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  • Black Opera, Operatic Racism and an ‘Engaged Opera Studies’

  • KAREN HENSON
  • Journal:
    Journal of the Royal Musical Association / Volume 146 / Issue 1 / May 2021
    Published online by Cambridge University Press:
    17 June 2021, pp. 219-230
    Print publication:
    May 2021

  • Naomi André’s Black Opera: History, Power, Engagement is a call for recognition and inclusion. Over the course of nearly 300 pages, André covers a range of subjects, from long-forgotten concert performances, to opera, Broadway and opera film, to contemporary operatic composition and practice. As she does, she moves between the United States and South Africa – a striking way of approaching her material and a feature of the book that ought to prove highly influential. Some of the arguments she makes are new, some combine pre-existing thought and research in new ways. The most important moments, though, are when she pauses to describe her experiences or those of another black opera lover or group of black opera lovers.

Technology and the Diva
  • Sopranos, Opera, and Media from Romanticism to the Digital Age
  • Edited by Karen Henson
  • Published online:
    05 September 2016
    Print publication:
    12 September 2016
  • In Technology and the Diva, Karen Henson brings together an interdisciplinary group of scholars to explore the neglected subject of opera and technology. Their essays focus on the operatic soprano and her relationships with technology from the heyday of Romanticism in the 1820s and 1830s to the twenty-first-century digital age. The authors pay particular attention to the soprano in her larger than life form, as the 'diva', and they consider how her voice and allure have been created by technologies and media including stagecraft and theatrical lighting, journalism, the telephone, sound recording, and visual media from the painted portrait to the high definition simulcast. In doing so, the authors experiment with new approaches to the female singer, to opera in the modern - and post-modern - eras, and to the often controversial subject of opera's involvement with technology and technological innovation.

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