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Longitudinal qualitative inquiry from a social gerontological perspective can offer unique insights into older adults’ wellbeing and home care service trajectories. This temporal case study of 12 older home care clients analysed 136 interviews over three time points with 53 home care network actors in Manitoba and Nova Scotia. Many clients and families grappled with service changes almost daily, even if the level or type of service appeared officially stable. The pandemic added further disruption, shaping clients’ lives, wellbeing, and relationships, as well as their access to and use of service. Notably, changes in clients’ wellbeing and needs for help were not necessarily straightforward nor always apparent to case coordinators, especially when these were tied to social, emotional, or relational wellbeing, or to clients’ living arrangements, housing, family, and community integration. Findings can enhance theorizing of change for older adults receiving home care and guide equity-informed policy and practice.
At the end of the musical Fun Home (2015), Alison Bechdel urges her girl-self to keep challenging her father’s gendered expectations, and to take the road not taken, out of the closet and beyond her parents’ lives. She has the musical’s final word, recalling “a rare moment of perfect balance when I soared above him.”1 At the end of Beautiful: The Carole King Musical (2014), Carole also soars, to the heights of the music industry as she looks out at her Carnegie Hall audience of 1971 before the failed ratification of the Equal Rights Amendment. King is solo, center stage at the piano, in her concert debut, and at Carnegie Hall, no less, singing “Beautiful.” This image of an actual American woman, thriving and succeeding, urging her audience to think positively and define themselves from the inside out, is unprecedented. Her twenty-first-century audience sits on the verge of both ovating her success and raising their voices to feel the empowerment of her songs, just as Alison’s audience felt the power of her soaring.
Climate change and other anthropogenic stressors are reshaping Earth’s biodiversity, motivating efforts to monitor changing faunal diversity. Canada is home to 80 documented species of mosquitoes, 38 of which are reported in New Brunswick. Using Centers for Disease Control and Prevention miniature CO2 light traps, three adult mosquito collection surveys were performed to encompass 43 trapping sites across New Brunswick, Canada. Study one took place from 21 July 2022 to 9 September 2022, study two took place from 29 May 2023 to 24 October 2023, and study three took place from 15 May 2024 to 19 September 2024. Among the specimens collected, a total of 18 Uranotaenia sapphirina (Osten Sacken) (Diptera: Culicidae) were identified from five separate trapping sites. This species, previously documented only in Ontario, Quebec, and Manitoba, is considered rare in Canada and is known for its specialisation in feeding on annelids rather than vertebrates. Our detection of Ur. sapphirina in New Brunswick, where it has been absent in earlier surveys, suggests a recent range expansion, possibly driven by climate change. This observation highlights the need for ongoing surveillance to monitor the impacts of environmental changes on mosquito distribution.
Between 1956 and 1957, four Broadway producers–Cheryl Crawford, Roger L. Stevens, Robert E. Griffith, and Harold S. Prince–working in different configurations, each crucially impacted West Side Story’s development. Recognized then and retrospectively as a huge gamble for anyone involved, these four producers arrived at the project from different career stages and positions of financial security, which ultimately decided who could reasonably take a gamble on bringing a musical drama to Broadway. Here I survey different ways these producers helped birth West Side Story, such as providing dramaturgical advice, securing backers, coordinating a difficult casting process, and identifying productive tryout venues. These producers’ struggles with West Side Story’s innovations also signaled necessary evolution in established practices such as the backers’ audition. Placing these producers’ work on West Side Story in the context of their career trajectories will reinforce the role of timing and good fortune to any musical’s potential success.
Older adults who age at home independently are often celebrated as having anticipated and planned for their care needs in the later stages of life, whereas those who receive assistance from home support services are often stigmatised as dependent and characterised as a ‘drain on the system’. However, this thematic analysis of interview data from 12 home care clients in two Canadian provinces offers evidence that counters the assumption that home care clients are passive recipients of care. Extending Corbin and Strauss' theorisation of how individuals manage chronic conditions alongside Dorothy Smiths' conception of work, we explore how home care clients ‘work’ to receive care as they age in place. Specifically, home care clients not only engage in daily life work, illness work and biographical work, but also advocate for themselves and their workers, co-ordinate and negotiate with members of their caring convoys and networks, and adapt in various ways to navigate personal, relational, structural and policy-level challenges. We suggest that work done by older adults who are ageing in place be addressed, acknowledged and incorporated into care planning and operational policy development to challenge both the stigma of dependency and neoliberal narratives of self-sufficiency.
Plastics pollute all environmental compartments because of human activities and mismanagement. Public perceptions and knowledge about plastic pollution differ among individuals and across different jurisdictions. Targeted survey-based research tools can help measure consumer awareness about the impacts of mismanaged plastics and help identify trends and solutions to reduce plastic use and plastic pollution. This review primarily focused on survey-based research from presenters at the scientific track session TS-2.15 Plastic Pulse of the Public at the 7th International Marine Debris Conference (www.7imdc.org) and supplemented by contemporary literature. Survey-based research helps provide new insights about public opinions related to the pervasiveness of plastic pollution. This review includes results about consumer use and perceptions of plastic pollution impacts from diverse studies from nine countries including Ghana, Kenya, Bangladesh, Pakistan, United States, Canada, Norway, Germany, and United Kingdom. Overwhelmingly, public perceptions and consumer awareness of the negative impacts of plastic pollution were extremely high, regardless of geographic location. Awareness about the environmental impacts of plastic waste and plastic pollution was highest within younger, white, female, and well-educated demographic groups. However, differences were observed in public attitudes toward willingness to pay for sustainable alternatives, end-of-life plastic uses, unintended consequences, recycling, and mismanagement.
By examining musical theatre icons and their major collaborations starting from Oklahoma! (1943) and ending with Waitress (2016), this chapter chronicles the evolution of the American musical, as practitioners assembled creative teams in response to shifting economics and the rise of mediated popular culture on television and the internet. Film studios and corporations such as Disney now develop and produce their own musicals, bringing new resources and structures that both support and expand the collaborative creation of musical theatre. At the same time, regional theatres and not-for-profit venues developed new models of their own for participating in musical theatre collaboration. Whether conceived in consultation with a corporate producer or tested through a low-budget laboratory process, what's inside twenty-first-century American musicals remains the product of creative, collaborative relationships.
We develop a two-dimensional, plan-view formulation of ice-shelf flow and viscoelastic ice-shelf flexure. This formulation combines, for the first time, the shallow-shelf approximation for horizontal ice-shelf flow (and shallow-stream approximation for flow on lubricated beds such as where ice rises and rumples form), with the treatment of a thin-plate flexure. We demonstrate the treatment by performing two finite-element simulations: one of the relict pedestalled lake features that exist on some debris-covered ice shelves due to strong heterogeneity in surface ablation, and the other of ice rumpling in the grounding zone of an ice rise. The proposed treatment opens new venues to investigate physical processes that require coupling between the longitudinal deformation and vertical flexure, for instance, the effects of surface melting and supraglacial lakes on ice shelves, interactions with the sea swell, and many others.
The election of Donald Trump and his decision to renegotiate the North American Free Trade Agreement (NAFTA) represented a shock to the Canadian and Mexican governments and business elites. Drawing on the New Regionalism(s) Approach (NRA), this article reviews the response of the Canadian state to the crisis in the North American regional project. I argue that this newer theoretical approach better explains the dynamics of regionalization or regional decomposition than mainstream theories by integrating the role played by uneven globalization, normative and ideational dimensions, and civil society in processes of regional integration and/or decomposition.
Violence in Latin America and the Caribbean is no longer perpetrated primarily by states against their citizens, but by a variety of state and non-state actors struggling to control resources, territories, and populations. This book examines violence at the subnational level to illuminate how practices of violence are embedded within subnational configurations of space and clientelistic networks. In societies shaped by centuries of violence and exclusion, inequality and marginalization prevail at the same time that democratization and neoliberalism have decentralized power to regional and local levels, where democratic and authoritarian practices coexist. Within subnational arenas, unique configurations - of historical legacies, economic structures, identities, institutions, actors, and clientelistic networks - result in particular patterns of violence and vulnerability that are often strikingly different from what is portrayed by aggregate national-level statistics. The chapters of this book examine critical cases from across the region, drawing on new primary data collected in the field to analyze how a range of political actors and institutions shape people's lives and to connect structural and physical forms of violence.