Trans-Imperial Anarchism: Cooperatist communalist theory and practice in imperial Japan

Abstract This article investigates anarchist theory and practice in 1920s and 1930s imperial Japan. It deliberately focuses on concepts and interventions by a rather unknown group—the Nōson Seinen Sha—to highlight a global consciousness even among those anarchists in imperial Japan who did not become famous for their cosmopolitan adventures. Their trans-imperial anarchism emerged from a modern critique of the present and engagement with cooperatist communalist ideas and experiences in Asia, Russia, and Western Europe. Anarchists theorized and implemented new forms of living that challenged the forces of capitalism, imperialism, and increasing militarism. In doing so, they simultaneously positioned themselves against established conservative and fascist agrarianism as well as Marxist dogmatism in the socialist movement. Despite their repression by the imperial state, they offered a radical, universalist, yet pragmatic way of being in autarkic farming village communes that corresponded with similar ideas and movements worldwide.


Introduction
Anarchism has been a global phenomenon. Anarchist theory and practice have had the global aim of liberation, through overcoming capitalism and state power as well as any other form of authority, hierarchy, and throughout East Asia. 9 Indeed, studies on anarchist movements in Japan and other parts of the world have demonstrated that the mobility and contacts of anarchist and other radical activists in transnational networks-whether in the form of study groups, labour unions, and publishing collectives-facilitated the impact of the movement. 10 Although this article builds on these insights, it explores the global or, more precisely, the trans-imperial connectedness of anarchism in imperial Japan from a different angle. It analyses a set of writings from an anarchist communist group called Nōson Seinen Sha (Farming Village Youth Association) in the late s and early s. The Nōson Seinen Sha was a rather small and socially diverse group of anarchists. Its most prominent members were probably Miyazaki Akira (-) and Suzuki Yasuyuki (-). The group aimed at building a libertarian society by establishing autarkic, cooperatist, communalist farming villages that were independent of state power, the capitalist market, and imperialist expansion. It started its project on the outskirts of Nagano prefecture in . This article deliberately focuses on one such local group to underscore the global dimension of imperial Japan's anarchist thought, even among those proponents who did not become famous for their extensive cosmopolitan adventures. It uses trans-imperialism as a perspective that acknowledges the early twentieth century as a historical moment when, in Japan as elsewhere, empiresand not the nation-state-were the predominant framework of socio-political organization. 11 Even fascism, arguably the most nationalistic contemporary global current, which is usually perceived as being solely preoccupied with centring itself in the world, 'subsumed imperialism … and took over processes and institutions that originated  outside, or prior to, its own historical moment'. 12 As Jane Burbank and Frederick Cooper have put it, 'empires and their interactions shaped the context in which people gauged their political possibilities, pursued their ambitions, and envisioned their societies'. 13 That said, despite the multiple forms of systematic exploitation, discrimination, and violence inherent to them, empires were also framing the channels of communication and room-to-manoeuvre of its dissidents. Trans-imperial anarchism acknowledges this historical moment and indicates that anarchists' struggle against state authority targeted an imperial state, which they wanted to overcome. Their vision of liberation and solidarity with oppressed people was global and reached beyond Japan's imperial boundaries into other imperial formations. Moreover, Japanese anarchists experienced peculiar circumstances: they were confronted with a repressive authoritarian regime, but also found themselves in a 'double bind' situation in which they were simultaneously subjugated to Western hegemony yet were themselves positioned within a non-white imperial centre. 14 Imperial Japan's anarchists' radical analysis, critique, and solutions to their immediate historical situation; the tension between the West and non-West that emerged in Japanese anarchists' critical reading of revolutionary theory; as well as their appreciation and discussion of non-Western cooperatist communalist concepts are at the centre of this article. Trans-imperial anarchism thus means anarchists fighting to overthrow imperial state authority as well as crossing imperial borders by reading, criticizing, and speaking about anarchist theory and practice in imperial formations outside the Japanese empire, while simultaneously navigating within and beyond the imperial boundaries of their own historical moment and position.
The article begins by placing the Nōson Seinen Sha within Japan's anarchist movement and introduces the group's understanding of 12   cooperatist communalism and its vision of a better future. The next section integrates the Nōson Seinen Sha into the historical context of early twentieth-century imperial Japan's agrarianist discourse. Along with the writings of the Nōson Seinen Sha, the article illustrates the group's radical criticism and concepts of cooperatist communalism, which includes underscoring its embrace of science, such as an anarchist reading of evolutionary theory and social organization as the basis for its analysis and critique. This demonstrates that anarchism, all-too-often disqualified as being primitive, anti-modern, irrational, and anti-science, could very well be grounded in scientific reasoning and develop a concise revolutionary theory and practice. 15 Finally, the article puts imperial Japanese anarchist thought around cooperatist communalism into conversation with radical utopian community projects in other imperial settings in Asia. Unfortunately, farmers' responses to the Nōson Seinen Sha's engagement are not documented and thus their voices are silent in this article. 16 Yet the Nōson Seinen Sha's texts stress the trans-imperial, indeed global, scope of its theory and practice. Its analysis of the historical moment and its own position, its acknowledgement of revolutionary movements and thought worldwide, and its contribution to a global struggle all developed within a 'global consciousness'. Such consciousness, as Sebastian Conrad and Dominik Sachsenmaier have argued, was fostered by educated metropolitan elites initiating global channels of communication in the late nineteenth century. The circulation of knowledge through newspapers and journals, for instance, constituted a new way of perceiving the world. This does not necessarily mean that every reported event was of global importance, but that a global consciousness 'affected a general mentality', which 'also framed the context in which specific political measures were discussed'. 17 Half a century later, this also applied to Japanese anarchist circles. Cooperatist communalist thought and practice in imperial Japan resonated with similar global ideas and movements, ranging from anarchist communes to intentional 15 For a thorough discussion-and critique-of anarchism's alleged lack of complexity, see: Nathan Jun, Anarchism and Political Modernity (New York: Continuum Books, ). 16 Farmers, believed to be the main revolutionary subjects, were the main targets of the group's agitation. 17 Sebastian Conrad and Dominik Sachsenmaier (eds), Competing Visions of World Order: Global Moments and Movements, s-s (New York: Palgrave Macmillan, ), p. .
T R A N S -I M P E R I A L A N A R C H I S M  communities, vegetarian colonies, and socialist kibbutzim. 18 This was not a coincidence. The members of the Nōson Seinen Sha were well aware of what was going on in the world and were not passive recipients of a trans-imperial flow of knowledge. Rather, they selectively appropriated and commented on this knowledge, and used it to their own ends, confident of the significance of their contribution to a global struggle for liberation.
Anarchism, cooperatist communalism, and the emergence of the Nōson Seinen Sha Forming a prominent movement in the early twentieth century, Japanese anarchists were important mediators of knowledge and contributed tremendously to the intellectual environment in imperial Japan. Anarchist thought was widely circulated in numerous radical newspapers and journals, such as the Heimin Shinbun and Kindai Shisō, but also through translations of literary and scientific works. 19 State authorities were eager not to miss any opportunity to repress the distribution of anarchist knowledge by shutting down newspapers and repeatedly harassing and arresting its editors. 20 In particular, in the wake of the Public Security Preservation Law of , state repression severely weakened Japan's anarchist movement. 21

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Japanese anarchists were able to maintain publication collectives, study groups, and activist associations. Between the s and s, various anarchist individuals and groups within the very heterogenous anarchist movement developed their own strategies of dodging, undermining, and overcoming state repression and authority. Anarchist terrorism and anarchist syndicalism were two distinctive strands of the movement that were eager to bring about instant social revolution. The Girochinsha (Guillotine Society) was probably the most prominent group promoting anarchist terror, through the bombing of symbols and killing of members of the imperial state. Its attempts at attacking the system, however, were unsuccessful, particularly in face of the sheer superior force of imperial Japan's police and military. 22 Its members Furuta Daijirō and Nakahama Testu, for example, were hanged for their intention to and preparations made to assassinate then Crown Prince Hirohito in the early s. 23 Syndicalism, which focused on union building and a general strike of the organized labour force in Japan's emerging industrial sector, had appealed to workers since Japan's early industrialization in the late nineteenth century and had become much more popular. 24 Its popularity also derived from the fact that solidarity with the growing number of industrial workers promised protection for the anarchist movement and created an awareness of collective strength. Moreover, anarchist-syndicalists believed that mobilizing the industrial masses would bring political leverage, because workers' strikes and sabotage taking place in factories affected the industrial sector, which was 'vital to the state's military and economic ambitions'. 25 Anarchist communists, a third strand of anarchism in imperial Japan, among whom the Nōson Seinen Sha was numbered, particularly opposed anarchist syndicalism. They argued that syndicalism-as well as political-party building and parliamentarianism-would eventually produce new hierarchies. Moreover, they also believed that syndicalism was preoccupied with the life worlds of workers in imperial Japan's 22 Michiaki Asaba, Anākizumu: Meicho deta dor nihon shisō nyūmon (Tokyo: Chikuma Shinsho, ), pp. -. 23 Hélène Raddeker has integrated anarchist terrorism, with its fatal and tragic moments, in a longer tradition of twentieth-century Japanese radicalism that often evolved around themes of vengeance and martyrdom. Hélène Bowen Raddeker, Treacherous Women of Imperial Japan. Patriarchal Fictions, Patricidal Fantasies (New York: Routledge, ), p. .
T R A N S -I M P E R I A L A N A R C H I S M  industrial and urban centres, and ignored the majority of people who were still subsisting on farms in the countryside. Anarchist communists, also referred to as 'pure anarchists', propagated cooperatist communalism and proposed a much more fundamental break with the remains of feudalism in the agrarian sector. This would also undermine capitalist modes of production by establishing cooperative farming within a libertarian society. 26 Based on the conviction that the countryside was the main arena of social revolution, anarchists such as Ishikawa Sanshirō, and also the Nōson Seinen Sha, articulated very progressive notions of human existence, interaction, and organization that would evolve in anarchist farming communes. 27 Anarchist communist theory and practice were grounded in cooperatist communalism. In the American context, Murray Bookchin has commented extensively on communalism's aim to conceptualize a libertarian, federalist system of autonomously organized municipalities that allow people a self-determined life. Communalism, a term originating from the Paris Commune of , 'does not focus [on] the factory as its principle social arena or on the industrial proletariat as its main historical agent; and it does not reduce the free community of the future to a fanciful medieval village'. 28 Rather, communalism circumscribes a democratic organization, often in form of farming villages and cooperatist workshops, that is not interested in political and economic structures alone, but equally aims at cultural production and social relations 'according to the cannons of reason, reflection, and discourse that uniquely belong to our species'. 29 Cooperation (that is, human beings assisting each other) is a key characteristic of communalism and implies the necessity of practice and human agency.
In imperial Japan, cooperatist communalism incorporated anarchist communists and their conception of voluntary cooperative associations in communal village projects that would challenge established forms of exploitation and oppression. Anarchist communists such as the Nōson Seinen Sha referred to farming villages as nōson, quite similarly to other contemporary critics of capitalism, industrialization, and urbanization from different political strands. Yet they clearly distanced themselves 26 Ibid., pp. -. 27 Taku Nishiyama, Ishikawa Sanshirō no yūtopia: Shakai shisō to jissen (Tokyo: Tōjishobō, ).

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 from conservative and fascist notions of countryside farming life as well as from anarcho-syndicalism's focus on industrial labour, criticizing them for the exploitation of both farmers and the countryside for the benefit of the industrializing urban centres. They conceived of cooperatively owned farming villages, shared means of production, and autarky as initiating a communal life in the museifu konmyun (anarchist commune), which they considered the fundamental basis on which to build a communal, cooperative society (kyōdō shakai). Mutual aid (sōgo fujo), in Peter Kropotkin's sense, Japanese anarchists argued, was the overarching force that would tie communal life together. Hence, cooperatist communalism was more than a cooperative farming association as it aimed at a holistic way of being so as to improve not only economic, but also all political, social, and cultural relations. The social organization of cooperatist communalist farming villages, anarchist communists of the Nōson Seinen Sha claimed, would envision 'for the first time the birth of the possibility of a true anarchist revolution'. 30 The Nōson Seinen Sha was a group of anarchists that was particularly prominent in promoting and practising cooperatist communalist strategies in imperial Japan. The group consisted of about  members, with maybe several hundred supporting farmers in the countryside. Although the group appears to have been rather male-dominated, in terms of class background it was quite diverse. For instance, the group's two most prolific theorists Miyazaki Akira and Suzuki Yasuyuki had very different careers. Miyazaki Akira was born in  in Okayama but grew up in an industrial mining area in Fukuoka prefecture in northern Kyushu. After junior high school, around the time of the Russian Revolution, he started working in the railway industry. He supposedly encountered anarchist ideas during a trip to Hokkaido and through his contacts in a Nihon University student settlement in Tokyo. He read Russian novelists, while pursuing engineering studies at a college in Shanghai. Positioned outside the privileged realms of academia and without a rich family background, working-class Miyazaki was indeed an anarchist from below. His comrade Suzuki Yasuyuki, on the contrary, grew up in typical intellectual circles, as did many contemporary revolutionary theorists and agitators. Suzuki was born in what is today Kitaibaraki, Ibaraki prefecture, in , and went to school in Kamakura, where he 30 Nōson seinen sha, 'Saikin undō no soshiki narabi ni keitai nit suite no ichi teian', in  nendai ni okeru nihon anakizumu kakumei undo: Shiryō nōson seinen sha undoshi, (ed.) Nōson seinen sha undoshi kankōkai (Tokyo: Unita shoho,  []), p. .

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 became fascinated with Ōsugi Sakae's interpretations of Christian socialism. In , he entered Waseda University's Department of Law and very soon thereafter started publishing on anarchist thought. Hence, as these short biographical vignettes elucidate, not only did the Nōson Seinen Sha's anarchist ideas not evolve in a singular genealogy, with a fixed set of theoretical ideas, but the group's members also came from varied backgrounds. Very few of them were actual academics who had the privilege of studying at a university, but all of them were intellectually engaged and participated in anarchist study groups, formed independent publishing collectives, or worked for local newspapers. Texts like Miyazaki's  'Appeal to the Farmers' (Nōmin ni yobu) attracted academic members, such as Tashiro Gisaburō (-), and convinced them to join the Nōson Seinen Sha's cause. While most members met through anarchist group activities, some of their bonds were also tightened by the shared experience of getting arrested by the police and spending time together in prison.
Together with Yagi Akiko (-), Hoshino Junji (-), and Mochizuki Jirō (-), Miyazaki and Suzuki founded the Nōson Seinen Sha in February  and started their own communal experiment in the hinterland of Nagano prefecture. In anticipation of unrest among farmers and an uprising, the group planned to attack the military in Nagano, but this never transpired. A series of robberies in the area, which was meant to undermine the system of capitalist property and to financially support both the commune and the foreseen uprising, only resulted in the imprisonment of some of the group's members in . 31 Due to economic hardship and harsh state repression, by September  the communal project had already dissolved. Despite its short-lived and small-scale presence, the Nōson Seinen Sha's ideas were nevertheless important as they highlight the significance of anarchist interventions and alternative visions of a better society offered by anarchism. Members of the group did not throw bombs, but they refused to pay taxes and developed a highly sophisticated critique of capitalism as well as of the contemporary socialist movement. In its one year of existence as a practising cooperatist communalist group, the Nōson Seinen Sha struggled against expanding industrialization at a time when major Japanese cities were becoming increasingly turbulent places of 'imperial democracy', with 31 Crump, Hatta Shūzō, p. .

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 mass protests, an emerging labour movement, union building, and widespread socialist ideas. 32 Thus, the Nōson Seinen Sha anarchists also struggled against persistent Marxist dogmatism in the socialist movement, which is particularly visible in Miyazaki Akira's and Suzuki Yasuyuki's writings, and they developed ideals of cooperatist communalism in anarchist communist fashion. The group was not aiming to mobilize the masses (taishū) as were the socialists. Rather, it had a much more grassroots, democratic, and individualistic sense of the people (minshū) and of peoples' ability to organize freely in temporary, task-oriented associations of interest groups. In this regard, the group became particularly influential for theorizing and implementing self-sustained communes as well as propagating cooperative ownership, the elimination of hierarchies, and the evolvement of democratic models. 33 In doing so, the Nōson Seinen Sha was embedded within a broader agrarianist discourse in imperial Japan; yet agrarian anarchism's cooperatist communalist theory and practice, as the following section demonstrates, departed from other agrarianist positions and criticism by fundamentally challenging imperial Japan's feudalist system and agricultural production.

Anarchism and agrarianism in imperial Japan
During the s, agents of the Japanese imperial state aggressively campaigned against any activity that disturbed public peace (chian), especially accusing left-wing activists of espionage and sabotage against Japan's nation-and empire-building. Among the state's prime targets were anarchist groups, some of whom tried to dodge state repression by moving to the countryside to establish cooperatist, self-sustaining communes-'keeping the state at a distance', to use James Scott's words. 34 Several waves of repressions against anarchists during the first 32 The term 'imperial democracy' is borrowed from Andrew Gordon, Labor and Imperial Democracy in Prewar Japan  half of the twentieth century had hit the movement severely. They peaked with the High Treason Incident in /, the hunt by the military and police for and assassination of activists and critics following the Great Kantō Earthquake in , and the rise of militarism and fascism after the Manchurian Incident in . Moving to the countryside to stay out of the sight and reach of police persecution was but one strategy used by anarchists to survive individually and to maintain the continuity of the anarchist movement. 35 Yet the anarchists' rural retreat involved more than just hiding in the woods from the agents of the imperial state. Anarchist theory and practice had elaborated on countryside life and agricultural production in various, highly sophisticated ways since the early twentieth century. And for good reason because, despite the increase and expansion of industrialization and urbanization in the early twentieth century, agriculture, which was based on tenant farming labour, remained a vital part of imperial Japan's economy. 36 A domestic crisis in agriculture, as shown by the  rice riots, could affect the whole empire, and vice versa. Within Japan, tenant farmers were dependent on highly influential, mostly absent, landowning elites, who often lived in Japan's expanding cities. The imperial state tried to support tenant farmers, but programmes intended to help them to buy land failed due to shortcomings in state funding. And although state officials were eager to maintain small-scale farms because they supposedly personified traditional Japanese virtues, their lack of control on the ground opened a power vacuum that was, once again, filled by landlord elites. 37 In the s, farmers also struggled with falling prices for agricultural products following inflation in the aftermath of the First World War, increasing imports from Japan's colonies Taiwan and Korea, and global market effects in the era of the Great Depression. 38 Subsequent to the Manchurian Incident and in order to cope with the social crisis of 35  impoverished farmers, the Japanese imperial state even initiated mass mobilization campaigns that propagated and supported resettlement of Japanese farmers in the allegedly empty Northeast Asia, which seemed to offer promising opportunities. 39 That said, anarchist communism, which conceptualized the ideal of self-sustaining, hierarchy-free communes unaffected by domestic power structures as well as global capitalism, thus seems to have directly spoken to the needs of many Japanese people still living and working in the countryside. 40 In the early twentieth century, with the expansion of capitalism, industrialization, and urbanization, a new discourse evolved from the fantasies of modern life. In imperial Japan, as elsewhere, as Harry Harootunian has persuasively demonstrated, everyday experience became a coeval, key aspect of intellectual engagement with the global historical moment. 41 The emergence of mass culture, many contemporary critics argued, would erode community, particularly in the countryside-and with it, cultural authenticity allegedly attached to communal village life. Some of Japan's anarchists shared the belief in the eroding forces of capitalism on the village community. Yet, their appeal to rural communal life should not be misconstrued as nostalgia for a harmonious countryside lifestyle. In , Akaba Hajime (-), who became famous for his anti-war activism, had already grasped the revolutionary dimension of cooperatist communalism in rural village life, which he outlined in a pamphlet titled 'The Farmers' Gospel' (Nōmin no fukuin), indicating his former affection for Christian socialism. Connecting older forms of Japan's village communities with Peter Kropotkin's idea of mutual aid, Akaba envisioned a 'pure anarchist land' that was not a simple return to an imagined, untouched past, but one that would bring 'advanced scientific knowledge and mutual aid in harmony' to Japan's old village forms. 42 Anarchists like Akaba, as Sho Konishi has argued, 'gave progressive meaning to the everyday cooperative practices of ordinary farmers. They identified "cooperative 39 Manchuria also promised to be a place of opportunity for imperial Japan's dissidents. Louise Young, Japan's Total Empire: Manchuria and the Culture of Wartime Imperialism living"… as the means to achieve progressive, democratic and less hierarchical society on a global scale.' 43 For these anarchists, the rural village was not a mere retreat or sanctum from the forces of global capitalism, but the very locale of everyday experience and modern life.
Of course, anarchists were among a wider and heterogeneous group that fantasized about agrarian country life. Since the Meiji Restoration in , an agrarianist discourse grew up in parallel with Japan's modernization project, which peaked in the pre-war period in the s. 44 Dominant agrarianism (nōhonshugi), to quote Thomas Havens, 'included a faith in agricultural economics, an affirmation of rural communalism, and a conviction that farming was indispensable to those qualities that made the nation unique'. 45 Agrarianist elite conservatives criticized industrialismbut not capitalism itself-as an aberration that weakened agriculture, forcing farmers into the factories and creating a gap between the rich urban centres and poor rural peripheries. They imagined agriculture and rural farming communities as the nation's backbone, feeding its population, supplying healthy citizens for its military, and guaranteeing stability and security in the overall aim of achieving wealth and national strength. Agrarianism became increasingly popular in the first half of the twentieth century and attracted folklorists like Yanagita Kunio (-) to represent the farming village as the last bastion of Japan's timeless cultural essence, in contrast to modern life which was associated with urban centres. 46 During the agricultural crisis of the late s and early s, fascist agrarianists (nōhonshugisha) such as Tachibana Kōzaburō (-) repopularized the imagined purity of communal, self-sustaining farming life. They rejected existing feudal structures and encouraged cooperative villages as the foundation of a social order that would tie farmers together materially and spiritually. Their ideas entailed a limited critique of capitalism as a destructive force that undermined a harmonious and 'natural' country life. Yet, like its conservative predecessor, fascist agrarianism also clung to private property and favoured patriarchal gender hierarchies in imperial Japan's family system. 47

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Anarchists' promotion of cooperatist communalism was embedded within an established agrarianist discourse from a broad political spectrum in imperial Japan that articulated a critique against modernity. However, anarchist theory and practice departed from conservative, folklorist, and fascist agrarianism in crucial ways. Private property and the division of labour in capitalist modes of production, as well as patriarchy and class divisions, were forms of power that anarchists attempted to destroy and overcome. They also did not intend to invert the hierarchy between cities and villages, as some agrarianists had proposed, but to abandon any sort of hierarchy altogether. 48 Moreover, anarchists developed revolutionary notions of nature, the environment, and thus, ultimately, human existence that were much more progressive and scientifically based than conservative and fascist conceptions of nature and the countryside. Sho Konishi has demonstrated that Japanese anarchists increasingly turned to science after the Russo-Japanese War (/). Their eclectic reading of Russian and French evolutionary theory, microbiology, and cosmology, all of which dealt with mutual aid among prehistoric humans and animals, symbiotic microbe organisms, and a decentred universe, were key references in their attempt to scientifically prove anarchists' conceptualization of cooperatist communalism without the need for hierarchy and (state) authority in social organization. Based on scientific knowledge, anarchists considered cooperation and mutual aid-as opposed to exploitation and competition-to be the engines of a distinctive, modern temporality in historical progress and civilization. 49 Agrarian anarchist Ishikawa Sanshirō, for instance, embedded human existence in a constant negotiation with nature. He argued that contemporary capitalist industrial production and urban life would inevitably be intertwined with exploitation, inequality, and unhealthiness, and was therefore unnatural. Instead, his understanding of social organization as 'a vast, horizontal collection of interacting parts with no centre that came together to foster (agricultural) production' led him to plead for a healthy life in accordance with nature. 50 This constant dynamic would prevent the establishment of hierarchies and allow individuals the freedom to express themselves. Referring to ancient Greek and Edward Carpenter, Ishikawa even 48   redefined democracy, claiming that the original meaning of demos would encompass not only the common people, but also a people attached to the soil or earth (do). He translated 'democracy' into Japanese as domin kurashi, coining a term that sounds like democracy and simultaneously signifies 'the life of a people attached to the earth'. This attachment, according to Ishikawa, would enable people to realize their individual nature or virtue through hard yet non-exploitive work that ultimately makes freedom possible. 51 The anarchist communists of the Nōson Seinen Sha shared a belief in the strength of cooperative farming villages to act as a bulwark against the forces of global capitalism, and conceptualized the organization as a powerful revolutionary strategy that was more than just a naive dream of liberty. And they closed the gap between the various forms of libertarianism, agrarianism, and communalism prevalent in s imperial Japan. 52 Despite a nativist, back-to-nature appeal-which on first sight appears as a narrow-minded glorification of a premodern countryside lifestyle-the Nōson Seinen Sha was actually a globally conscious, progressive group. Similarly to its predecessors and contemporary comrades, it participated in the exchange and appropriation of ideas and practices from various strands of radical thought from all around the world. As Sho Konishi has shown in a case study of the Arishima Farm in Hokkaido in the s, anarchists in Japan considered their cooperatist communes to be part of a globally synchronic endeavour for the improvement of human life all over the world. 53 In a similar vein, the Nōson Seinen Sha conceptualized a progressive form of cooperatist being and offered an agrarianist model that was distinct from its conservative, folklorist, and fascist counterparts. It promoted cooperative work without the aim of profit and private property, and engaged in theoretical debates with the currents of anarchist theory and its Western epistemological hegemony. Its vision of an anarchist modernity, as this article will discuss in more detail in the following sections, was for a hierarchy-free social organization without state authority, on autarkic but collaborating farming communes. And they put their vision into practice by building a net of communes in Nagano prefecture in . The piece was later republished as a pamphlet and became the theoretical foundation of the Nōson Seinen Sha. It offered a practical revolutionary approach and embedded cooperatist communalism within a profound critique of global capitalism and its regional forms and political systems.
In writings such as 'Appeal to the Farmers', Miyazaki held up the farming village as the key site for social revolution. The three main tasks, he argued, were to live in an autarky, to possess only shared property, and to establish communal welfare based on mutual aid. As the title indicates, the pamphlet was meant to appeal especially to farmers: 'the liberation of the farming village must come at the hands of the farmers', who, Miyazaki claimed, would know their own needs best ( jibun jishin). Thus, farmers should not believe in the lie of peasants' lawful liberation from above after the supposed end of the feudal system. Moreover, they should never accept help from the bourgeoisie. The cooperative production and consumption of food and other necessities by farmers would undermine the hegemony of the ruling class (shihai gaikyū); the creation of self-sustaining communes was therefore fundamental for liberation. Anarchist communism was thus no longer a future goal, as Miyazaki considered that farmers organizing anarchist communes and putting cooperatist communalist visions into practice would cause an instant social revolution.
The first step towards accomplishing cooperatist communalism, according to the Nōson Seinen Sha, was to understand that the communal life in farming villages was the only possible way of life. Famers' products, Miyazaki believed, were supposed to meet the producers' own needs only. This would be a universal law, as entering the capitalist market by exchanging agricultural goods for money would 54

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inevitably ruin village life (seikatsu no reiraku). Thus, Miyazaki asked, 'How can village life stand on its own feet without selling rice, vegetables and subsidiary products, and without any money?' His logical conclusion was that for a village to achieve absolute independence, free of money and market forces, it needed to become self-sufficient ( jikyū jisoku): 'Is facilitating the autarky of the farming village producing food from the soil not the most important issue?' 55 This rhetoric was obviously embedded in inter-war Japan's agrarian discourse. Miyazaki's strong emphasis on rice as the pivotal agricultural product perpetuated a culturalist sentiment for Japanese nationalist exceptionalism, and its metaphorical use seems to be similar to imperial Japan's nationalist agrarianism. 56 Yet, it is remarkable how Miyazaki departed from nationalist and spiritualist readings of the countryside and agricultural production in his emphasis on the universal materiality of the human body at the heart of agricultural labour. Of course, there is an amount of vague spirituality in Miyazaki's assertion that eating something different from what you produce by yourself makes life incomplete ( fukanzen), leaving the exact meaning of incompleteness up to the reader's imagination. Unlike other agrarianists, however, Miyazaki was not arguing for a spiritual basis to products such as rice to connect humans, soil, and their ancestors. The production of food-rice in this caseinstead signifies an existential human need that must be satisfied. The soil or earth nevertheless played a pivotal role in this task, which becomes particularly visible in the trope of the 'farming village producing food from the earth' (tabemono wo do kara tsukuri nōson). According to Miyazaki, the connection between earth and humans was purely materialistic, and its harmony manifested in the reciprocity of human labour cultivating the earth, which in turn provides crops and harvest for human existence. This universal materialistic law of a reciprocal, harmonious relationship between nature and humans, maintained through earth's matter and energy as well as human agency, would be the foundation for social mechanisms. In line with the argument formulated by the English anarchist George Barrett, the production of and access to food-'the individual struggle to live, in its most simple and elementary form'results in society and lies at the heart of social organization. 57 55 Ibid., p. . 56 For an analysis of rice in modern Japanese history, refer to Emiko Ohnuki-Tierney, Rice as Self: Japanese Identities through Time

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Self-sufficient manual farming labour, Miyazaki was convinced, would take control of fundamental social mechanisms. It would overcome capitalist modes of production, ownership, and authority, which ultimately would allow free individuals to associate and was thus the most promising strategy to achieving liberation. 58 Organizing villages along self-sufficient lines of production indeed had revolutionary potential. The emphasis on self-sufficiency through mutual aid was supposed to undermine state authority, the capitalist division of labour, and the exploitation of people and nature. Similarly to Akaba Hajime, Miyazaki also imagined that imperial Japan's cooperatist communities would be built on land 'that farmers are supposed to use freely', and that mutual aid would be combined with advanced technologies to achieve self-sufficiency as opposed to profit. 59 A key concern was money, which enabled exploitation through profit and division of labour, and was therefore considered a force that eroded solidarity. Miyazaki wrote, 'With the birth of money in society happiness vanishes', arguing that money divides people, humans and their products, farmers and workers, cities and countryside. Self-sufficient farming within the village community and shared property would curb the threat of money and prevent the establishment of hierarchies. 60 When it comes to the issue of tax payments (nōzei), in particular, anarchists' vision of self-sufficient villages and rejection of money directly attacked the state's authority. As Miyazaki explained, modern state institutions' demand for tax payments from farmers was only possible through the production of revenue gained by selling agricultural products to the market in exchange for money. Tax revenues, in turn, are crucial to the survival of state authorities, as they pay for the state's administration, police, and military. Therefore, Miyazaki polemicized, the paying of tax 'covers the pension of the government's bureaucrats, soldiers and police officers who have looked down on the people with arrogance'. Moreover, tax payments would only help capitalists to make profit. As they support state institutions and authority, and sustain capitalist modes of production, they therefore entail exploitation. Instead, the people could provide all the alleged benefits of tax payments themselves. Following on from his initial remarks, Miyazaki argued that all matters of village life, such as 58 Miyazaki, 'Nōmin ni yobu', p. . 59 Ibid., p. . 60 Ibid., p. .

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 'putting up bridges, building roads, setting up irrigation for uncultivated land, building storehouses and communal manufactories', could be solved by village people themselves: 'When everything is done by the village cooperation, there is no basis for government's theft of tax money.' 61 Whereas other agrarianists had argued for self-sufficiency and a reduction in taxes so as not to support a corrupt government and what they called a 'diseased', 'unnatural', and allegedly 'un-Japanese' urban industry with its ruling elites, the cooperatist communalist anarchists of the Nōson Seinen Sha developed a much stronger anti-state and anti-nationalist strategy. Refusing to pay tax was a radical rejection of the imperial state and its projects, and a clear statement against the landowning and capitalist elites.
Money and tax payments were also directly linked to issues of security and war. Japan's elites, according to Miyazaki, wanted people to believe that all citizens' support for the state, economy, and military in a collaborating society (kyōdō shakai) generated national unity and strength, to everyone's benefit. On the contrary, Miyazaki argued, the government's call for unity and security, a call amplified by the demands of 'bureaucrats, police officers and bourgeois educators' to honour the nation, would only be a distraction. The nation, national unity, strength, and security in a collaborating society of and for all people were mere constructions of the ruling class. The imperial state, its agents, and the bourgeoisie would be the only ones profiting from the people's labour and tax payments. Moreover, Miyazaki considered money, taxes, and capitalism to be the foundation for war preparation as modern industrial production was indispensable for modern war and, arguably, vice versa. And the defence of the collaborating society (kyōdō shakai no bōkyo) that the aura of war, as well as warfare itself, was necessary to secure the nation's wealth and strength against foreign threats for the benefit for all citizens would, in fact, only serve the ruling class. 62 Miyazaki's line of argument was obviously a direct critique of imperial Japan's nationalism, industrial expansion, and rising militarism in the inter-war period. The anarchists' intervention was indeed much more radical than other groups' agrarianist promotion of self-sufficient countryside life organized in farming villages. Self-organizing farmers without internal or external authority who rejected paying taxes clearly 61 Ibid., p. . 62 Ibid., pp. -.

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 undermined capitalist modes of production and imperial Japan's modernization project which was heavily focused on industrialization and urbanization. Yet the Nōson Seinen Sha envisioned that farmers could, and should, liberate themselves. Ironically, however, the voices of the farmers themselves can hardly be heard in Miyazaki's writings. The essay's title-'Appeal to Farmers'-already indicates that Miyazaki ultimately spoke to the farmers and in favour of them, and not with them-and definitely never let the farmers speak for themselves. Indeed, his appeal might have attracted other anarchist intellectuals rather than the subaltern tenant farmers in the countryside. Gayatri Spivak, among others, has called attention to the inherent epistemic violence in the desire of intellectuals to represent subaltern people of colour. 63 Miyazaki, too, repeated the mechanism of epistemic violence to a certain extent: he fell into the trap of sympathizing with the oppressed-the speaking for the farmers and their interests-thereby reproducing a hierarchy between the theorizing and agitating intellectual and the farmer as supposed revolutionary subject. Nonetheless, Miyazaki's rhetoric strategy was not to position himself as the spokesperson for the farmers but to argue that only farmers themselves, through farm life itself, could achieve full liberation. Indeed, it underscores an insistence on agency and self-sustaining practice-the organization of cooperatist communalist farming villages-as opposed to theorizing revolutionary action. The Nōson Seinen Sha's revolutionary conception of cooperatist communalism thus corresponds directly to what Murray Bookchin argued several decades later: '[O]ur decision to create a better society, and our choice of the way to do it, must come from within ourselves, without the aid of a deity, still less a mystical "force of nature" or a charismatic leader.' 64 The notion of leaderless and allegedly untainted or pure anarchism in farming village communes continued to characterize the Nōson Seinen Sha's theory and practice. In a less dramatic manner, one might comprehend the anarchists' understanding of purity as a matter of consequence. Their idea of organized farming villages as the basis for social revolution aimed at avoiding the creation of any avenues for the (re-)emergence of hierarchies after liberation has been achieved. sharply criticize any other 'impurities' ( fujunbutsu) in the anarchist and socialist movement. In order to convince readers that they were 'on the straight way to anarchist revolution', the Nōson Seinen Sha argued that it would be imperative to clarify the form and organization the anarchist movement should take. 65 Unsurprisingly, the Nōson Seinen Sha envisioned a movement free of any form of centralized organization and emphasized autonomous action and decentralization as the only meaningful tactics. According to its critique, it had been an error of the previous mass-oriented anarchist and labour movement to establish permanent groups for education, labour, propaganda, and so on. Their criticism targeted, in particular, nationwide anarchist organizations such as the Kokushoku Seinen Reimen (shortened to Kokuren), which had emerged from December  out of various militant groups and identified itself as an avant-garde minority struggling for class liberation. 66 Taking the example of the propaganda leaflets of anarchist groups that operated nationwide, the Nōson Seinen Sha complained about the almost endless meetings and arduous decision-making processes that were necessary to determine who would eventually write, proofread, print, and distribute a statement or leaflet. Such long processes were ineffective and, moreover, made the movement vulnerable, because reliance on an unchanging organizational structure made it easier for the authorities to persecute and eventually paralyse the movement. 67 In contrast, the Nōson Seinen Sha envisioned only occasional, task-oriented groups. One of its catchphrases was 'gather when necessary, dissolve when finished'. This became a motto to articulate the temporary nature of the grouping together of individuals who shared interests to achieve a particular goal. In vainglorious terms, the Nōson Seinen Sha even claimed that, 'This is where for the first time 65 Nōson Seinen Sha, 'Saikin undō no soshiki narabi ni keitai nit suite no ichi teian', p. . 66 Crump, The Anarchist Movement in Japan, pp. -. 67 Nōson Seinen Sha, 'Saikin undō no soshiki narabi ni keitai nit suite no ichi teian', p. .

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 the possibility of a true anarchist revolution is born.' 68 The strategy of organizing the masses to rise up to achieve an anarchist revolution, either through intensive propaganda or planned and/or spontaneous uprisings, would have been unsuccessful under the prevailing circumstances. Such actions would even cause harm to the movement, because it would have made it easy for state authorities to intervene, win the struggle due to the imperial state's superior force, and reaffirm its authority. Even more importantly, the development of individual freedom was at stake. Instead of a centralized mass organization, the meeting up of individuals would allow them to articulate their personal needs and desires independently. Ultimately, the Nōson Seinen Sha argued, such individual-based contact and association around a single issue and repeatedly confronting the individual with a 'new worldview' (atarashii sekaikan) would create a dynamic from which a 'new human' (shinjin) -an anarchist-would emerge who bore the potential for full liberation. Its call to immediate action was: 'Refuse bottom-up as well as from periphery to the centre! From formation to decentralisation! Autonomous, decentralised action rather than centralisation!' 69 The Nōson Seinen Sha's strong rhetoric criticizing the contemporary anarchist movement and theorizing the necessary steps for a successful anarchist revolution was not free of contradictions. As John Crump has stressed, contemporary anarchists, including Hatta Shuzō (-), pointed out that regarding organization there would be some inconsistencies between the group's theory and practice. Despite the call for equality between anarchists and common farmers, those Nōson Seinen Sha members still living in urban centres believed in the group's avant-garde, revolutionary force. Hatta heavily criticized the Nōson Seinen Sha for pretending to claim to have no leadership while simultaneously setting themselves up as providing guidance to the masses. 70 Despite the validity of such criticism, the Nōson Seinen Sha's anarchist theory of action was nevertheless remarkable. It might appear as just a simple, nativist, retrogressive dream of retreating from industrial urbanization to a seemingly untainted natural environment. Yet the group's degree of awareness of the forces of capitalism and its strategies to undermine them are distinctive and highly progressive. In particular, the emphasis on a self-sufficient farming life in which free 68 Ibid., p. . 69 Ibid., pp.  and . 70 Crump, Hatta Shūzō, p. .
T R A N S -I M P E R I A L A N A R C H I S M  individuals were connected by mutual aid and were organized temporarily in task-oriented associations becomes even more effective by connecting such a life with a refusal to pay taxes in order to shatter the existential basis of the imperial state. Moreover, Nōson Seinen Sha's anarchism was embedded into a perspicacious framework promoting a 'new worldview', indicating the group's globally conscious vision for liberation. Such global appeal becomes particularly apparent through its emphasis on creating the 'new human', which discursively connected Japanese anarchists to the endeavour of social movements worldwide. Similar poetics of the 'new human' synchronously emerged in movements and places as different as Weimar Republican Lebensreform, Soviet physical culture, and Mohandas Gandhi's bodily exercises. 71 Hence, as the following section will demonstrate, Japanese anarchists from the Nōson Seinen Sha were exceedingly modern in and through their globally conscious trans-imperial anarchism.

Anarchism across empires: the Nōson Seinen Sha's critique and appropriations
Trans-imperial connections-physical manoeuvring and intellectual journeying within and beyond imperial boundaries-were characteristic of Japanese anarchists. The contact, collision, and conjunction of revolutionary theory and practice worldwide was pivotal for developing its ideas and sharpening its arguments. In particular, appreciation ofand equally important-demarcation from socialist thought and revolutionary experience the world over was crucial to the Nōson Seinen Sha's identity politics in terms of establishing its distinct yet universalist cooperatist communalism. There is not one singular source or movement that can be determined as the origin of its anarchism. Rather, a multiplicity of influences shaped the group's anarchist theory and practice. The Russian Revolution and subsequent Bolshevik rule became a major point of reference for revolutionary thought worldwide-it allowed social organism. This global idea was widespread and appeared alongside competing and conflicting political positions and scientific approaches. Anarchists like George Barrett, whose Anarchist Revolution Suzuki had translated in , as well as, among many others, socialist and social hygienist Auguste Forel in Switzerland, sociologist Émile Durkheim in France, evolutionist Herbert Spencer in England, and the Nazi vision of the Volkskörper fostered an understanding of society as a complex social organism that forms a whole through the functionality of all its social parts and being. 78 Such a shared understanding underscores the Nōson Seinen Sha's progressive position globally. Yet Suzuki and Miyazaki did not dwell only on the group's rationality and modernity woven into its narrative of anarchist theory and practice, they departed from other notions of social organism in crucial ways. They emphasized that human agency was not limited to its functionality for the whole social body, but was an individual freedom to choose and experience labour and association in a liberated society, based on the idea of mutual aid.
Suzuki did not dismiss all Western science. On the contrary, he provided an anarchist reading of history, anthropology, and evolutionary theory with reference to Peter Kropotkin as well as Élisée Reclus, an anarchist geographer whose thought had a strong impact on the development of eco-anarchism. He demonstrated the pivotal and universal significance of mutuality for social organization and human existence. Suzuki thought of contemporary capitalist society as being 'in the middle of serious unrest' and claimed that people blinded by Darwinist evolutionary theory, and who embraced life as a form of competition, would intensify the world's crisis. He rejected Marxism, because it would not offer any solution due to its narrow focus on the connections between human beings determined by capitalism and the struggle for the means of production. More important, according to Suzuki, was the emphasis on mutuality or mutual aid-not competition or struggle-as a historical force for liberation. Studies on the life of monkeys and prehistoric human activity had proven, he argued, that It is deeply moving to carefully observe the entire landscape of the earth, its nature of infinite variety and the effect of human activities' eternal force causing its harmony […]. Yet, the very same earth-sustaining and furthermore providing for humankind-and heaven-illuminating the world and supplying the universe's energy-together with a matrix of human beings in harmoniously vibrating conditions can be seen and sensed. 79 Dismissing Suzuki's claims as mere naive, idealist belief in a better world that had supposedly existed in ancient times and which might be envisioned in the far future does not do justice to his grounding in scientific reasoning. Suzuki's line of argument was very close to the observations that Japanese anarchists had articulated a decade before. For instance, in the s Ishikawa Sanshirō had called for a similar cosmological approach, labelled 'unity in multiplicity', arguing, in Sho Konishi's words, for 'the infinity that characterised the centreless universe', which dictates 'the absence of an absolute subject of power and the limitlessness of possibilities for human interaction and cultural invention'. 80 Humankind would need to overcome hierarchy and competition, Suzuki insisted, so as to progress towards harmonious and free social organization. Suzuki and the Nōson Seinen Sha were convinced that cooperatist communalism, existing in anarchist communes that facilitated mutual aid, would be a necessary first step towards achieving a constant cosmological dynamic that would prevent the establishment of hierarchies and competition.
Despite Suzuki Yasuyuki's critique of Western socialist and anarchist theory and practice, his narrative strategy of citing Western references appeared to him to be the only way to gain legitimacy. Despite his strong efforts to distance himself, his writings reveal an underlying continuity with a Western epistemological matrix, in which European thought appears as the only point of reference to give authority to any kind of progressive, rational thinking. Suzuki's critique thus seems to have been trapped in the dilemma articulated by Dipesh Chakrabarty, who has argued that while the terms and concepts from the European tradition are inadequate, they are nevertheless indispensable for 79 Suzuki, Nihon museifushugi undōshi, pp. -. 80 Konishi, Anarchist Modernity, p. .

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 evaluating non-Western phenomena in order to them to be recognized. 81 It is remarkable that Suzuki pointed out basic misunderstandings of social mechanisms and revolutionary practice inherent in movements such as Bolshevism. In doing so, he underscored the emotional character of Western socialist and anarchist movements, and disparaged its revolutionary romanticisms as the main reason for the failure of social revolutions. In contrast, Suzuki emphasized the Nōson Seinen Sha's rationality and progressiveness. It is his insistence on universality and scientifically certified forces of human existence, agency, and creativity-such as mutual aid in evolutionary theory-that undermined the West's claim for rationality. Yet his reproduction of Western epistemic hegemony gave authority to Suzuki's logic, rendering cooperatist communalism as a globally conscious and modern approach to social innovation and, ultimately, liberation.
An attempt to decentre social revolution from following a Eurocentric script is also apparent in the Nōson Seinen Sha's engagement with non-Western revolutionary theory and practice. Contemporary Asian movements sparked interest for obvious reasons, one being their spatial proximity to the orbit of the Japanese empire. Nevertheless, Japanese anarchists could have just ignored other Asian movements and only looked at the struggles of European, American, and Russian comrades. Miyazaki, on the contrary, compared the Nōson Seinen Sha's concepts with, for example, those of the anti-colonial struggle in India. In particular, Gandhi's campaign of non-cooperation, translated by Miyazaki as muteikō shugi and which he even referred to as 'Gandhism' (ganjīzumu), was of interest to Japanese anarchists. The non-cooperation campaign was part of Gandhi's larger concept of non-violent resistance (satyagraha) in the Indian independence movement. Miyazaki argued that non-cooperation as conceptualized by Gandhi would have both an economic and a political dimension. The boycott of British goods and the sole consumption of Indian products instead would indeed undermine the colonial administration and help stop the generation of revenue for the British government. He particularly praised Gandhi's understanding of autarky to gain independence. Yet, Miyazaki believed that 'Gandhism is incomplete' because its focus on changing the economy and the political system would not change the social organization in which they were rooted. India's independence from 81 Dipesh Chakrabarty, Provincializing Europe: Postcolonial Thought and Historical Difference (Princeton: Princeton University Press, ), p. .

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British colonial rule might result in a new economy and reformed political system, but without radical change, Miyazaki argued, the bourgeoisie would continue to dominate a hierarchical society that would not liberate the people. 82 The Nōson Seinen Sha also discussed other revolutionary peasant uprisings in Asia. It addressed incidents and movements in Northeast Asia and British Burma, and evaluated their sustainability and radicalism. However, it did not judge radicalism by the degree of violence in the uprisings, which the Nōson Seinen Sha did not reject per se. For example, it did not condemn the Wanpaoshan Incident of  July  (which involved a clash between Korean and Chinese farmers and resulted in outbursts of anti-Chinese violence all over colonial Korea) for its obvious racism and unnecessary ruthlessness. Rather, it argued that the uprising failed because it could not be turned into a 'revolutionary rebellion' (kakumeitekina bōdō). By contrast, the group praised a series of peasant uprisings in British Burma that later became known as the Saya San Rebellion (-). Most historiography has highlighted the Burmese peasants' backwardness, prematurity, and lack of organization in similar insurrections, reflecting Marx's distrust of the peasantry, who were regarded as reactionary, showing no solidarity with workers, and having no class consciousness. Many local contemporary socialists and communists in East and Southeast Asia also expressed anti-peasantry feeling, stereotyping farmers as superstitious, too respectful of hierarchy, tradition-bound and therefore fearful of (revolutionary) change. 83 The Nōson Seinen Sha, however, celebrated Burmese peasants' traits and characteristics: The recent peasant rebellion spreading in British Burma possesses no centred organisational body [chūshin tekina soshikitai] of any kind. This is peasants' fashion whose autonomous action has no concentrated structure. […] If the Burma peasants had clung to centralised organisation [shūchū soshiki] and if there had been no autonomy pervaded spirit, the peasants would have instantly been repressed. 84 In contrast to Marxist doctrine, that of the Nōson Seinen Sha defended the peasantry for their revolutionary practice and, moreover, even 82 Miyazaki, 'Nōmin ni yobu', pp. -. 83 Clive Christie, Ideology and Revolution in Southeast Asia, - (Richmond: Curzon, ), pp. -. 84 Nōson Seinen Sha, 'Saikin undō no soshiki narabi ni keitai nit suite no ichi teian', pp. -.

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 underscored their radicalism as revolutionary subjects. Peasant rebellions, it argued, are autonomous, and farmers' self-organization and self-sufficiency made them independent from established imperial bourgeois society and economy. These circumstances would foster the potential to change the system at its roots.
At first glance, it is striking that all of the Nōson Seinen Sha's commentaries never raised the issue of race. The absence of any mention of race and racism in its analysis of events in colonial constellations such as the Gandhi-lead independence movement in colonial India and the peasant rebellion in British Burma is particularly conspicuous. It is especially noteworthy because the British empire's colonial administrations are especially known for their race-conscious 'rule of colonial difference'. 85 Racial taxonomies, hierarchies, and tensions were also significant in Japan's empire-building, as the Wanpaoshan Incident and its aftermath demonstrate. 86 Being positioned outside the racial and epistemological privileged West, Japanese anarchists could have supported their aim for liberation with anti-racist arguments. Of course, members of the Nōson Seinen Sha might just have been too ignorant or preoccupied to acknowledge racialized hierarchy and power. Its idea of liberation seems to have been too practical, yet also too universalist and abstract, so that perhaps it just could not see any need to recognize the issue. In particular, its idea of the 'new human' was a distraction from the fact that skin colour as a signifier of power matters. As the Nōson Seinen Sha unambiguously argued: 'Our understanding is to breathe a new Weltanschauung [sekaikan] into the new human as quickly as possible. The new human as anarchist will initiate independent autonomous action by determining his own needs and demands ( yūkyū).' 87 Following the logic of Japanese anarchists, its ultimate goal of liberation and equality appears to have allowed no petty differentiation; hierarchies of race, it apparently believed, would dissolve after the new human understood and brought about humanity's true and pure nature of autonomy and liberty.

Conclusion
Newspapers and the police alike imagined the Nōson Seinen Sha to be a force that undermined the empire and state authority. The mass media, however, mainly paid attention to the group in , after the police had arrested some of its members between  and , long after its commune project had ended. Some of the arrests occurred in the wake of preparations for a military manoeuvre in Nagano's neighbouring prefecture of Gunma, which emperor Hirohito was meant to attend, and were therefore part of clearing the area of potential threats by the police. 88 Even in retrospect, they presented the group's network as a kraken whose tentacles had apparently reached into every part of the Japanese empire, from Karafuto to Korea, Taiwan and Shanghai, and of course inside mainland Japan. 89 Just one day later, Korean newspapers also reported the arrest of members of the group, showing that the news had spread throughout the Japanese empire. 90 In their reports the police classified the Nōson Seinen Sha as a secret society (himitsu kessha) and stressed that its alleged hidden activities were undermining the imperial state. They even called attention to what they called 'Nōson Seinen Sha-izumu', a phrase in which -izumu (-ism) completely overrated the group's potential threat. The police's labelling gave the group a sneaky, dangerous, and foreign appeal, compounded by borrowing an ending from a foreign language instead of the Japanese character compound shugi. Moreover, the police emphasized the Nōson Seinen Sha's adaption of foreign anarchist thought, mainly from Russian thinkers. 91 As Umemori Naoyuki has stressed in the context of the persecution of anarchists in the High Treason Incident in , such a discursive construction of a supposed anarchist threat as coming from outside the Japanese community echoed the imperial state's symbolic crackdown of its internal enemies. The state's intervention in highlighting anarchists' supposed foreignness distinguished between included and excluded imperial subjects, and was subsequently aimed at fostering imperial Japan's community. 92