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In the mid-nineteenth century huge blocks of ice were harvested in New England and transported to port cities as far away as Bombay, Calcutta and even Hong Kong. After expanding in scale for a few decades, the trade would suddenly decline in the latter part of the century. Almost all histories of the ice trade have attributed this decline to the rise of artificial ice. Through a focus on the trade between the United States and India, however, this article argues against this popular conclusion. It instead shows how the ice trade was both a product and casualty of important shifts in the global economy in the middle of the 19th century that affected the cost of moving ice across the oceans. When treated seriously as a global commodity, ice, this article argues, provides a useful window into these vital shifts in the global economy and highlights the importance of taking circulation more seriously in commodity histories.
The introduction provides a general description of asylum periodicals and a brief introduction to the publishing and medical contexts within which they emerged. Then it discusses the place of asylum periodicals in the ongoing disputes over the social function of psychiatry and mental institutions. I challenge the suspicion with which historians and literary scholars have approached asylum periodicals due to their dual function of serving both patients and institutions. While scholars have perceived asylum periodicals as defined by censorship and, consequently, inauthenticity and unknowability, I argue that asylum periodicals’ positioning does not compromise their value as historical records but requires different approaches to their study, borrowed from book history and literary and periodical studies. A recognition of asylum periodicals and their producers as agents in wider literary networks enables further consideration of these publications and an acknowledgement of their potential to facilitate the generation of new insight about asylums, their inhabitants, and nineteenth-century print culture.
Peter Ronaldson was an inmate of the Royal Edinburgh Asylum in the 1840s and contributed to the first issue of its Morningside Mirror. Soon after the publication of the periodical, Ronaldson escaped. Tracing Ronaldson’s story in the available records, the conclusion reflects on the difficulty of constructing coherent narratives out of partially preserved complex and fluid institutional experiences. It nevertheless argues that asylum periodicals are invaluable resources for understanding life in nineteenth-century institutions, suggests directions for further research using the publications, and highlights their relevance to mental health and Mad activism.
Asylum periodicals participated in complex exchanges of medical and general print that took place in the nineteenth century. Therapeutic publishing spread in different institutions through networks of physicians, who were keen to stay abreast of the newest developments in their discipline. Asylum periodicals themselves contributed to medical communication, once they were in circulation. When launching and supporting periodical publication, however, physicians were not purely driven by self-interest and the interests of their institutions. As asylum periodicals joined the wider networks of print, they enabled patients’ continuous engagement with literary culture and public life. This function was not secondary to most of the publishing projects, but it was an effect sought by physicians for the benefit of those in their care and to support the provision of healthy recreation, which was an important aspect of the moral treatment. The inception, development, and survival of asylum periodicals depended on the exchanges they facilitated – exchanges that were themselves enabled and often encouraged by physicians.
This chapter examines early Southern California fiction, such as Helen Hunt Jackson’s Ramona (1884) and María Amparo Ruiz de Burton’s The Squatter and the Don (1885), exposing how historical nineteenth-century romance whitewashed a diverse transnational and multicultural territory. This chapter argues that by sugarcoating the realities of a violent and racialized colonial conquest, early Southern California fiction romanticized the region and its climate as a refuge where White settlers could improve their health. For Meylor, Ruiz de Burton also underscores the purported whiteness of her Californio characters to gain the empathy of her readers. By the 1920s, this chapter argues, literature had begun to depict LA as an Anglo city about to transition into a growing metropolis, but counter-narratives were already emerging, questioning the racial distortions of the booster economy.
Unearthing primary sources from a large transatlantic archive, this first book-length study of asylum periodicals in the nineteenth century traces the origins and early spread of periodical publishing in mental institutions in Britain, the United States, and the rest of the world. It connects the rise of asylum periodicals with developments in publishing, literary culture, and the treatment of madness, illuminating the social and print networks that supported their spread. Examining the complicated relationships involved in asylum publishing, Mila Daskalova highlights the role of print in self-expression, community building and identity formation. It shows that patients employed these publications to navigate their institutional reality and to interact with each other and the world. Rather than powerless recipients of care or abuse, periodical contributors participated actively in their treatment and cultural and social life within and beyond the institutions. This title is also available as open access on Cambridge Core.
This study explores the intricate design of title pages in nineteenth-century Persian lithographed books, comparing the Eastern-style title pages prevalent in Indian publications with the Western-influenced designs found in Iranian lithographed books. Rooted in Indian publishing traditions, the Eastern model emphasised structured bibliographic details, refined calligraphy, and floral ornamentation. In contrast, the Western-style Iranian model drew inspiration from Persian manuscript and bookbinding traditions, a broader ornamental vocabulary shared across media, particularly the lachak va turanj (medallion-and-corner) compositional scheme. While Iranian designers rarely adopted the Eastern model in books published in Iran, Indian publications occasionally incorporated Persian design elements, demonstrating selective cross-regional exchanges in Persianate book design. Rather than developing a standardised informational layout, Iranian title pages prioritised visual composition and ornamental hierarchy, often relegating bibliographic information to colophons or extended dedicatory texts. Accordingly, the Western style is defined less by informational structure than by visual organisation, which distinguishes it fundamentally from the Eastern model. This study focuses on Iranian and Indian examples, drawing on rare Persian lithographed books to examine how differing conceptions of the book shaped title page design in the nineteenth century.
This article uses digital Geographic Information Systems (GIS) to visualize changing crop choice over time in nineteenth-century equatorial eastern Africa. It maps the locations of crops mentioned in early imperial sources, using contemporary cartographic representations of the region as a base. This enables a novel visualization of changing agricultural potential and vulnerability to climate variability over time. The maps contextualize the growth of commercial and political centers, a series of famines during years and seasons of below average rainfall, and the well-known environmental challenges of the early colonial period.
By reconstructing the boundaries of a ‘community’ that shared the same emotional horizon when it came to love, this article explores the role that concepts of romantic love played in the development of modern ideas of sexuality, with a specific focus on the relationship between women, sexual desire and pleasure. After a brief description of the Italian historical and cultural context in which Paolo Mantegazza developed his sexual science and the role that romantic love played within it, I analyse his Fisiologia dell’amore to show how, even without explicit references to sexual acts, the book clearly alludes to sexual desire and pleasure. I then examine a selection of letters from Mantegazza’s female readers to demonstrate their enthusiasm for the book. Finally, I show how ideas of romantic love and the introspective enquiry prompted by reading Mantegazza also affected women’s awareness of themselves as sexed beings capable of and entitled to experiences of pleasure.
In the mid-nineteenth century, opéra de salon dominated residential entertainment in Parisian salons. As these short, comedic operas were adapted for household receptions, librettists and composers faced a choice: adhere to staging conventions or adapt their works to fit the idiosyncrasies of residential space. Focusing on the salon of Anne Gabrielle Orfila, who was a proponent of opéra de salon and who hosted at least ten unique productions, this study examines how opera was adapted to salon space. It shows how stage action was not always contained by a single room, with scenes often spanning adjacent rooms. This affected audience seating and shaped the dramatic experience. The study also considers the significance of salon décor as it harmonized with or competed with the opera scenery. At a time when spectacle and elaborate designs prevailed at the Paris Opéra, opéra de salon presented a contrasting model that challenged theatrical conventions.
The conclusion ends the book by bringing together the themes and questions it has explored but also looks to the ways in which questions of property, possession and keeping hold are very much eighteenth-century questions. The conclusion looks to how ‘lost property’ was dealt with in the nineteenth century and sees a different set of practices and institutions at play.
This article examines the institutional evolution and professionalization of the state police in Prague during the final decades of the Habsburg monarchy, arguing that the transformation of the Prague State Police between 1893 and 1910 represents a proactive effort in modern state-building. Drawing on reports from the Prague Police Directorate and the Bohemian Governor’s Office, it analyzes how recurring episodes of mass violence—specifically the unrest of the early 1890s, the riots of December 1897, and the nationalist disturbances of 1908—exposed the structural vulnerabilities of a security apparatus designed for routine policing rather than mass politics.
The article highlights a significant shift in administrative strategy: the movement away from a reliance on military intervention, which was increasingly viewed by civil authorities as a “double defeat” that undermined the legitimacy of the constitutional state. Instead, police directors such as Georg Dörfl and Karel Křikava successfully advocated for a robust, civilian-controlled force characterized by increased manpower, modernized equipment, and the establishment of a dedicated reserve for professional training. By 1910, the Prague Guard had largely expanded, reflecting a fundamental reconceptualization of urban order where protest was accepted as an unavoidable feature of political life to be contained by professional civilian forces rather than crushed by the army.
This study proposes a new qualitative method in historical pragmatics to extract politeness formulae for master-servant directives from nineteenth-century French advice literature. Whereas traditional politeness models study strategic face-saving, this study investigates non-strategic, routinized or conventionalized politeness by mapping explicit linguistic instructions in historical prescriptive metasources. Because etiquette and conduct books targeted middle-class households – typically defined as having at least one live-in servant – they routinely discussed interactions with servants. The self-built corpus comprises 43 sources: etiquette and conduct manuals, alongside servant manuals. Through close reading I manually extract politeness formulae, which are compiled into a formulary. Historians underline servants’ harsh conditions and social erasure, typically mirrored by bare imperatives. Advice on a kind prosody is widespread, but politeness formulae (e.g. voulez-vous? – je vous prie) only emerge in the 1870s, when the crisis of domestic service begins. This shift suggests that domestic service was increasingly viewed in transactional rather than purely hierarchical terms. Despite these changes, master-servant, servant-master and peer directives remain rigidly compartmentalized. The article addresses a notable gap in French historical im/politeness studies by showing how politeness formulae in prescriptive discourse reveal the persistence of caste-like social structures in nineteenth-century French domestic service.
This article examines how Miskitu King Robert Charles Frederic (1824–42) used colonial contracts with foreign merchants to advance his political agenda in Moskitia, on Central America’s Caribbean coast. Drawing on European and Central American archives, this study challenges narratives that portray Indigenous leaders as passive actors in colonial expansion, highlighting how the king strategically wielded contracts to facilitate the import of foreign capital through concessions and loans. His mastery of international finance enabled resistance to imperial domination while allowing him to consolidate power, maintain independence, and participate in nineteenth-century Atlantic political transformations. However, this strategy compelled him to facilitate the entry of financial capitalism into Moskitia, subsequently defining his kingdom’s fiscal governance and external relations. By examining Robert Charles Frederic’s learning process in navigating Caribbean political and Atlantic financial systems, this article contributes to scholarship on Indigenous agency in colonial encounters and reveals how peripheral actors mediated the global spread of economic institutions.
This article explores the nineteenth-century history of ship’s ballast to study global maritime mobility ‘from below’, both socially and materially. Though mostly overlooked by contemporaries and historians alike, ballast was both a necessary resource for and a constraint on sea travel. This article examines ballast in four steps. First, it defines ballast in terms of its function, materiality, and value. Second, it studies ballast in the littoral zone, where specialized ballasting organizations depended on precarious labour and where both its production and disposal became entangled with environmental agendas and concerns. In a third step, the article focuses on ballast at sea, where it materially and sometimes detrimentally impacted the experience of ‘being in transit’. Finally, the article considers the transition to water ballast as an example for the persistence and staying-power of seemingly obsolete technologies and associated labour regimes. Ballast was an obscure but powerful enabler of sea travel. Maintaining this connectivity rested both on the widespread mobilization of labour for ballast practices and on the global movement of vast amounts of otherwise useless weight.
This article proposes a mixed-method approach to examine historical censuses with regard to race. It does so by exploring various kinds of demographic records from nineteenth-century Buenos Aires in order to test the conventional hypothesis of a significant census underenumeration of the city’s population of African descent. Starting from the overall progression of census results, the article is divided into three parts. The first of these deals with potential under-coverage, the second with the possibility of classificatory changes, and the third with vital statistics, largely derived from parish books. With special attention to two censuses of the 1850s, it concludes that Buenos Aires’s Afro-descendant population likely did suffer serious demographic decline between 1840 and 1890.
This research examines migration in Linares during the third quarter of the nineteenth century, focusing on migration chains. The city experienced a significant increase in population due to the mining boom, which led to an almost sixfold increase in the population over a period of 30 years. Using data from the 1873 population register, which includes more than 22,500 individuals, this study confirms the effectiveness of the migration chain framework in analyzing internal migration during the preindustrial and early industrialization periods. This approach has revealed the significant influence of this form of social capital in determining migratory flows to Linares, highlighting the importance of places of origin in the spatial distribution of the city and in the occupational specialization of the migrant population. The findings suggest that migratory chains played a key role in providing information about opportunities at the destination, as well as in reducing the costs associated with the search for employment and housing.
The first ever field mission of the International Committee of the Red Cross (ICRC) took place in Montenegro in the winter of 1875–76. Although the expedition was little documented by what was then a new organization, a rediscovered trove of private archives has shed light on how it was carried out. Three delegates were sent to Montenegro with the aim of supporting the creation of a new relief society, aiding wounded soldiers and spreading awareness of the original Geneva Convention of 1864. Although the delegates were forced to adjust their ambitions, the Montenegro mission marked an important milestone in the burgeoning International Red Cross and Red Crescent Movement and sparked debate over the recognition of new National Red Cross and Red Crescent Societies by their sister Societies. This article outlines the ICRC’s first experience in the field and examines the mission’s legacy.
Beginning with an analysis of William Prinsep’s watercolour of nautch dancers (circa 1840), this chapter discusses the figure of the Indian nautch dancer as ‘homo sacer’, the killable target of anti-nautch dance bans introduced in British colonial India. It focuses on the British-controlled colonial city of Calcutta, a dynamic and experimental hub in nineteenth-century undivided Bengal, where the management of native populations, including sex workers and dancers, were led by colonial-era scientific and commercial agendas, and which resulted in an intersectional race-gender-caste-based violence against professional nautch women. Examining a series of newspaper reports from the colonial archive that prominently feature nautch events, the chapter tracks changing British attitudes towards nautch dancing, ranging from mild tolerance to total denouncement. A ‘corpo-active’ method of re-animating nautch archives through the body is introduced as a framework for the book, which resurfaces nautch subjects from visual and material archives as active agents rather than passive victims of tragedy. Overall, the chapter provides an overview of three broad tendencies against or with which the whole book moves: nautch as contagion, nautch as disappearance and nautch as ‘survivance’.
The chapter begins with a survey of literature on nineteenth-century colonial exhibitions and world’s fairs as a cultural practice and the complicity of academic disciplines such as anthropology and ethnology in promoting violent forms of pedagogy. It provides a brief overview of the ‘nasty’ Indian nautch, a racially charged practice framed simultaneously by colonial desire and abhorrence, which moved between the Empire’s exhibitions and theatres as disturbances. It then examines one particular colonial exhibition, the failed Liberty of London’s 1885 exhibition, and specifically analyses the work of nautch dancers whose moving bodies both engaged and disrupted the scopophilia framing live human exhibits. The chapter then listens to the dissenting voices of Liberty’s performers and delves into the legal proceedings they set in motion against their producers. In the final section, the chapter examines how re-imagining the Liberty’s nautch experience by embodying archival silences and slippages might be a usefully anarchic ‘corpo-active’ method that animates the memories of subaltern dancers forgotten by both British and Indian nationalist history.