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The ability to extinguish a maladaptive conditioned fear response is crucial for healthy emotional processing and resiliency to aversive experiences. Therefore, enhancing fear extinction learning has immense potential emotional and health benefits. Mindfulness training enhances both fear conditioning and recall of extinguished fear; however, its effects on fear extinction learning are unknown. Here we investigated the impact of mindfulness training on brain mechanisms associated with fear-extinction learning, compared to an exercise-based program.
Methods
We investigated BOLD activations in response to a previously learned fear-inducing cue during an extinction paradigm, before and after an 8-week mindfulness-based stress reduction program (MBSR, n = 49) or exercise-based stress management education program (n = 27).
Results
The groups exhibited similar reductions in stress, but the MBSR group was uniquely associated with enhanced activation of salience network nodes and increased hippocampal engagement.
Conclusions
Our results suggest that mindfulness training increases attention to anticipatory aversive stimuli, which in turn facilitates decreased aversive subjective responses and enhanced reappraisal of the memory.
Comic prose has much in common with other genres and styles; timing and balance, for example, are integral to its effects. Jonathan Greenberg and David Galef offer an examination of many different techniques in comic writing that build upon and depart from familiar strategies, many of them relying on upending expectations. The chapter enumerates various techniques, including reversal, elaboration, soundplay, excess (and restraint) and parody.
Why did Mel Brooks name one of the main characters in The Producers (1967) after James Joyce's Leopold Bloom? Tracing the meanings of that name over the course of a half century, from Joyce's Ulysses (1922) to the stage adaptation Ulysses in Nighttown (1958) to Brooks's film, illuminates how the landmark modernist novel not only acquired outsize significance for American Jewish readers but in fact became a Jewish text. Having affiliated itself with highbrow Joycean modernism in a bid for respectability, Jewish culture discovered in the source of that respectability something not so highbrow and hardly respectable at all: an enjoyable perversity rooted in popular comic performance. The Jewish form and content of both Ulysses and The Producers turn out to celebrate ethnic, racial, sexual, and class difference in defiance of Christian norms of taste, health, and citizenship; and it is in Brooks's popular citation of the literary that this defiance becomes visible.
This chapter asks why Orwell’s novel is so often referred to as a satire even though it lacks, for the most part, the humour that is commonly associated with that mode. It begins by locating Orwell in the ancient tradition of Juvenalian satire, in which moral indignation rather than amusement predominates. It then turns to the more specific tradition of utopian and dystopian satire, in which fictional words are constructed in order to offer a contrast to, or exaggeration of, the present society, with the aim of critiquing existing social and political trends. Laying out a history of dystopia, it examines key works in this tradition – from Thomas More’s Utopia and Jonathan Swift’s Gulliver’s Travels through more recent texts by H. G. Wells, Jack London, Yevgeny Zamyatin, Aldous Huxley, and others – and their importance as precursors to Nineteen Eighty-Four. Finally, it examines Orwell’s own satiric technique in the novel, both his subtle methods of comic ridicule (generally directed at British apologists for Stalinism) and his more direct attacks on totalitarianism proper, which are woven into the setting and the action of the novel.
Post-traumatic stress disorder (PTSD) is a potentially chronic and disabling disorder affecting a significant minority of people exposed to trauma. Various psychological treatments have been shown to be effective, but their relative effects are not well established.
Methods
We undertook a systematic review and network meta-analyses of psychological interventions for adults with PTSD. Outcomes included PTSD symptom change scores post-treatment and at 1–4-month follow-up, and remission post-treatment.
Results
We included 90 trials, 6560 individuals and 22 interventions. Evidence was of moderate-to-low quality. Eye movement desensitisation and reprocessing (EMDR) [standardised mean difference (SMD) −2.07; 95% credible interval (CrI) −2.70 to −1.44], combined somatic/cognitive therapies (SMD −1.69; 95% CrI −2.66 to −0.73), trauma-focused cognitive behavioural therapy (TF-CBT) (SMD −1.46; 95% CrI −1.87 to −1.05) and self-help with support (SMD −1.46; 95% CrI −2.33 to −0.59) appeared to be most effective at reducing PTSD symptoms post-treatment v. waitlist, followed by non-TF-CBT, TF-CBT combined with a selective serotonin reuptake inhibitor (SSRI), SSRIs, self-help without support and counselling. EMDR and TF-CBT showed sustained effects at 1–4-month follow-up. EMDR, TF-CBT, self-help with support and counselling improved remission rates post-treatment. Results for other interventions were either inconclusive or based on limited evidence.
Conclusions
EMDR and TF-CBT appear to be most effective at reducing symptoms and improving remission rates in adults with PTSD. They are also effective at sustaining symptom improvements beyond treatment endpoint. Further research needs to explore the long-term comparative effectiveness of psychological therapies for adults with PTSD and also the impact of severity and complexity of PTSD on treatment outcomes.
An improved understanding of diagnostic and treatment practices for patients with rare primary mitochondrial disorders can support benchmarking against guidelines and establish priorities for evaluative research. We aimed to describe physician care for patients with mitochondrial diseases in Canada, including variation in care.
Methods:
We conducted a cross-sectional survey of Canadian physicians involved in the diagnosis and/or ongoing care of patients with mitochondrial diseases. We used snowball sampling to identify potentially eligible participants, who were contacted by mail up to five times and invited to complete a questionnaire by mail or internet. The questionnaire addressed: personal experience in providing care for mitochondrial disorders; diagnostic and treatment practices; challenges in accessing tests or treatments; and views regarding research priorities.
Results:
We received 58 survey responses (52% response rate). Most respondents (83%) reported spending 20% or less of their clinical practice time caring for patients with mitochondrial disorders. We identified important variation in diagnostic care, although assessments frequently reported as diagnostically helpful (e.g., brain magnetic resonance imaging, MRI/MR spectroscopy) were also recommended in published guidelines. Approximately half (49%) of participants would recommend “mitochondrial cocktails” for all or most patients, but we identified variation in responses regarding specific vitamins and cofactors. A majority of physicians recommended studies on the development of effective therapies as the top research priority.
Conclusions:
While Canadian physicians’ views about diagnostic care and disease management are aligned with published recommendations, important variations in care reflect persistent areas of uncertainty and a need for empirical evidence to support and update standard protocols.
In satire, evil, folly, and weakness are held up to ridicule - to the delight of some and the outrage of others. Satire may claim the higher purpose of social critique or moral reform, or it may simply revel in its own transgressive laughter. It exposes frauds, debunks ideals, binds communities, starts arguments, and evokes unconscious fantasies. It has been a central literary genre since ancient times, and has become especially popular and provocative in recent decades. This new introduction to satire takes a historically expansive and theoretically eclectic approach, addressing a range of satirical forms from ancient, Renaissance, and Enlightenment texts through contemporary literary fiction, film, television, and digital media. The beginner in need of a clear, readable overview and the scholar seeking to broaden and deepen existing knowledge will both find this a lively, engaging, and reliable guide to satire, its history, and its continuing relevance in the world.