Skip to content
Register Sign in Wishlist

The Mapping of Power in Renaissance Italy
Painted Cartographic Cycles in Social and Intellectual Context

$121.00 (C)

Award Winner
  • Date Published: November 2014
  • availability: Available
  • format: Hardback
  • isbn: 9781107067035

$ 121.00 (C)
Hardback

Add to cart Add to wishlist

Other available formats:
eBook


Looking for an examination copy?

This title is not currently available for examination. However, if you are interested in the title for your course we can consider offering an examination copy. To register your interest please contact collegesales@cambridge.org providing details of the course you are teaching.

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • How did maps of the distant reaches of the world communicate to the public in an era when exploration of those territories was still ongoing and knowledge about them remained incomplete? And why did Renaissance rulers frequently commission large-scale painted maps of those territories when they knew that they would soon be proven obsolete by newer, more accurate information? The Mapping of Power in Renaissance Italy addresses these questions by bridging the disciplines of art history and the histories of science, cartography, and geography to closely examine surviving Italian painted maps that were commissioned during a period better known for its printed maps and atlases. Challenging the belief that maps are strictly neutral or technical markers of geographic progress, this well-illustrated study investigates the symbolic and propagandistic dimensions of these painted maps as products of the competitive and ambitious European court culture that produced them.

    • The most comprehensive and detailed account in print of the relationship between art and cartography in Renaissance Europe
    • Redefines the field of Renaissance art as one that encompasses maps, charts, technical treatises and other tools usually considered primarily by historians of science
    • Appeals to those interested in the Age of Exploration since it is richly illustrated with maps made while those journeys were still in progress
    Read more

    Awards

    • Winner of the 2014 Founders Prize, Sixteenth Century Society and Conference

    Reviews & endorsements

    "Mark Rosen's The Mapping of Power in Renaissance Italy: Painted Cartographic Cycles in Social and Intellectual Context struck us as the most original, most thoughtfully grounded in theory, best researched, and most beautifully written of the manuscripts."
    Sixteenth Century Society and Conference Prize Committee

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: November 2014
    • format: Hardback
    • isbn: 9781107067035
    • length: 318 pages
    • dimensions: 261 x 187 x 18 mm
    • weight: 0.81kg
    • contains: 91 b/w illus. 8 colour illus.
    • availability: Available
  • Table of Contents

    1. A lost world: maps as decoration before the sixteenth century
    2. Wonders unknown to the ancients: maps as decoration in the early to mid sixteenth century
    3. The Medici Guardaroba and its role in the Florentine cosmos
    4. 'All the things of heaven and earth together': the Guardaroba program
    5. Manufacturing a universe: the Medici Guardaroba and its cosmographers
    6. The maps of the Medici Guardaroba
    7. The Guardaroba and the late cinquecento map-cycle competition
    Appendix: the curriculum of Don Stefano Buonsignori.

  • Author

    Mark Rosen, University of Texas, Dallas
    Mark Rosen is Assistant Professor of Aesthetic Studies at the University of Texas, Dallas. A specialist in the art and cartography of early modern Europe, he has published work in The Art Bulletin, Oud Holland, Nuncius, and the Mitteilungen des Kunsthistorischen Institutes in Florenz. He was formerly a Fellow of the Medici Archive Project at the Archivio di Stato in Florence, and he has held fellowships from the National Endowment for the Humanities and the Kress Foundation.

    Awards

    • Winner of the 2014 Founders Prize, Sixteenth Century Society and Conference

Related Books

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×