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The Drawings of Michelangelo and his Followers in the Ashmolean Museum

£119.00

  • Date Published: July 2007
  • availability: Available
  • format: Hardback
  • isbn: 9780521551335

£ 119.00
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  • This volume comprises the fullest and most detailed catalogue of the drawings by and after Michelangelo in the Ashmolean Museum. It is one of the most important collections of drawings by this artist, which also includes drawings after his own by contemporaries that shed light on lost works as well as the artist's reputation and influence during the sixteenth century. The introduction provides a history of Michelangelo's drawings generally and also surveys the various types of drawing practised by Michelangelo and an account of his development as a draughtsman. Most of the drawings in the Ashmolean Museum came from the collection of Sir Thomas Lawrence, and this book contains a detailed appendix that traces the histories of all of the drawings by or after Michelangelo that Lawrence owned, both before he acquired them and after they were dispersed.

    • Full and thorough catalogue of Michelangelo's drawings in the Ashmolean Museum
    • The most extensive and exhaustive study so far attempted of the history of Michelangelo's drawings after his death
    • A detailed study of the Ashmolean's copies after his work, which throws new light on Michelangelo's reputation and influence in sixteenth-century Italy
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    Product details

    • Date Published: July 2007
    • format: Hardback
    • isbn: 9780521551335
    • length: 508 pages
    • dimensions: 279 x 216 x 37 mm
    • weight: 1.46kg
    • availability: Available
  • Table of Contents

    Introductory essay: the dispersal and formation of Sir Thomas Lawrence's collection of drawings by Michelangelo
    Michelangelo's drawings
    Appendix 1. Drawings by or attributed to Michelangelo in William Young Ottley's sales
    Appendix 2. The Lawrence collection of drawings by and after Michelangelo.

  • Author

    Paul Joannides, University of Cambridge
    Paul Joannides, Reader in the History of Art at the University of Cambridge, has published widely on the painting, sculpture, architecture, and above all, the drawings of the Italian Renaissance. He has also written on topics in French painting of the late eighteenth and early nineteenth centuries.

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