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  • Cited by 10
Publisher:
Cambridge University Press
Online publication date:
March 2017
Print publication year:
2017
Online ISBN:
9781316681312

Book description

In late Elizabethan England, political appeals to the people were considered dangerously democratic, even seditious: the commons were supposed to have neither political voice nor will. Yet such appeals happened so often that the regime coined the word 'popularity' to condemn the pursuit of popular favor. Jeffrey S. Doty argues that in plays from Richard II to Coriolanus, Shakespeare made the tactics of popularity - and the wider public they addressed - vital aspects of politics. Shakespeare figured the public not as an extension of the royal court, but rather as a separate entity that, like the Globe's spectators who surrounded the fictional princes on its thrust stage, subjected their rulers to relentless scrutiny. For ordinary playgoers, Shakespeare's plays offered good practice for understanding the means and ends of popularity - and they continue to provide insight to the public relations strategies that have come to define modern political culture.

Reviews

'This intelligent, lucid, and very well documented book will prove nonetheless an indispensable work for all further thinking on this issue of overriding importance for Shakespeareans.'

Chris Fitter Source: Notes and Queries

'… an engaging approach to the intersection of politics, publicity, and popularity in late sixteenth- and early seventeenth century England, illustrating the way these notions are portrayed and put into action in six plays by William Shakespeare.'

Alejandro Garcia-Reidy Source: Bulletin of the Comediantes

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Contents

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