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Clementi and the Woman at the Piano: Virtuosity and the Marketing of Music in Eighteenth-Century London Erin Helyard Liverpool: Liverpool University Press, 2022 pp. xx + 313, ISBN 978 1 80085 625 7
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- Eighteenth-Century Music / Volume 22 / Issue 1 / March 2025
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- 05 March 2025, pp. 113-116
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- March 2025
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Part III - Women Composers circa 1750–1880
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- The Cambridge Companion to Women Composers
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- 23 May 2024
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- 30 May 2024, pp 159-226
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Index
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- 30 May 2024, pp 341-348
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Dedication
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Copyright page
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Acknowledgements
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Music Examples
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Prologue
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Part I - Themes in Studying Women Composers
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Bibliography
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Figures
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Part II - Highlighting Women Composers before 1750
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2 - In Search of a Feminist Analysis
- from Part I - Themes in Studying Women Composers
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9 - Did Women Have a Classical Style?
- from Part III - Women Composers circa 1750–1880
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Contributors
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Contents
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Part IV - Women Composers circa 1880–2000
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Abbreviations
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The Cambridge Companion to Women Composers
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Music in Twentieth-Century Oxford
- New Directions
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- Boydell & Brewer
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- 09 January 2024
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- 18 April 2023