The Aboriginal cultural traditions of Australia, their histories, philosophies and characteristics, have fascinated and intrigued European observers and scholars for a very long time. This paper explores some implications of recent ethnographic information and engagements related to the themes of Indigenous rock art, knowledge and the understanding of Country in the Kimberley region, Western Australia, for the interpretation of archaeological evidence. It is argued that the Aboriginal understanding of cultural features and practices, rock art and the natural environment is best described within a framework of relational ontology. This orientation has important consequences for the conceptualization of a range of interrelated key themes, most importantly ‘space and place’, ‘story and narrative’ and ‘knowledge and representation’. Thus, the paper calls for the development of opportunities of intellectual engagement and exchange as well as collaborative and creative responses, which should also include new forms of expression in academic contexts that themselves reflexively engage with the limitations of writing and representation.

Post-colonial thought affects the heart of Western science. Although there is comparatively little engagement with post-colonial theory in the fields traditionally concerned with human origins or human evolution, it should be of critical importance to Palaeolithic archaeology and human evolutionary studies. Examination of recent literature dealing with so-called modern human origins highlights key neglected aspects of this discourse, namely the status of nature and rationality, and demonstrates how these aspects are entangled with ongoing political and colonial influences on the production of knowledge.

Shell artefacts in Island Southeast Asia have often been considered local variants of ground-stone implements, introduced in the Late Pleistocene from Mainland Southeast Asia. The discovery of a well-preserved Tridacna shell adze from Ilin Island in the Philippines, suggests, however, a different interpretation. Using radiocarbon dating, X-ray diffraction and stratigraphic and chronological placement within the archaeological record, the authors place the ‘old shell’ effect into context, and suggest that shell technology was in fact a local innovation that emerged in the early Middle Holocene. The chronology and distribution of these artefacts has significant implications for the antiquity of early human interaction between the Philippines and Melanesia. It may have occurred long before the migrations of Austronesian-speaking peoples and the emergence of the Lapita Cultural Complex that are traditionally thought to mark the first contact.

This article examines aspects of social memory in the Aurignacian mobiliary art of southwest Germany. An analytical distinction is introduced between cultural and communicative memory with different characteristics and functions in Palaeolithic social life. It is argued that the statuettes are reflections of cultural memory, but also stood in a complex and unstable relationship with the flexible conditions of everyday life. The figurative objects are not passive reproductions of collective ideas. Rather, they have to be seen as products of an active individual and intense concern with the field of meanings and associations of cultural memory, and consequently represent individual variations of a socially shared meaningful ideology