 14 (1917): 175–242.
West, Anthony James, The Shakespeare First Folio: The History of the Book, 2 vols. (Oxford University Press, 2001–2003).
Whigham, Frank and Rebhorn, Wayne A., eds., The Art of English Poesy by George Puttenham: A Critical Edition (Ithaca and London: Cornell University Press, 2007).
Whitney, Charles, Early Responses to Renaissance Drama (Cambridge University Press, 2006).
Willard, Oliver, “Jaggard’s Catalogue of English Books (1618),” Stanford Studies in Language and Literature (1941): 152–72.
Williams, Franklin B. Jr., Index of Dedications and Commendatory Verses in English Books before 1641 (London: The Bibliographical Society, 1962).
Williams, Owen and Lazzuri, Caryn, eds., Foliomania! Stories behind Shakespeare’s Most Important Book (Washington, DC: Folger Shakespeare Library, 2011).
Willis, William, The Shakespeare-Bacon Controversy (London: Sampson Low, Marston and Co., 1902).
Willoughby, Edwin Elliott, A Printer of Shakespeare: The Books and Times of William Jaggard (London: P. Allan, 1934).
Willoughby, Edwin Elliott, The Printing of the First Folio of Shakespeare (Oxford: Printed at the Oxford University Press for the Bibliographical Society, 1932).
Willoughby, Edwin Elliott, The Uses of Bibliography to the Students of Literature and History (Hamden, CT: The Shoe String Press, 1957).
Wilson, Richard, Rickard, Jane, and Meek, Richard, eds., Shakespeare’s Book: Essays in Reading, Writing and Reception (Manchester University Press, 2008).
Wood, E. R., “A Discoverie of Errovrs in ‘The Case of William Jaggard (1619)’,” Notes and Queries 202 (February 1957): 62–3.
Woodfield, Denis B., Surreptitious Printing in England 1550–1640 (New York: Bibliographical Society of America, 1973).
Wright, Louis B., “The Reading of Plays during the Puritan Revolution,” Huntington Library Quarterly 6 (1934): 73–108.
