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DISSONANCE AND HARMONY: RESPONSE TO DANIEL R. MELAMED
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- Eighteenth-Century Music / Volume 18 / Issue 2 / September 2021
- Published online by Cambridge University Press:
- 17 August 2021, pp. 323-325
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- September 2021
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Bach's Numbers
- Compositional Proportion and Significance
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- 05 March 2016
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- 06 August 2015
14 - Lost compositional blueprints
- from Part II - Demonstrations
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- Bach's Numbers
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- 05 March 2016
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- 06 August 2015, pp 354-369
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Part I - Foundations
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- Bach's Numbers
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- 06 August 2015, pp 1-130
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2 - Symmetry, proportion and parallels
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- Bach's Numbers
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- 06 August 2015, pp 36-72
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Tables
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- Bach's Numbers
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- 06 August 2015, pp x-xiv
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Figures
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- Bach's Numbers
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- 06 August 2015, pp ix-ix
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6 - Four in two collections for keyboard
- from Part II - Demonstrations
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- Bach's Numbers
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- 06 August 2015, pp 159-181
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Copyright page
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- Bach's Numbers
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- 06 August 2015, pp iv-iv
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1 - Bach's numbers
- from Part I - Foundations
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- Bach's Numbers
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- 06 August 2015, pp 3-35
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Appendices
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- Bach's Numbers
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- 06 August 2015, pp 370-382
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8 - Two small late collections
- from Part II - Demonstrations
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- Bach's Numbers
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- 06 August 2015, pp 204-223
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4 - Bars, compositional planning and proportional parallelism
- from Part I - Foundations
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- Bach's Numbers
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- 06 August 2015, pp 102-130
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5 - Three collections for strings
- from Part II - Demonstrations
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- Bach's Numbers
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- 06 August 2015, pp 133-158
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11 - Collections of organ works
- from Part II - Demonstrations
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- Bach's Numbers
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- 06 August 2015, pp 275-293
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Part II - Demonstrations
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- Bach's Numbers
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- 06 August 2015, pp 131-369
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Acknowledgements
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- Bach's Numbers
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- 06 August 2015, pp xv-xvi
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Bibliography
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- Bach's Numbers
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- 06 August 2015, pp 383-395
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Glossary
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- Bach's Numbers
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- 06 August 2015, pp xvii-xviii
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Index of Sources
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- Bach's Numbers
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- 06 August 2015, pp 396-399
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