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Look Inside Theorizing the Moving Image

Theorizing the Moving Image


Part of Cambridge Studies in Film

  • Date Published: June 1996
  • availability: Available
  • format: Paperback
  • isbn: 9780521466073

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About the Authors
  • A selection of essays written by a leading film critic, this 1996 volume examines theoretical aspects of film and television through penetrating analyses of such genres as soap opera, documentary, comedy, and such topics as 'sight gags', film metaphor, point-of-view editing, and movie music. Throughout, individual films are considered in depth. Carroll's essays, moreover, represent the cognitivist turn in film studies, containing in-depth criticism of existing approaches to film theory.

    • Essays by leading scholar brought together in one volume
    • In-depth criticisms of existing approaches to film theory
    • Heralds a new approach to film theory - piece-meal theorising
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    Product details

    • Date Published: June 1996
    • format: Paperback
    • isbn: 9780521466073
    • length: 452 pages
    • dimensions: 253 x 178 x 22 mm
    • weight: 0.79kg
    • availability: Available
  • Table of Contents

    Part I. Questioning Media:
    1. Medium specificity arguments and the self-consciously invented arts
    2. The specificity of media in the arts
    3. Concerning uniqueness claims for photographic and cinematographic representation
    4. Defining the moving image
    Part II. Popular Film and TV:
    5. The power of movies
    6. Toward a theory of film suspense
    7. As the dial turns: notes on soap operas
    8. Toward a theory of point of view editing
    9. Notes on movie music
    10. Notes on the sight gag
    Part III. Avant-garde and Documentary Film:
    11. Avant-garde film and film theory
    12. Causation, the amplification of movement and the avant-garde film
    13. Language and cinema: preliminary notes for a theory of verbal images
    14. A note on film metaphor
    15. From real to reel: entangled in non-fiction film
    16. Reply to Carol Browson and Jack C. Wolf
    Part IV. Ideology:
    17. The image of women in film: a defense of a paradigm
    18. Film, rhetoric and ideology
    Part V. The History of Film Theory:
    19. Film/mind analogies: the case of Hugo Munsterberg
    20. Hans Richter's Struggle for Film
    21. A brief note on Frampton's notion of metahistory
    Part VI. Polemical Exchanges:
    22. Cognitivism, contemporary film theory and method
    23. Cracks in the acoustic mirror
    24. A reply to Heath
    25. Replies to Jennifer Hammett and Richard Allen
    Part VII. False Starts:
    26. Film history and film theory
    27. Art, film and ideology
    28. Toward a theory of film editing.

  • Author

    Noel Carroll, University of Wisconsin, Madison

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