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Edited by D. Quentin Miller, Suffolk University, Massachusetts, Rich Blint, The New School, New York
Book:

African American Literature in Transition, 1980–1990

Published online:

02 February 2023

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09 February 2023, pp iv-iv
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Part III - Global Connections
- By Rich Blint
Edited by D. Quentin Miller, Suffolk University, Massachusetts, Rich Blint, The New School, New York
Book:

African American Literature in Transition, 1980–1990

Published online:

02 February 2023

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09 February 2023, pp 183-256
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Index
Edited by D. Quentin Miller, Suffolk University, Massachusetts, Rich Blint, The New School, New York
Book:

African American Literature in Transition, 1980–1990

Published online:

02 February 2023

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09 February 2023, pp 257-260
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Contents
Edited by D. Quentin Miller, Suffolk University, Massachusetts, Rich Blint, The New School, New York
Book:

African American Literature in Transition, 1980–1990

Published online:

02 February 2023

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09 February 2023, pp v-vi
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Part I - The Expanding Canon
- By Rich Blint
Edited by D. Quentin Miller, Suffolk University, Massachusetts, Rich Blint, The New School, New York
Book:

African American Literature in Transition, 1980–1990

Published online:

02 February 2023

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09 February 2023, pp 11-118
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Notes on Contributors
Edited by D. Quentin Miller, Suffolk University, Massachusetts, Rich Blint, The New School, New York
Book:

African American Literature in Transition, 1980–1990

Published online:

02 February 2023

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09 February 2023, pp vii-xii
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Volume 15
Edited by D. Quentin Miller, Rich Blint
Published online:

02 February 2023

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09 February 2023
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African American Literature in Transition, 1980–1990 tracks Black expressive culture in the 1980s as novelists, poets, dramatists, filmmakers, and performers grappled with the contradictory legacies of the civil rights era, and the start of culture wars and policy machinations that would come to characterize the 1990s. The volume is necessarily interdisciplinary and critically promiscuous in its methodologies and objects of study as it reconsiders conventional temporal, spatial, and moral understandings of how African American letters emerged immediately after the movement James Baldwin describes as the 'latest slave rebellion.' As such, the question of the state of America's democratic project as refracted through the literature of the shaping presence of African Americans is one of the guiding concerns of this volume preoccupied with a moment in American literary history still burdened by the legacies of the 1960s, while imagining the contours of an African Americanist future in the new millennium.

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