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29 results

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  • AN ALLUSION TO THE BLINDING OF APPIUS CLAUDIUS CAECUS IN AENEID BOOK 8?

  • Matthew P. Loar
  • Journal:
    The Classical Quarterly / Volume 74 / Issue 1 / May 2024
    Published online by Cambridge University Press:
    19 April 2024, pp. 343-346
    Print publication:
    May 2024
    • Article
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  • This article argues that Virgil includes an allusion to the fourth-century censor Appius Claudius Caecus in Book 8 of the Aeneid. Three pieces of evidence point to this allusion: (1) wordplay, especially the near echo of ‘Caecus’ in ‘Cacus’; (2) semantic associations between Cacus and darkness; and (3) repeated references to sight and Cacus’ eyes. By invoking the memory of Appius, whose blinding in 312 b.c.e. allegedly came at the hands of Hercules as punishment for transferring control of the god's rites at the Ara Maxima to the state, Virgil underscores the importance of properly observing religious rituals. This aligns with Evander's original intent with the Hercules–Cacus story to prove to Aeneas and the Trojans that the Arcadians’ religious practices are no uana superstitio (8.187).

The Cultural History of Augustan Rome
  • Texts, Monuments, and Topography
  • Edited by Matthew P. Loar, Sarah C. Murray, Stefano Rebeggiani
  • Published online:
    29 May 2019
    Print publication:
    30 May 2019
  • This volume wades into the fertile waters of Augustan Rome and the interrelationship of its literature, monuments, and urban landscape. It focused on a pair of questions: how can we productively probe the myriad points of contact between textual and material evidence to write viable cultural histories of the ancient Greek and Roman worlds, and what are the limits of these kinds of analysis? The studies gathered here range from monumental absences to monumental texts, from canonical Roman authors such as Cicero, Livy, and Ovid to iconic Roman monuments such as the Rostra, Pantheon, and Solar Meridian of Augustus. Each chapter examines what the texts in, on, and about the city tell us about how the ancients thought about, interacted with, and responded to their urban-monumental landscape. The result is a volume whose methodological and heuristic techniques will be compelling and useful for all scholars of the ancient Mediterranean world.

Rome, Empire of Plunder
  • The Dynamics of Cultural Appropriation
  • Edited by Matthew P. Loar, Carolyn MacDonald, Dan-el Padilla Peralta
  • Published online:
    25 October 2017
    Print publication:
    19 October 2017
  • Bringing together philologists, historians, and archaeologists, Rome, Empire of Plunder bridges disciplinary divides in pursuit of an interdisciplinary understanding of Roman cultural appropriation - approached not as a set of distinct practices but as a hydra-headed phenomenon through which Rome made and remade itself, as a Republic and as an Empire, on Italian soil and abroad. The studies gathered in this volume range from the literary thefts of the first Latin comic poets to the grand-scale spoliation of Egyptian obelisks by a succession of emperors, and from Hispania to Pergamon to Qasr Ibrim. Applying a range of theoretical perspectives on cultural appropriation, contributors probe the violent interactions and chance contingencies that sent cargo of all sorts into circulation around the Roman Mediterranean, causing recurrent distortions in their individual and aggregate meanings. The result is an innovative and nuanced investigation of Roman cultural appropriation and imperial power.

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