The concept of the public sphere, as first outlined by German philosopher Jürgen Habermas, refers to the right of all citizens to engage in debate on public issues on equal terms. In this book, Christopher B. Balme explores theatre's role in this crucial political and social function. He traces its origins and argues that the theatrical public sphere invariably focuses attention on theatre as an institution between the shifting borders of the private and public, reasoned debate and agonistic intervention. Chapters explore this concept in a variety of contexts, including the debates that led to the closure of British theatres in 1642, theatre's use of media, controversies surrounding race, religion and blasphemy, and theatre's place in a new age of globalised aesthetics. Balme concludes by addressing the relationship of theatre today with the public sphere and whether theatre's transformation into an art form has made it increasingly irrelevant for contemporary society.Read more
- Provides an in-depth discussion of the public sphere on the basis of historical and contemporary case studies
- Examples are drawn from a wide cultural range, including theatre productions in Europe, the USA and Asia
- Contributes to contemporary debates on theatre's changing relevance to the globalised world
Reviews & endorsements
'Balme presents us with a fascinating tour de force … he is not only able to unravel a persuasive argument and extend Habermas' theory to performance, but by doing so he also questions the very fabric of the theatre and the way it operates.' Anselm Heinrich, Scottish Journal of PerformanceSee more reviews
'The Theatrical Public Sphere is a masterful and vital contribution … It will prove essential to researchers seeking rigorous theorizations of the public sphere in many contexts, and its implications for theatre studies demands serious consideration.' Hillary Miller, Theatre Survey
'[An] instructive and even salutary book.' Nicholas Ridout, The Times Literary Supplement
'[A] deeply thoughtful and copiously researched book.' David Krasner, Theatre Journal
'This book … should prompt ongoing lively exchange in and on the public sphere.' Loren Kruger, TDR: The Drama Review
Not yet reviewed
Be the first to review
Review was not posted due to profanity×
- Date Published: February 2017
- format: Paperback
- isbn: 9781316638873
- length: 232 pages
- dimensions: 229 x 153 x 13 mm
- weight: 0.35kg
- contains: 12 b/w illus.
- availability: Available
Table of Contents
1. Locating the theatrical public sphere
2. Reciprocal articulations: from playbills to blogs
3. Openings and closures: puritans and the pilloried stage
4. The prophet on stage: theatre, religion and the transnational public sphere
5. Thresholds of tolerance and the publicity of scandal
6. Distributed aesthetics and the global public sphere.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email email@example.comRegister Sign in
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.Continue ×
Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.×