The Evolution of Scottish Enlightenment Publishing

Abstract This article uses large-scale bibliographic data to extract and analyse the works, authors, and publishers of the Scottish Enlightenment. By doing so, we aim to encompass a wider scope and definition of Scottish Enlightenment publishing, contextualizing both the major and the lesser-known publishers. We reveal two competing models for key Scottish publishers: those working in Scotland, publishing works that were printed later in London; and those working in London, printing Scottish works. We show that the careers of key publishers such as Andrew Millar (1705–68) should be considered in relational terms: that Millar must be understood in the context of his wider network, taking into account a longer view of the publishing landscape both before and after his career. Moreover, we establish the relevance of subsequent editions of existing works for the understanding of eighteenth-century publishing. The article also argues for an agnostic view of the ‘Scottish Enlightenment text’, one which considers the features of individual texts rather than a priori assumptions about canonical works. Consequently, we show that the significance of works of scientific improvement evolves and becomes intertwined with education, literature, philosophy, and history over time; resulting in a convergence of practice, theory, and literary expression.

concentrated primarily on the interconnected histories of single individuals or small groups, for example Warren McDougall's biographical surveys of Charles Elliot and other partnerships. 1Others have looked at larger collaborative structures, the monopolistic organizations known as the 'congers', focusing on the buying, selling, and protection of copyrights as the primary force behind book production.2James Raven has taken this a step further, and urged us to consider book production in commercial rather than intellectual terms. 3his article describes the use of large-scale bibliographic data to extract and analyse the works, authors, and publishers of the Scottish Enlightenment.It argues that with careful preparation, bibliographic sources can be used to gain a broader view of a complex and dynamic phenomenon such as the publication history of an intellectual movement.The publisher networks of the Scottish Enlightenment formed a broad and interconnected system, one which, we argue, can be effectively examined using specific computational methods.Using such tools, we can trace the development and interplay between different works, and situate key publishers within a wider system.This allows us to move beyond thinking about single publishers (or small groups), and consider how a section of the system changed over time.In highlighting these interconnected links, we push back against previous scholarship which often depicted the relationship between London and Scottish publishers in a more straightforward, even adversarial tone.James Raven, for instance, describes the successful bookseller-publishers as the 'real winners' in this supposed struggle, highlighting their arrival in London from the countryside or Scotland with minimal capital and limited knowledge of the trade. 4Our aim is to contribute to the existing literature by highlighting the evolving interaction between these distinct counterparts.
Importantly, our findings shed light on the noteworthy influence of subsequent editions of published works.These editions, surpassing the rate of new publications, prompt a reassessment of their impact on the evolving nature of intellectual output during the eighteenth century.This analysis reveals a dynamic and accumulative phenomenon shaped by a network of publishers in Edinburgh and London.We are also able to tie the evolving role of scientific printing in Scottish Enlightenment publishing to other genres and show how shifts in formats also highlight changes in the audience for these texts.Using network analysis, we illuminate the evolving roles of key publishers over time and provide a more comprehensive understanding of the forces behind the Scottish Enlightenment.
Taking an agnostic view which considers the features of individual publications (their authors, further editions, place of publication, and so forth) rather than a priori information, we show that our understanding of what comprises a Scottish Enlightenment text should be expanded to include a much wider range, such as grammars, instructional literature, and, above all, scientific works.These works have often been overlooked due to the reliance on contemporary eighteenth-century accounts of important authors.While previous work on Scottish Enlightenment publishing has taken the questions of formats, places, and genre into account, here we use quantitative tools to highlight patterns and to provide a bird's-eye view.We show that the material circumstancesformats, new vs. subsequent editions, place of publicationare central to understanding the role of book history in making the Scottish Enlightenment.
In addition, we use network analysis to highlight two publisher categories: first, Scottish publishers whose subsequent editions were published by others in London, and second, Scottish publishers who set up in London and published themselves.To begin with, the central actors in this network were Edinburgh-based, with a handful of London-based collaborators.Over time, this model reversed so that the London part of the network became more cohesive.The data corroborates the role of London-based publisher Andrew Millar as the primary node.We argue that we should consider Millar's exceptional position in relational terms: that he must be understood in the context of his wider network, taking into account a longer view of the publishing landscape both before and after his career.This approach allows us to understand not only the centrality of the most important actors but the connections between them and also to consider the role of lesser-known figures.

I
The emergence of a professional author in mid-eighteenth-century Britain went hand in hand with the birth of the copyright holding publisher and the overall development of printing networks.At the same time, the legal aspects of publishing and struggles against monopolies were in motion and the business itself was a somewhat wild terrain. 5Take, as an example, David 5 For earlier scholarship on this, see Martha Woodmansee, 'The genius and the copyright: economic and legal conditions of the emergence of the "author"', Eighteenth-Century Studies, 17 (1984), pp.425-48, at p. 425; Jonathan Brody Kramnick, Making the English canon: print-capitalism and the cultural past, 1700-1770 (Cambridge, 1998); Ronan Deazley, On the origin of the right to copy: charting the movement of copyright law in eighteenth-century Britain (1695-1775) (Oxford, 2004); Dustin H. Griffin, Authorship in the long eighteenth century (Newark, MD, 2014); Mark Rose, Authors and owners: the invention of copyright (Cambridge, MA, 1993).
Hume, whose intellectual fame was crafted primarily in collaboration with the publishers Andrew Millar and William Strahan in London in the 1750s and 1760s. 6Hume also worked together with a number of other publishers, especially in Edinburgh.After Hume's rise to fame, his works were published and pirated in various locations, by a widening circle of individuals and organizations connected to the book trade.The popularity that Hume so desperately longed for since his youth was created not only by Millar and Strahan, but through a multitude of interactions and transformations within the global book trade. 7ey to these interactions was an axis of printing stretching between London and Scotland.While it is undeniable that London played a significant role in fostering the Scottish Enlightenment through its printing industry, the network (or networks) between London and Scottish publishers has been relatively overlooked, despite a thorough analysis of publishing in Edinburgh and Glasgow by book historians. 8The availability of archival sources, such as Hume's correspondence, has shed some light on the journey of his works, starting from Edinburgh and making their way to London before attaining widespread recognition throughout Europe. 9Yet despite our understanding of the specific trajectory followed by, say, Hume's History of England, the broader scope of this seemingly logical pattern from the periphery to the centre remains unclear.How representative was Hume's path in terms of other authors who initially published with Edinburgh publishers before joining larger establishments in London?To answer this, it is crucial to examine the overall London-Edinburgh dynamic instead of relying solely on individual cases drawn from archival sources.
The print explosion in early modern Britain undoubtedly fuelled the Scottish Enlightenment, with publishers playing a crucial role, yet one which is often overlooked in comparison to that of key authors.Our study builds upon Richard Sher's influential work highlighting the importance of book history in defining the Scottish Enlightenment. 10 When discussing eighteenth-century British book history, other scholars often underline the legal struggles between London and Edinburgh booksellers, emphasizing the author's role and the assumed emergence of the public domain through legislation. 11Rather than focusing solely on legal struggles and the emergence of the public domain, Sher underlines the practical aspects of the British book trade. 12Sher's emphasis is on the sharebook system of copyright, where major publishers sold parts of copyrights and established their own trade practices. 13Our findings indicate that practical developments fostered diverse modes of collaboration between Edinburgh and London, challenging the notion that the relationship was solely characterized by one-sided printing activities from London to Edinburgh.Another area which a computational approach can shed light is in the debate surrounding the key topic areas of the Scottish Enlightenment.While Sher's definition of it differs from that of Roger Emerson and Paul Wood, who stress the foundational role of science, our datadriven study aligns with the latter's view by supporting the notion that works of scientific improvement played a pivotal role in this era. 14iven that our interest is the printed output of the Scottish Enlightenment, this article relies on bibliographic data.The chief source for this is the English Short Title Catalogue (ESTC), a dataset of over 480,000 records of known works published mostly in the English language or in the English-speaking world.Most book historians studying the eighteenth century, in one way or another, rely on explicit or implicit quantitative analyses of the ESTC.The ESTC's publication as a dataset, beginning from 1980, made it possible to produce basic statistical analyses of the British book industry for the first time.The resource's importance as data and the value of using statistics to highlight general patterns was recognized almost immediately, such as C. F Mitchell's article looking at provincial printing, and Robin Alston's early work using the ESTC as data. 15Over the years, many studies have made arguments through a reliance on the statistical analysis of large-scale patterns in the ESTC, from general statistical surveys to analyses of foreign-language titles published in Britain, to specific aspects such as religious texts. 16Our approach relies on ESTC data to reveal insights organically.It aims to continue setting a standard for the statistical utilization of ESTC metadata, confirming many points established through manual analysis, thereby demonstrating the effectiveness of quantitative analysis based on metadata.Furthermore, our data-driven approach extends beyond the confines of the second half of the eighteenth century, resonating with similar observations made by scholars in different contexts. 17uantitative analysis has expanded beyond specialized fields like 'cliometrics' or 'bibliometrics', as historians increasingly utilize the data from the ESTC not only as a finding aid but also as a versatile tool for their research.While asserting that the ESTC is problematic as a data source, James Raven also relies on it for aspects of his work into the book trade. 18In their introduction to the Edinburgh history of the book in Scotland, Stephen W. Brown  17 For an argument that the foundation for eighteenth-century success of Scottish intellectual output was laid in the late seventeenth century or earlier, see David Allan, Virtue, learning and Scottish Enlightenment (Edinburgh, 1993), p. 233; and Kelsey Jackson-Williams, The first Scottish Enlightenment: rebels, priests and history (Oxford, 2020).Alastair Mann's analysis of the scale of the Scottish book trade shows that there was a clear basis formed for the eighteenth-century bloom at least from 1650s onwards in terms of active members in Scottish booktrade: Alistair Mann, The Scottish book trade, 1500-1720: print commerce and print control in early modern Scotland (East Linton, 2000), pp.214-22.Adam Fox has recently emphasized that Scotland already had by 1660 a long-established and well-developed market for print; Adam Fox, The press and the people: cheap print and society in Scotland, 1500-1785 (Oxford, 2020), p. 97. as does Michael Moss in his analysis of Glasgow as a place of publication. 19lsewhere, Richard Sher used ESTC searches as the basis for a list of key books and publishers of the Scottish Enlightenment. 20What these have in common is that the findings rely on edition counts, with arguments resting on, for example, the tallies per year of records in the ESTC for a given author, place of publication, or particular genre.While undeniably useful, these methods have some issuesthey rely on the researcher knowing what to look for (for example through searches of a particular keyword), and they rely on data not necessarily fit for quantitative analysis.

II
The groundwork for the data-driven approach applied in this article has been laid by previous cleaning of the 'raw' ESTC data.The Computational History Group (COMHIS) at the University of Helsinki has extracted and harmonized the MARC records which make up the original ESTC data. 21Information on authors, printers, publishers, booksellers, titles, years, and places of publication has been extracted, where available, from the MARC field 260 (imprint). 22n explanation of two aspects of this enhanced ESTC data is crucial.To understand how we count shared publishing output, the distinction between what we term works (the harmonized record for a single authorial work, which includes reprints and translations) and editions (the record for a single printed text) must be made.The ESTC records multiple reprints and variations of the same work.Unlike earlier quantitative work which has generally used counts of editions in the ESTC as a way of measuring the Scottish publishing landscape, the COMHIS ESTC data links together multiple editions of the same work, allowing us to computationally examine more complicated and nuanced patterns of printing along geographic lines.Also important is that the record of book trade actors (publishers, printers, booksellers) and authors has been extracted from the imprint and harmonized, allowing for much more accurate representations of their partnerships and networks.Further information on this process and its value to bibliographical research has been published in previous papers by the COMHIS group. 23t is worth noting that although the data available to us has undergone significant harmonizing, there are still some challenges that need to be addressed.First, the ESTC is not comprehensive, as James Raven and others have noted. 24Furthermore, not all the geographic information found on imprints has been extracted and converted into structured data.For example, due to the practice of co-publishing, there may be a second place of publication (or place of selling) mentioned in the imprint, or it may contain ambiguous or partial addresses.This information has been recorded in the ESTC data but is ignored for the first analyses below.In addition, for simplicity's sake, we confine the study to two cities (London and Edinburgh), rather than looking at all the output and links between England and Scotland.While Edinburgh was the primary place of publication for Scottish works, other Scottish cities grew in output over the eighteenth century.Brown and McDougall have shown that once government and legal printing is discounted, Glasgow may have already rivalled Edinburgh as a printing centre by the middle of the century. 25ngland's publishing was more centralized in London, though there were university and provincial printing centres in a number of other places, including Oxford, Cambridge, Bath, and others. 26Dublin, too, was an important printing centre and the links between that city and Edinburgh are also ignored for the purposes of this investigation. 27ublisher-author relationships, and their impact on the Scottish Enlightenment, have been studied in detail. 28Sher's definition of the Scottish Enlightenment concerns the people who made it happen. 29He identified a set of 360 works by 125 authors seen as key to the period, taking as a starting point authors listed by some contemporary sources. 30This kind of listing of relevant people is difficult.The task we set out to accomplish was to extend the list of authors, works, and publishers particularly relevant to what is termed the Scottish Enlightenment, in a data-driven, reproducible manner.For this, we needed additional sources of data, chiefly (1) author backgrounds and (2) a useful genre division of all works in the ESTC so that we could analyse and limit our corpus to those we deemed most relevant.To achieve (1), we merged a number of sources resulting in a non-exhaustive but broad list of Scottish authors.To do this, we first extracted all authors with Scotland listed as the place of birth from the online knowledge base Wikidata, resulting in a preliminary list of 592 names.To this, we added another 770 authors by manual annotation, taking as a starting point all authors with a first edition published in Edinburgh, after which we manually checked each name on the list, using online and scholarly resources such as the ODNB where possible to determine nationality or place of birth.We then cross-referenced this with a list of key Scottish authors published in Sher's The Enlightenment and the book and added any missing names (which were relatively few), resulting in a total of 1,401 confirmed Scottish authors to work with, the basis from which we derive the datadriven canon.For (2), we have used state-of-the-art methods to automatically classify the works of the ESTC into a set of sensible, historically aware, genres. 31ith the datasets outlined above, we set out to construct a list of the key authors, works, and publishers of the Scottish Enlightenment.While acknowledging that such a list may not be exhaustive, our aim was to incorporate a broader spectrum of relevant works than traditional research methods would allow, enabling us to establish connections with temporal and geographic data concerning further editions and reprints.This process involved extracting books, authors, and publishers deemed most relevant to the Scottish Enlightenment, based on a set of quantitative criteria (see below).Having completed this, our next objective was to examine and analyse this dataset of the Scottish Enlightenment, encompassing the relevant authors, their significant texts, and the pivotal publishers and their inter-relationships.

III
Here we present a statistical overview of this data-driven canon, employing bibliographic data to examine its temporal patterns, publication formats, locations, and genres.This serves a dual purpose, combining descriptive elements to provide an overview of the scope and diversity of this body of work, while also fulfilling an analytical objective.
To construct the list of relevant authors, we took all authors who were (a) found in our 'Scottish authors' list described above and (b) had at least two works which were, first, of a relevant genre 32 and, second, had at least one further edition. 33The rationale behind this was to only include authors who made 31 The process of genre classification has been described separately in Jinbin Zhang et al., 'Detecting sequential genre change in eighteenth-century texts', in Folgert Karsdorp, Alie Lassche, and Kristoffer Nielbo, eds., Proceedings of the Computational Humanities Research Conference 2022, vol.3290, CEUR Workshop Proceedings (Antwerp, 2022), pp.243-55, https://ceur-ws.org/Vol-3290/#short_paper2630. 32 General education, all literature categories, most categories of scientific improvement (excluding grammars and dictionaries), philosophy, history (but excluding biographical history and memoirs). 33The rationale behind this is that further editions of a work were printed usually when the first run had sold.If we included all works in the relevant genre, potentially we would include works The Historical Journal 'substantial' contributions within the relevant genres.This resulted in 352 authors we deemed of potential relevance.With this list of authors, we took the list of their works which matched the criteria above (in the relevant genre, and at least one further edition).This gave us a list of 692 works, linked to a total of 3,715 editions.
This list should not be thought of as a replacement for a hand-curated approach.Instead, it is a way of benchmarking and supplementing it with a broader perspective.It also brings with it the benefit of transparency and reproducibility, and the potential to generalize and use the same approach to other subsets (Irish or American authors for example), which could then be comparable.It also makes it possible to establish a workflow whereby additional subsets of the data could be extracted, for example by adding or subtracting genres of interest, by splitting the data into different time periods, or indeed by tightening or loosening the criteria by which a work is included.In tandem with a traditional approach, we hope it may help to expand the notion of a 'Scottish Enlightenment work', and it makes available a dataset which can be used to investigate the specifics of the period in more detail, and which is also available to the scholarly community for critique.
Looking at the temporal shape (Figure 1), a notable contrast between our list and existing research is the inclusion of earlier works, as our study begins at the beginning of 1700 (compared to Sher's list starting in 1748).This deliberate choice allows us to examine the origins of publishing networks and the evolving dynamics between Edinburgh and London publishers over time. 34We can analyse not only first editions but also subsequent editions.Figure 1 demonstrates that the overall growth of Scottish Enlightenment publishing aligns with the general trends of eighteenth-century printing, displaying a non-linear development of editions. 35Notably, the 1720s witnessed a productive decade for new Scottish Enlightenment works, while the 1770s stands out as the only decade with over 100 new works before declining again.In contrast, subsequent editions (including reprints) show consistent growth (except for the 1720s) and a significant surge towards the end of the century.Based on these findings, we emphasize that these further editions and reprints, which play a vital role in disseminating Scottish Enlightenment ideas, should be considered central to understanding the era from a book history perspective.
If we turn from the overall perspective of publishing the Scottish Enlightenment canon to the specific formats in which it was published, we notice several interesting aspects.Looking at the sheer volume of printing, it is obvious that the octavo size book (supported by duodecimo) is the leading format of the Scottish Enlightenment.In the discussion of printing the Scottish Enlightenment, much emphasis has quite rightly been placed on the question which were printed but never sold or sold poorly, and perhaps not strictly relevant to the Scottish Enlightenment. 34We settled for the year 1700 as the beginning of this study for the practical reason that many of the records here could be connected to the full text through Eighteenth Century Collections Online.The end date of 1799 is the last year of full ESTC data. 35Tolonen et al., 'Examining the early modern canon', p. 76.
of changing formats within a publication history of a single work. 36Tobias Smollett famously discussed quarto-worthy historians and Hume was very eager to push his publishers to understand that the large-paper quarto volume was the correct format to capture the dignity of his words. 37What we see in Figure 2 is indeed that proportionally, the quarto size was used more as the format for first editions whereas smaller book sizes were often selected for second and further editions of what was first printed in quarto size.
While it is evident that certain works hold greater value and recognition from both publishers and the public, our primary concern lies in the broader trajectory of printing development, which also encompasses the eventual inclusion of esteemed authors such as William Robertson and Hume.It is important to acknowledge that qualitative distinctions exist among these works, but our focus remains on the overarching progression of the printing landscape.
The issue of book size extended beyond the prestige of scholarly individuals; it also involved the financial considerations for publishers.They had to carefully assess whether the cost of producing elegant quarto editions could be covered by their selling price, as well as the subsequent affordability and wider distribution of smaller-format editions.At the same time, this question of dissemination is crucial for the interplay between different locations and for the wider reading audience from the perspective of what books they could afford. 38igure 2 shows that the proportion of Scottish Enlightenment works which were second editions or later increased dramatically over the century.Additionally, large-paper volumes, of the type preferred by authors such as David Hume, dwindled.When this change in format is combined with the changes in genres of the Scottish Enlightenment discussed below, it becomes clear that Hume's yearning for larger-format books is eventually overtaken by the needs of a wider audience.This analysis suggests that it is the voice of the publishers and the rather mundane questions of dissemination for their business models that takes the Scottish Enlightenment forward.
Studying the ESTC, it becomes apparent that London's predominant role in publishing aligns with our expectations. 39London's primacy over eighteenthcentury publishing, even that of Scottish authors, has been argued by many. 40However, when we focus on publications by Scottish authors and study the publication places of the works and editions of our data-driven 38 For previous research on this topic, see H. Roivainen, L. Lahti, M. J. Hill, J. Marjanen, and M. Tolonen, 'The Bard, the Bible and book formats: smaller books and reading habits in early modern Europe', Poster session presented at DH2019 (Utrecht, 2019): www.helsinki.fi/en/researchgroups/computational-history/dh2019-poster 39 See Lahti, Ilomäki, and Tolonen, 'A quantitative study of history in the English Short-Title Catalogue (ESTC)', 97-100. 40For debate about the relevance of London in the Scottish Enlightenment, see Sher, Enlightenment and the book, pp.8-10; and Johns, Nature of the book, pp. 30, 52.
Scottish Enlightenment canon (Table 1), a more nuanced picture of London's dominance is evident.Edinburgh does lose ground to London as a producer of Scottish Enlightenment work over time, though regains it somewhat over the century.Other places of publication also play a major role in disseminating the Scottish Enlightenment publications.Glasgow, as already mentioned, was a key place of publication for Scottish Enlightenment work, particularly further editions of existing works (of the 124 editions of our 'canonical' works printed in Glasgow, 108 are not first editions).Dublin, obviously, is an important place for publishing (and to a smaller extent, pirating) the Scottish Enlightenment and later in the century North American venues play a crucial role in its dissemination. 41And, as previously mentioned, we should not ignore other towns in Scotland either.For understanding the dynamics of the Scottish Enlightenment, it is particularly important to grasp that we have two strong centres of intellectual production and by the outset this is not fully dominated by London-based operators, something which the section below on publisher modes of operation will confirm.
Previous scholarship of the Scottish Enlightenment has highlighted the high regard given to literary qualities by contemporaries, often at the expense of practical relevance.Our analysis in Table 2 brings to light the great significance of scientific improvement in the history of Scottish Enlightenment literature.Also apparent is the notable surge in works classified as education during later decades, suggesting an interconnectedness and mutual influence The Historical Journal between practicality in natural and human sciences as they find their way to the core of Scottish Enlightenment printing over the century.Furthermore, literature and philosophy consistently maintain their prominence, indicating that the science of man, literature, and practical improvement are not only central to the Scottish Enlightenment but also intersect and evolve over time.This understanding elucidates how influential works such as David Hume's Essays and treatises and Adam Smith's contributions to the science of man and wealth of nations secured their central position within the evolving Scottish Enlightenment of the eighteenth century.
These observations become even more apparent by closer examination of the count of each genre across quarters of the century (Table 3).Notably, our analysis highlights the increasing prominence of works of scientific improvement within the dataset.Philosophical works, particularly first editions, experience a decline over the course of the century.Historical works exhibit uneven development, declining in the second quarter but subsequently increasing in volume.Literature, on the other hand, assumes a pivotal role in the early stages, leading us to assert that figures such as James Thomson and other notable poets of the early eighteenth century should be included in a list of major works representing the Scottish Enlightenment.
Three authors stand apart from the others with respect to the number of editions.David Hume, as a versatile author making his fame with political essays and history, is a case apart judging by any metrics.In terms of popularity, the specialists, Smollett (literature and history) and Thomson (poetry) do very well too.By defining the works of the Scottish Enlightenment to include the earlier part of the century, the list also includes other poets besides Thomson, such as Robert Blair, John Armstrong, and Allan Ramsay.If we consider the early development of the Scottish Enlightenment, these authors should be seen as key.
Comparing the output of authors across different genres is also illuminating.Looking at scientific works, we find a large number of authors publishing fewer subsequent editions: no specialist in scientific work tops these lists.At the same time, many such authors make up a group of secondary importance.The names of William Buchan, William Cullen, George Cheyne, and James Ferguson are known eighteenth-century figures, but they are not often underlined when discussing Hume and other well-known champions of the Scottish Enlightenment.For the category of philosophy, one would not perhaps first think of Thomas Gordon (1691-1750) as part of the Scottish Enlightenment, but he indeed was a Scot and made significant contributions to the intellectual scene of his time with his work on Cato's Letters and the like. 42he observations show there is little to separate Scottish work written earlier in the century from what is considered the 'heyday' of the era.Furthermore, when considering publications, new editions, often printed in new cities, comprise a substantial portion of the canon, and their impact must also be taken into account.Finally, to reiterate, our methods shed light on the paramount importance of scientific publishing.

IV
A data-driven approach to the works and authors can also extend to publishers, printers, and booksellers.As established in the introduction, the publisher data have been extracted by COMHIS from the imprint field in the ESTC, and extensively harmonized. 43To establish a list of key publishers is simply a matter of counting the number of publisher, bookseller, and printer appearances on the imprints of the 692 works (3,715 editions).Doing so results in a list of 1,866 publishers, printers, and booksellers that appear on the imprints of those publications.Table 4 shows the top twenty of these (by number of editions of our 'key works' list) overall, plus counts broken down by genre.Alongside this, we list the count of first editions.
Some of these Scottish Enlightenment publishers have been studied in great detail and our list includes Andrew Millar (1705-68), William Strahan (1715-85), and Thomas Cadell (1742-1802).Between them, Millar, Cadell, and Strahan published some of the most influential and important titles of the century, both Scottish and otherwise, including Hume's History of England and Gibbon's Decline and fall of the Roman Empire.
A second set of key individuals on the list operated businesses based primarily in Edinburgh but with extensions or partnerships in London.One who had worked with both Strahan and Millar was the Edinburgh-based Alexander Kincaid (1710-77).Kincaid formed several partnerships, first with Alexander Donaldson (1727-94) and later with John Bell (1745-1831), an important publisher who along with the aforementioned partnerships was known for publishing popular, cheap editions of literature classics. 44Also in the top ten are two heirs to established publishing businesses (Thomas Cadell the Younger and Andrew Strahan).
What do these numbers tell us about publishing the Scottish Enlightenment?First of all, it is clear that the key publishers of the Scottish Enlightenment, in terms of genre, tended to publish diverse material.Clearly, the intertwining of the practical, theoretical (i.e.philosophical), and literary genres was something important to both authors and publishers.Additionally, some of those who feature prominently on this list are not usually thought of as so crucial.Two such figures are John Murray (1737-93), an Edinburgh-born, London-based publisher, and Charles Elliot (fl.1771-90), based in Edinburgh, who purchased and succeeded to the business of William Sands and later opened a shop in London. 45lliot, as can be seen from Table 4, specialized in scientific (mostly medical) books and his contribution to the Scottish Enlightenment has been somewhat underappreciated. 59he table shows that many of these publishers mostly published later rather than first editions of Scottish works, meaning their contributions, too, have been overlooked.Some, for example William Davies, who was connected to the Scottish publishing milieu through his partnership with the Cadells, was involved almost exclusively with later editions of existing works, including six of William Robertson's History of America and four editions of Buchan's Domestic medicine. 46Also on the list are members of two English, London-based publishing dynasties: Thomas Longman and Richard Baldwin.While we know that both these men collaborated and shared copies with Scottish publishers such as Andrew Millar, Table 4 clearly shows the extent to which they were publishing Scottish editions, albeit usually not first editions.
Almost one quarter of Andrew Millar's works are first editions, making him, along with Alexander Kincaid and John Bell who have similar proportions, an outlier.Millar's exceptionalism to the Edinburgh-London publishing network is striking and it will be further explored in the final section of this article.Thomas Cadell the Younger's role demonstrates another type of publisher, the successor to an existing business.Both before and after his partnership with Davies, the younger Cadell seldom published first editions of these key works, evidently relying at first on his father's copies rather than commissioning or seeking out new Scottish writing.
In the case of Millar, a notable pattern emerges throughout his publishing career, highlighting the increasing significance of scientific improvement as a primary category for his output.Interestingly, the composition of his publishing roster does not heavily rely on the influence of any particular author, as both the number of individual author works and their editions demonstrate a balanced and moderate distribution.However, one exception to this trend is James Thomson, whose impact on Millar's early career is evident, particularly in the successful publication of literature volumes in the 1740s, where Millar's name solely appears on the imprint as the publisher.When examining Millar's contribution to the Scottish Enlightenment, a more nuanced perspective emerges, particularly in the 1750s.Notably, Millar demonstrates a strong inclination to publish works on history, literature, and scientific improvement under his own name, while religion and philosophy, especially philosophy, exhibit a higher prevalence of collaborative publishing.The analysis also reveals an interesting shift in Millar's overall publishing strategy, as his career initially thrived in poetry publishing (with Thomson and Ramsay), but gradually transitioned to history and scientific improvement.Furthermore, religious works were prominent in the 1730s, particularly in titles where Millar's name stands alone on the imprint, but religious printing gradually shifted to include works where other publisher names are also featured.When considering the broader context, the combined analysis of arts and the aforementioned trends provides valuable insights into Millar's evolving publishing strategy.It serves as a testament to the shifting landscape of his career, with a notable transition from poetry to history and scientific improvement.
When we broaden our perspective from Millar to other publishers, other patterns can be seen.Many medical works published first by Alexander Kincaid in Edinburgh were later added to Millar's roster of publications.William Strahan and Richard Baldwin are notable for publishing comparatively few philosophical works.Thomas Longman's contribution was very much concentrated in scientific works, including many editions of James Ferguson's practical scientific lectures.This table reiterates the case for the importance of lesser-known scientific works.A full eighty-three out of ninety-five editions published by Charles Elliot are scientific works, mostly medical, such as the nine editions of First lines of the practice of physic by the physician William Cullen, as well as multiple works by William Smellie and John Innes.
This group of twenty individuals in Table 4 taken together might be said to form the core of the networks responsible for printing the works of the Scottish Enlightenment.They were the centres of closely connected and constantly evolving networks of book trade actors.They can be found in a series of complex, ever-changing relationships, forming partnerships, and acting as parts of larger syndicates, as well as having changing relationships with different roles (for example an author and a publisher, or a publisher and a bookseller).There was tension between the London and Edinburgh axes of printing, due to conflicting legal claims about copyright, and even though most of the publishers were Scottish they were divided into 'London' and 'Edinburgh' groups.Therefore, we argue that the group serves as a useful starting point for an examination of the central axis of the London-Edinburgh publishing network, and as will be carried out in the next section, this network can be analysed computationally.

V
As we have highlighted, a significant portion of the dissemination of intellectual output during the Scottish Enlightenment relied on subsequent editions of works that were originally printed elsewhere and by different individuals.Publishers can be said to be linked not only by direct co-publishing of the same edition, but also through the way they collaborated on and published further editions of existing works.As was established in the introduction, we want to study the actual practice of forming the dynamics of the Scottish Enlightenment, taking seriously the difference between subsequent and new editions.This next section uses this principle to model further publisher networks.
This article suggests two competing models for Scottish publishers: first, Edinburgh-based Scottish publishers who distributed their works through different publishers to London, and second, Scottish publishers who also operated in London themselves.The publisher at the centre of much of this article, Andrew Millar, can be seen as an exemplary of the second model.Andrew Millar's significance as a prominent publisher of the Scottish Enlightenment in London is widely recognized in book history.However, our focus lies not in recounting or adding to the contextualized narrative of Millar himself, but rather in examining how competing modes of operation developed over time.From our temporal analysis, we find that both modes of analysis were in place in the earliest period of study (1700-20), and by the time of Millar in the 1740s, the second mode of operation overtook the first.After Millar, we see a further and these two operational models largely merge.In other words, the relationship between Edinburgh and London publishing cannot be summarized solely through the progression of Millar's career, but through two wider patterns.
To understand the publishing landscape more fully, we needed a way to represent the complex structures of collaborations, partnerships, and groups of publishers responsible for the Scottish Enlightenment output.These relationships, of authors and publishers, but particularly of publishers to other publishers and booksellers, are important in assessing the impact and production of particular works.As with the various editions of the works themselves, these relationships spanned the Edinburgh-London axis.Many key publishers were Scottish but based in London, and many of the imprints include names of publishers based in both places.
Historians of the book have often referred to the web of relationships between publishers as networks, in the informal, metaphorical sense. 47owever, these networks can also be utilized as 'a formalised abstraction that permits computational analysis', through their representation as mathematical graphs. 48A graph is an ideal structure for understanding these networks, and tools from network science allow us to move beyond simple counting numerically and consider flows, structures, centres, and peripheries, as well as the roles of individual actors within a larger whole.
In order to understand the central actors and structure of the publishing networks responsible for works which followed this Edinburgh-firstedition-later-London pattern, we constructed a co-occurrence network of book trade actors listed on the imprints of these texts.In a formal sense, a network is a mathematical graph consisting of entities (known as nodes, in this case, publishers and other book trade actors) and links (known as edges, here the co-occurrence on book imprints).Co-occurrence networks are a wellestablished technique used, for example, to understand patterns of influence by looking at co-authorship in academic fields, or co-citation studies, which aim to survey the structure and influential authors within a particular 47 See for example Browne and McDougall, 'Introduction', p. 70; Sher, Enlightenment and the book, p. 36; Robin Myers and Michael Harris, Spreading the word: the distribution networks of print, 1550-1850 (Winchester, 1990).The edited collection Catherine Feely and John Hinks, eds., Historical networks in the book trade (London, 2016), deals specifically with network analysis and the book trade, though it contains mostly speculative and theoretical uses of network analysis, alongside a number of casestudies using networks in the more metaphorical sense. 48Ruth Ahnert et al., The network turn: changing perspectives in the humanities (Cambridge, 2020), p. 13.
The Historical Journal field. 49The method has also been used specifically within the domain of print history: for example Michael Gavin's work on seventeenth-century print networks as found in imprints, the 'Shakeosphere' project, and John Ladd's work on co-occurrence networks drawn from early modern book dedications. 50sing the same principle but different the 'Six degrees of Francis Bacon' project has used co-occurrence on ODNB entries to infer social relationships between early modern individuals. 51his representation allows us to use methods and concepts from the fields of network science and Social Network Analysis.These are a set of techniques which help us, for example, to understand particularly important or central nodes, quantify the flow of works from nodes in one city to another, and highlight nodes which had particularly important structural roles, such as connecting two otherwise disconnected clusters together.Previous work has looked at the broader picture of networks derived from ESTC imprints, and analysed the overall network and centrality measurements and how they changed over time. 52Here, the co-occurrence network is used in a more targeted, limited sense, to study the specific collaboration patterns of a group of key publishers, from the perspective of the links between two places of publication.
The resulting network model is best not thought of strictly as a 'social network', but rather that it maps those involved in book imprints together, as publishers, printers, and booksellers. 53While many of its connected individuals will have known and collaborated with each other, we know that imprint information does not necessarily mean a genuine partnership.And of course, there are likely many other links between individuals involved in the book trade who knew each other but for a variety of reasons were never listed together on an imprint.Despite this, it is a useful tool to conceptualize the economic and social structure of the book trade from a particular perspective.
Having editions linked through a common 'work' ID means we can consider not just first Scottish editions, but also subsequent editions and reprints, which, as described above, took on particular patterns with respect to genres and formats.The spread of the ideas of the Scottish Enlightenment was, after all, contingent on the second, third, and subsequent publications of a work, in Edinburgh, and subsequent editions published in London.A technique was developed where a link is drawn between two individuals if one is listed on the imprint of the first edition of a work in city A, and the other listed on a subsequent edition, but this time in city B (Figure 3).For each such case, a directed edge is drawn between the nodes, from the earlier to the later publisher, resulting in a network graph which can be analysed in a number of ways.
This data allowed us to look more specifically at the information flow from Edinburgh to London.While in most cases, editions are published in the same city as the original, using this method we could extract a subset of works which were subsequently published in London following a first edition in Edinburgh, mirroring that of our exemplary work, David Hume's Essays and treatises on several subjects.Doing so meant we could systematically study the works and authors which followed this same route.As we were interested in influence rather than editions printed long after the original, we only considered subsequent editions within twenty years of the first edition.To account for temporal changes, the network was drawn with twenty-year time slices of the data.We investigated four time slices in total, between 1700 and 1780.To account for co-publishing, where an edition was listed as published in London but with publishers with an Edinburgh address listed alongside them, we manually annotated the data and sorted publishers into their respective locations from the information on the imprints.By doing so, we could apply network analysis methods to the data and ultimately understand the structure and central figures in this particular pattern of publishing.
To analyse these networks, we look at their structure (whether the network was sparse or clustered together, for example), and at the most central figures within them (in network parlance known as centrality).A simple measurement of centrality is degree, which is a count of the connections attached to each node.As this network can be considered directed (the connection goes in the direction from the publisher on the first, Edinburgh, edition, to the publishers on the subsequent London editions), we can separate this into out-degree (individuals on the imprints of first Edinburgh editions later published in London) and in-degree (individuals who are listed on the largest number of subsequent London editions of Edinburgh works).We conceptualize these highest-degree nodes for each time slice as the key 'exporters' from Edinburgh (out-degree) and key 'importers' to London (in-degree).Importers and exporters are not meant in the specific business sense, but rather to distinguish between publishers involved in work later printed in London, and publishers working on those subsequent editions.
The resulting networks reveal aspects of the mechanics behind the Scottish Enlightenment, specifically the role of the links between Edinburgh and London and its impact on publishing output.These networks should be taken as a proxy for studying the structures of the publishing business and not as all-encompassing evidence of the historical reality, because they have been formed from information found on the imprints.
Focusing on each of these time slices we can see how the evolution of this particular Edinburgh-London pattern progresses.To illustrate the changing aspects of the network, we use a set of network diagrams.These visualizations serve several functions.First, each node is sized according to its total connections, meaning more connected or 'important' nodes appear larger in size.Next, the nodes are placed by an algorithm which attempts to place important nodes towards the centre of the diagram, and place closely connected groups of nodes together.Third, we have coloured each node by their most frequent city of publication (a black or white fill).Fourth, the thickness of the edge represents the weight of the connection (how many times the nodes/actors are connected).These are weighted by the number of subsequent editions, meaning that Edinburgh publishers who worked on works with many subsequent London editions are deemed more important by this metric.To reduce clutter, we have removed labels for nodes with just one connection, and highlighted some key individuals mentioned in the text.
A large, centrally placed node, for example, indicates that the publisher was widely connected, and not just to a particular subset.If that node is black, with mostly outgoing arrows, that indicates an important Edinburgh-based 'exporter'.On the other hand, a white node with most incoming arrows indicates an important London-based importer of Edinburgh works.A single thick edge between a black and white node indicates a particularly important importer-exporter pair.
Studying the network mechanics of this subset of Scottish Enlightenment publishing, we find, essentially, two competing modes of operation.Looking at the interplay between these two modes sheds light on the Edinburgh-London publishing dynamics.The progression over time shows a shift from a model in which most of these titles were centred around publishers working in Edinburgh but the distribution in London is mostly scattered (an 'exporter' led model), to one where there are central and important players in London, systematically publishing key Edinburgh works (a model where the 'importers' are key).These four network slices highlight the changing nature of Scottish Enlightenment publishing.To begin with, it is driven by Edinburgh-based actors and a number of scattered London-based publishers.Over time, we The Historical Journal see the emergence and rise of a London-based publisher -Andrew Millaras the most central disseminator of such works, a role which after his death disperses to several publishers rather than remaining with one particularly central one.The stand-out author is David Hume, whose Edinburgh-first output had twenty-eight further editions in London within twenty years, mostly further editions of his History of England.Other authors with a similar profile are William Buchan, John Home, and Hugh Blair.
As well as this overall picture, we can look at the individual network diagrams to see how this publishing pattern changed over time.Between 1700 and 1720, we find a group of four disconnected components, several with a central Edinburgh figure connected to a number of distributed London-based publishers with a more minor role.Key is Robert Freebairn, the King's printer for Scotland. 57As is shown in Figure 4, Freebairn published works later picked up in London, for example The rudiments of the Latin tongue, published by him in 1714 and later by Millar and others, in London, in 1730.Similarly, James Watson (1664?-1722), as a representative of a business model of distribution of Scottish material from the Edinburgh to London market, is worth mentioning.He worked on law and religion, but also on Scottish topics ranging from literature, politics, science, and history, publishing also Abruthnot's John Bull, and a number of important periodicals. 58There is also one key period can be seen as one of transition.We see clearly that most of the important or central nodes are Edinburgh-based publishers of first editions later published in London.One important exception to this is Andrew Millar.Even though Millar's overall role was still minor at this stage, his placement in the centre of the graph and his connections to important nodes (Ruddiman, Ramsey, Mosman, and William Browne) are early clues to his growing importance within this network.
That which was clearly visible in terms of different modes of operation in 1720-40 is further established between 1740 and 1760 (Figure 6).There are still many important Scottish-based actors (John Balfour, Kincaid, Donaldson, Hamilton), but this network visualization clearly displays the centrality of Millar (and to a lesser extent his partner Thomas Cadell) as an 'importer' of works earlier published in Scotland.Millar publishes the subsequent editions of literary texts such as The Epigoniad (first published by Hamilton, Balfour, and Neill in Edinburgh in 1757, then in London by Millar in 1759) and John With this approach to studying Scottish Enlightenment publishing, we are inevitably distancing ourselves from such unfounded and perennial claims made for example by E. C. Mossner about there being a conspiracy of booksellers with respect to David Hume's relationship with Edinburgh publishers and his History of England. 61It seems that, despite tough opposition at times, most Edinburgh publishers were finding their ways to collaborate in the London market in legitimate business.There is no reason to undermine the efforts made by Edinburgh booksellersit is this kind of rumour-based imaginative constructions by influential scholars that still haunt scholarship. 62etween 1760 and 1780, the number of important London 'importers' increased: Thomas Cadell, William Strahan, William Creech, and most The Historical Journal significantly John Murray.Murray took over the business of his partner William Sandby in 1768, operating from Fleet Street, and published many important scientific and medical works (Figure 7). 63Murray's connections here are because of his role as co-publisher: he is listed as the London publisher of a number of Edinburgh-printed books including William Perry's The royal standard English dictionary, A philosophical analysis and illustration of some of Shakespeare's remarkable characters by William Richardson (three subsequent editions published by Murray in London), John Innes's A short description of the human muscles, and Hugh Blair's Heads of the lectures on rhetorick, and belles lettres, in the University of Edinburgh (six subsequent editions in London).At the same time, the earlier business model is revived to a further glory, and we see new centres of Edinburgh-based publishers providing work to London.Key is the partnership of Kincaid and Bell, and to a lesser extent John Balfour, who published the first editions of works which would later be in the hands of Cadell, Creech, and Murray.There are other significant Edinburgh 'clusters': that of Donaldson, William Sands, and Cochran and the partnerships of James Dickson, Gavin Alston, and William Griffin.Most significantly, the monopoly that Millar had earlier does not pass to his successors, but this pattern of publishing is rather spread across several London-based publishers and groups.

VI
The nature and boundaries of the Scottish Enlightenment have long been a subject of debate.Throughout the twentieth century and beyond, discussions regarding the nature and impact of the Scottish Enlightenment were largely characterized by a general and broad approach.However, the early twenty-first century witnessed a shift in perspective with works like John Robertson's Case for the Enlightenment, which emphasized the significance of political economy and propelled more targeted investigations into the Enlightenment discourse. 64This development paved the way for focused examinations of the Scottish Enlightenment, and our research aligns with this trajectory by exploring the dynamic nature of the era through an analysis of its printing networks spanning the entire eighteenth century. 65ur aim here was to see if a data-driven approach could provide a more complete narrative of the texts, authors, and phenomena behind the Scottish Enlightenment.The quantitative approach taken here meant we could move away from considering the Scottish Enlightenment as a single event, or as a series of discrete events, and rather as a continuum, the seeds of which were planted well before its supposed beginning, usually located between 1730 and 1750.Similarly, the list of relevant authors, works, and publishers can also be located on a continuum (from most to least relevant), in a transparent and reproducible way.
Our analysis confirms that the Scottish Enlightenment cannot be encapsulated by single individuals.Authors like Hume played pivotal roles in shaping the era through their influential works, yet their influence was not all-encompassing.Furthermore, we observe that while the number of first editions remained relatively constant throughout the century, the volume of publications grew through further editions from earlier decades.The cumulative nature of the Scottish Enlightenment, characterized by the ongoing reproduction of existing works and the increasing accessibility of these books in the eighteenth century, establishes its significance as a prominent intellectual movement that continues to influence society today.Therefore, it is important to recognize that the Scottish Enlightenment was not invented in the nineteenth century, despite the retrospective introduction of the term.
In examining Scottish Enlightenment publishing across various genres, we observe the growing prominence of science and education.This evolution goes beyond the confines of individual domains such as moral philosophy or 64 John Robertson, The case for the Enlightenment: Scotland and Naples, 1680-1760 (Cambridge, 2005). 65See T. Munck, Conflict and Enlightenment: print and political culture in Europe 1635-1795 (Cambridge, 2019).
The Historical Journal political economy and includes the interplay between practical dimensions such as education and science, and the realms of literature and philosophy, particularly the science of man, which lie at the heart of the Scottish Enlightenment.
The driving force behind the intellectual output of the Scottish Enlightenment were the publishers, whose ever-changing nature facilitates the fusion of morals, literature, politics, science, and education.Using our methods allowed us to think beyond individual or multiple publishing partnerships and go beyond counting works or editions as a proxy for the importance and structure of the texts behind the Scottish Enlightenment.Instead, we can understand it in terms of the structures behind it, meaning its centres and peripheries, its forces, taking into consideration the flow of works through the network, and its dynamics, meaning the extent to which its forces changed and evolved over time, through the constantly changing networks of publishers responsible for the output.
Doing so has revealed a complicated structure of publishers, showing that the canon of Scottish Enlightenment texts can and perhaps should be extended.Additionally, we argue that to understand the publishing practices behind the Scottish Enlightenment, it is not enough to consider only fixed publishing collaborations, but we must take the evolving nature of these networks into account.Lastly, we consider the flow of works from Edinburgh to London, meaning that we can begin to model the spread or flow of information from Edinburgh to London and the wider world, getting at the heart of what it means to speak of a Scottish Enlightenment, which is, after all, contingent not only on the existence of printed intellectual work, but its wide dissemination.These methods go some way to represent the dynamics of the networks of publishers involved in the publication of the corpus of Scottish Enlightenment texts more faithfully, which were not a set of discrete partnerships but rather a process of continuous change.
While this study recognizes that the ESTC serves as an imperfect and partial proxy for the processes of the production of the books of the Scottish Enlightenment, it is nevertheless capable of making striking new interventions.The theoretical and methodological framework is twofold: first, the 'bibliometric' quantitative analysis allows us to make some general claims about the changes in the quality and quantity of links between publishers, authors, booksellers, and so forth and how this impacted the process of publishing the Scottish Enlightenment.Second, and perhaps more importantly, we intend these quantitative methods as useful tools to engage in what Jo Guldi has called 'guided reading' and 'critical search', allowing us to direct our humanistic enquiries to texts and authors which network analysis and other methods suggest were particularly important in their role as links between Edinburgh and London within the Scottish Enlightenment. 66In this way, quantitative data and networks function not as evidence to make positivist claims about the history of English and Scottish publishing, but rather as sophisticated tools to filter and guide us to relevant texts, authors, and patterns, within a very large mass of dataparticularly when combined with existing domain knowledge about key publishers and texts.

Figure 1 .
Figure 1.Overview of the data-driven Scottish Enlightenment canon over time.Black bar plot shows the count of the new works each decade and white the number of subsequent editions.

Figure 2 .
Figure 2. Chart showing the volume of second or later editions of works from the data-driven canon of the Scottish Enlightenment, showing the division between duodecimo (12mo), quarto (4to), and octavo (8vo) formats.The other important format, folio-sized works, are omitted here because in our subset there are very few for each decade.

Figure 3 .
Figure 3. Workflow for turning the London-Edinburgh axis publisher data into a directed network.
and Warren McDougall carry out what they call a 'bibliometric analysis', which uses counts of printing places as evidence of patterns of Scottish publishing, 15 C. J. Mitchell, 'Provincial printing in eighteenth-century Britain', Publishing History, 21 (1987), n.p.; Robin Alston, 'Computers and bibliography: the new approach in ESTC', The Papers of the

Table 1 .
Percentage proportion of 'Scottish Enlightenment editions' published per place and per decade.'Other' category includes all other places besides Edinburgh and London.Numbers are rounded to the nearest whole number.Stephen W. Brown and Warren McDougall, 'Ireland', in Brown and McDougall, eds., The Edinburgh history of the book in Scotland, II, pp.409-25; and Warren McDougall, 'America', in ibid., pp.534-46.

Table 2 .
Genre distribution of the data-driven canon of the Scottish Enlightenment, for each quarter of the eighteenth century.

Table 3 .
Top authors of the data-driven canon of the Scottish Enlightenment.The genre of the author has been picked based on the most frequent genre across all included works.

Table 4 .
Imprint counts for the 'key Scottish works', for the highest-ranked publishers/printers/booksellers by occurrences on imprints of these works.Number of first editions is given in parentheses.