Can the African novel work as interlocutor for anthropologists studying Africa’s postcolonial politics today? Conversely, is there a role for the African literary imagination in our renewed efforts to decolonize anthropology? This article draws on Chinua Achebe’s fictional representations of the postcolony in two novels, No Longer at Ease and A Man of the People, to discuss the value of the African literary archive for an anthropological interest in elites, corruption and postcolonial decadence in the early postcolony. This African literary archive has contributed enormously to Achille Mbembe’s critique of power in the postcolony. Here, I argue that, in contrast to anthropologists of the late colonial and early postcolonial moment, African writers such as Achebe mobilized fiction as a powerful form of critique to address early signs of postcolonial despair and disillusionment in Africa.

Cameroonians recently invented a new word to characterize the state of their country: anusocratie (the rule of the anus). This became central in the moral panic from 2000 onwards over a supposed proliferation of homosexuality. Anusocratie links such same-sex practices to illicit enrichment by the national elites and their involvement with secret associations of Western provenance, such as Freemasonry, Rosicrucians and the Illuminati. This article tries to unravel this conceptual knot of homosexuality, the occult (Freemasonry) and illicit enrichment: first, by historicizing it. Of interest in the Cameroonian case is the fact that a similar link is mentioned in one of the first ethnographies, Günther Tessmann's Die Pangwe. Freemasonry is clearly a colonial imposition on the country, but the link between same-sex practices and enrichment has a longer history. Second, a comparison with similar ideas elsewhere on the continent can also open up wider perspectives. The link with illicit enrichment does not figure in classical conceptions of ‘homosexuality’ as developed in Europe, yet it strongly emerges from examples from all over Africa. Both Achille Mbembe and Joseph Tonda show that this image of the anus – anal penetration – articulates popular concerns about staggering inequalities. Yet, this aspect is ignored in debates about growing ‘homophobia’ in Africa. A confrontation with classical texts from Western queer theory (Bersani, Mieli) can help us discover other layers in African discourses, notably an emphasis on sexual diversity as an answer to homophobia. It can also serve to relativize the linking of sexual practices to sexual identities, which is still seen as self-evident in much queer theory of Western provenance.

Cameroon's autocrat, Paul Biya, declared war on Boko Haram in 2014. Using a variety of ethnographic materials, this article examines the politics of rumours and conspiracy theories that have defined the popular response to this war in Cameroon. It underlines the mobilising force of these rumours on intra-elite struggles within the national context as well as on international relations, particularly on French–Cameroon relations. I argue that rumour-mongering is a central mode of production of suspicion in times of war and social crisis. Yet, the current rumours in the wake of the war against Boko Haram in Cameroon are inscribed within a historical framework of a state-directed politics of paranoia that seeks to define ‘enemies of destabilisation’. In the end, this politics of suspicion also works to bring otherwise disaffected Cameroonians to support the autocratic Paul Biya as a victim of foreign plots for regime change in Cameroon.

This article draws on a political ethnography of the hosting of state ceremonies to engage with erstwhile theoretical accounts of African politics as highly patrimonial and built on a social complicity between African rulers and their citizens. The article examines the patrimonial relationship between Cameroon's head of state, Paul Biya, and political elites of local ethno-regional communities who support the president within the framework of the Cameroon People's Democratic Movement (CPDM) in Anglophone Cameroon. It approaches such elite politics of hosting as part of the vast cultural repertoire of patrimonial domination that emphasizes a spectacularization of proximity and intimacy between the head of state and his coterie of supporting elites as the latter seek development resources for their local and regional communities in exchange for their political support. To account for hosting as a practice of patrimonial elite politics, the article demonstrates the complex logics and pragmatics of ethnic and regional competition as well as the deployment of symbolic idioms of hierarchical relations, mutuality and interdependence in the cultural performance and legitimation of Biya's patrimonial domination of Cameroon.