Contested Statues: The Clive Memorial Fund, Imperial Heroes, and the Reimaginings of Indian History

Abstract This article considers the Clive Memorial Fund and the campaigns surrounding proposed statues to Robert Clive in London and Calcutta between 1907 and 1912. The author argues that this campaign was an attempt to glorify Clive's actions, focused on the battle of Plassey and its aftermath, as foundation stones for the Indian Empire. The statues were an anxious attempt to situate Britain as a natural part of Indian history, but the campaign instead provoked a developing Indian counternarrative around resistance to colonial rule, particularly from newspapers in Bengal. Although the fund garnered support in Britain, it was greeted in India with official irritation and widespread Indian opposition, highlighting the importance of considering imperial statues in their imperial frame. This reaction, demonizing Clive's treachery and praising his opponent, Siraj-ud-Daula, the nawab of Bengal, was indicative of the place of history in both Bengali nationalism and imperial self-identity. Using newspapers in Britain and Bengal and the correspondence of the Clive Memorial Committee, the author examines the competing narratives of history that emerged in the campaigns around the fund.

India Company the diwani, formally acknowledging the company's right to collect revenue in Bengal, Bihar, and Orissa. 4This new regime, with Clive as governor of Bengal, was one of the main foundations of the British Empire in India and led to both serious trouble for the company and a major famine in Bengal in 1769-70 that caused as many as ten million deaths. 5Clive returned from India fabulously rich, but he was hounded by his political enemies for his actions in India.William Dalrymple has argued that Clive was in fact a "violent, utterly ruthless and intermittently mentally unstable corporate predator," and this history had been progressively erased in the later nineteenth century. 6he campaign for the Clive Memorial Fund began in April 1907, and fund-raising lasted fifteen months.It raised £5,000-£3,500 from Britain and £1,500 from India.The aim was to construct two statues, one in London and one in Calcutta, "worthy both of Clive and of ourselves," as Perceval Landon put it in a letter to The Englishman newspaper in India in September 1907. 7Statues were eventually erected inside the Victoria Memorial Hall in Calcutta and in the garden outside Gwydyr House in Whitehall in 1912.The statue in London was subsequently moved to King Charles Street in 1916, where it still stands outside the Foreign Office, overlooking St. James' Park. 8In India, Clive's statue was displayed at the Belvedere in Calcutta as part of the Victoria Memorial Exhibition until the Victoria Memorial Hall opened in 1921. 9or the British Raj, 1907 was a notable year.It marked the 150th anniversary of the battle of Plassey and the fiftieth anniversary of the Great Rebellion of 1857.Both anniversaries were marked by commemorative events in both Britain and India. 10erceval Landon, who was then foreign correspondent at the Daily Telegraph in addition to working for the Clive Memorial Fund, conducted a campaign to record the surviving British veterans of 1857 and brought them to London for a parade and a dinner at the Albert Hall. 11 In India, reaction to the proposed commemorative statue in particular marked an attempt to define public space and history in an increasingly nationalist way.Bengali nationalist newspapers argued for a variety of different commemorations, such as a festival or a statue to Clive's opponent at Plassey, Siraj-ud-Daula, the nawab of Bengal, and for contextualizing Clive's statue by recognizing his duplicity as a part of the statue. 12The Indian newspapers, which were an essential part of this public campaign, were concentrated in Calcutta and became increasingly strident in the years following the partition of Bengal in 1905.The partition, carried out in the face of widespread opposition while Lord Curzon was viceroy of India, although framed as a purely administrative act, was aimed at disrupting the nationalist community.It sparked the swadeshi movement that focused on economic, intellectual, and historical Indian identities. 13ationalist newspapers were at that time operating in an increasingly difficult legal situation.The trials of the Bangavasi newspaper in 1891 and the nationalist Bal Gangadhar Tilak and his Marathi-language newspaper, Kesari, in 1897, as well as others under Section 124A of the Penal Code, were making the atmosphere more hostile.Nevertheless, there was a pugnacious press in Bengal that was critical of the British government, often using language of veiled loyalty to avoid prosecution.Indeed, Kamra has argued that the threats and practices of prosecution created a "culture of defiance" out of one of complaint. 14This radical press mainly pushed an aggressively Hindu culture and interpretation of history that helped shape nationalist rhetoric in India and came under direct attack in the British Raj's attempt to maintain colonial rule. 15Prosecutions proliferated after 1905.The partition, alongside the later shift of the capital from Calcutta to New Delhi in 1911, took aim at the growing strength of the newspaper and radical public culture of Bengal. 16Resistance in the face of British actions was crucial to how this anti-partition movement became increasingly national in its focus.
Definition of public spaces through monuments and statues is a key strategy in presenting a nation's identity and creating an imagined community. 17The debates following the toppling of the statue of Edward Colston in Bristol in June 2020 have demonstrated that statues are powerful focal points in discourse around identity and history.Add to this the Rhodes Must Fall campaigns in Oxford and Cape Town and the controversy around the Mahatma Gandhi statue in Parliament Square and 12 Jasohar, 8 July 1907, Indian Newspaper Reports, IOR/L/R/5/36/913/70, BL. 13 Semanti Ghosh, Different Nationalisms: Bengal, 1905-1947 (Delhi, 2016), 29; D. K. L. Choudhury, "Sinews of Panic and the Nerves of Empire: The Imagined State's Entanglement with Information Panic, India, c. 1880-1912," Modern Asian Studies 38, no. 4 (2004): 965-1002. 14Sukeshi Kamra, The Indian Periodical Press and the Production of Nationalist Rhetoric (Basingstoke, 2011), 128.  1Kamra, Indian Periodical Press, 150; Shukla Sanyal, Revolutionary Pamphlets, Propaganda, and Political Culture in Colonial Bengal (Cambridge, 2014), 23.  1Sanyal, Revolutionary Pamphlets, 27. 17   ▪ WATTS monuments to Confederate generals and others in the United States, and it becomes clear that statues have a global potential for catalyzing debates.Indeed, the successful legal defense of the Colston Four, with historian David Olusoga serving as an expert witness, was built upon an argument that the statue of Colston constituted an offense in itself in its continued public display. 18These cases demonstrate the continued power and international ramifications of statues, which their definition of public spaces can create. 19Deciding whom to honor in bronze and marble is a strong statement of what is considered to be of national, imperial, and international importance.
In Britain before the First World War, the widespread erection of statues was an aspect of the naturalization, to use a Barthesian concept of mythology, of an imperially imagined world order.Statues of exemplary heroes brought images of masculine duty, valor, and respectability to the fore and marginalized notions of the disorderly and immoral.The transcultural dimensions of reactions to the Clive statues, as figures like Curzon and Landon campaigned in Britain and India, and Indian students and activists in Britain staged their own commemorations of 1857, points to the "microcosms of a transnational order" that the British Empire embodied. 20In particular, the transnational debate emphasizes what Grant, Levine, and Trentmann have called the "multi-local sets of identities and memories" in which statues and the history surrounding them are placed for various audiences. 21This imperial imagery created a backdrop and a mood in cities of empire like London and Calcutta.Katrina Navickas has similarly emphasized the context of politics and the physical space in which it is conducted and how this contributes to defining that politics. 22Opponents of dominant narratives have to define their own spaces or attempt to conduct politics in landscapes defined by those opponents.
The parallel statues erected in London and Calcutta must be considered across cultures.The statues of Clive gave rise to "complex works of unresolved and unfinished possible meanings" in both Britain and India as the intended meanings were contested. 23The statues precipitated an articulation of chosen narratives of Britain's imperial history.To British imperialists like Lord Curzon, Clive represented imperial expansion, governing genius, and energetic vision.The statue was also a claim, physically, for those in Britain to be more mindful of the British Empire and India.But as Jason Edwards observes in discussing Field Marshal Frederick Roberts, statues allow "almost endless contextualization, decontextualization and recontextualization by spectators" from multiple perspectives. 24Recontextualization was central to many of the Indian critiques of Clive that characterized him as a violent trickster.For some, Clive was an embarrassing reminder of brutality, mismanagement, and the spilled blood by which the empire was gained.Thus, the Clive statues in London and Calcutta did not achieve their aim of raising Clive onto an uncontested pedestal.The project was redefined in India by opposition to the statue's meaning.In Britain, issues around the statue's placing, lackluster support, and the interruption of the First World War meant that the project failed to have the hoped-for effect or prominence.
The statues spoke to several memory communities in Britain and India.There were imperialists, especially those who had formerly worked in India, who promoted the statue.There were Britons who saw in Clive an example of British energy and courage on the world stage, and there were anti-imperialists, both British and Indian, who viewed Clive's legacy in very different terms.Indian opposition to the Clive statue and British rule more widely also extended from India to Britain as Indian students and migrants there opposed the campaigns of commemoration of 1907. 25An imperial elite was attempting to create narratives of empire that, although differing in their choices of imperial development, maintained the inviolability of the beneficent progress of empire. 26But the cohesion of these narratives was a difficult if not impossible thing for Curzon and his fellow imperialists to maintain in a public forum. 27The statues for Clive were intended to remind both Britain and India of the history of British power, military prowess, and unique ability to govern.Instead, these lieux de mémoire allowed a wider articulation of Indian nationalism, inflamed colonial tensions, and revealed reluctance to honor Clive in some British circles. 28he early twentieth century was an age of commemoration in Britain, one that was particularly focused on individual and imperial heroes.The commemorations, fueled in part by anxieties over imperial and national identity sparked by the rise of socialist agitation in Britain and by colonial independence movements, were used to champion contemporary causes and arguments. 29History and societal change and progress were becoming ever more focused on the actions of individuals.The presence of statues can, in the modern world, look established and uncontested, but the histories of statues like Clive's emphasize that there was disagreement about whether these figures should be honored so publicly.In his classic Victorian work on heroes, Heroes and Hero-Worship, regularly reprinted throughout the century, Thomas Carlyle argued that "society is founded on hero-worship."This text was influential, and the central place of heroic individuals in the story of empire was still being taken to heart sixty-five years after its initial publication. 30Nevertheless, its vision of heroes was being remolded.As Berny Sèbe notes, the combination of the extension of the franchise in 1884, the rise of New Imperialism, and the power of the press shifted the notions of heroes in society as they became ever more mythologized. 31Heroes were figures in an endlessly reworked pantheon intended to give the masses figures to emulate, especially in their energetic devotion to the British Empire. 32But conversely, concerns over imperial decline and morality, highlighted by the South African War, also came to the fore in the exaggerated praise of historical heroes like Clive.There were dissenting voices in both Britain and India, and an apathy that many imperial campaigns foundered on.
Although for many Indian nationalists, Clive represented trickery and loss of independence, for imperialists like Lord Curzon he was a founding imperial figure and an argument for taking greater pride in the Indian Empire.Historical work on sculpture, the urban landscape, and the planning of public parks has revealed how closely the narrative and power to exhort and commend was expressed in landscape. 33Statuary acted as a demand to others to follow virtuous examples and to strive for excellence.Inventing this unblemished history for Clive places this statue firmly in Eric Hobsbawm and Terence Ranger's Invention of Tradition.The "masses of masonry" that brought the "statuomania" across Europe in the period of 1880 to 1914 was part of what Hobsbawm has called the "idiom of symbolic discourse."These were part of the mania for mass-producing the traditions and honor for public men that was such a feature of the period 1870-1914. 34This movement was a continent-wide effort to shape perceptions of imperial actions for both domestic and colonial populations and was replicated in colonial spaces by imperial powers such as Britain in India and France in North Africa. 35There are parallels with the statues put up in the period following reconstruction in the United States that emphasized and sanitized certain heroes, although this example had the more specific purpose of cementing the myth of the Lost Cause. 36mperializing figures from British history through ignoring their defects and focusing on their work in the empire was, as John Mackenzie has put it, "the cult of personality which was an inseparable part of imperialism." 37This focus on heroic individuals was pursued through military heroes like Lord Kitchener, explorers like Robert Scott, and religious evangelists such as David Livingstone. 38British India, especially with the terrors of 1857, provided its own examples in the figures of Henry Havelock and John Nicholson-and Clive.If Clive lacked the saintly overtones of David Livingstone or the self-sacrifice of Captain Robert Scott for those in Britain, he did have an obvious imperial legacy.
The debate around the Clive statue was also indicative of the anxieties about decline that haunted many imperialists in the two decades before the First World War. 39International competition was invoked by countries supposedly better placed to exploit their advantages, such as the United States, Germany, and Russia.Although Curzon was less prone to believe in this declining British and imperial state than others such as Joseph Chamberlain, much imperial propaganda reflected fears that there was insufficient enthusiasm for empire, and often had a self-reassuring air. 40History was called upon to reaffirm British strength and virtues.This call was heightened after the unrest in Bengal resulting from the partition in 1905.Mass protest, strikes, and famines in the final years of the nineteenth century starkly called into question the beneficence of the Raj.This opposition intensified with the assassination of Curzon Wyllie in London in 1909 and an attempted assassination of the viceroy of India, Lord Hardinge, in 1912.In the minds of many imperialists, all this indicated the need for a heroic reimagining of the Raj.The Clive campaign was intended to tap into patriotic feeling about imperial heroes and a heroic history for the empire, yet it is hard to escape the impression that it was working too hard to convince others of the continued greatness of Clive's legacy.
The controversy around the Clive Memorial Fund extended along two main and contested themes: Clive's position as an imperial hero, and the historical place of Plassey and its aftermath in defining the character of the British Empire.Clive became a catalyst for debates over the historical character of the empire.Narratives were put forward by Curzon and other ultra-imperialists, but these were opposed by different groups of Indian nationalists and some in Britain uncomfortable with the history of Clive's violence and exploitation in India.In each area, the contested narratives of history in Britain and India expressed by these campaigns were crucial to the imperial and nationalist definition of identities.

THE BRITISH AND INDIAN HISTORICAL IMAGINATIONS
Historical narratives of Indian development and the British place within it were integral to the way in which British imperialists imagined India should be ruled. 41In the aftermath of 1857, British interest in their own history in India and that of their imperial predecessors, the Mughals, returned to the fore as the British linked themselves to an older India. 42Viceroys such as Lord Lansdowne speaking on the Age of Consent Bill in 1891 presented themselves as guardians of a purer Hinduism and its "great fundamental principles." 43This imagining of India and its history was crucial to colonialism.Simultaneously, Indian nationalists propagated their own versions of history to empower resistance and a national consciousness.In newspapers, journals, and histories, they opposed the Clive Memorial Fund and its readings of history.At the same time these writers undertook to emphasize the place of Siraj-ud-Daula as a figure of anti-British resistance and to work out their own narratives of Indian history, focusing on Indian resistance and British perfidy. 44uring his viceroyalty, Lord Curzon cultivated and extended the British interest in the relationship with historical India, especially the Mughals.Curzon used this interest to reinforce the idea of Britain as an impartial arbiter between warring and superstitious Indian factions.His historical argument placed the British within the long history of India, not as an aberration that would ultimately end but as the culmination of all that went before.As he put it in a speech to the Asiatic Society of Bengal in 1900, enumerating the invasions that India had experienced, the British were only "borne to India on the crest of a later but similar wave." 45During his viceroyalty, Curzon practically enacted this portrayal of British history in India, unveiling a memorial to the Black Hole of Calcutta, and changing the uniform of the guardians at the Taj Mahal to "the traditional garb of Mogul days" and installing a lamp from Cairo over the tomb chamber.Medievalizing with Indian imagery was, as Metcalf has argued, not only a way of maintaining a certain image and governing practice in 41 J. W. Burrows, A Liberal Descent: Victorian Historians and the English Past (Cambridge, 1981), 2; Catherine Hall, Macaulay and Son: Architects of Imperial Britain (New Haven, 2012); Peter Mandler, History and National Identity (London, 2002), 7; Bernard Cohn, "Representing Authority in Victorian India," in Hobsbawm and Ranger, Invention of Tradition, 165-210, at 189-207. 42Thomas R. Metcalf, Forging the Raj: Essays on British India in the Heyday of Empire (Oxford, 2005), 153. 43 India but part of the ideology that informed the Raj.Notions of feudal chivalry and medieval ways of ruling over less-developed people were an integral part of the official mind. 46In the British imperial histories of the late nineteenth century, such as Alfred Lyall's The Rise and Expansion of the British Dominion in India, the Mughal Empire fell with a definitive crash in the eighteenth century, and it was Britain that rescued India from the ensuing anarchy. 47A Whiggish narrative was thus established that justified the necessity of British rule.This imagining claimed Britain's place within a lineage of Indian rulers and empires and as a guardian of that history.The Mughals, too, were foreign conquerors of India, and so the British could assume their mantle based on the military efforts of Clive at Plassey.
The great rebellion of 1857 was focus for the memorialization of British India and for tours of sites by British tourists.Different viceroys had incorporated prominent aspects of commemoration for 1857 in their imperial durbars or receptions; Curzon included a march of British veterans of 1857 in the 1903 durbar. 48In Britain, the drama and violence of 1857 had a strong morbid fascination; 49 public commemoration of the anniversary there included parades and speeches.Here again, the same actors as those at work in the Clive Memorial Fund, Perceval Landon and Lord Curzon, were involved, and the focus was similarly on the valorization and militarization of the British presence in India.Landon organized events that took place in December 1907 in London and, in his capacity at the Daily Telegraph, collected the names of the veterans in part of an account of 1857.Curzon gave "one of the greatest speeches of his life" at the dinner at the Albert Hall, according to the recollections of the later newspaper proprietor Lord Burnham. 50In both Britain and India, Indians held martyrs' days on which they commemorated their own veterans. 51The development of an opposing Indian narrative to this rebellion had been gathering pace in the 1890s and early 1900s; controversy over the naming of the events of 1857 and whether they constituted mutiny, rebellion, or a war for independence continues to this day. 52The British attempted to diminish the episode's importance as arising solely from disaffected soldiers, emphasizing instead the enduring support from much of the Indian population.
Indian memories of 1857 were also building around the anniversary and were being used to create a wider interpretation of Indian nationalism. 53With his 1909 The Indian War of Independence of 1857, V. D. Savarkar attempted to shift notions of the struggle from a mutiny to something broader fitting into a narrative of national and religiously unified resistance.Savarkar has become notorious for his later sectarian views and Hindu nationalism, but in this work he presented the ▪ WATTS resistance to the British as cross-religious. 54Similarly, Romesh Dutt in his 1908 economic history of India emphasized how the rebellion that began as "a mere mutiny of soldiers" spread "among large classes of people in Northern and Central India, and converted it into a political insurrection." 55These increasingly national interpretations of the 1857 rebellion fed into the arguments of Indian newspapers around the dual anniversary year of 1907.The two anniversaries coincided to bring this history to a prominent position in British and Indian imaginations during 1907-08. 56IS SPLENDID QUALITIES SHONE FORTH": CLIVE AS IMPERIAL HERO The end of the nineteenth century had seen a resurgence of Clive's reputation.Colonel Malleson lauded him in 1893 in Oxford's Rulers of India series as a man who "revelled in danger," which meant that "his splendid qualities shone forth with a brilliancy which has never been surpassed." 57An earlier book by Malleson, The Founders of the Indian Empire, was cited by G. A. Henty in the preface of With Clive in India as a source for his own narration of the "wonderful events" that "ended in the final triumph of the English both in Bengal and Madras." 58But Malleson had his critics.A review in the Pall Mall Gazette in 1894 called his new biography "scarcely satisfactory" and claimed that he wrote about Clive with "sloppy vehemence." 59Thomas Babington Macaulay's essay on Clive had begun a reevaluation of his legacy when it was published in 1840, and it would be reissued by both Macmillan and Longmans in 1905 and 1907 in New York and London. 60evertheless, Clive's role at Plassey remained a difficult subject for his supporters.As a largely positive review of Malleson's biography of Clive in the Glasgow Herald remarked, "Macaulay was much more severe on the fictitious treaty and forged signature incident . . .than is Colonel Malleson."The reviewer ultimately viewed Macaulay as having "a wider and juster" view of the incident, although only as far as calling it "an error of judgment rather than a deliberate sacrifice of honor." 61live also appears in Rudyard Kipling and Charles Fletcher's 1911 A School History of England, which presents him as the "real founder of our Indian Empire." 62In this glorification of Clive's adventures, there is an attempt, albeit unevenly successful, to induct him as a canonical British imperial hero. 63illiam Forwood, a merchant and Conservative politician, wrote an initial appeal for a statue to Clive from the Grand Hotel in Calcutta on 8 February 1907 to the Times in London.Published on 30 March, it praised the man who "made India" and lauded Curzon's "preservation of her [India's] ancient monuments and historical records." 64Foxwood's call was echoed by the Spectator a week later.The Spectator thought Clive "in every sense worthy of commemoration" and devoted considerable space in the article to combating the aspersions cast against his character. 65On 22 June 1907, it ran "The Anniversary of Plassey," quoting Robert Orme's account of the battle and presenting Clive as a wise and fair general in contrast to the "Oriental Despot," Siraj-ud-Daula.The article made use of earlier historians like Orme to argue that Clive had "suffered wrong" in the "moral judgment of the world."Clive, it claimed, was more than the "rough-and-ready soldier" of popular belief and was instead an "intellectual statesman" and a "political philosopher" who offered wise advice to all tasked with governing the British Empire.The writer concluded with Clive's suicide, denying that it was due to his Indian career: his death was due "not to remorse or opium, but to the depression caused by some obscure nervous or dyspeptic complaint." 66mperial hero worship was a favorite tactic of Conservative commentators and politicians in the late nineteenth and early twentieth centuries. 67Although there was a strong Conservative interest in the Clive Memorial Fund and in Clive as an imperial hero, the appeal of the fund in Britain was bipartisan.With the rise of Liberal imperialism, from the 1890s onward there was a marked attempt within the party to contest the Conservative monopoly over imperial fervor. 68The Clive Memorial Fund had numerous Liberal members on its committee, including Lord Morley and Lord Rosebery.Although it was Curzon who took the lead as a Conservative and ultra-imperial politician, as Nicholas B. Dirks has argued, colonial events, arguments, and theories, crucial for "securing the nation-state itself," rebounded upon the metropole, and the Clive Memorial Fund was an example of this. 69In some ways, this campaign and its associated notions of imperialism were successful.The campaign raised enough money for the two statues, and although especially in India there was considerable opposition to the campaign, in Britain it managed to appear to be above politics and aimed simply at honoring an imperial hero.
Nevertheless, support in Britain was not unanimous.The fund deliberately appealed to an imperialist section of British society, particularly those with former 63   ▪ WATTS experience in India.A month after Curzon's initial call which he considered to have been obscured by the parliamentary budget, he felt it necessary to relaunch the appeal. 70Some of the fund's supporters also recognized its limitations.As Reginald Clayton, secretary of the Old Standians, an association of a school that Clive had attended, wrote, the funds that included the support of thirty-one Old Standians were enough "to provide, if not amply, at least respectably, for the two memorials." 71n launching the appeal in the Times in April 1907, Curzon went beyond the praises of Forwood or the Spectator. 72By his assessment, Clive had laid the foundations for the glorious and immortal empire to come of which all patriotic Englishmen were inheritors: "At the age of 31 [Clive] planted the foundations of an Empire more enduring than Alexander's, more splendid than Caesar's.Nor for half a century after his death was even meagre justice done to him in the avenging page of history." 73n a speech to Merchant Taylors School, which Clive attended between 1737 and 1739, Lord Curzon expanded upon this theme. 74Clive was an imperial and racial hero and one of the "master spirits of the English race."Alongside Julius Caesar and Napoleon, he was a force seemingly "put into the world to shape the destinies of mankind," one of the great men of British history for schoolboys to emulate.Curzon charted Clive's meteoric rise from a "poor and unknown clerk" in Madras to a great military captain in India "loved by the native troops who served him." 75s Curzon made clear in a speech "on the True Imperialism" to the Birmingham and Midland Institute, both Clive and Warren Hastings, the first (and later impeached) British governor-general of India, "had been men with clean hands and a high moral purpose."Preferring to deal in generalities rather than specifics such as Clive's deal with Mir Jafar, the loot that he gained from Plassey, or his links with the 1770 famine, Curzon's speech outlined Clive's faith in the "secular religion" of imperialism.The "True" form of this was animated by a spirit and morality that were "not merely the key to glory and wealth, but the call to duty."The origins of empire that Clive represented demonstrated the English "instinct," an "ineradicable and divinely implanted impulse which had sent the Englishman forth into the uttermost parts of the earth and made him the parents of new societies and the architect of unpremeditated creations." 76et despite Curzon's rhetoric, Clive was an awkward character for imperialists devoted to portraying morality, selfless service, duty, and the idea of the benevolent British Empire.The statue in London was initially exhibited at the British Academy and then "sprung upon the public without fuss or ceremony" at Gwydyr House in August 1912 due to building works on King Charles Street and despite press reports that King George V would unveil it. 77Wilmot Corfield commented in a letter to the editor of the Pall Mall Gazette that "no site in London is too good for the victor of Plassey and saviour of Calcutta" and bemoaned its "relegation to comparative obscurity in what is little short of a blind alley." 78There was also little public acknowledgment of the statue's move to King Charles Street in 1916, although Punch commented that it had been "removed from Whitehall" and denied that Clive's "rough-and-ready methods were in any sense representative of the best British diplomacy." 79Even many like the novelist and imperialist Flora Annie Steel, who praised the role played by Clive, criticized this period in Indian colonial history as rapacious.Wrote Steel, "England had not yet grasped the significance of the White Man's burden; she wanted to be paid for carrying it.That is the bitter truth." 80Reimagining India's place in the British Empire had a concomitant effect in reimagining Britain's imperial purpose, but this was aimed and received by a particular section of society and overshadowed by later priorities.The afterlife of Robert Clive was thus a refashioning of a more imperial narrative and architecture for a more completely imperial metropolis.
The atrocities in which Clive was involved were attacked by the Indian newspaper Soltan: "[H]is Lordship may not feel shame in showing his own misdeeds to the world, but what has Clive done to him that he must expose his misdeeds also?" 81 The brutalities of Clive's period of empire, marked by force, chaotic reverses, trickery, and outright theft, were ill-fitted to the benevolent vision idealized at this point of imperialism.Clive had more than his share in this; returning to Britain as the archetypal nabob, he was attacked as such by many inside and outside of Parliament. 82But Curzon argued in this speech that Clive merely outplayed the nawab and was "no selfseeker."Acknowledging that Clive had "amassed great wealth," Curzon dismissed this as something which was "easy in those days in India": Clive "might easily have been a hundred times richer than he was."He never had "mean or petty" motives and was "never guilty of a harsh or cruel deed."The only word against him that Curzon allowed-although given Curzon's taste for autocracy, this was perhaps praise-was that he was "somewhat intolerant of opposition." 83evertheless, Peter Yeandle has argued, there is a question over the purpose of this canonization. 84This hero worship was not solely intended to create men like Clive.

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The observers of these histories and statues were not meant to emulate but to idolize these heroes-to look up them and recognize their virtues in the current "master spirits of the English race." 85Clive was an embodiment of English adventurous striving.For Curzon, Clive's actions were "for the good of England, for the good of India," and this was a truth that "no one can reasonably doubt[,] and posterity, correcting the errors and atoning for the injustice of his contemporaries, has rightly assigned to him an imperishable niche in the temple of fame." 86his vision of Clive's achievements in India and the autocracy and interference that it recommended for the future governance of India collided with the priorities of the new viceroy.Having been left to deal with the fallout from Curzon's own autocracy as viceroy, Lord Minto deemed the memorialization provocative while he attempted to create a slightly more cooperative mode of governance.He wrote in a letter to the secretary of state for India, Lord Morley, If a true history of Curzon's rule is ever written, it will make the world wonder.Few people at home know the legacy of bitter discontent he left for his successor.It is only this morning that I heard of a recent conversation with Scindia in which the latter got very excited, and said that the tyranny of Curzon's rule towards the Native Chiefs had been so unbearable that nothing would have induced them to continue to put up with it, and they would have united together without regard to religion or caste to throw it off.And yet Curzon always posed as a great friend of the Native Chiefs. 87th Morley and Minto, irritated by Curzon's continued interference in Indian matters and his fondness in correspondence for the advising phrase "when I left India," were attempting to take a more conciliatory approach to Indian rule. 88into and his successor as viceroy, Lord Hardinge, were part of a raj with a changing official narrative.Although the years before 1914 marked the "high point of official racism" in terms of medical and scientific theories of white racial superiority, they were also less totalizing and autocratic in terms of the power the viceroy attempted to embody. 89The signals that a memorial to the wars that founded the British Empire in India sent ran counter to the reform and limited cooperation the new viceroy had been trying to promote since 1905.In India, and particularly Bengal, the campaigns of swadeshi (self-sufficiency) and hartals (strikes) were gathering pace.These were accompanied for many Bengalis and others across India by an increased awareness of recent Indian history as one of resistance to British oppression. 90Minto, and many of the British in India, were aware of this and were cautious after Curzon's high-handedness about appearing triumphal or autocratic. 85 Minto was incensed by Curzon's interference in Indian politics.In turn, Curzon accused Minto of organizing a "conspiracy" to undermine the fund in India.Curzon wrote to Morley arguing that the fund was beneficial and supported by many Indians.He also stated that, despite Minto's claim to the contrary, he had consulted the viceroy about the fund.He asked Minto to circulate this fact to his colleagues in India, to vindicate his position. 91Although Minto was supportive of a memorial to Clive in Britain, he believed that it would not be accepted in India.As he wrote to Morley, it was a "most ill-advised movement."He was worried about its effect upon Indian opinion: "[E]veryone, without a single exception, whom I have talked to about it here has been strongly opposed to any Memorial in India at the present time." 92He continued this position in a later letter: "[M] uch as I would like to honour Clive's memory, the present moment in my opinion was most inopportune to start anything of the sort . . .The Anglo-Indian newspapers, with the exception of the Times of India and the Rangoon Gazette, either opposed the proposal, or gave no support to it, and the native press strongly disapproved it." 93urzon's appeal for contributions in India represented just the provocation that Minto was anxious to avoid, especially in Bengal.In particular, the linked memorial at Plassey that Curzon had begun while he was viceroy was provocative to Indian opinion.Minto remarked to Morley that "the historical inexactitude and the reference to the strength of the opposing armies should be erased from the other tablet.If these can be erased so much the better, otherwise a new tablet will be necessary.Home Department noted strongly against them as vain-glorious and likely to provoke criticism, and I don't think the inscription should be retained in its present shape." 94Curzon was attempting to build a new interpretation of official history.Minto, though hardly an anti-imperial radical, was uncomfortable with the provocative glorification of British historical figures.
Criticism of Curzon's initiative from the Indian press was quick to appear.Bangavasi, a conservative Hindu Bengali weekly with nine thousand subscribers in June 1907, was a prominent exponent of a view that argued that Curzon, and the British government in India more widely, were attempting to manipulate history. 95lthough Sumit Sarkar has argued that the paper was "consistently loyal and very critical of all forms of anti-colonial politics," it was building a historical argument of British trickery under Clive. 96It saw ultra-imperialists like Curzon as trying to repair the reputation of Clive, a figure whom, it argued, all right-thinking Indians would despise.However, citing the historical work of Curzon, it argued that by focusing on the battle and Clive's duplicity, the episode was helping Indians to  recover their own memories of the methods of the East India Company in the eighteenth century. 97The newspaper accentuated Clive's immorality by presenting the example of an honest Englishman, Admiral Charles Watson.Building on this, Hindi Bangavasi produced an illustrated article two days later on the main characters at the battle of Plassey: Clive is represented as having deprived Serajuddaulah of his throne by forgery and fraud; Admiral Watson as a high-minded and heroic naval commander who declined to sign the document forged by Clive to defraud Umichand; Mohan Lal as a brave and patriotic soldier, who, disregarding the command of his faithless and disloyal superior Mirjafar, fought on the side of his master, and whose holding on a little longer would have changed the course of Indian history; Serajuddaulah as the last independent but unfortunate ruler of Bengal, who in going to save the independence of his country, lost both his life and kingdom, being a victim to the machinations of his wicked ministers and the roguery of the English, and lastly, Mirjafar as the traitor, the ungrateful, the disloyal, and the enemy of his country. 98her Bengali newspapers were equally clear about who were the heroes of Plassey and who were the villains.Soltan, a vociferous weekly paper with five hundred subscribers, argued that, on the anniversary of Plassey, the most appropriate thing for Indians would be "to hold an annual Seraj-ud-Dawla festival on the 23rd June." 99ationalist arguments developed a narrative of British duplicity in which Bengal, as a foothold for India more widely, was won by deceit and not in fair combat.In response, and to cement Clive's martial reputation, this trickery was painted by his supporters as a necessary tactic in a chaotic India.But by emphasizing Clive's violence, the memorialization of Plassey also acted as a reminder.Violence was the power that underlay the Raj, and Curzon's planned memorials were a none-toosubtle reminder of it.Curzon admired Clive for the energy of his violence and for its use.As Jon Wilson has noted, the Clive statue in both London and Calcuttawith cannons blazing around its base from the siege of Arcot in 1751-was the first to depict Clive's violence and Clive receiving the grant of Bengal from the rajah in 1765. 100This depiction was a deliberate choice; Curzon was closely involved with both the design of the statue and the selection of the sculptor John Tweed, a man with strong imperialist credentials. 101he focus on Clive and his actions in India raised the question of which British leaders should be commemorated and what they said about governance.This history was used by Bengali newspapers to oppose the autocratic approach to governing India, as opposed to the Liberal inclusion of Indians within politics.Sonar Bharat in December 1907 questioned what heroism Clive possessed, as the British knew "that he was a past master in forgery and cheating" but nothing praiseworthy of him.The newspaper argued that commemorating Clive was evidence of British "degeneration."Considering that "they have erected a memorial to Lord Dalhousie instead of doing the same to Lord Ripon, it is no wonder that they will thus show honour to the memory of Lord Clive." 102Ripon, the viceroy of India from 1880 to 1884, was often held up by Bengali writers as an example of a more inclusive approach to the Indian empire in contrast to the strident and exclusionary imperialism that had followed. 103he focus on Clive thus allowed the personal details of his life to become a commentary on wider British morality.Newspapers such as Daily Hitavadi, with two thousand subscribers, flipped the usual English narrative concerning their own preeminent moral superiority. 104A memorial to Clive commemorated an individual who destroyed the "independence and the glory of the Moguls by means of forgery, deceit and treachery." 105Sandhya, a radical Hindu newspaper whose editor, Brahma Bandhab Upadhyay, was put on trial for sedition in 1907 and died in the course of the trial, homed in on Clive's disreputable aspects. 106One article argued that to "perpetuate the memory of Clive by a statue will be a disgrace to the British name."Clive, it claimed, was "a suicide, disowned by his countrymen, a bad character from his early boyhood, accustomed to all sorts of vicious practices" who, it was recommended by a Parliamentary committee of enquiry, "should be handed over to a court of justice as a criminal." 107The British justification for empire by the early 1900s was based on their supreme virtues as a governing race.Commemorating someone who represented the antithesis to this was, in the eyes of many of these Bengali writers, nonsensical.

CLIVE AND HIS LEGACIES FOR INDIA IN 1907: AN EMPIRE "MORE SPLENDID THAN CAESAR'S" OR ONE "FOUNDED ON DECEIT"?
The questions of whether to put up a statue to Clive or Siraj-ud-Daula, to commemorate Clive for his victory, or to remind viewers of his duplicity were all commentaries on the definition of imperial India.For Minto, there was no ideal statue, with the controversy about India's past weighing down attempts at reform.The debate over a statue of a historical figure reflected the desire to further mold India's future.
Yet Clive was integral to inaugurating the British Empire in India and laying the foundations of Britain's power, which was why Curzon considered him worthy of ▪ WATTS remembrance.In a letter to the Times in May 1907, Curzon made a particular call to retired members of the Indian Civil Service.He hoped that they would "not forget the man who not only gave to our country an empire, but also was the founder of that unequalled reputation by which they and their successors have since held and are holding it to the honour of Great Britain and the good of all mankind." 108The Clive Memorial Fund targeted sections of British society strongly associated with the Indian Empire, doing so by imagining them as protectors of a continuous legacy.From Clive down to retired civil service district officers, uninterrupted by 1857 or the passage of time, India represented the basis of British Empire and the ideal of its practice.
Aside from what they considered inevitable opposition from radicals, the Clive Memorial Fund's supporters argued that Clive was honored among right-thinking Indians.Perceval Landon wrote in The Englishman, "A portion of the native press may be relied on to make political capital out of anything.But even plausibility has dropped out of this factious opposition since it became known that the proposal to commemorate Clive receives the cordial approval of the very native Princes-Hindu and Mahommedan alike-whose fortunes might be thought to have been chiefly affected by Clive's conquests." 109Quoting a supportive letter from the nawab of Murshidibad, Landon argued that Clive's victories had brought peace and unity to a war-torn country.
This attempt to make it appear that support for the Clive Memorial Fund was above any reasonable objection, the only opposition being the political agitation of radicals, extended from the imperial view of Indian attitudes to those in Britain.Support for imperialism, and its heroes, was being increasingly promoted as beyond reasonable debate.Curzon and Landon vocally publicized the backing and donations of key figures like Edward VII and the Prince of Wales to raise the fund above mere politics. 110urzon principally idolized Clive for his legacies.His time as "an administrator, a reformer, a man of affairs" was crucial to the lasting influence of his victory at Plassey.It was in this selfless reform, the establishment of the administrative basis for the subsequent empire, that Clive shone.Ignoring the famine that had followed in Bengal as a result of the East India Company's and Clive's administration, Curzon fashioned Clive as the hero facing immoral opposition.His fall came about because he stamped out too much "cupidity and peculation," the authors of which followed him to England and pursued him to an early grave.Clive's administration had laid the foundation of the empire that Curzon was so honored to have worked for.Plassey, as even the most ardent imperialists had to admit, was not a great and glorious battle, despite Curzon's attempt to exaggerate the size of Siraj-ud-daula's forces in his obelisk on the site; 111 instead, the emphasis was placed on the subsequent transformation of this victory into something more permanent.The key aspect of Clive's greatness lay in his genius for administration and governance. 112108 Curzon, "Clive Memorial Fund," 8. 109  The Indian responses to the fund, and the attached interpretations of history, were as vociferous as Minto had feared.Both British and Indian historians were placing increasing emphasis on the events of 1857.In Britain, nearly one hundred Indian students and nationalists, the Times reported with concern, gathered at India House in London in May 1908 to commemorate their martyrs of the war of 1857. 113Savarkar, in Britain during the controversies over 1907, was influential in organizing an Indian commemoration of heroes of 1857. 114He emphasized the unity of Hindus and Muslims in the war, a unity that he attributed to the atrocities of the British, not the greased cartridges that British historians focused on to the exclusion of other factors. 115Much of his introduction to his Indian War of Independence was given over to disputing what he considered the "misleading and unjust ideas" that English authors disseminated about 1857. 116Savarkar linked rebellion with broader themes of swadharma and swaraj, duty and self-rule.He built a narrative among those, particularly in Bengal, who were writing to oppose partition and the rewriting of history that they saw in the Clive Memorial Fund. 117When his history was published in 1909, it was promptly banned by the British, and Savarkar was arrested in 1910 and extradited back to India for his activities at India House.
Other nationalist writing about 1857, often focusing on figures such as Lakshmibai, the rani of Jhansi, had developed from the 1880s.This writing formed a counterpoint to the British heroic canon built up around Nicholson and others. 118Instead of solely opposing the campaign for building a statue to the conqueror of India, Indian nationalists now developed a separate narrative of Indian resistance.Indian narratives of 1857, although they often disagreed over the religious dimensions to the revolt and its aims, emphasized the role of the Sepoy as a peasant in uniform and the colonial exploitation of India in which British atrocities reveal them as violent trespassers in India. 119oupled with this rethinking of 1857, Bengali newspapers developed their own narratives concerning Clive's victories.These narratives criticized Clive's duplicity, his forgery of documents for Amit Chand, and the treachery of Mirjafar.The Bangavasi argued, "No one can deny that the British Indian Empire is founded on deceit practised by Lord Clive a hundred and fifty years back, and that this is the reason why the English nation has so long refrained from perpetuating his memory.The Englishman newspaper now tries to defend Lord Clive on the ground that he cheated Umichand [Amit Chan] not for his own sake but for his country. . .This clearly indicates the moral tendency of the Englishman.It is, however, not strange, for the cup of iniquities is full." 120▪ WATTS A year after the Clive Memorial Fund was launched, Bharat Mitra, a Calcuttabased weekly with 3,200 subscribers, once again criticized Curzon's versions of history.Remarking on Curzon's awarding an Eton scholar a gold medal of the Royal Asiatic Society, the paper argued, "[t]he histories are written by Englishmen.What truths about India could be learnt from such works?"Basumati, another Calcutta-based weekly, with a circulation of 15,000, argued that Curzon was himself singularly ignorant of Indian history.Had he been "in touch with the disposition of the Bengalis and their communal system of life, [he] would never have partitioned Bengal." 121Offering a different interpretation and commenting on the success of the fund in 1909, another Bengal paper, Jasohar, argued that the Clive statues should reflect a truer history.The one erected in Whitehall should "have engraved on its pedestal Burke's remarks . . .and the Calcutta image should show Umichand's forged agreement hanging round the neck." 122Recalling the opprobrium heaped on Clive by Edmund Burke, Jasohar attempted to bring contemporary opposing views of Clive to the fore.This commentary showed an increasing willingness to historically contextualize the statue in India according to nationalist ideas of the past and use them to unite Indian opposition to British wrongs.
Unrest and strikes formed the principal topic throughout the Bengal newspaper reports of 1907.These actions protested partition, the deportation of Lajpat Rai, British autocracy, and imperialist readings of Plassey, Clive, and 1857. 123The articles indicate that an increasing Indian campaign, violent and nonviolent, aimed at resistance to colonial pressure and drew on historical narratives to bolster its case.That resistance was articulated against the Clive Memorial Fund and against previous actions such as Curzon's attempt to take greater control of university curricula through the Indian Universities Commission in 1902.As Richard Goebelt has noted, Nabinchandra Sen's poem "Palashir Yuddha" (1875) was banned by the British after the partition of Bengal and the unrest in 1905-06. 124Sen, a Bengali poet based in Calcutta, described the battle of Plassey and the arrival of the British as the beginning of "a night of eternal gloom."Similarly, in the literary magazine Bharati, the Bengali poet Rabindranath publicized his strong support for the increased "enthusiasm for History" that he saw emerging among many Indians in the country. 125The elaboration of this historical narrative, asserting itself against the imperial one, allowed for the better articulation of Indian opposition to the British.
In Britain, Indian nationalists often had to confront the British argument that India had degenerated from a glorious past but enjoyed respect because of this past. 126The inaccuracies and blatant prejudice of British accounts of historical India offered scope for groups within India to emphasize the continued strength of Indian civilization as modern and rational.Nationalist histories were beginning ▪ WATTS lessons of history, he proves himself a nuisance." 133The contributions to the fund that Curzon did manage to elicit from the princes, Minto claimed, were given only under "most undue" pressure from Curzon and the fund. 134he letters to the Clive Memorial Fund committee from the Indian princes are revealing of the delicate position they were in.For instance, Curzon, in a private letter to Morley, noted the support of Maharaja Jatindramohan Tagore, 135 but the maharaja's actual letter was far more equivocal.He flattered Curzon's "unquestioned abilities" but argued that he was constrained by his position: "As to your suggestions of contribution to the Lord Clive Indian Memorial I would take the liberty to state that the feeling among the majority of my countrymen is still very strong against the movement and it would perhaps, not be the right course for me to adopt . . .Since the receipt of your letter, however, I have asked my son-The Maharaj-Kumar to contribute to the fund, in his own name and this he has already done." 136Maharaja Jatindramohan Tagore was toeing a very difficult line.The hostility to the fund of the current viceroy was well known and in Calcutta and Bengal was vociferous.But Curzon still had considerable influence in India, and his fund was presented as a patriotic duty.
The maharajah of Jaipur, Madho Singh II, also refused to contribute to it.Singh began his reply by professing that it would "give me great pleasure to subscribe to the Clive Memorial Fund or anything in which your Lordship was interested," but "it would be in direct opposition to the expressed wishes of the Government of India and that I am quite sure you would not wish me do." 137Singh did not wish to be caught between Curzon and Minto.More pressingly for him, the harvest had failed for the third time since 1899.His reply was a deeply polite protest about money being raised in India for a memorial to its invader and subsequent British rule when his own people were dying.
These responses point to the delicate power balance on which the Raj relied.The position of the maharajas was tied to British approval as the long history of the British manipulation of succession attests, but the maharajas were intended to appear at least partially independent.The British could present them as key markers of Indian opinion and use their support to legitimate the British narrative of history, as Landon and Curzon did.Nevertheless, these figures were bound to their people.As markers of Indian opinion, they could, and did, voice opposition to British national narratives.

CONCLUSION
In focusing on a statue and the campaign to fund it, I have considered the glorification of historical imperial heroes, the resistance to that history, and its public expression in Britain and India.The campaign for the Clive Memorial Fund represented an attempt to inscribe just such a glorification, but the development of the campaign revealed a far more contested vision in Britain and India.By juxtaposing the reactions to the fund, I have shown how Curzon and his fellow imperialists promoted a version of history and how many Indians, particularly in Bengal, wrote back their own narratives for a very different purpose.During these years, history was crucial both to Indian nation-building and to burnishing British imperial narratives.This clash is testament to such a strategy.Clive's legacies in India and what they meant for India 130 years after his death were profoundly disputed.Clive's memorial and its interpretation of Plassey provided a flashpoint for articulating narratives of historical and contemporary India.If Plassey was won by deception, and Siraj-ud-Daula was its true hero, then Indian history could be configured as one of resistance to foreign imperialists.If Clive's administrative ability in the aftermath of the battle created a more just and stable foundation that was built upon in the ensuing years of the Indian Raj, then Indian history could instead be imagined as one of just government and uplift.
The statues of Clive erected in London and Calcutta in 1912 were a part of this attempt to define public space and public memory in the imperial tradition.Public space and the commemoration of any group of "heroes" has, as Paul A. Pickering and Alex Tyrrell have noted, occurred across the political spectrum. 138Statues and those they commemorate help form the critical public space of national discourse.The campaign that Lord Curzon and Perceval Landon led was an attempt at defining one narrative for the imagined community of a united British Empire with a recognized pantheon of great men."But doing so required a redrawing of the virtues that most contemporary imperial heroes were held to embody; Clive's rapacity and violence were airbrushed.Nevertheless, Curzon was advancing a version of history that he believed united Britain and India.The response to the campaign demonstrated that this narrative was defined in an unequal interchange between Britain and India.Curzon's imperial project aimed to cement a historical interpretation of noble, virtuous Britons always one step ahead of their cunning, degenerate enemy.But this narrative did not supersede all others; many Indian writers responded by creating heroic histories of Siraj-ud-Daula and opposition to British trickery and imperialism.
In Britain, the main response to the Clive Memorial Fund was apathy.The campaign appealed to an imperial community interested in Clive and to those with a stake in his legacy; it did not receive enthusiastic public support.Both in print and privately, many did not subscribe to Curzon's hegemonic narrative of British imperial history.
Opposition to the lionization of Clive and the memorialization of Plassey and 1857 continued to bring forth interpretations of history that were crucial for the development of the campaigns for Indian nationalism.In 2007, a statue was raised to Siraj-ud-Daula at Plassey alongside the British memorial there as a reminder of both aspects of the battle, and the statue at the Victoria Memorial Hall begun by Curzon and finished in 1921 is now part of a far different place in Kolkata.In See Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (London, 1983); Annie E. Coombes, "Monumental Histories: Commemorating Mau Mau with the Statue of Dedan Kimathi," African Studies 70, no. 2 (2011): 202-23; Max Jones et al., "Decolonising Imperial Heroes: Britain and France," Journal of Imperial and Commonwealth History 42, no. 5 (2014): 787-825; Berny Sèbe, "From Post-colonialism to Cosmopolitan Nation-Building?British and French Imperial Heroes in Twenty-First Century Africa," Journal of Imperial and Commonwealth History 42, no. 5 (2014): 936-68. 8 16