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  • Chapter 31 - The American Stage

  • from Part V - Afterlives
  • Edited by Yuri Corrigan, Boston University
  • Book:
    Chekhov in Context
    Published online:
    16 February 2023
    Print publication:
    23 February 2023, pp 237-243

  • Summary

    Providing an overview of Chekhov on the American stage, James Loehlin emphasizes the game-changing effect of Chekhov, Stanislavsky, and the Moscow Art Theater on American acting and playwriting, while offering a sense of the rich history of production and experimental adaptation that Chekhov encountered both off-Broadway and across the USA.

Tom Stoppard in Context
  • Edited by David Kornhaber, James N. Loehlin
  • Published online:
    09 June 2021
    Print publication:
    17 June 2021
  • Tom Stoppard's work as a playwright and screenwriter has always been notable for mixing ideas with entertainment. From the early success of Rosencrantz and Guildenstern Are Dead to masterpieces like Arcadia, from radio plays about modern art to the Oscar-winning screenplay for Shakespeare in Love, Stoppard has challenged and delighted audiences with the intellectual and cultural richness of his writing. Tom Stoppard in Context provides multiple perspectives on both the life and works of one of the most important modern playwrights. This collection covers biographical and historical topics, as well as the broad array of intellectual, aesthetic, and political concerns with which Stoppard has engaged. More than thirty essays on subjects ranging from science to screenwriting help illuminate Stoppard's rich body of work.

Romeo and Juliet
  • William Shakespeare
  • Edited by James N. Loehlin
  • Published online:
    16 August 2019
    Print publication:
    25 April 2002
  • Romeo and Juliet is not only one of the most popular of Shakespeare's plays, it is one of the most popular stories in the world. Yet while the play has rarely been off the stage, it has undergone radical transformations in performance. It has been abridged, rewritten, given a happy ending, reset in other times and places, and adapted into other media. While retaining its appeal as a definitive love story, Romeo and Juliet has been a dynamic and unstable performance text, endlessly reinvented to suit differing cultural needs. This edition provides a detailed, thorough and readable account of the play in production. The introduction examines shifts in interpretation, textual adaptations and staging innovations over four centuries of theatrical production. The commentary gives detailed examples of how different performers, from Henry Irving and Ellen Terry to Leonardo DiCaprio and Claire Danes, have brought life and death to Shakespeare's star-crossed lovers.

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