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This History explores innovations in African American autobiography since its inception, examining the literary and cultural history of Black self-representation amid life writing studies. By analyzing the different forms of autobiography, including pictorial and personal essays, editorials, oral histories, testimonials, diaries, personal and open letters, and even poetry performance media of autobiographies, this book extends the definition of African American autobiography, revealing how people of African descent have created and defined the Black self in diverse print cultures and literary genres since their arrival in the Americas. It illustrates ways African Americans use life writing and autobiography to address personal and collective Black experiences of identity, family, memory, fulfillment, racism and white supremacy. Individual chapters examine scrapbooks as a source of self-documentation, African American autobiography for children, readings of African American persona poems, mixed-race life writing after the Civil Rights Movement, and autobiographies by African American LGBTQ writers.
Moody’s introduction observes that works of African American autobiography predate even the oft-cited 1760 Narrative of the Uncommon Sufferings, and Surprizing Deliverance of Briton Hammon, and the 1783 petition to the Commonwealth of Massachusetts filed by Belinda Royall (Sutton). Moody argues the genre of Black life writing has persistently appealed to African American authors telling life stories in promoting diverse causes from a range of African-descended ethnic backgrounds. She contends that the financial rewards of Michelle Obama’s memoir Becoming — and the testimonies it has generated — reveal African American readers look to each other for life narratives of diverse Black experiences that enable the construction, constitution, and promulgation of a credible Black self. Moreover, Moody asserts, the persistent cultural shifts of African American life writing as literary and historical phenomena have been well documented. Joining a long trajectory of critical studies, the introduction establishes the prominence of Black life writing across US history.