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Focusing on the Christian concept of sin, this chapter explores the way in which Anti-Climacus in Part Two of The Sickness unto Death analyzes the concepts of despair, selfhood, spirit, sin, offense, faith, paradox, and God from the standpoint of a Christian understanding of these concepts in contrast to that of classical paganism and Christendom, especially the way in which these concepts are rooted scripturally in Christianity in not willing or doing what is right rather than not knowing or understanding what one should do, as in paganism. It focuses in particular on the Christian doctrine of hereditary sin and the paradox that sin is not a negation but a position before God that cannot be comprehended but must be believed through a revelation from and relation to God, thereby creating the possibility of offense.
No thinker has reflected more deeply on the role of religion in human life than Søren Kierkegaard, who produced in little more than a decade an astonishing number of works devoted to an analysis of the kind of personality, character, and spiritual qualities needed to become an authentic human being or self. Understanding religion to consist essentially as an inward, passionate, personal relation to God or the eternal, Kierkegaard depicts the art of living religiously as a self through the creation of a kaleidoscope of poetic figures who exemplify the constituents of selfhood or the lack thereof. The present study seeks to bring Kierkegaard into conversation with contemporary empirical psychology and virtue ethics, highlighting spiritual dimensions of human existence in his thought that are inaccessible to empirical measurement, as well as challenging on religious grounds the claim that he is a virtue ethicist in continuity with the classical and medieval virtue tradition.
The notion of a specifically Christian moral character receives its normative definition and
paradigmatic existential expression in Jesus Christ, who is viewed in the New Testament not only as
the redeemer of fallen humanity through his death and atonement but also as the prototype or perfect
model of human moral character. Nowhere is the latter character more evident than in the temptation
narratives recorded in the synoptic gospels (Mark 1:12–13; Matt. 4:1–11; Luke
4:1–13) and attested by other New Testament writings. According to Mark, the oldest of the
synoptic gospels, immediately after Christ's baptism the Spirit descended on him, a heavenly voice
declared him to be God's Beloved Son, and he was driven by the Spirit into the wilderness, where he
was “tempted” by Satan for a period of forty days. The Greek verb for being tempted
(peirasein) in these narratives has two meanings, to test and to seduce or entice,
both of which are operative in the synoptic accounts. Although English translations of the New
Testament use the term temptation to indicate the enticement of Jesus by Satan or
the devil, the temptation of Christ is clearly understood by the New Testament writers as signifying
a testing of his perfect obedience and faithfulness to God, in line with a long tradition of testing
in the Hebrew Bible. As in the cases of Abraham in the land of Canaan (Gen. 22:1) and the Israelites
in the wilderness (Exod. 15:25; 16:4; Deut. 8:2–5), the initiator of Christ's testing in the
temptation narratives is God, who puts him to the test through the agency of the figure of Satan.
Although Satan is generally viewed in the New Testament as the adversary of God who entices humans
to do evil, in this instance he indirectly plays the role of the accuser or heavenly prosecutor,
whose primary function, as in the prologue of the Old Testament book of Job (1:1–2:13), is to
test the faith and steadfastness of the righteous. Although Mark's account is very brief, merely
indicating that Jesus was tempted by Satan, Matthew and Luke identify three specific tests in which
the Son of God was tempted to use his divine power for worldly gain, authority, and glory.
In this rich and resonant work, Soren Kierkegaard reflects poetically and philosophically on the biblical story of God's command to Abraham, that he sacrifice his son Isaac as a test of faith. Was Abraham's proposed action morally and religiously justified or murder? Is there an absolute duty to God? Was Abraham justified in remaining silent? In pondering these questions, Kierkegaard presents faith as a paradox that cannot be understood by reason and conventional morality, and he challenges the universalist ethics and immanental philosophy of modern German idealism, especially as represented by Kant and Hegel. This volume, first published in 2006, presents the first new English translation for twenty years, by Sylvia Walsh, together with an introduction by C. Stephen Evans which examines the ethical and religious issues raised by the text.