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Shakespeare, Alchemy and the Creative Imagination
The Sonnets and A Lover's Complaint

£35.99

  • Date Published: July 2014
  • availability: Available
  • format: Paperback
  • isbn: 9781107637740

£ 35.99
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About the Authors
  • Shakespeare's sonnets and A Lover's Complaint constitute a rich tapestry of rhetorical play about Renaissance love in all its guises. A significant strand of this spiritual alchemy is working the 'metal' of the mind through meditation on love, memory work and intense imagination. Healy demonstrates how this process of anguished soul work - construed as essential to inspired poetic making - is woven into these poems, accounting for their most enigmatic imagery and urgency of tone. The esoteric philosophy of late Renaissance Neoplatonic alchemy, which embraced bawdy sexual symbolism and was highly fashionable in European intellectual circles, facilitated Shakespeare's poetry. Arguing that Shakespeare's incorporation of alchemical textures throughout his late works is indicative of an artistic stance promoting religious toleration and unity, this book sets out a crucial new framework for interpreting the 1609 poems and transforms our understanding of Shakespeare's art.

    • Proposes a new understanding of Shakespeare sonnets and A Lover's Complaint, seeing them as linked inner dramas about the creative mind
    • Clearly explains fashionable late Renaissance alchemy and its role in creative writing
    • Positions Shakespeare as an artist of religious toleration and unity, opening a new window of understanding onto Shakespeare's beliefs
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    Product details

    • Date Published: July 2014
    • format: Paperback
    • isbn: 9781107637740
    • length: 272 pages
    • dimensions: 229 x 152 x 15 mm
    • weight: 0.37kg
    • contains: 9 b/w illus.
    • availability: Available
  • Table of Contents

    Introduction
    1. Alchemical contexts
    2. Lovely boy
    3. The Dark Mistress and the art of blackness
    4. A Lover's Complaint by William Shakespeare
    5. Inner looking, alchemy and the creative imagination
    6. Conclusion: Shakespeare's poetics of love and religious toleration.

  • Author

    Margaret Healy, University of Sussex
    Margaret Healy is Reader in English and Director of the Centre for Early Modern Studies at the University of Sussex. She teaches many aspects of Renaissance literature and is particularly interested in the cultural history of the body and the interfaces among literature, medicine, science and art. She is the author of Fictions of Disease in Early Modern England: Bodies, Plagues and Politics (2001) and Richard II (1998), and the co-editor of Renaissance Transformations: The Making of English Writing, 1500–1650 (2009). She edits the new British Medical Journal, Medical Humanities.

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