This edited volume is the first of two forming an anthology that programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia—Southeast Asia in the first place—to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Far from being a mere southern conduit for the maritime circulation of Indic religions, in the period from ca. the 7th to the 14th century those regions transformed across mainland and island polities the rituals, icons, and architecture that embodied these religious insights with a dynamism that often eclipsed the established cultural centres in Northern India, Central Asia, and mainland China. This collective body of work brings together new research aiming to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced Southern rim of the Asian landmass. This approach aims at favouring the integration of these findings into the mainstream academic discourse pertaining to various disciplines, such as Art History, Archaeology, Religious Studies and Textual Studies, which too often have ignored the constitutive role played by the (supposedly ‘peripheral’) maritime regions in the genesis and development of cultural, religious, and artistic motifs across the mediaeval Indic world.

Current research increasingly shows that the Southeast Asian ‘peripheries’ were freer to innovate than the traditional ‘centres’, while the flourishing trade routes provided them with the necessary flow of human and material resources. As a result, the early kingdoms of Maritime Asia became wellsprings of cults, ritual technologies, sacred art/ architecture, and the new political models they underpinned. A transforming southern stream flowed from India and Sri Lanka, across the emerging island and littoral states, touching East Asia and eventually reaching Northeastern India, Nepal, and Tibet. For instance, images in the Chinese Mogao and Yulin caves, which have been hitherto ascribed to Tibetan influence, can now be seen to be influenced by the art of the Pallava dynasty of Southern India and related to teachings introduced to China by Vajrabuddhi/Vajrabodhi and popularized by his pupil Amoghavajra (Khokhlov, this volume). The early propagation of the new maṇḍala- and mantra-based soteriological and ritual systems beyond the subcontinent begins to be recorded in the late 7th century in the journeys of learned and enterprising monks over the so-called (land) ‘Silk Routes’.

Introduction

Herukas, fierce icons of the supreme Buddhas of the esoteric Vajrayāna (‘thunderbolt’) vehicle, emerged as key soteriological aids in the monasteries of northern India under the Pāla dynasty (8th–11th centuries). Recent archaeological research suggests that they achieved a second, quite different florescence as instruments of royal power in the 11th–15th centuries across Maritime Asia. Even as the Herukas headed towards extinction under armed Islam in the great monasteries of Bengal and Bihar in the late 12th century, the flight of the Indian Buddhist masters fuelled a sudden growth and refinement of Buddhism in Nepal and Tibet, while their monastic vehicle entered the courts of the kings and emperors defending their domains in Maritime Asia. Indian Buddhist strategists had apparently long aspired to overlay a Heruka maṇḍala on Śaiva holy sites to implement forms of ‘state protection Buddhism’ that would rival the hold of Śaivism over the courts of the subcontinent. This aspiration was to materialize only outside India.

This chapter brings together the patches of evidence scattered over the wide and varied geography of the southern seas to trace this royal rebirth of the Herukas in Maritime Asia. In so doing, it attempts to carry the baton forward for the final seaward leg of the history of fierce Buddhist deities that Rob Linrothe (1999) brilliantly traced across the subcontinent. He concluded with these notable remarks on the eight-headed, sixteen-armed Heruka ‘Hevajra’:

This edited volume is the second of two forming an anthology that programmatically reconsiders the creative contribution of the littoral and insular regions of Maritime Asia to shaping new paradigms in the Buddhist and Hindu art and architecture of the mediaeval Asian world. Both volumes, inscribing themselves in the same intellectual trajectory of the edited volume Esoteric Buddhism in Mediaeval Maritime Asia: Networks of Masters, Texts, Icons published by ISEAS (Acri 2016), bring together new interdisciplinary research that contributes to a new sense of the historical role of Maritime Asia. Overall, they aim to recalibrate the importance of these innovations in art and architecture, thereby highlighting the cultural creativity of the monsoon-influenced southern rim of the Asian landmass. They also make a case for the importance of comparatively studying those phenomena from the prism of intra-Asian connections, taking into account circulatory dynamics while remaining anchored to the disciplinary traditions specializing on the various regions that constitute the rich cultural mosaic of Maritime Asia.

Most of the proposed studies stem from papers presented in two summer programmes held in East Java in 2016 (co-organized by the SOAS Southeast Asia Art Academic Programme [SAAAP] and the Nalanda-Sriwijaya Centre of ISEAS – Yusof Ishak Institute) and in Central Java in 2017 (co-organized by the SOAS SAAAP and Universitas Gadjah Mada). These scholarly gatherings aimed at rediscovering the influence of the Buddhist and Hindu paradigms of mediaeval kingdoms adjoining the maritime trade route. With contributions from leading local and international scholars, the anthology expands on themes of innovation and transfer in the unique monuments, icons, and rituals developed in South India and Sri Lanka, Sumatra, the Malay Peninsula, Java, and the Khmer and Cam domains that strongly impacted Buddhist and Hindu art, architecture, and religious culture in India, Nepal, Tibet, and China, and incite to deeper explorations.

Having discussed the intellectual framework informing this collective body of work in the Introduction to Volume One (Acri and Sharrock 2022), containing nine studies mainly dealing with intra-Asian transfers and mainland Southeast Asia, we will now summarize the nine studies contained in this volume, mainly covering the regions of Odisha and Java.