The features and geometry of tone in Laal

Abstract Features are standard in segmental analysis but have been less successfully applied to tone. Subtonal features have even been argued to be less satisfactory for the representation of African tone than tonal primitives such as H, M, L (Hyman 2010; Clements et al. 2010). I argue that the two-feature system of Yip (1980) and Pulleyblank (1986) offers a straightforward account of the tonology of Laal, an endangered, three-tone isolate of southern Chad – in particular properties of the Mid tone that are otherwise difficult to account for, namely the avoidance of complex patterns involving M, and a pervasive M-to-L lowering process, both straightforwardly analysed as subtonal assimilation. Other tonal operations in Laal are shown to involve full-tone behaviour, justifying a tone geometry à la Snider (1999, 2020) where subtonal features are linked to a Tonal Root Node, giving tones the ability to be either fully or partially active, just like segments.


Introduction
While featural representations are well established for segments, proposals to extend them to tone (e.g.Wang 1967; Yip 1980, 1989; Clements 1983; Pulleyblank 1986; Snider 1999, 2020; Hyman 1993a) have met more scepticism.Various proposals have been made regarding the featural representation of tone (see McPherson 2016 for a recent overview).The most widely used system is that of Yip (1980), which makes use of two features: one 'register' feature [±upper], dividing the tone range into an upper and a lower register, and a secondary feature [±high] further subdividing each register into discrete tonal categories.The latter feature was renamed [±raised] by Pulleyblank (1986: 125) to avoid any confusion with the vocalic feature [±high].The analysis of a four-tone height system cast in these featural representations is given in (1) below.
(1) Tone height Possible transcription [upper] [raised] Other authors (Clements 1983; Hyman 1993b; Snider 1999, 2020) have proposed very similar systems with unary rather than binary features, e.g.Snider's (1999; 2020 register features h and l (≈ [±upper]), and tonal features H and L (≈ [±raised]).These two kinds of systems are mostly equivalent (although they differ on one nontrivial point: the definition of the register feature(s), as we will see in §5.1).Snider (1999Snider ( , 2020) ) further refines the featural representation of tone by proposing a geometry in which subtonal features are linked to a Tonal Root Node (TRN), which is itself associated with a Tone Bearing Unit (TBU), as shown in (2).
(2) Geometry of tone (Snider 2020:  Recently, authors such as Hyman (2010) and Clements et al. (2010) have argued that African tone systems are better represented with tonal primitives (e.g.H, M, L) than with features.The main arguments rest on the absence of parallelism between segmental and subtonal features, and can be summarised in the following four points: (3) a. there is no evidence for subtonal natural classes; b. there is no evidence for assimilation or dissimilation involving subtonal features; c. since combinations of two subtonal features allow for the representation of a four-way contrast, subtonal features are not suited for three-tone languages, where the specification of the M tone is ambiguous; d. a two-feature system allows for interactions between non-adjacent tones, for which there is no solid empirical argument.
The main goal of this paper is to bring additional evidence in favor of subtonal features.To this effect, I present the tone system of Laal, an under-documented language isolate of southern Chad with three contrastive tone heights.I argue that a representation of tone à la Snider (1999Snider ( , 2020) ) as a tonal root node linked to two subtonal features offers a natural account of the tonology of Laal.The main empirical support for subtonal features comes from the mid tone, whose behaviour is otherwise difficult to account for in a unified manner.The puzzling tonal realisation of the ventive suffix also finds a straightforward explanation with subtonal features.In response to the criticisms listed in (3) above, I show that Laal has subtonal natural classes and assimilation patterns compatible with a featural approach, that the M tone in this three-tone system naturally lends itself to a non-ambiguous featural specification, and (iv) that the two non-adjacent tones H and L do interact and form a natural class.Laal is thus evidence that subtonal features are well-suited to account for three-tone systems.
Other tonal alternations attested in the morphophonology of Laal, such as replacive grammatical tone, high tone spread and full-tone deletion, involve operations targeting full tones, and not just subtonal features.This constitutes evidence for a hierarchical structure of tone similar to that in (2) above, where two subtonal features are linked to a tonal root node (TRN).The Laal facts thus show that tones, just like segments, can be either fully active (TRN activity), or partially active (subtonal feature activity).I also show that subtonal features can exist on their own just like (floating) segmental features.
The paper starts with background information on the Laal language and data sources ( §2).The distribution and behaviour of the M tone are described in §3 and §4 respectively.I then propose a subtonal analysis of these facts in §5, and show in §5.5 that this analysis also accounts for the tonal behaviour of the ventive suffix.The emergent nature of subfeatures is dicussed in §5.6.The inclusion of the Tonal Root Node in the proposed tone geometry is justified in §6 with the analysis of three other tonological processes: base tone pattern reduction upon suffixation, replacive grammatical tone in the gerund and passive suffixes and high tone spread with inalienable possessive suffixes.Alternatives are presented in §7 and shown to be less adequate than the subtonal analysis.Finally, §8 concludes.

Language and data
Laal is a language isolate spoken by about 800 people in Gori and Damtar, two villages along the Chari river in southern Chad, as well as in urban centres such as Sarh and N'Djaména.Prior work on the language was undertaken in the 1970s by Pascal Boyeldieu, who published a preliminary description of the sound system (Boyeldieu 1977), as well as a description of the nominal and verbal systems (Boyeldieu 1982(Boyeldieu , 1987) ) which includes the first description of the M-lowering patterns described and analysed in this paper.
Unless explicitly stated, all the data presented in this paper come from my own fieldwork: about eighteen months between 2010 and 2020, with multiple speakers of various ages, both male and female, mostly in Gori, as part of a language documentation project funded by the DOBES (Documentation of Endangered Languages) program of the Volkswagen Foundation.Speaker participation and informed consent were obtained in accordance with IRB protocols #2011-03-3000 (University of California, Berkeley) and #10346 (Princeton University).
The data collected during the documentation project are archived and openly accessible as part of the DOBES collection in The Language Archive, hosted by the Max Planck Institute for Psycholinguistics in Nijmegen. 1 Examples taken from archived text recordings are duly referenced.Examples without references are taken from my field notes or lexical database.

Phonological sketch
The 24 contrastive consonants and 12 contrastive vowel qualities of Laal are presented in (4).The stop inventory is reduced outside of the stem-initial position to one series of plain stops underspecified for voicing, realised as voiced word-internally, voiceless (and often unreleased) word-finally.The vowels /ia ua yo ya/ are most of the time realised as diphthongs, and are therefore systematically transcribed as such, but phonologically they are monomoraic vowels behaving exactly like /ɛ ɔ ø oe/ respectively.The low peripheral vowels /ia ua/ and the three front rounded vowels are attested only in stem-initial position.Finally, length is contrastive for all twelve vowel qualities, but in stem-initial position only.Length is transcribed by doubling the vowel, or the last vowel of a digraph, e.g./aː/ = /aa/, /iaː/ = /iaa/.Laal requires every syllable to start with an onset.Vowel-initial syllables in steminitial position are always realised with a prothetic glottal stop, which is otherwise not contrastive in the language.Attested syllable structures are CV, CVV, CVC, CVVC, where VV stands for a long vowel.No vowel sequences are allowed -the diphthongised vowels /ia ua yo ya/ are not phonologically vowel sequences or diphthongs, but single, monomoraic vowels phonetically realised as diphthongs.
Laal is characterised by strong stem-initial prominence (Lionnet & Hyman 2018: 651-655 and references therein), mostly of a distributional nature: the number of consonantal and vocalic contrasts is much greater stem-initially than elsewhere, as shown in (4) above.The stem is defined as a lexical root and any suffixes attached to it (there are no prefixes).Most morphological words involve only one stem, e.g./nō/ 'person', /gùm-ál/ 'melon-SG.'2The very few multi-stem words consist of frozen compounds such as /gàà+k rà/ 'Pluvianus aegyptius (bird sp.)', and reduplicative forms such as /cī+cām/ 'today' or /sí+sáál/ 'bird of prey sp.' Stems in Laal are maximally disyllabic.When a suffix is added to a disyllabic root, the second vowel of the root is deleted in order to avoid creating a trisyllabic stem, e.g./tuágár-àn/ → tuágràn 'break it '. 3  Two morphophonological strata can be identified in Laal.Stratum 1 suffixes include number-marking suffixes on both nouns and verbs, the deverbal suffix (e.g.pāj 'be painful' → pāj-āl 'pain'), and the denominal suffix deriving nouns referring to ethnic or cultural characteristics (e.g.ndààm 'Ndam (village name)' → ndààm-ál 'characteristic of the Ndam people').All other inflectional and derivational suffixes belong to stratum 2: alienable possessive suffixes, object suffixes, gerund, ventive, associative, medio-passive, and passive, all of which will be illustrated and discussed in the paper.This is summarised in Table 1.These strata are defined by different morphophonological processes, or the application of the same processes under different conditions -in particular the vowel harmony processes discussed below.Stratum 1 morphophonology is mostly irregular and unpredictable, in contrast to stratum-2 morphophonology, which is extremely regular and knows no exception.The tone-bearing unit is the mora, as shown by the fact that bitonal patterns are only found on CVV and CVR syllables (where R stands for sonorant), and the only case of a tritonal pattern attested on a monosyllabic stem is bòôr 'pigeon sp.', a trimoraic CVVR syllable. 6As is shown in the next section, the three tones can combine into a limited number of stem-level patterns.The distribution of tones as well as aspects of the morphotonology of the language point to a marked status of the M tone, as compared to both H and L. This is the object of the next two sections.

Tone distribution and the exclusivity of M
Stem-level tone patterns in Laal are tritonal at most. 7All three single-tone patterns and all combinations of H and L (HL, LH, HLH, LHL) are attested, as shown in Table 2. 8All are also attested as contours when associated with monosyllabic stems, except LHL, likely an accidental gap (tritonal patterns are rare in general, and can be realised as contours only on trimoraic syllables, which are much less frequent than mono-and bimoraic ones).
The tone patterns in Table 2 represent 96% of all stems.The remaining 4% consists of tri-and tetrasyllabic stems (2%) -exceptional and ignored here -as well as a few bitonal patterns including a M tone: 24 HM (1%), 11 MH (0.5%), and 11 LM (0.5%).ML is strictly unattested.These include 17 HM and five MH native function words.The remaining HM and MH stems, as well as all LM stems, are all nouns borrowed from neighbouring three-tone languages where tone patterns involving M are attested, e.g.tíjāŋgō 'Tockus sp., bird sp.' (cf.Sar tә ́ỹɔ̄ng), kēsé 'bow, arrow' (cf.Barma kēsé), tèmē 'sieve' (cf.Barma tèmē). 10part from these exceptional function items and loanwords, it can be concluded that the Mid tone in Laal is exclusive: if it is present in a stem-level pattern, it must be the only tone of that pattern (*MX/XM).

M-lowering and the instability of M
Not only is M exclusive, it is also unstable.Specifically, M is systematically changed to L in various morphophonological ( §4.1) and morphosyntactic ( §4.2) contexts.

Morphophonological M-lowering
Whenever a non-M-toned suffix is added to a M-toned root, the M tone is systematically changed to L. This lowering applies to avoid creating a complex stem-level tone pattern involving a M tone, i.e. to comply with the phonotactic constraint described above.This is illustrated in (10)  Note that M-lowering applies with both transitive and intransitive verbs (e.g.'swim' in (13c) and (14c), and with suffixes that are not related to transitivity, such as the associative and ventive.M-lowering is thus not related to transitivity or argument structure, or in general to any morphosyntactic category.It is a general phonological operation that applies without exception in stratum-2 morphophonology.
As mentioned in the introduction, stratum 1 morphophonology is complex and mostly irregular, including in its tonal effects.Suffixation of a number-marking suffix (by far the most numerous stratum-1 suffixes) onto a M-toned root does not always result in lowering of the M to L. Out of 208 nouns that are M-toned in the singular or in the plural, this M pattern corresponds to an L-initial pattern (L or LH) in the other number category in 143 cases (69%; e.g./kòòg/, PL /kuāg-mī/ 'bone', or /siāāg/, PL /sèèg-ú/ 'milk'), to a M pattern (i.e.no tone change) in 36 cases (17%; /gār-āl/, PL /gә̄r-ī/ 'Acacia spp.'), and to a H pattern in 29 cases (14%; e.g./kūr-ā/, PL /kúr-ú/ 'stick', or /wúl-ú/, PL /wūl-māny/ 'Kigelia africana, tree sp.').That is, despite the relative unpredictability of the tonal alternations involved, no MX or XM pattern is ever created as a result of number-marking (and more generally stratum-1) suffixation.Furthermore, The expected M∼L alternation is found in over two-thirds of all cases, whereas the unexpected M∼H alternation accounts for only 14%.

Morphosyntactic M-lowering
M-lowering is also attested in two morphosyntactic contexts where it does not appear to be an effect of the *MX/XM constraint: on M-toned transitive verbs followed by an in-situ object ( §4.2.1), and on the M-toned head of a genitive construction ( §4.2.2).

M-lowering in transitive verbs
A M-toned transitive verb undergoes M-lowering whenever its syntactic object is present in situ -i.e.neither elided nor extracted.This is shown in the three examples in (16).16)-( 18), negative as in (20a) or interrogative as in (20b).Finally, it also occurs with all TAM markers combining with the base form of the verb (and not the gerund, cf.§4.2.3), e.g.habitual kó in ( 21).It is attested with nominal objects, as illustrated in ( 16), ( 18) and ( 21), but also with wh-objects, as shown in ( 22). ( 22) ɲààn bush jìrà know(M>L) ɟè who 'Who does the bush know?' (proverb) It is also attested with gerund complement clauses, which can be considered nominalised clauses acting as argument of the main verb, as shown in (23a), where cә̄r 'want' is realised with a L tone, just as it is in (23b). 16As seen, cә̄r 'want' undergoes M-lowering when followed by a gerund complement clause (23a) as well as by a nominal object (23b).M-lowering is not triggered, however, by a following embedded clause introduced by a complementiser, as shown in (24). 16The connective (CON) that appears in (23a) is a function word used for noun modification with any type of modifier: noun, prepositional phrase, adverb, relative clause, alienable possessive markers, etc.The connective agrees in gender and number with the head noun: /ɟá/ = masculine singular, /ɟí/ = feminine singular, /má/ = neuter singular, /já/ = neutral plural, /jí/ = all plurals, abstract singular.The connective has a H floating tone allomorph, which is realised on the last mora of the preceding word, creating a contour if this mora is associated with a M or H tone.This post-lexical contour is unrestricted, i.e. it is subject neither to the limit of one tone per mora nor to the *MX/XM constraint, e.g./sū H nīīr/ = [su᷄ nīīr] (water CON be.hot) 'hot water'.M-lowering applies only if the syntactic object is present in situ (but not necessarily immediately after the verb, as we will see in §4.2.3).Whenever the object is not in its original post-verbal position, there is no M-lowering.This is the case, for example, when the object is understood or elided, as with the verb ɲāg 'eat' in (25) (see also ( 16)).It is also the case when the object is topicalised, as with ɲāg 'eat' in (26) (also jīrā 'know' in (28a)), or relativised, as ɟuāŋ 'to buy' in (27).17The post-verbal noun phrase must be the syntactic object of the verb in order to trigger M-lowering.This can clearly be seen when comparing post-verbal objects with locative nouns used as adjuncts, e.g.ɲààn, which translates as 'bush', as in ( 22) above, or 'in the bush', as in (30a).In the latter case, it does not trigger M-lowering on the preceding verb.The same verb does undergo M-lowering, however, when the following noun is its object, as in (30b).Finally, M-lowering is not triggered by a dative pronoun immediately following a verb whose object is elided or extracted.For example, the third person neuter singular nàná 'to it' in (31) does not trigger M-lowering on the immediately preceding verb pīg 'to tie'.To summarise, M-lowering targets M-toned transitive verbs whose syntactic object is present in situ.

M-lowering in genitive constructions
Morphosyntactic M-lowering is not limited to the verb phrase.It also applies in the noun phrase, specifically to the M-toned head of a genitive construction.What I call 'genitive construction' is the direct modification of a noun by a noun or noun phrase in apposition, expressing a form of intrinsic relation between the two entities referred to by the modified and modifying elements, including but not limited to inalienable possession (cf.Boyeldieu 1987 for more detail).The genitive construction is headinitial and, as we will see, head-marked (at least for M-toned head nouns).The marking of the genitive relation on the head noun is what Creissels (2009Creissels ( , 2018: 724-733) : 724-733)  The genitive complement may also be a syntactically complex noun phrase, as in (35), where jēn (lowered to jèn) 'body' is the head and cǎn nīīnī kán wùrù 'the girl's family' the complement.In sum, M-lowering affects the M-toned head of a genitive construction.

M-lowering as inflectional morphology
Morphophonological M-lowering seems at first sight to be analysable as a syntactically conditioned phonological alternation: in certain specific syntactic contexts -transitive verb followed by its object, genitive head followed by its complement -M is changed to L. I show in this section that this is not the correct analysis.I argue that these two cases of morphosyntactic M-lowering are best analysed as head-marking inflectional morphology, i.e. specific forms of verbs and nouns exponing a specific morphosyntactic feature -in this case, the presence of a complement in situ: object of the transitive verb, genitive complement in a genitive construction, i.e. a form of non-extraction marking (cf.Lionnet 2015). 20 19 Locative predication, as in (41b), is direct in Laal, and requires neither a verb not an overt copula: /mālā kә ẃ Ø ɗiààn/ = mālā also [is] there. 20A detailed syntactic analysis of the genitive construction is beyond the scope of the present paper.The noteworthy parallel with transitive verb + object constructions, already noted by Boyeldieu (1987: 84), suggests parallel structures, which is what underlies my choice of treating them both as head + complement structures.If a more thorough study of the syntactic properties of the genitive construction were to show otherwise, it would not radically change the analysis proposed here: the inflectional category expressed by M-lowering on a genitive head would simply be different from that expressed by the same M-lowering on a transitive verb.
Two arguments can be put forth in favour of an inflectional analysis of M-lowering on transitive verbs: adjacency, and morphological systematicity. 21 Surface adjacency is not required between the verb and its object for M-lowering to occur.Indeed, the dative complement or adjunct frequently occurs before the object (this is its preferred position, if it is not too long), as shown in (42b).When it is pronominal, it obligatorily follows the verb, i.e. intervenes between the verb and its object, as in ( 43). ( 42 The second argument is paradigmatic systematicity: M-lowering is indeed only one of two morphological exponents of this inflectional category, the second one being found with the gerund form.The gerund is a nominalised form of the verb which can be used as an argument as in (44a).It is required after certain aspectual and modal markers: imperfective tāá/tīí~tēé, prospective ná/ní, itive wáā/wíī, prospective-itive náā/níī, injunctive-itive màá/mìí, counterfactual m ǹá/mìní, and intentional m ńà/mínì (all are number-sensitive: SG/PL).This use is illustrated with the prospective marker ná in (44b).The gerund has two forms: one that is homophonous with the simple form of the verb, used when there is no overt object in situ, as in (44a-i) and (44b-i), and one which is marked with a suffix and used only with transitive verbs followed by an in-situ object as in (44a-ii) and (44b-ii).The marked form of the gerund is used in exactly the same context as M-lowering: this parallelism is briefly illustrated in (44b) and (44c), repeated from (16b).This form is derived by the addition of the suffix /-V L /, which consists of an underspecified vowel realised as a copy of the verb root's final vowel, and a replacive L tone that overwrites the underlying tone of the verb -i.e.all verb roots, irrespective of their underlying tone, are realised with a L tone when combining with this suffix (see §6.2 for more detail).Lexical tonal contrasts are thus completely neutralised in the marked gerund form, as shown in the bottom-right quadrant of Table 3 (cf.§6 for more detail). 22he marked form of the gerund is used with exactly the same function as Mlowering: on transitive verbs with an overt object in situ.Just like M-lowering, it does not occur when the object is topicalised (45) or relativised ( 46).'what God will do to you (pl.)' (110612-AK1: 116) It is not used when the verb is followed by an adjunct locative noun, as in (47a); compare with the effect of an in situ object in (47b).Both M-lowering and the /-V L / suffix are thus exponents of the same inflectional category, in morphosyntactic complementary distribution: M-lowering on simple finite verbs (i.e.non-derived and not otherwise inflected), the suffix /-V L / on gerunds.This is summarised in Table 3.As for M-lowering in the genitive construction, the same argument of paradigmatic systematicity can be used as evidence of its status as inflectional morphology.Indeed, there are ten nouns in Laal which have a specific construct form, usually obtained through truncation of the number marking suffix, and used in exactly the same context as M-lowering: Consequently, M-lowering, both in the verb phrase and in the genitive construction, must be analysed as the morphological exponent of a morphosyntactic category.This category can be defined as "non-extraction marking" (or "presence of complement in situ").

Interim summary
The three-tone system of Laal displays a number of distributional restrictions on the M tone that the H and L tones are exempt from.The M tone is exclusive, i.e. there is a strong constraint against stem-level tone patterns involving a M tone (*MX/XM, with a few exceptions among function words and recent loanwords).To avoid creating this banned structure, M tones followed by H-or L-toned suffixes are systematically changed to L. Additionally, generalised M-lowering is observed as the exponent of a morphosyntactic category (presence of a complement in situ) in two specific morphosyntactic environments, in the absence of any violation of *MX/XM.This raises at least the following five questions: (50) a. Static distribution: why is there no MX or XM pattern?b.Target: Why is only M affected by lowering, and not H? c. Trigger: Why is M changed to L when followed by both L and H? d.Alternation: Why is M changed to L and not to H? e. Finally, is a unified account of all this possible?I show in the next section that a subtonal analysis of the Laal tone system offers a unified, straightforward account of all these phenomena.Using Pulleyblank's (1986: 125) version of Yip's (1980) two-feature model, I propose the following analysis of the Laal tone system:

Subtonal features
Specifically, M is analysed as the higher tone within the lower register, i.e. [-upper, +raised], while the [+upper] register is limited to H, analysed as [+upper, -raised].Missing from this system is the subtonal specification [+upper, +raised].This gap is reminiscent of similar segmental gaps (i.e.unattested featural combinations) in phonemic inventories, e.g.cross-linguistically frequent lack of a voiceless bilabial plosive or absence of front rounded vowels (cf.§5.6 for further discussion).This subtonal analysis will be justified in the following sections -in particular (i) the treatment of M as [-upper] and as the only [+raised] tone in the system, and (ii) the analysis of H as [-raised].
I further assume the tone geometry in (52), borrowed from Snider's (1999; 2020) Register Tier Theory. (52) Tone geometry (after Snider 2020: 23) μ The two subtonal features [upper] and [raised] are on two separate tiers.They are linked to a Tonal Root Node (TRN), which is a representation of a 'full' tone, i.e.H, M or L. The TRN is in turn associated with the TBU, i.e., the mora in Laal.This representation allows for both feature spreading and 'full tone' (i.e.TRN) spreading, both of which are necessary to account for the tonology of Laal, as I show in this and the next section.
I do not adopt Snider's features H, L, h, and l here.Indeed, while his two "tone features" H(igh) and L(ow) can be considered to be the exact equivalent of Pulleyblank's (1986) [+raised] and [-raised] respectively (and Yip's (1980) [+high] and [-high]), his two register features h(igh) and l(ow) are not equivalent to Yip and Pulleyblank's register feature [±upper].The latter is defined on purely paradigmatic grounds: [+upper] tones are realised within a higher register than [-upper] tones.In contrast, Snider's h and l register features are defined in both paradigmatic and syntagmatic terms: they 'effect a register shift h = higher and l = lower relative to the preceding register setting' (Snider 2020: 25, emphasis mine; see also pp. 151-153).This definition allows Snider to account for downstep and upstep phenomena with register features.Since downstep is not at issue here, I prefer to adopt a purely paradigmatic definition of the register feature.

Morphophonological M-lowering as [-raised] assimilation
Within the subtonal feature system proposed in (51) above, I propose to analyse Mlowering as the result of one simple process: [-raised] agreement/assimilation, which applies in response to a stem-internal constraint against sequences of disagreeing [raised] features: *[α raised] [β raised] STEM .This straightforwardly accounts for morphophonological M-lowering, and explains (i) why only M is targeted -it is the only [+raised] tone, i.e., the only possible target of [-raised] assimilation -and (ii) why both H and L trigger it -they both carry the assimilating feature [-raised].This is illustrated in (53) below, with assimilation/agreement formalised as [-raised]  /dāg-àn∼-án/ → dàgàn ∼ dàgán 'drag it∼him' This analysis also naturally accounts for the fact that neither L nor H is targeted by any tonal changes in the same context: they are both already [-raised] and therefore (i) they do not violate the *[α raised] [β raised] STEM constraint when followed by a suffix carrying a [-raised] feature, and (ii) they are never targeted by [-raised] assimilation.This is shown in ( 54) and ( 55), where the root and suffix [-raised] features either stay as they are, or merge (depending on whether one wants to enforce an OCP-[RAISED] constraint within stems, which is not necessary in the present analysis).
(54) /kár-àn∼-án/ → káràn ∼ kárán 'put it∼him' (55) /ɟàr-àn∼-án/ → ɟàràn ∼ ɟàrán 'sacrifice it∼him' Evidence that the domain of application of this constraint is the stem rather than the phonological word comes from frozen nominal compounds.Compounding is not productive in present-day Laal, but 95 words in the lexicon can be identified as frozen compounds.In most cases, the elements of the compounds are not attested on their own, and cannot be ascribed a meaning anymore.They can only be identified as members of a compound because they occur in several words, and/or are marked for number separately (e.g./mōō+gà+díígí/, PL /mùù-rí+gà+díígí/ 'hippopotamus', /gà+jàw/, PL /gà+jә ẁ-ó/ 'fish trap', where the plural suffix /-o/ attaches to and triggers [±low] harmony on the second element of the compound only).If these frozen compounds were to be analysed as one-stem words, most would violate one or more stem-level phonotactic constraints, e.g.words longer than two syllables, long vowels in non-initial syllables, violations of vowel harmony, etc. 23 Importantly for our discussion, many of these compounds violate stem-level tonotactic constraints as well in that they display complex tone patterns unattested on uncontroversial one-stem words, in particular ones involving M, as shown in (56) (see also the examples in (36) above).Once analysed as multi-stem words, these fall back into the realm of regular phonotactics, since each one of the stems they are made up of abides by all stem-level phonotactic constraints.( 56

Morphosyntactic M-lowering: floating [-raised] suffix
The same mechanism accounts for morphosyntactic M-lowering, analysed as the effect of a floating [-raised] suffix flagging the presence of an in-situ complement (on a par with the gerund suffix /-V L /, or truncating morphology on the irregular nouns mentioned above).24This is shown in (57) with the verb /dāg/ 'drag' and the noun /ɲāw/ both followed by a floating [-raised] suffix. (57 'house (construct form)' With H-and L-toned roots, the [-raised] suffix is either stray-erased or fused with the root [-raised], as seen in ( 58), where L-and H-toned verb roots are represented together. (58 (or fusion)

Distributional constraint *MX/XM: bidirectional [-raised] assimilation
So far all examples illustrate leftward spreading.This is accidental and due only to the fact that there are no M-toned suffixes that would show rightward spreading of [-raised] from the root (the only M-toned suffix has a replacive tone, as we will see in §6).But the absence of LM and HM patterns in the lexicon (modulo the exceptions mentioned at the end of §3) proves that the structure the language seeks to avoid is not only stem-internal [+raised] [-raised], but also [-raised Potential underlying tritonal patterns with one or more M tones would likewise surface with no M tone.This would involve leftward spreading (e.g.MHL → LHL), rightward spreading (e.g.LHM → LHL), or both (e.g.MHM → LHL), as well as indistinct cases (e.g.HML → HLL → HL, with [-raised] spreading either from H or from L).
All cases of M-lowering (M instability), as well as the static constraint against complex stem-level patterns involving M (M exclusivity) are thus straightforwardly accounted for by one simple general phonological process ([-raised] assimilation) applying to comply with one simple phonotactic constraint (that against disagreeing [raised] feature sequences within a stem).M-lowering is thus a phonological phenomenon: morpheme concatenation simply creates the phonotactic context triggering [-raised] assimilation.In that sense, the root tone change in this case is no different from the root vowel changes involved in the anticipatory vowel harmony patterns described in ( 6) and ( 7) above.I come back to this parallel behavior in the conclusion.

The case of the ventive suffix
The ventive morphology on verbs can be used as another argument in favor of the subtonal approach defended in this paper.The ventive suffix on verbs is segmentally identical to the gerund seen in §4.2.3 above: it consists of a copy of the root vowel.It differs in its tonal behavior.It carries the same tone as the root with H-and L-toned roots.With M-toned roots, on the other hand, the entire ventive form is realised with a L tone -another case of M-lowering.This is shown in ( 60).The fact that this suffix is realised with a L tone in two cases out of three makes it tempting to analyse it as underlyingly L-toned.The H-toned realisation in combination with a H-toned root would then have to be analysed as a case of High tone spread: /kár-V̀/ → kárá.The problem with this analysis is that this specific High tone spread rule is unique to this suffix: it is not found with any other stratum-2 L-toned suffix following a H-toned root, e.g./kár-àn/ → káràn 'put-it'.While high tone spread is attested with L-toned inalienable possessive suffixes, as discussed in §6.3, the two processes are not identical.Indeed, in the case of possessive suffixes, the initial H tone of the root spreads only one mora to the right: /t ḿ-àr/ → t ḿár 'his hand', but /wúúr-àr/ → wúúràr 'his thigh' (cf.examples ( 71)-( 72)).With the ventive suffix, on the other hand, spreading would have to be analysed as unbounded, as evidenced by the trimoraic form /máár-V̀/ → máárá 'knead-VEN'.
The featural representations proposed above to account for the behavior of the M tone offer a better alternative.I propose to analyse the ventive suffix as consisting of a copy vowel associated with a TRN specified as [-raised], but underspecified for [upper].Specification of the upper feature comes from the root, which explains the H realisation after H-toned (i.e.[+upper]) roots, and the L realisation after M-and L-toned (i.e.[-upper]) roots, as illustrated in ( 61), ( 62), and (63).Additionally, the [-raised] feature of the suffix triggers [-raised] assimilation, thus causing M-toned roots to lower to L, as shown in ( 63).
(61) /kár-V [-raised] / → kárá 'put-VEN' (62) /ɟàr-V [-raised] / → ɟàrà 'put-VEN' (63) /dāg-V [-raised] / → dàgà 'drag-VEN' The advantage of this representational approach over the high-tone-spread analysis is that it does not posit a morpheme-specific tone rule, and does not treat the ventive suffix as exceptional in its tonal behavior.Rather, this behavior simply results from [-raised] assimilation, which is a general, independently attested tonological rule of the language, and spreading of features to unspecified elements, which is a general mechanism built into the theory of autosegmental phonology (Leben 1973; Goldsmith 1976), which I use here to account for the tonology of Laal.

The emergence of subtonal features and the ambiguity of M
I assume that subtonal features, just like segmental distinctive features, are emergent (Boersma 1998; Mielke 2008), i.e. they are 'created by learners in response to a phonological pattern' (Mielke 2008: 101).The subtonal specification associated with a tone is not determined a priori by the theory.A featural analysis is thus necessarily a bottomup approach, guided by empirical facts.Consequently, it is not expected that all featural combinations should necessarily be used in a language.Only the ones that are justified by the data are likely to emerge.Subtonal features are not even expected to be necessary in the analysis of all tonal systems.In the absence of any phonological pattern that would benefit from a featural analysis (e.g.tonal patterns showing natural class behavior that cannot be captured by tonal units alone), subtonal features are simply unnecessary to both the learner and the analyst.
The emergent nature of features allows us to address the third argument put forth against subtonal features, that is, the fact that the specification of the Mid tone in a three-tone system is necessarily ambiguous (cf.Hyman 2010; Clements et al. 2010; and references therein).A system with two binary features allows for four combinations, which is perfect for the characterisation of a four-tone system.In a three-tone system, one of these combinations is unattested.In principle, the missing category could be any one of the four possible combinations.There are thus four possible analyses of a three-tone system, as shown in Table 4, and the problem lies is in determining which combination is missing.Yip (2001) rules out options A and D on the basis of the dispersion principle and the pressures it places on inventories: in order for contrastive tones to be maximally distinct phonetically, the two ends of the pitch range must be as far as possible from each other.Consequently, H is always encoded as the highest possible value on the featural scale, i.e. [+upper, +raised], and L as the lowest value, i.e. [-upper, -raised].The M tone is necessarily one of the two intermediate values -in Yip's (2001: 162) terms, 'the gap [is] a missing mid tone, not a missing H or L'.
I contend that dispersion is active in phonetic implementation (i.e. in translating the featural specifications into actual sounds), but not in determining feature specifications in the first place.In general, there need not be a one-to-one correspondence between specific featural specifications and specific pitch ranges.A system with three different subtonal feature combinations is expected to be interpreted as a partition of the total pitch range into three equidistant pitch targets, irrespective of the exact featural specifications of the three combinations.In other words, the highest tone does not have to be [+upper, +raised] in order to be interpreted as a pitch target located toward the higher end of the pitch range, maximally different from the pitch target corresponding to the lowest tone in the system. 26n an emergent approach, all four options in ( 4) are in principle possible, as long as they are evidenced by phonological patterns.The only (trivial) restriction needed is a form of paradigmatic phonetic naturalness: the relative position of the different featural combinations on the featural scale should correspond to the relative position of the corresponding pitch targets within the pitch range (i.e.H corresponds to the highest feature combination irrespective of its actual featural content, L to the lowest one, M to a combination intermediate between that of H and that of L).The choice of the missing combination is entirely determined by the phonological pattern under analysis.
Whether all four types in (4) are indeed attested or not cannot be confirmed at this point, given the very limited number of three-tone systems that have been given a featural analysis so far.Laal is a system of type A, as clearly shown by the behavior of the Mid tone: *MX/XM and M-lowering both characterise M as [-upper, +raised] ([+raised] because it is targeted by [-raised] assimilation, [-upper] because it merges with L under assimilation) and H as [+upper, -raised] ([-raised] because it triggers [raised] assimilation, just like L, and [+upper] because it is higher than both M and L and in contrast with L which is also [-raised]).The feature combination [+upper, +raised] has no use in the system, and is thus naturally absent form the tonal inventory.Snider (2020: 101) analyses Acatlán Mixtec as a language of type B, 27 while Gjersøe et al. (2019) propose to view Limbum as instantiating type C. 28 I don't know of any language or analysis corresponding to type D, where the missing combination is the lowest on the featural scale, but in the emergent approach to subtonal features taken here, there is no reason to exclude it a priori.
To conclude, the subtonal specification of the mid tone in a three-tone system is not necessarily ambiguous.In the three languages mentioned above, the featural content of the mid tone can clearly be established by the analyst on the basis of its behavior with respect to the other tones.Systems in which the subtonal specification of the mid tone cannot be established might simply be cases where evidence for subtonal features is lacking, i.e. systems whose learning is unlikely to lead to the creation of something like a feature system in the learner's grammar, and whose analysis does not require it.

Evidence for the tonal root node: full tone spread and deletion
Tonal interaction in Laal is not limited to subtonal processes: some tonal alternations do involve interaction between full tones.Tones are thus not just the emerging result of combinations of subtonal features, but may also act as units, i.e. be referred to as units by the phonological grammar.This is made possible by the Tonal Root Node (TRN) in the tone geometry in (52) above.Three such processes are attested in the morphotonology of Laal: base pattern reduction under suffixation ( §6.1), replacive grammatical tone ( §6.2), and High tone spread in inalienable possessive morphology ( §6.3).

Base pattern reduction under suffixation
Stratum-2 suffixes require their base of affixation to bear only one tone, which has been the case in all the examples presented until now.If the base of suffixation bears a complex tone pattern, this pattern is simplified by deletion of all but its first tone: /T 1 T 2 -sfx/ → /T 1 -sfx/ (only the bitonal patterns LH and HL are ever attested in the relevant contexts).This reduction is observed irrespective of the nature of the base (noun or verb) or affix (inflectional, derivational), and irrespective of the base and suffix tones.This is shown in the examples below, where the LH (64) and HL (65) root patterns are systematically changed to L and H respectively upon suffixation, whether 27 Snider's analysis is complex and resorts to underspecification and default feature specifications.The register feature l (≈ [-upper]) is analysed as default, and the tonal features H and L ([+raised] and [-raised] respectively) are considered to correlate by default with the higher and lower register features respectively.The low tone is analysed as underlyingly Ø; it receives default l, then the register feature L, by default associated with l.Its surface specification is thus L/l (≈ [-upper, +raised]).The mid tone is underlying specified as H (≈ [+raised]), but underspecified for register; it thus receives default l and is on the surface specified as H/l (≈ [-upper, +raised]).This specification of the mid tone is necessary to account for a pervasive alternation between mid and low in disyllabic mid-toned words: both must share the same register feature l.Finally, the high tone is underlyingly specified for the register feature h, but underspecified for tone; it thus receives the H tone feature that correlates by default with h, and ends up being specified as H/h (≈ [+upper, +raised]).The combination L/h (≈ [+upper, -raised]) is unattested.
28 Using Snider's (1999; 2020)'s register and tone features, the authors show that the M tone has to be specified as L/h (≈ [+upper, -raised]) because it forms a natural class with H (defined by the register feature h≈ [+upper]).They consider that the other "mid" combination, i.e.H/l (≈ [-upper, +raised]), is unnecessary in the analysis of the tonal system of the language and thus "not part of the tonal lexicon." The examples above all involve pronominal suffixes.The following examples further show that pattern reduction occurs with the ventive, associative, and mediopassive suffixes, i.e. all stratum-2 suffixes except the gerund /-V L / and passive /-Vl M / suffixes, whose tones are replacive, as discussed in §6.2.
(66) a. /yùgár-V [-r] / yùgrà 'shake-VEN' b. /yùgár-V́/ yùgrá 'shake-ASS' c. /yùgárɲ/ yùgr ɲ 'shake-MP' We saw that the ventive suffix is tonally deficient: it is specified as [-raised] and gets its [upper] feature value from the last tone of the base of affixation.When following a LH root, as in (66a) /yùgár-V [-r] /, the [upper] specification inherited by the suffix is not the [+upper] of the final H tone of the root (*yùgr-á), but the [-upper] of the initial L tone (yùgr-à), after deletion of the H tone, i.e. after base reduction.This indicates that the spreading of the root [upper] feature to the underspecified vowel of the suffix occurs after V2 deletion -very likely postlexically, as do most default structure-filling rules.
Base pattern reduction can be represented as the deletion of all but the initial TRNs of the base of affixation (in effect, deletion of the second of two TRNs, since no tritonal pattern is attested in the relevant contexts).This is illustrated in (67).

Full-tone spread in replacive tone patterns
Two suffixes display "replacive" tone (Welmers 1973: 132-133), i.e. they impose a single tone pattern to their stem, wiping out the underlying tone of the root to which they attach.These two suffixes are gerund /-V L / seen in §4.2.3 and Table 3, and passive /-Vl M /.Both are illustrated in ( 68) with H-, M-, and L-toned verbs.In both cases, the vowel of the suffix is realised as a copy of the root vowel.
(  Rolle (2018: 47) calls "replacive-dominant grammatical tone", defined as a tone pattern associated with a specific morpheme or morphological construction which deletes and replaces the underlying tone of its target.It is beyond the scope of this paper to offer an analysis of dominance and replacive grammatical tone.The reader is referred to Rolle (2018); Sande et al. (2020) ; Trommer (in press) for recent proposals (and references therein for previous accounts).For now, I simply represent the dominance of the tone pattern imposed by the gerund and passive suffixes with a diacritic mark on the TRN ('d' for 'dominant').The main point here is that these patterns involve spreading and deletion of entire TRNs, justifying the tone geometry in (52), as illustrated in ( 69) and ( 70).
(69) /kár-V L / → kàrà 'put-GER ( +OBJECT)' Neither the replacive L of the gerund nor the replacive M of the passive can be analysed as involving subtonal interaction alone.The universal change to L observed with the gerund requires both [-raised] (M→L) and [-upper] (H→L) assimilation/spreading, i.e. full assimilation, better represented as TRN spreading.As for the passive suffix, the systematic change to M that it triggers could be viewed as a case of regressive [+raised] assimilation/spreading. 32 This would straightforwardly account for the L-to-M change observed with L-toned roots.With H-toned roots, one additional step would be required: spreading the suffixal [+raised] to the root would create a [+upper, +raised] combination, unattested in the language.The [+upper] feature of the root would then have to be changed to [-upper] to comply with the constraints of the inventory.This abstract extra-step is unnecessary in the TRN-spreading analysis in (70) above.Furthermore, this would be the only case of [+raised] assimilation/spreading, all the more suspicious that it goes against the otherwise exceptionless [-raised] assimilation/spreading at work in the language.
The fact that there are no non-replacive M-toned suffixes is intriguing.One could hypothesise that the replaciveness of suffixal M is a last-resort solution to preserve the grammatical information conveyed by the suffix.Indeed, in order to comply with the unviolable *MX/XM constraint, there are two solutions: either change the suffixal M (e.g. to L, as in other cases of M-lowering), or change the lexical tone of the root to M, in order to keep the suffix intact -which appears to be what Laal does.The problem is that such an explanation is not available for the replacive L tone of the gerund, which has no need to be replacive.Like the other L-toned suffixes (e.g.third person neuter object /-àn/ seen in ( 10), ( 11) and ( 53)-( 55)), it could indeed in theory be kept without violating any tonotactic constraint (other than *MX/XM when attaching to a M-toned root, in which case M-lowering of the root M would apply, as it does elsewhere).In other words, the last-resort analysis does not generalise to all cases of replacive tone.Replaciveness thus has to be accounted for in its own terms.

High Tone Spread in inalienable possessive morphophonology
When a H-toned noun root combines with a L-toned inalienable possessive suffix, the H tone of the root spreads one (and only one) mora to the right.If the first syllable of the resulting stem is monomoraic, the H spreads onto the suffix, deleting its L tone, as in (71) (all examples in this section take the third person singular suffix -àr for illustration).This H tone spread can easily be analysed as the spreading of the initial H tone's TRN one mora to the right, as shown in ( 73) and ( 74). (73) High Tone Spread is regular within the closed class of nouns compatible with inalienable possessive suffixes, 35 and provides additional evidence for the TRN.Indeed, a subtonal feature analysis offers no advantage.One featural analysis that would capture the data consists in analysing this pattern as involving rightward [+upper] spread from the initial mora onto the following mora.Indeed, replacing the [-upper] feature of the L-toned suffix with a [+upper] specification changes it to a H tone, since both H and L are [-raised].Both analyses are descriptively adequate, and it is impossible to find definitive evidence in favor or against either one.The fact that the [upper] feature is not involved in any active spreading/assimilative pattern elsewhere in the language (the spreading involved in the realisation of the ventive suffix is only structure-filling), and that cases of TRN spread are independently attested militate in favor of the TRN-spread analysis of High Tone Spread.

Alternatives
In this section, I argue that the subtonal approach proposed above is stronger than two more classical alternatives: a tone-as-unit analysis ( §7.1) and an analysis of M as ∅ ( §7.2).Finally, I sketch a tentative analysis in terms of one gradient tone height feature ( §7.3), which appears to be a promising competitor to the subtonal feature analysis, but currently lacks empirical support.Finally, a variant of the subtonal analysis proposed above where the M tone is only partially specified is developed in ( §7.4).

Tone-as-unit analysis
A featural analysis would be unwarranted if it could be demonstrated that an analysis resorting only to the tonal primitives H, M, and L accounts for all the facts listed in (50) above.I show in this section that such an analysis is impossible without stipulating (i.e.circularly including the descriptive generalisation in the analysis) some of the points in (50).
Instead of positing subtonal features and viewing M-lowering as resulting from [-raised] assimilation, one could analyse M-lowering as involving a L assimilation rule targeting M tones within the stem.This can be represented as spreading of L onto M followed by delinking of the M tone, as shown in ( 75) and ( 76) below.This would straightforwardly account for morphophonological M-lowering before a L-toned suffix (75), as well as morphosyntactic M-lowering, analysed as involving a floating L (rather than [-raised]) suffix ( 76).There are at least three problems with this approach.First, it does not account for morphophonological M-lowering before a H-toned suffix -unless one posits a floating L before every H-toned suffix in the language, as in (77), for which there is no independent evidence.Note that this floating L tone cannot be viewed as marking the presence in situ of the object of the verb, nominal or pronominal, as in example ( 75) and (77).Indeed, we saw that M-lowering does not apply solely before object suffixes, but before all stratum-2 suffixes, including suffixes unrelated to the presence of the object or even transitivity at large, e.g.medio-passive /ɲ/ and instrumental /-V́/, which we saw is compatible with intransitive verbs.
An alternative to explain why M changes to L before H would be to posit a M to L change satisfying the *MX/XM phonotactic constraint.This solution is far from satisfactory, as it consists solely in formalising the surface descriptive generalisation, i.e. stipulating the alternation rather than accounting for it.The featural analysis I propose does not stipulate M-lowering, but derives it from the properties of the subtonal features that make up the three tones H, M, and L, i.e. from simple representations not directly related to the surface pattern it purports to analyse.These representations, in turn, are not stipulated, but posited on the basis of evidence consisting of natural classes involved in an assimilation process and defined by common phonological behavior (H and L are both triggers, M is the only target, M and L merge under assimilation).
The second problem with the tone-as-unit analysis is that L spreads only onto a preceding M and never a preceding H, which does not follow from any property of the three tones H, M and L, and must be stipulated.In the subtonal approach, on the other hand, the featural makeup of each tone directly explains their different behaviors: H is immune to lowering because lowering is [-raised] assimilation, and H is already specified as [-raised]; M being [+raised], it is by necessity the only possible target of [-raised] assimilation.
Finally, the *MX/XM phonotactic constraint on stem-level tone patterns is not fully accounted for in the tone-as-unit analysis.While the absence of *ML and *LM patterns can be explained through bidirectional L spreading, the absence of *MH and *HM has to be stipulated -or explained by positing a floating L tone between H and M, which, again, is not independently motivated.
Note, also, that with the tone-as-unit approach, the ventive suffix would have to be analysed as carrying a full tone, e.g. a L tone subject to high tone spread, as suggested in §5.5 above.This is not impossible of course, in particular given that high tone spread is attested in possessive morphology.But, as discussed in §5.5, it is a morpheme specific tonal process that is unnecessary in the featural approach.

Mid as zero
The exclusivity and instability of the M tone in Laal suggests a certain weakness of the M tone compared to both H and L. This weakness is not analysed as such in the featural approach I propose, where M is weak only by virtue of being specified as [+raised], which makes it a target of [-raised] assimilation.An alternative analysis could be proposed which represents M weakness more directly, for example by analysing M as Ø within a tone-as-unit analysis.The weakness of the M tone could indeed be seen as evidence of its underlying non-existence and default status.That is, the only two underlying tones of Laal are H and L, with TBUs specified as H, L, or Ø. Ø TBUs get their tonal specification through spreading of neighboring tones, otherwise through default M insertion.This would naturally explain the static *MX/XM constraint, as well as M-lowering before a L tone, as seen in ( 78) and (79).36In general, any tone-as-unit approach runs into one fatal problem, which is that it cannot account for the fact that both H and L trigger M-lowering without stipulating all or part of the description in the analysis.That is, a tone-as-unit analysis fails to capture the natural class formed by the two non-adjacent tones H and L -which the subtonal feature approach straightforwardly accounts for, as we saw.

Tone height as one gradient feature
One final alternative I will consider is to view tone height, not as a combination of two features, but as one gradient feature.37I do not have space here to go into details.I only give a brief sketch, and leave the full development and evaluation of this alternative to future research.
Let us represent tone height as one single gradient feature [n T-height], with n arbitrarily comprised between 0 (the lowest tone height) and 1 (the highest).This is the gradient equivalent of a multivalued feature (cf. Trubetzkoy 1939; Ladefoged 1971; Lindau 1978; Clements 1991, 2015) With such representations, the *MX/XM constraint can be restated as *ΔT-height<1, i.e., within a stem, adjacent tones must be distant by at least 1 T-height level.Consequently, only HL [1-0] and LH [0-1] sequences are allowed.Any sequence involving a M tone violates this constraint since the distance is always less than 1: ΔTheight(H~M) = .6,and ΔT-height(L~M) = .4.The optimal repair to this violation is to change the M tone to L, because L is the closest tone in terms of T-height distance (.4, whereas the distance between M and H is .6).Changing M to L thus incurs a lesser violation of faithfulness (on the condition that violation of IDENT-T-height is defined as gradient).In this alternative, M-lowering is analysed as a M to L tone change, but the tone change does not need to be stipulated: it is motivated by the proximity of M with L on the tone-height gradient.
The main challenge with such an alternative analysis is to justify the asymmetric position of M on the T-height scale.As it currently is, the theory has to stipulate it.Instrumental data are necessary to determine whether M is indeed on average realised closer to L than to H. I have not conducted this acoustic analysis.This alternative must thus remain at a tentative stage for now.It seems worth sketching it here, however, as it appears to be a potential competitor to the subtonal analysis proposed in this paper.

Alternative subtonal analysis
One anonymous reviewer suggests another account of the weakness of M, couched in the featural analysis I propose in this paper.In this analysis, M is specified as The passive suffix would have to be analysed as a replacive defective TRN: a TRN specified only as [-upper] which spreads and deletes the TRNs of the root, and then sees its missing [raised] feature filled in by default [+raised] insertion, as in (84).This analysis is as descriptively and explanatorily adequate as the full-specification analysis I propose in §5 above.However, I think it is slightly less satisfactory, for two Secondly, it offers an unnecessarily complex representation of the contrast between L and M, which is robust in the language, despite the frequency of M-lowering.Indeed, in this approach, L and M contrast underlyingly by the specification vs. nonspecification of the feature [raised].That is, they differ not only by the fact that, on the surface, one is [-raised] and the other [+raised], but also by the timing of the assignment of the [raised] feature value.This is of course an option that is made entirely possible by the theory and is not in and of itself problematic.But I don't see any necessity to resort to this level of abstraction or complexity.In any case, this analysis can be considered a variation of the one I propose, and does not question the aptness of subtonal features for the analysis of the tonology of Laal.

Conclusion
In conclusion, the subtonal analysis proposed in this paper provides a simple, unified analysis of the tone system of Laal, which involves both processes manipulating subtonal features and ones manipulating full tonal root nodes, as summarised in Table 5.This analysis is motivated by the behavior of the M tone, which constitutes evidence against the four main counter-arguments to subtonal features listed in (3), and answers all the questions listed in (50).Laal provides evidence for the existence of assimilation patterns involving subtonal features: [-raised] assimilation in this case, which offers a unified analysis of both the *MX/XM constraint and all cases of Mlowering.This, in turn, provides evidence for subtonal natural classes.First, [+raised] defines the M tone as the natural class of targets of M-lowering, which explains why only M fails to take part in complex stem-level tone patterns (question (50a)) and why only M is affected by lowering (question (50b)).Secondly, [-raised] defines the natural class of triggers: H and L; this explains why M is changed to L when followed by both L and H (question (50c)).This is particularly important in that it provides evidence that non-adjacent tones can interact, a prediction made by the two-feature model which was thought until now to lack empirical support (see in particular Clements et al. (2010)).Finally, the feature [-upper] defines the natural class consisting of M and L, which accounts for the fact that M is changed to L rather than H (question (50d)).One can interpret the M→L lowering process as a form of register simplification: for the creation of complex tone patterns and for marked forms of genitive head nouns and transitive verbs, the two registers [+upper] and [-upper] are each reduced to their [-raised] tone.
Finally, the specification of M in Laal is not ambiguous.M→L lowering unambiguously shows that M must be specified as [+raised], hence also as [-upper].Additionally, the insensitivity of H to [-raised] assimilation demonstrates that the only possible specification for H is [+ upper, -raised].There is no a priori incompatibility between tone features and three-tone systems.
Analysing tone as a feature bundle puts it on a par with segments.This similarity between tonal and segmental phonology is particularly noticeable in Laal, where [-raised] assimilation in response to the *[α raised] [β raised] STEM constraint is very reminiscent of vowel harmony.It could, indeed, be described as a case of [-raised]dominant tone harmony, similar to the many documented cases of ATR harmony with dominant [+ATR] or [-ATR] (Casali 2003, 2008, 2016; Rose 2018, among others).Additionally, just like segments, a tone (i) has the capacity to be either partially active (through one of its features) or fully active (through its root node), and (ii) may be fully or only partially specified in underlying representation, as with the ventive suffix seen in §5.5.
Laal thus joins the growing cohort of languages (e.g.Seenku, McPherson 2016; Babanki, Akumbu 2019; Limbum, Gjersøe et al. 2019; Tenyidie, Meyase 2021; Gaahmg, Trommer 2021) that have recently been shown to demonstrate the aptness of subtonal features in phonological analysis.Laal is especially interesting in showing that the validity of subtonal features is not limited to four-height tone systems.

'
They are determined to conquer the village.' (170703-KN2: 709) a little tilapia and you eat[it].' (121120-09-OK1: 164) how many head of cattle he bought.'(lit.'I know the heads of cattle that he bought'; 140402-028-HN1) An adverb or prepositional phrase does not trigger M-lowering on the immediately preceding transitive verb with an elided object, as shown with jīrā 'know' in (28a) and jāg 'pour' in (29a).Compare with similar clauses with an in-situ object in (28b) and ([the salt loaf] is dry, you take[it]  and you put [it] down on the ground.'Whydo you put sand on the ground?' (120322-FN1: 60)

(
31) [Context: Lion, a folktale character, decides to attach a shell filled with ashes to Hare's tail in order to be able to follow Hare's tracks; the storyteller addresses Lion in the second person, as is frequent in folktales.]tie [it] (=the shell) to its (=Hare's) tale.' (lit.'you tie [it]  to it (=Hare) at its (=Hare's) tail'; 120322-AK3: 74)

(
[I've just mentioned], the mala does not like any of them. go hunt an elephant.'Finally, like with M-lowering, the marked form of the gerund is used when a dative complement or adjunct intervenes between the verb and the object, as shown in (48), repeated from (40).
it] will come and snatch a goat from you.' (121120-OK1: 33) spreading.H-and L-toned suffixes are represented together, the only featural difference between them being the value of the [upper] feature, which plays no role in [-raised] assimilation.The features [upper] and [raised] are shortened to [u] and [r] respectively in autosegmental representations, for lack of space.(53) would pose the same problem as the preceding analysis, i.e. it would still fail to account for M-lowering before a H-toned suffix without gratuitously positing a floating L tone before all such suffixes (or giving up on accounting for it and stipulating a M to L tone change instead, to avoid a violation of *MX/XM), as shown in (80).
. On the scale from [0 T-height] = L to [1 T-height] = H, M would occupy an intermediate position.If this position were to be defined as closer to L than to H, say [0.4 T-height], this would explain both the *MX/XM constraint and M-lowering, as I show below.
[-upper]   and unspecified for[raised].This would work for all cases of M-lowering, analysed as spreading of the [-raised] feature of the suffix onto the [raised]-deficient TRN of the root M. All suffixes (except the passive) are indeed specified as [-raised]: H, L(H) and the floating [-raised] of the transitive and genitive suffixes.This is illustrated in (82) and (81) below with H-and L-toned verbal suffixes and the floating [-raised] suffix respectively.(81)/dag-àn∼-án/ → dàgàn ∼ dàgán 'drag it∼him' /dag-[-raised]/ → dàg 'drag ( +OBJECT)' to posit[+raised]  as the default value of [raised], assigned to [raise]-deficient TRNs in the absence of any available (i.e.spreadable)[-raised]  in the stem, as illustrated in (83).Since [+raised] is never active in the tonology of Laal, this does not seem to be problematic.(83)/dag/ → dāg 'drag'

Table 2 :
Regular tone patterns on mono-and disyllabic stems Aspect and modality are marked with preverbal particles.Verbs unmarked for aspect or modality have a wide range of possible interpretations, and will be translated either as present or past, depending on context and on the translation given by language consultants.She said that Kabo carried a stone.'It occurs in all clause types: affirmative as in ( 14 calls 'construct form'.In Laal, only M-toned nouns have a dedicated construct form, marked by M-lowering, as shown in(32).The examples in(33)show that only M-toned nouns undergo any tone change when heading a genitive construction.In other words, non-M-toned nouns do not have a dedicated construct form.
Exactly as we observed in the case of M-toned verbs, M-lowering on nouns is not attested in any other context.A M-toned noun keeps its M tone when modified by a connective construction, as seen in (37).The connective construction (noun + connective + modifier) is used to modify nouns with any type of modifier: noun (phrase), adverb, relative clause, etc.
'One of the people came looking for you.' (140329-36-HN1)Focus and topic markers do not cause M-lowering on a preceding M-toned noun, as shown in 40 with the focus marker jì (40a), the topic marker muāŋ (40b), and the contrastive topic marker lē (40c).'It will not kill anyone.' (lit.'it will not kill a person'; 120321-02-AK3: 11)

Table 3 :
Simple and gerund forms

Table 4 :
Four possible three-tone systems

Table 5 :
TRN and subtonal features in Laal regular tonal morphophonology First, it requires default [+raised] insertion, and the definition of a default value of [raised], which is unnecessary in the full-specification analysis.38