Book contents
- Frontmatter
- Contents
- List of contributors
- Preface
- Note on the text
- Introduction: Literary careers – Classical models and their receptions
- 1 Some Virgilian unities
- 2 There and back again: Horace's poetic career
- 3 The Ovidian career model: Ovid, Gallus, Apuleius, Boccaccio
- 4 An elegist's career: from Cynthia to Cornelia
- 5 Persona and satiric career in Juvenal
- 6 The indistinct literary careers of Cicero and Pliny the Younger
- 7 Re-inventing Virgil's Wheel: the poet and his work from Dante to Petrarch
- 8 Did Shakespeare have a literary career?
- 9 New spins on old rotas: Virgil, Ovid, Milton
- 10 Bookburning and the poetic deathbed: the legacy of Virgil
- 11 Literary afterlives: metempsychosis from Ennius to Jorge Luis Borges
- 12 ‘Mirrored doubles’: Andrew Marvell, the remaking of poetry and the poet's career
- 13 Dryden and the complete career
- 14 Goethe's elegiac sabbatical
- 15 Wordsworth's career prospects: ‘peculiar language’ and public epigraphs
- Epilogue: Inventing a life – a personal view of literary careers
- List of works cited
- Index
- References
List of works cited
Published online by Cambridge University Press: 10 November 2010
Book contents
- Frontmatter
- Contents
- List of contributors
- Preface
- Note on the text
- Introduction: Literary careers – Classical models and their receptions
- 1 Some Virgilian unities
- 2 There and back again: Horace's poetic career
- 3 The Ovidian career model: Ovid, Gallus, Apuleius, Boccaccio
- 4 An elegist's career: from Cynthia to Cornelia
- 5 Persona and satiric career in Juvenal
- 6 The indistinct literary careers of Cicero and Pliny the Younger
- 7 Re-inventing Virgil's Wheel: the poet and his work from Dante to Petrarch
- 8 Did Shakespeare have a literary career?
- 9 New spins on old rotas: Virgil, Ovid, Milton
- 10 Bookburning and the poetic deathbed: the legacy of Virgil
- 11 Literary afterlives: metempsychosis from Ennius to Jorge Luis Borges
- 12 ‘Mirrored doubles’: Andrew Marvell, the remaking of poetry and the poet's career
- 13 Dryden and the complete career
- 14 Goethe's elegiac sabbatical
- 15 Wordsworth's career prospects: ‘peculiar language’ and public epigraphs
- Epilogue: Inventing a life – a personal view of literary careers
- List of works cited
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Classical Literary Careers and their Reception , pp. 300 - 326Publisher: Cambridge University PressPrint publication year: 2010
References
(1990) ‘The Economies of Authorship: Imagination and Trade in Johnson's Dryden’, Studies in English Literature, 1500–1900 30: 467–86.CrossRefGoogle Scholar
(1952) ‘The Double Journey of John Donne’, in ATribute to George Coffin Taylor: Studies and Essays, ed. . Chapel Hill, NC. 83–99.Google Scholar
(1994) ‘Lyrik der Klassik: Goethes Römische Elegien’, in Interpretationen zur neueren deutschen Literaturgeschichte, ed. and . Münster. 43–70.Google Scholar
(1990) ‘Verzeichnung der Begierden: Zur Semantik von Körper, Raum und Schrift in Goethes Römischen Elegien’, in Proceedings of the XIIth Congress of the International Comparative Literature Association Munich 1988, ed. , et al. Munich. Vol. III, 43–9.Google Scholar
(1991) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London.Google Scholar
, and (1979) ‘Elegiacs by Gallus from Qasr Ibrim’, Journal of Roman Studies 69: 125–55.CrossRefGoogle Scholar
(1968) ‘Pastor Aeneas: On Pastoral Themes in the Aeneid’, Transactions of the American Philological Association 99: 1–17.CrossRefGoogle Scholar
(1968) ‘Ille ego qui quondam…’, Classical Quarterly n.s. 18: 107–15.CrossRef
, and (eds) (2006) Francesco Petrarca: le postille del Virgilio Ambrosiano (2 vols). Rome and Padua.
(1997) ‘Da Ausonio a Giovanni di Garlandia: un possibile percorso della Rota Vergilii’, Emérita 65.2: 281–5.CrossRefGoogle Scholar
(2008) ‘“Into a thousand parts”: Representing the Nation in Henry V’, English Literary Renaissance 38: 55–82.CrossRefGoogle Scholar
and (eds) (2007) Italy's Three Crowns: Reading Dante, Petrarch and Boccaccio. Chicago.
(1982) ‘Struttura narrativa e messaggio ideologico’, in Il testo moltiplicato. Lettura di una novella del Decameron, ed. . Parma. 29–47.Google Scholar
(2001) Speaking Volumes: Narrative and Intertext in Ovid and Other Latin Poets. London.Google Scholar
(2002) ‘The Uniqueness of the Carmen saeculare and Its Tradition’, in Traditions and Contexts in the Poetry of Horace, ed. and . Cambridge. 107–23.
(1973) ‘Calm Regained through Passion Spent’, in The Prison and the Pinnacle, ed. . Toronto. 3–48.Google Scholar
(1917) Wordsworth's Theory of Poetic Diction: A Study of the Historical and Personal Background of the Lyrical Ballads. New Haven.Google Scholar
(1971) ‘Criticism as Language’, in Modern Literary Criticism 1900–1970, ed. and . New York. 432–5.Google Scholar
(1990) ‘Introduction: On How Virgil's Pastoral Makes a Difference’, Arethusa 23: 5–17.Google Scholar
(ed.) (1961–2003) Grande dizionario della lingua italiana. Turin.
(2006) Review of Patrick Cheney, Shakespeare, National Poet-Playwright (Cambridge, 2004), in Shakespeare Studies 34: 170–6.Google Scholar
(1899) ‘Die Triumvirn in Goethes römischen Elegien’, in Zur neueren und neußten Literaturgeschichte. Leipzig. 234–40.Google Scholar
(1980) ‘The Title-Page Epigraph of the Lyrical Ballads, 1800’, Library 6.2: 222–4.CrossRefGoogle Scholar
(1970) ‘The Internalisation of Quest Romance’, in Romanticism and Consciousness: Essays in Criticism, ed. . New York. 3–24.Google Scholar
and (eds) (1963) La corrispondenza poetica di Dante Alighieri e Giovanni del Virgilio. Florence.
(1993) ‘Dryden and Negotiations of Literary Succession and Precession’, in Literary Transmission and Authority, ed. , , and . Cambridge. 27–54.Google Scholar
(1997) ‘A Passion Unconsoled? Grief and Anger in Juvenal “Satire” 13’, in The Passions in Roman Thought and Literature, ed. and . Cambridge. 68–88.CrossRefGoogle Scholar
(1898) ‘Goethes Römische Elegien und ihre Quellen’, Neue Jahrbücher für Philologie und Pädigogik 148: 38–50, 102–12, 145–50, 247–65, 305–16, 367–71, 440–69, 525–41, 572–88.Google Scholar
(2005) ‘Power Plays: Petrarch's Genealogical Strategies’, Journal of Medieval and Early Modern Studies 35: 467–88.CrossRefGoogle Scholar
and (eds) (1997) Vitae Vergilianae Antiquae. Rome.
(ed.) (1912) Vitae Vergilianae. Leipzig.
(ed.) (1999) Christopher Marlowe: The Complete Plays. London and Rutland, VT.
(1999) ‘Poems 1645: The Future Poet’, in The Cambridge Companion to Milton, ed. . Cambridge. 54–69.Google Scholar
(2008) ‘The Appendix Vergiliana in the Renaissance’, Proceedings of the Vergil Society 26: 1–16.Google Scholar
(1996) ‘The Amores of Propertius: Unity and Structure in Books 2–4’, Illinois Classical Studies 21: 87–158.Google Scholar
(1992) ‘The Problem of Dryden's Fables’, Eighteenth-Century Studies 26: 29–55.CrossRefGoogle Scholar
(1984) ‘Milton and the Lives of the Ancients’, Journal of the Warburg and Courtauld Institutes 47: 234–8.CrossRefGoogle Scholar
(1967) ‘Sea, Snake, Flower and Flame in Samson Agonistes’, Modern Language Review 62: 395–9.CrossRefGoogle Scholar
(2002) ‘A Work in Praise of Terrorism’, Times Literary Supplement, 6 September: 15–16.Google Scholar
(2009) ‘Putting Italian Renaissance Lyric in Order: Petrarch's Canzoniere and the Augustan Liber carminum’, in Italy and the Classical Tradition: Language, Thought and Poetry 1300–1600, ed. and . London. 193–203.Google Scholar
and (eds.) (2009a) Italy and the Classical Tradition: Language, Thought and Poetry 1300–1600. London.
and (2009b) ‘The Italian Classical Tradition, Language and Literary History’ in Italy and the Classical Tradition: Language, Thought and Poetry 1300–1600, ed. and London. 1–25.Google Scholar
(ed.) (1995) Dante Alighieri: Epistola a Cangrande. Florence.
(2002) ‘Who Was Papinian?: The Meaning(s) of the Lyrical Ballads Epigraph’, English Language Notes 39: 31–41.Google Scholar
(1997) Marlowe's Counterfeit Profession: Ovid, Spenser, Counter-Nationhood. Toronto, Buffalo, London.CrossRefGoogle Scholar
(2001) ‘Spenser's Pastorals’, in The Cambridge Companion to Spenser, ed. . Cambridge. 79–80.Google Scholar
(2002a) ‘Introduction: “Jog On, Jog On”, European Career Paths’, in European Literary Careers: The Author from Antiquity to the Renaissance, ed. and . Toronto. 3–23.CrossRefGoogle Scholar
(2002b) ‘“Novells of His Devise”: Chaucerian and Virgilian Career Paths in Spenser's Februarie Eclogue’, in European Literary Careers: The Author from Antiquity to the Renaissance, ed. and . Toronto: 231–67.CrossRefGoogle Scholar
(2008b) Marlowe's Republican Authorship: Lucan, Liberty, and the Sublime. Basingstoke.Google Scholar
(2009) ‘The Voice of the Author in “The Phoenix and the Turtle”: Chaucer, Spenser, Shakespeare’, in Shakespeare and the Middle Ages, ed. and . Oxford. 103–25.Google Scholar
and (eds) (2002) European Literary Careers: The Author from Antiquity to the Renaissance. Toronto.CrossRef
and (eds) (2006) The Collected Poems of Christopher Marlowe, New York.
(1998) ‘The Theory of the Literary Persona in Antiquity’, Materiali e discussioni 40: 9–40.Google Scholar
(1993) ‘Another and the Same: Johnson's Dryden’, in Literary Transmission and Authority, ed. , , and . Cambridge. 121–59.Google Scholar
(1998) ‘Fable and Old Song: Samson Agonistes and the Idea of a Poetic Career’, Milton Studies 36: 123–52.Google Scholar
(ed.) (1990) John Keats. Oxford.
(1965) ‘Great Things and Small: The Virgilian Progression’, Comparative Literature 17: 1–23.CrossRefGoogle Scholar
(1997) ‘Envoi: The Death of Virgil’, in The Cambridge Companion to Virgil, ed. . Cambridge. 327–36.Google Scholar
(ed.) (1995) William Shakespeare. Henry V (Arden 3). London.
(2005) ‘Speaking from Silence: The Stoic Paradoxes of Persius’, in The Cambridge Companion to Roman Satire, ed. . Cambridge. 62–80.Google Scholar
(1986) ‘Multum in Parvo: Wordsworth's Poems, in Two Volumes of 1807’, in Poems in Their Place: The Intertextuality and Order of Poetic Collections, ed. . Chapel Hill. 234–53.Google Scholar
(1913) Juvenalis declamans: Étude sur la rhétorique declamatoire dans les Satires de Juvénal. Ghent.Google Scholar
and P. (1993) ‘The Materiality of the Shakespearean Text’, Shakespeare Quarterly 44: 255–83.CrossRefGoogle Scholar
(2002) ‘Ovid in the Middle Ages: Authority and Poetry’, in The Cambridge Companion to Ovid, ed. . Cambridge. 264–87.Google Scholar
(2002) ‘Text and Context for Paradise Regain'd and Samson Agonistes’, in Altering Eyes: New Perspectives on ‘Samson Agonistes’, ed. and . Newark, DE. 30–53.Google Scholar
(1976) The Works of John Dryden, general editor , vol. XV, ed. . Berkeley and Los Angeles.Google Scholar
(1987) The Works of John Dryden, general editor , vols. V–VI, ed. . Berkeley and Los Angeles.Google Scholar
(1992) The Works of John Dryden, general editor , vol. XIV, ed. and . Berkeley and Los Angeles.Google Scholar
(1994) The Works of John Dryden, general editor , vol. XII, ed. . Berkeley and Los Angeles.Google Scholar
(1975) ‘Marvell: A Great Master of Words’, Proceedings of the British Academy 61: 267–90.Google Scholar
(1986) ‘Sidney, Stella, and Lady Rich’, in Sir Philip Sidney: 1586 and the Creation of a Legend, ed. , and . Leiden. 170–92.Google Scholar
and (eds) (1973) Miscellaneous Prose of Sir Philip Sidney. Oxford.
(1995) ‘Horace, Odes 4.5: Pro Reditu Imperatoris Caesaris Divi Filii Augusti’, in Homage to Horace, ed. . Oxford. 128–87.Google Scholar
(2008) ‘L'Estrange, Marvell and The Directions to a Painter: The Evidence of Bodleian Library, MS Gough London 14’, in Roger L'Estrange and the Making of Restoration Culture, ed. and Aldershot. 53–66.Google Scholar
(2002) ‘Medieval Literary Careers: The Theban Track’, in European Literary Careers: The Author from Antiquity to the Renaissance, ed. and . Toronto. 104–28.Google Scholar
(1990) ‘The Egoism of Authorship: Wordsworth's Poetic Career’, Journal of English and Germanic Philology 89: 37–50.Google Scholar
(2002) ‘The Emily Dickinson Wars’, in The Cambridge Companion to Emily Dickinson, ed. . Cambridge. 11–29.Google Scholar
(2006) ‘Print and Manuscript’, in The Cambridge Companion to Shakespeare's Poetry, ed. . Cambridge. 54–71.Google Scholar
(2008) ‘Afterword’, in Shakespeare's Book: Essays in Reading, Writing and Reception, ed. , and . Manchester. 255–65.Google Scholar
(1984) ‘Intertextual Labyrinth: “El Inmortal” by Borges’, Forum for Modern Language Studies 20: 275–81.CrossRefGoogle Scholar
(2007) Milton's Peculiar Grace: Self-Representation and Authority. Ithaca, NY and London.Google Scholar
(2002) ‘Greek Lives and Roman Careers in the Classical Vita Tradition’, in European Literary Careers: The Author from Antiquity to the Renaissance, ed. and . Toronto. 24–46.Google Scholar
(2003) ‘Classical Genre in Theory and Practice’, New Literary History 34: 383–408.CrossRefGoogle Scholar
(1980) ‘Annotazioni inedite del Petrarca al testo dell’ “Africa”', Italia medioaevale e umanistica 23: 1–25.Google Scholar
(2006) ‘In the Guise of Tityrus: The Pastoral Tendency of Dante, Petrarch and Boccaccio’, MA dissertation, Warwick University.
(2007) ‘The Letter's the Thing (in Pliny, Book 7)’, in Ancient Letters, ed. and . Oxford: 191–210.Google Scholar
(ed.) (1998) The Riverside Milton. Boston, MA.
(1978) ‘Lo stile oratorio nei prologhi terenziani’, Studi italiani di filologia classica 50: 70–89.Google Scholar
(1667) Conflagratio Londinensis poetice depicta. The Conflagration of London: Poetically Described, Both in Latin and English, 2nd edn. London.Google Scholar
(1979) ‘Petrarch's Africa: Ennian and Virgilian influences’, Papers of the Liverpool Latin Seminar 2: 277–98.Google Scholar
(1998) ‘What Is an Author?’, in The Art of Art History: A Critical Anthology, ed. . Oxford. 299–314. (First published in French 1969.)Google Scholar
(1989) ‘First Thoughts on Closure: Problems and Prospects’, Materiali e discussioni 22: 75–122.Google Scholar
(1997) ‘Second Thoughts on Closure’, in Classical Closure: Reading the End in Greek and Latin Literature, ed. , and . Princeton. 3–22.Google Scholar
(1927) ‘Anzeige von Petrarca, Africa ed. 1926’, Gnomon 3: 485–94. Reprinted in Kleine Beiträge zur Klassischen Philologie II (1964), 527–38.
(1986) ‘The Fig-Tree and the Laurel: Petrarch's Poetics’, in Literary Theory/Renaissance Texts, ed. and . Baltimore. 20–32.Google Scholar
(2001) Satires of Rome: Threatening Poses from Lucilius to Juvenal. Cambridge.CrossRefGoogle Scholar
(2005) Das Spiel mit den eigenen Texten. Wiederholung und Selbstzitat bei Ovid. Munich.Google Scholar
(1960) Il cane di Diogene (1689), in Trattatisti e narratori del Seicento, ed. . Milan and Naples. 991.Google Scholar
(1997) ‘Propertius 2.7: Militia Amoris and the Ironies of Elegy’, Journal of Roman Studies 87: 77–91.CrossRefGoogle Scholar
(1989) Revision and Authority in Wordsworth: The Interpretation of a Career. Philadelphia.CrossRefGoogle Scholar
(1983) Stylistic Theory and Practice in The Younger Pliny. Hildesheim, Zurich, New York.Google Scholar
(1981) ‘The Universe of Dryden's Fables’, Studies in English Literature, 1500–1900 21: 409–23.CrossRefGoogle Scholar
(forthcoming) ‘Elder and Better: The Natural History and the Letters of Pliny the Younger’, in Pliny the Elder: Themes and Contexts, ed. and . Leiden.
(ed.) (2000) William Wordsworth: The Major Works. Oxford.
(1995) ‘Wordsworth's Poems, in Two Volumes (1807) and the Epideictic Tradition’, in Rhetorical Traditions and British Romantic Literature, ed. and . Bloomington. 108–21.Google Scholar
(ed.) (1988) ‘La Collatio laureationis del Petrarca nelle due redazioni’, Studi petrarchesi 5: 1–56.
(1985–) Sämtliche Werke: Briefe, Tagebücher, und Gespräche (40 vols), ed. . Frankfurt.Google Scholar
(1989) Italian Journey, trans. , ed. and , in Goethe's Collected Works, ed. , and , vol. VI. New York.Google Scholar
(1998) ‘“The House I Live in Is Not My Own”: Women's Bodies in Juvenal's Satires’, Arethusa 31.3: 369–86.CrossRefGoogle Scholar
(2005) Constructing Literature in the Roman Republic: Poetry and Its Reception. Cambridge.CrossRefGoogle Scholar
(ed.) (1986a) The Prose Works of Fulke Greville, Lord Brooke. Oxford.
(1986b) ‘Fact and Anecdote in Fulke Greville's Account of Sidney's Last Days’, in Sir Philip Sidney: 1586 and the Creation of a Legend, ed. , and . Leiden. 62–82.Google Scholar
(2003) ‘Fragments of Autobiography in Horace Satires 1’, Classical Antiquity 22: 55–92.CrossRefGoogle Scholar
(2005) ‘The Restless Companion: Horace, Satires 1 and 2’, in The Cambridge Companion to Roman Satire, ed. . Cambridge. 57–61.Google Scholar
(1983) Joseph Scaliger: A Study in the History of Classical Scholarship, I: Textual Criticism and Exegesis. Oxford.Google Scholar
, , and (eds) (1997) Norton Shakespeare. New York.
(2002) ‘Look Your Last on Lyric: Horace Odes 4.15’, in Classics in Progress: Essays on Ancient Greece and Rome, ed. T. P. Wiseman. Oxford. 311–32.
(ed.) (1956–71) Collected Letters of Samuel Taylor Coleridge (6 vols). Oxford.
(1986) ‘Dalila's House: Samson Agonistes and the Sexual Division of Labour’, in Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe, ed. , and . Chicago and London. 106–22.Google Scholar
(2005) ‘The Libidinal Rhetoric of Satire’, in The Cambridge Companion to Roman Satire, ed. . Cambridge. 224–40.Google Scholar
(ed.) (1992a) William Shakespeare. Henry V. Cambridge.
(1992b) The Shakespearean Stage 1574–1642, 3rd edn. Cambridge.
(2005) ‘Satire as aristocratic play’, in The Cambridge Companion to Roman Satire, ed. . Cambridge. 177–91.Google Scholar
(1897) A Description of the Wordsworth & Coleridge Manuscripts in the Possession of Mr T. Norton Longman. London.Google Scholar
, (1998) ‘Cicero to Lucceius (Fam 5.12) in Its Social Context: valde bella?’, Classical Philology 93.4: 308–21.CrossRefGoogle Scholar
and (trans.) (1968) The Exaltation of Inanna. New Haven.
(1992) ‘The Circulation of Dryden's Poetry’, Papers of the Bibliographical Society of America 86: 379–409.CrossRefGoogle Scholar
(1990) ‘Juvenal and the Condition of Letters: The Seventh Satire’, in Papers of the Leeds International Latin Seminar VI, ed. and . Leeds. 145–209.Google Scholar
(1984) ‘Virgil in Dante’, in Virgil and His Influence: Bimillenial Studies, ed. . Bristol. 37–70.Google Scholar
(1993b) The Epic Successors of Virgil: A Study in the Dynamics of a Tradition. Cambridge.Google Scholar
(1997a) ‘Closure in Latin Epic’, in Classical Closure: Reading the End in Greek and Latin Literature, ed. , and . Princeton. 139–62.Google Scholar
(1997b) ‘Virgil and Tragedy’, in The Cambridge Companion to Virgil, ed. . Cambridge. 312–26.Google Scholar
(2007a) ‘Contrasts’, in Classical Constructions: Papers in Memory of Don Fowler, ed. with and . Oxford. 141–73.Google Scholar
(2007b) ‘Poets, Patrons, Rulers: The Ennian Tradition’, in Ennius Perennis: The Annals and Beyond, ed. and . Cambridge. 129–44.Google Scholar
(1987) ‘The Confessions of Lucilius (Horace Sat. 2.1.30–34): A Defense of Autobiographical Satire?’, Classical Antiquity 6: 38–52.CrossRefGoogle Scholar
(1990) ‘The Praise Singer: Horace, Censorinus and Odes 4.8’, Journal of Roman Studies 80: 31–43.CrossRefGoogle Scholar
(1995b) ‘Horace, Pindar, Iullus Antonius and Augustus: Odes 4.2’, in Homage to Horace, ed. . Oxford. 108–27.Google Scholar
(2002) ‘Ovid and Genre: Evolutions of an Elegist’, in The Cambridge Companion to Ovid, ed. . Cambridge. 79–94.Google Scholar
(2005) ‘Hercules and Augustus in Propertius 4.9’, Papers of the Langford Latin Seminar 12: 117–32.Google Scholar
(2007c) ‘Horatian Self-Representations’ in The Cambridge Companion to Horace, ed. . Cambridge. 22–35.CrossRefGoogle Scholar
(2008) ‘Horace Epistles 2: the last Horatian book of sermones?’, Papers of the Langford Latin Seminar 13: 173–86.Google Scholar
(1996) ‘Marvell's Metamorphic “Fleckno”’, Studies in English Literature 1500–1900 36: 171–212.CrossRefGoogle Scholar
(1930) ‘On Posthumous Fame – Whether Shakespeare Was Influenced by a Love of It?’, in The Complete Works of William Hazlitt, ed. (4 vols). London. 21–4.Google Scholar
(1988) The Government of the Tongue: The 1986 T. S. Eliot Memorial Lectures and Other Critical Writings. London.Google Scholar
(1992) Actaeon, the Unmannerly Intruder: The Myth and Its Meaning in Classical Literature. New York.
(1983) Self-Crowned Laureates: Spenser, Jonson, Milton, and the Literary System. Berkeley.Google Scholar
(2007) A Sonnet from Carthage: Garcilaso de la Vega and the New Poetry of Sixteenth-Century Europe. Philadelphia.CrossRefGoogle Scholar
and (ed. and trans.) (1940) Nobilis, or a View of the Life and Death of a Sidney and Lessus Lugubris. By Thomas Moffet. San Marino, CA.
(2005) Destabilizing Milton: Paradise Lost and the Poetics of Incertitude. New York and Basingstoke.CrossRefGoogle Scholar
(ed.) (1965–87) Goethes Gespräch: eine Sammlung zeitgenössischer Berichte aus seinem Umgang (5 vols). Zurich and Munich.
(1994) ‘Some Allusions to Callimachus in Latin Poetry’, Materiali e discussioni 33: 51–79.Google Scholar
(1995) ‘Propertius: Division, Transmission, and the Editor's Task’, Papers of the Leeds International Latin Seminar 8: 165–85.Google Scholar
(1949a) The Classical Tradition: Greek and Roman Influences on Western Literature. London.Google Scholar
(1985) ‘Booking the Return Trip: Ovid and Tristia 1’, Proceedings of the Cambridge Philological Society 31: 13–32.CrossRefGoogle Scholar
(1999) ‘After Exile: Time and Teleology from Metamorphoses to Ibis’, in Ovidian Transformations: Essays on Ovid's Metamorphoses and Its Reception, ed. , and . Cambridge. 48–67.Google Scholar
(2002) ‘Landscape with Figures’, in The Cambridge Companion to Ovid, ed. . Cambridge. 122–49.Google Scholar
(2004) ‘Petrarch, Cicero, Virgil: Virtual Community in Familiares 24,4’, Materiali e discussioni 52: 157–76.Google Scholar
(forthcoming) ‘Seneca's Ovidian Loci’, Studi Italiani di Filologia Classica.
(ed.) (1988) Goethe in Italy, 1786–1986. Amsterdam.
(2005) ‘The Textual Transmission of Marvell's “A Letter to Doctor Ingelo”: The Longleat Manuscript’, English Manuscript Studies 12: 233–53.Google Scholar
(unpublished) ‘The Substance of Shadow: A Darkening Trope in Poetic History’, Clark Lectures 1999, Trinity College, Cambridge.
and (2003) ‘Purgatorio 33.43: Dante's 515 and Virgil's 333’, Electronic Bulletin of the Dante Society of America.
(2001) ‘Translation, Metempsychosis, and the Flux of Nature: “Of the Pythagorean Philosophy”’, in Dryden and the World of Neoclassicism, ed. and . Tübingen. 145–54.Google Scholar
(1995) ‘Virgil: His Life and Times’, in A Companion to the Study of Virgil, ed. . Leiden. 1–26.Google Scholar
(2007) ‘A Letter from Petrarch’, in Ennius Perennis: The Annals and Beyond, ed. and . Cambridge. 145–58.Google Scholar
(1985) ‘In Defense of the Encyclopedic Mode: On Pliny's Preface to the Natural History’, Latomus 46: 561–76.Google Scholar
(2006) Victorian Women Writers and the Classics: The Feminine of Homer. Oxford.CrossRefGoogle Scholar
(2008) ‘The Publication and Individuality of Horace's Odes Books 1–3’, in Talking Books. Oxford. 131–61.CrossRefGoogle Scholar
(forthcoming), A Commentary on Ovid, Tristia 2. Oxford.
(2006) Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse. London.Google Scholar
(2006) ‘Francis Meres and the Cultural Contexts of Shakespeare's Rival Poet Sonnets’, Review of English Studies 56: 225–46.Google Scholar
(1997) Shakespeare's Troy: Drama, Politics, and the Translation of Empire. Cambridge.CrossRefGoogle Scholar
(2003) Learned Girls and Male Persuasion: Gender and Reading in Roman Love Elegy. Berkeley.Google Scholar
(1807) Review of Wordsworth, Poems, in Two Volumes (1807), Edinburgh Review 11: 214–31.Google Scholar
(2002) ‘Intertextuality and Translation: Borges, Browne, and Quevedo’, Translation and Literature, 11: 174–94.CrossRefGoogle Scholar
(1989) In Praise of Aeneas: Virgil and Epideictic Rhetoric in the Early Italian Renaissance. Hanover.Google Scholar
(2007) The Other Virgil: ‘Pessimistic’ Readings of the Aeneid in Early Modern Culture. Oxford.CrossRefGoogle Scholar
(2007) ‘Philosophy into Satire: The Program of Juvenal's Fifth Book’, American Journal of Philology 128.1: 27–57.CrossRefGoogle Scholar
(1983) ‘Shades of Meaning: Virgil, Eclogue 10. 75–7’, Liverpool Classical Monthly 8.8: 124.Google Scholar
(1984) ‘The Virgilian Legacies of Petrarch's Bucolicum Carmen and Spenser's Shepheardes Calender’, in The Early Renaissance: Virgil and the Classical Tradition, ed. (Acta IX). Binghamton. 79–106.Google Scholar
(2002) ‘Versions of a Career: Petrarch and his Renaissance Commentators’, in European Literary Careers: The Author from Antiquity to the Renaissance, ed. and . Toronto. 146–64.Google Scholar
(1965) ‘The Poetry of Ovid's Exile’, Proceedings of the Cambridge Philological Society 11: 37–49.CrossRefGoogle Scholar
(1995) Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603–1613. New Haven.Google Scholar
(1981) ‘Metempsychosis in the Verse of Anna Axmatova’, Slavonic and East European Journal 25: 44–60.CrossRefGoogle Scholar
(1990) From Communion to Cannibalism: An Anatomy of Metaphors of Incorporation. Princeton.CrossRefGoogle Scholar
(2008) ‘Heroic Contradictions: Samson and the Death of Turnus’, Texas Studies in Literature and Language 50.2: 201–34.CrossRefGoogle Scholar
(1980) ‘Propertius 2.1–12: His Callimachean Second Libellus’, Würzburger Jahrbücher für die Altertumswissenschaft 6: 61–84.Google Scholar
(1998) ‘Ritual and Autobiography: The Cult of Reading in Ovid's Tristia 4.10’, Helios 25: 99–119.Google Scholar
and (eds) (1971) John Dryden: The Critical Heritage. London.
(1956) ‘Liebeselegien, Goethes römische Vorbilder’, in Römische Geisteswelt. Munich. 401–11.Google Scholar
(1999) Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge. Montreal.Google Scholar
and (eds.) (2001) The Cambridge History of Literary Criticism, vol. IX: Twentieth-Century Historical, Philosophical and Psychological Aspects. Cambridge.Google Scholar
(1966) ‘The Serpent and the Flame: The Imagery of the Second Book of the Aeneid’, in Virgil: A Collection of Critical Essays, ed. . Englewood Cliffs, NJ. 124–42.Google Scholar
(1994) The Imperial Dryden: The Poetics of Appropriation in Seventeenth-Century England. Athens, GA.Google Scholar
(1992) ‘Print and the Tudor Poets’, in Reconsidering the Renaissance, ed. . Binghamton. 301–13.Google Scholar
(1993) ‘Fiction, Bewitchment, and Story Worlds: The Implications of Claims to Truth in Apuleius’, in Lies and Fiction in the Ancient World, ed. and . Exeter. 147–74.Google Scholar
(2001) ‘The Poetics and Afterlife of Virgil's Descent to the Underworld: Servius, Dante, Fulgentius and the Culex’, Proceedings of the Virgil Society 24: 49–80.Google Scholar
(2002) ‘Authority and Ontology of the Muses in Epic Reception’, in Cultivating the Muse: Struggles for Power and Inspiration in Classical Literature, ed. and . Oxford. 117–40.Google Scholar
(2003) ‘Roman Epic Theatre? The Poet in Virgil's Aeneid’, Proceedings of the Cambridge Philological Society 49: 19–39.CrossRefGoogle Scholar
(1962) ‘La roue de Virgile: une page de la théorie littéraire du Moyen Âge’, Classica et Medievalia 23: 248–73.Google Scholar
(1960) Wer sich der Liebe vertraut: drei Abschnitte aus Goethes Leben. Zurich and Munich.Google Scholar
(1986) ‘Critical Approaches to Shakespeare from 1660–1904’, in The Cambridge Companion to Shakespeare Studies, ed. . Cambridge. 213–29.Google Scholar
(1988) ‘Milton's Samson and the “New Acquist of True [Political] Experience”’, Milton Studies 24: 233–51.Google Scholar
(2001) ‘The Type of a Kind: or, the Lives of Dryden’, Eighteenth-Century Life 25: 3–18.CrossRefGoogle Scholar
(1974) ‘The Evolution of Juvenal's Later Satires’, Classical Philology 69: 17–27.CrossRefGoogle Scholar
(1985) ‘Life, Death, and Other Theories’, in Historical Studies and Literary Criticism, ed. . Madison. 180–98.Google Scholar
(2000) ‘Poet-Critics’, in The Cambridge History of Literary Criticism, vol. VII: Modernism and the New Criticism, ed. , and . Cambridge. 439–67.Google Scholar
(2005) ‘Literary Criticism and the Rise of National Literary History’, in The New Cambridge History of English Literature, 1660–1780, ed. . Cambridge. 471–97.Google Scholar
(ed.) (1975) Barron Field's Memoirs of Wordsworth. Sydney.
(2007) Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's Artistry. Aldershot.Google Scholar
(1995) ‘A Parade of Lyric Predecessors: Horace C. 1.12–1.18’, Phoenix 49: 33–48.CrossRefGoogle Scholar
(1967) ‘Goethe's Römische Elegien und die augusteische Liebeselegie’, Arcadia 2: 173–95.CrossRefGoogle Scholar
(2000) ‘Ovid, Golding, and the “Rough Magic” of The Tempest’, in Shakespeare's Ovid: The Metamorphoses in the Plays and Poems, ed. . Cambridge. 150–64.Google Scholar
(2002) ‘Love and Exile after Ovid’, in The Cambridge Companion to Ovid, ed. . Cambridge. 288–300.Google Scholar
(1998) ‘Introductory Poems in Propertius: 1.1 and 2.12’, Proceedings of the Cambridge Philological Society 44: 158–81.CrossRefGoogle Scholar
(1996) ‘Out of Circulation? An Essay on Exchange in Persius’ Satires', Ramus 25: 39–64.CrossRefGoogle Scholar
(1983) ‘Wordsworth's Intimations Ode and Its Epigraphs’, Journal of English and Germanic Philology 82: 526–40.Google Scholar
(2001) ‘“Sic me formabat puerum”: Horace's Satire I 4 and Boccaccio's Defense of the Decameron’, Modern Language Notes 116: 3–29.Google Scholar
(1997b) ‘Green Politics: The Eclogues’, in The Cambridge Companion to Virgil, ed. . Cambridge. 107–24.CrossRefGoogle Scholar
(2004a) ‘Shakespeare and Virgil’, in Shakespeare and the Classics, ed. and . Cambridge. 89–106.CrossRefGoogle Scholar
(2004b) ‘Shakespeare's Ovid, Ovid's Shakespeare: A Methodological Postscript’, in Shakespeare's Ovid: The Metamorphoses in the Plays and Poems, ed. . Cambridge. 198–215.Google Scholar
(1997) Textual Intercourse: Collaboration, Authorship, and Sexualities in Renaissance Drama. Cambridge.Google Scholar
(2005) ‘Urquhart's Rabelais: Translation, Patronage, and Cultural Politics’, English Literary Renaissance 35: 273–303.CrossRefGoogle Scholar
(2008) Poetry and Allegiance in the English Civil Wars: Marvell and the Cause of Wit. Oxford.CrossRefGoogle Scholar
(1995) Literary Imitation in the Italian Renaissance: The Theory and Practice of Literary Imitation in Italy from Dante to Bembo. Oxford.Google Scholar
(2003) ‘“A Storm of Lamentations Writ”: “Lachrymae Musarum” and Royalist Culture after the Civil War’, Yearbook of English Studies 33: 273–89.CrossRefGoogle Scholar
(ed.) (1967) John Donne: The Satires, Epigrams and Verse Letters. Oxford.
(1982) ‘Callimachus and the Augustan Aetiological Elegy’, 11 Aufstieg und Niedergang der römische Welt 30.1: 371–417.Google Scholar
(2003) Subjecting Verses: Latin Love Elegy and the Emergence of the Real. Princeton and Oxford.Google Scholar
(1986) ‘Some Issues for the Study of Integrated Collections’, in Poems in Their Place: The Intertextuality and Order of Poetic Collections, ed. . Chapel Hill: 18–43.Google Scholar
(2005) ‘Confronting Religious Violence: Milton's Samson Agonistes’, PMLA 120: 327–40.CrossRefGoogle Scholar
(1996) ‘Spenser's Domestic Domain: Poetry, Property, and the Early Modern Subject’, in Subject and Object in Renaissance Culture, ed. , and . Cambridge. 83–130.Google Scholar
(2005) ‘Rome's First “Satirists”: Themes and Genre in Ennius and Lucilius’, in The Cambridge Companion to Roman Satire, ed. . Cambridge. 33–47.Google Scholar
(1980) Tibullus I. A Commentary on the First Book of the Elegies of Albius Tibullus. Pietermaritzburg.Google Scholar
(1991) ‘Ronsard, Petrarca, Ennius, and Poetic Metempsychosis’, Romance Notes 32: 93–9.Google Scholar
(1980) The Poetics of Exile: Program and Polemic in the ‘Tristia’ and ‘Epistulae Ex Ponto’ of Ovid. Brussels.Google Scholar
(2005) ‘Shakespeare and the Bibliophiles’, in Owners, Annotators, and the Signs of Reading, ed. , and . New Castle, DE and London. 49–73.Google Scholar
(1985) ‘Goethe und die römische Liebeselegie,’ in Allerhand Goethe: Seine wissenschaftliche Sendung aus Anlaß des 150. Todestages und des 50. Namens-tages der Johann Wolfgang Goethe-Universität in Frankfurt am Main, ed. and . Frankfurt. 273–301.Google Scholar
(1978) ‘Milton and Spenser: The Virgilian Triad Revisited’, English Literary History 45: 606–39.CrossRefGoogle Scholar
(1984) ‘Horace's Epodes and History’, in Poetry and Politics in the Age of Augustus, ed. and . Cambridge. 1–18.Google Scholar
(2007) ‘Horace: Life and Chronology’ in The Cambridge Companion to Horace, ed. . Cambridge. 7–21.Google Scholar
(1999) Writing the English Republic: Poetry, Rhetoric and Politics, 1627–1660. Cambridge.Google Scholar
and (eds) (1987) Re-membering Milton. Essays on the Texts and Traditions. New York and London.
(2007) Goethe, Schiller und das Unbewusste: eine literaturpsychologische Studie. Giessen.Google Scholar
(1991) ‘What Is a Text?’, in Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama, ed. and . New York. 83–7.Google Scholar
(1996) The Emergence of the English Author: Scripting the Life of the Poet in Early Modern England. Cambridge.Google Scholar
(ed.) (1978) Approaches to Marvell: The York Tercentenary Lectures. London.
(1990) ‘Ambages reciprocae: Reviewing Apuleius’ Metamorphoses', Ramus 19: 1–25.CrossRefGoogle Scholar
(2000) The Theatre of the Book, 1480–1880: Print, Text, and Performance in Europe. Oxford.Google Scholar
(2009) Becoming a Woman of Letters: Myths of Authorship and Facts of the Victorian Market. Princeton.Google Scholar
(1997) Wordsworth's Profession: Form, Class, and the Logic of Early Romantic Cultural Production. Stanford.Google Scholar
(2003) ‘Ovid and the Exul Inmeritus’, in Dante for the New Millennium, ed. and . New York. 389–407.Google Scholar
(1982) ‘Die Aitien des Kallimachos als Vorbild der römischen Amores-Elegie’, Museum Helveticum 39: 221–46, 285–304.Google Scholar
(2010) ‘Vergil, Ovid, and the Poetry of Exile’, in A Companion to Vergil's Aeneid and Its Tradition, ed. and . Chichester. 80–95.Google Scholar
(1973) ‘To Which Is Added Samson Agonistes’, in The Prison and the Pinnacle, ed. . Toronto. 82–110.Google Scholar
(1997) Milton and the Tangles of Neaera's Hair: The Making of the 1645 Poems. Columbia, MO and London.Google Scholar
and (eds) (1999) Shakespeare's Late Plays: New Readings. Edinburgh.
(2005) ‘The Poor Man's Feast: Juvenal’, in The Cambridge Companion to Roman Satire, ed. . Cambridge. 81–94.Google Scholar
, and (eds) (1997) Classical Closure: Reading the End in Greek and Latin Literature. Princeton.
(2004) Contexts of War: Manipulation of Genre in Virgilian Battle Narrative. Ann Arbor.Google Scholar
and (2006) ‘Introduction: Ennius and Traditions of Epic’, Arethusa 39: 397–425.CrossRefGoogle Scholar
(1978) ‘Goethe's Römische Elegien und die antike Tradition’, Goethe Jahrbuch 95: 174–98.Google Scholar
(1984) ‘Von den “Erotica Romana” zu den Römischen Elegien’, afterword to Goethe: ‘Römische Elegien’: Faksimile der Handschrift. Frankfurt. 123–45.Google Scholar
(1988) ‘Of Paradise Regain'd: The Interpretation of Career’, Milton Studies 24: 253–75.Google Scholar
(1973) ‘Milton's Early Poems: A General Introduction’, in John Milton: Introductions, ed. . Cambridge. 258–340.Google Scholar
(2006) ‘Bookburning in the Christian Roman Empire: Transforming a Pagan Rite of Purification’, in Violence in Late Antiquity: Perceptions and Practices, ed. et al. Aldershot. 287–96.Google Scholar
(2001) ‘Engendering Metamorphoses: Milton and the Ovidian Corpus’, in Ovid and the Renaissance Body, ed. . Toronto. 207–23.Google Scholar
(1951) ‘The Stigma of Print: A Note on the Social Bases of Tudor poetry’, Essays in Criticism 1: 139–64.CrossRefGoogle Scholar
(1962) Schillers Werke: Nationalausgabe, ed. et al. vol. XX, ed. : Philosophische Schriften. Weimar.Google Scholar
(1969) Schillers Werke, Nationalausgabe, vol. XXVIII, ed. . Briefwechsel: Schillers Briefe 1.7.1795 – 31.10.1796. Weimar.Google Scholar
(1984) ‘Diana and Actaeon: Metamorphoses of a Myth’, Classical Antiquity 3: 82–109.CrossRefGoogle Scholar
(2000) ‘Horace and His Fathers: Satires 1.4 and 1.6’, American Journal of Philology 121: 93–119.CrossRefGoogle Scholar
(1999) ‘Seventeenth-Century English Literary Criticism: Classical Values, English Texts and Contexts’, in The Cambridge History of Literary Criticism, vol. III: The Renaissance, ed. . Cambridge. 543–54.Google Scholar
(1983) ‘The Genres of Paradise Regain'd and Samson Agonistes: The Wisdom of Their Joint Publication’, Milton Studies 17: 225–48.Google Scholar
(ed.) (1911–24) The Works of George Chapman: Plays (3 vols). London.
(1996) ‘“By Lucan driv'n about”: A Jonsonian Marvell's Lucanic Milton’, Renaissance Quarterly 49: 803–23.CrossRefGoogle Scholar
(1979) ‘Virginia Woolf, Proust, and Orlando’, Comparative Literature 31: 232–45.CrossRefGoogle Scholar
(2006) ‘William Wordsworth’, in The Encyclopedia of British Literature, ed. (5 vols). Oxford. Vol. V: 326–34.Google Scholar
(1970–1) ‘An Interpretation of Dryden's Fables’, Eighteenth-Century Studies 4: 199–211.CrossRefGoogle Scholar
(1991) ‘Poets of Love and Exile’, in Dante and Ovid. Essays in Intertextuality, ed. . Binghamton. 139–51.Google Scholar
(2001) ‘The Boomerang Theology of Andrew Marvell’, Renaissance and Reformation 25: 139–55.Google Scholar
(2007a) ‘Marvell Made New’, in New Perspectives on Andrew Marvell, ed. . Rheims. 195–209.Google Scholar
(1966) Observations, Anecdotes, and Characters of Books and Men, ed. (2 vols). Oxford.Google Scholar
(1982–96) Goethes Leben von Tag zu Tag: eine dokumentarische Chronik (8 vols). Zurich and Munich.Google Scholar
(1992) ‘Borges, Sir Thomas Browne and the Theme of Metempsychosis’, Forum for Modern Language Studies 28: 268–79.CrossRefGoogle Scholar
(1989) Literary Structure, Evolution, and Value: Russian Formalism and Czech Structuralism Reconsidered. Cambridge, MA.CrossRefGoogle Scholar
(1972) ‘Ennius bei Petrarca. Betrachtungen zu literarischen Ennius-Bildern’, in Ennius, ed. . Vandœuvres. 293–352.Google Scholar
(1978) ‘The Addressee of Virgil's Eighth Eclogue’, Harvard Studies in Classical Philology 82: 187–99.CrossRefGoogle Scholar
(1982) ‘Editing Ovid's Metamorphoses: Problems and Possibilities’, Classical Philology 77: 342–60.CrossRefGoogle Scholar
(1972) ‘Apuleius and Metamorphosis’, American Journal of Philology 93: 306–12.CrossRefGoogle Scholar
(ed.) (1982) William Shakespeare, Henry V. Oxford.
(1996) ‘“Metempsychosis”: A Metaphor for Tradition in Dryden and His Contemporaries’, Bunyan Studies 6: 56–69.Google Scholar
(1997) ‘The Book of Virgil’, in The Cambridge Companion to Virgil, ed. . Cambridge. 155–65.Google Scholar
and H. (eds) (1881) Servii grammatici qui feruntur in Vergilii carmina commentarii. Leipzig.
(2004) Melancholy, Love and Time. Boundaries of the Self in Ancient Literature. Ann Arbor.CrossRefGoogle Scholar
(ed.) (1920) Dantis Alagherii Epistolae. Oxford.
(2003) ‘Palaemon's Indecision’, in Being There Together: Essays in Honor of Michael C. J. Putnam on the Occasion of His Seventieth Birthday, ed. and . Afton, MN. 66–77.Google Scholar
(2003) ‘Wordsworth: The Shape of the Poetic Career’, in The Cambridge Companion to Wordsworth, ed. . Cambridge. 5–21.Google Scholar
(1992) Living by the Pen: Women Writers in the Eighteenth Century. London and New York.CrossRefGoogle Scholar
(2000) ‘Petrarch Reads Inferno 4’. http://www.princeton.edu/~dante/ebdsa/usher2.htm.
(2005) ‘Metempsychosis and “Renaissance” between Petrarch and Boccaccio’, Italian Studies 60.2: 121–33.CrossRefGoogle Scholar
(2009) ‘Petrarch's Diploma of Crowning: The Privilegium Laureationis’, in Italy and the Classical Tradition: Language, Thought and Poetry 1300–1600, ed. and . London. 161–92.Google Scholar
(1972) The Myth of the Phoenix According to Classical and Early Christian Traditions, trans. . Leiden.Google Scholar
(1984) ‘Dawn and Dusk as Motifs of Opening or Closure in Heroic and Bucolic Epos (Homer, Apollonius, Theocritus, Virgil)’, in Atti del Convegno mondiale scientifico di Studi su Virgilio 1: 124–47.
(2000) ‘Virgil vs. Cicero, Lucretius, Theocritus, Plato and Homer: Two Programmatic Plots in the First Bucolic’, Vergilius 46: 21–58.Google Scholar
(ed.) (1974–81) Shakespeare: The Critical Heritage (6 vols). London.
(ed.) (2002) Shakespeare, Co-Author. Oxford.
(2009) ‘“Unicuique suum”: notes on Dante as a reader of classical authors’, in Italy and the Classical Tradition: Language, Thought and Poetry 1300–1600, ed. and . London. 143–60.Google Scholar
(2000) ‘Authorship and the Material Conditions of Writing’, in The Cambridge Companion to English Literature 1500–1600, ed. . Cambridge. 64–89.Google Scholar
(2006) ‘Dramatic Authorship and Print’, in Early Modern English Drama: A Critical Companion, ed. , and . New York. 1–11.Google Scholar
(ed.) (1954) William Shakespeare, King Henry V (Arden 2). London.
(1998) ‘Making a Spectacle: Deviant Men, Invective, and Pleasure’, Arethusa 31.3: 355–67.CrossRefGoogle Scholar
(1927) The Lives of John Donne, Sir Henry Wotton, Richard Hooker, George Herbert and Robert Sanderson. Oxford.Google Scholar
(1995) ‘Horace's Epodes: The Impotence of Iambos?’, in Homage to Horace, ed. . Oxford. 188–202.Google Scholar
(1994) ‘Listing to the Right: Authority and Inheritance in Orlando and Ulysses’, Twentieth-Century Literature 40: 190–204.CrossRefGoogle Scholar
(1988) ‘Bifold Authority in Shakespeare's Theatre’, Shakespeare Quarterly 39: 401–17.CrossRefGoogle Scholar
(1967) ‘The Poet as Critic, the Critic as Poet, the Poet-Critic’, in The Poet as Critic, ed. . Evanston, IL. 92–107.Google Scholar
(2008) ‘A New Early Reader of Shakespeare’, in Shakespeare's Book: Essays in Reading, Writing and Reception, ed. , and . Manchester. 233–40.Google Scholar
(1969) ‘Virgil into Dante’, in Studies in Latin Literature and Its Influence, ed. . London. 94–118.Google Scholar
(1958) ‘Rom in Goethes Römischen Elegien und im letzten Buch des Properz’, Antike und Abendland 7: 121–38.Google Scholar
. and M. C. (1946) ‘The Intentional Fallacy’, Sewanee Review 54: 468–88. Rev. in The Verbal Icon: Studies in the Meaning of Poetry (1954): 3–18.Google Scholar
(2000) ‘Past and Present in Dryden's Fables’, in John Dryden: A Tercentenary Miscellany, ed. and , Huntington Library Quarterly 63: 157–74.CrossRef
(1986a) ‘“Strange Text!” “Paradise Regain'd … To which is added Samson Agonistes”’, in Poems in Their Place: The Intertextuality and Order of Poetic Collections, ed. . Chapel Hill and London. 164–94.Google Scholar
and (eds) (2002) Altering Eyes: New Perspectives on Samson Agonistes. Newark, DE.
(2001) Exiled from Light: Divine Law, Morality, and Violence in Milton's Samson Agonistes. Toronto.CrossRefGoogle Scholar
. and (eds) (1984) Poetry and Politics in the Age of Augustus. Cambridge.
and (2002) ‘Renaissance Englishwomen and the Literary Career’, in European Literary Careers: The Author from Antiquity to the Renaissance, ed. and . Toronto. 302–23.Google Scholar
(1984) ‘The Politics of Marvell's “Horatian Ode”’, The Historical Journal 27: 525–47.CrossRefGoogle Scholar
and (1967) The Letters of William and Dorothy Wordsworth: The Early Years 1787–1805, ed. , rev. C. L. Shaver 2nd edn. Oxford.Google Scholar
and (1969) The Letters of William and Dorothy Wordsworth: The Middle Years, Part I, 1806–1811, ed. , rev. , 2nd edn. Oxford.Google Scholar
and (1970) The Letters of William and Dorothy Wordsworth: The Middle Years, Part II, 1812–1820, ed. , rev. , 2nd edn. Oxford.Google Scholar
(1992) ‘Rereading Gogol's Miswritten Book: Notes on Selected Passages from Correspondence with Friends’, in Essays on Gogol: Logos and the Russian Word, ed. and . Evanston, IL. 172–84.Google Scholar
and (eds) (2008) The Virgilian Tradition: The First Fifteen Hundred Years. New Haven and London.
(2005) ‘Dryden and the Poetic Career’, in The Cambridge History of English Literature, 1660–1780, ed. . Cambridge. 132–59.