Skip to content
Register Sign in Wishlist
Look Inside An Essay upon Prints

An Essay upon Prints
Containing Remarks upon the Principles of Picturesque Beauty

£25.99

Part of Cambridge Library Collection - Art and Architecture

  • Date Published: March 2014
  • availability: Available
  • format: Paperback
  • isbn: 9781108066785

£ 25.99
Paperback

Add to cart Add to wishlist

Looking for an inspection copy?

This title is not currently available on inspection

Description
Product filter button
Description
Contents
Resources
Courses
About the Authors
  • Clergyman, schoolmaster and writer on aesthetics, William Gilpin (1724–1804) is best known for his works on the picturesque. His approach as a teacher was enlightened: during his time as headmaster of Cheam School, his aim was to prepare his pupils for life. Moving in 1777 to become vicar of Boldre, Hampshire, where he remained for the rest of his life, he was able to endow two schools there with income from his successful writings. This knowledgeable appraisal of the print as an art form, and of its foremost practitioners, was first published anonymously in 1768 to positive reviews. It defines picturesque as 'a term expressive of that peculiar kind of beauty, which is agreeable in a picture'. Gilpin further developed and explored the concept in his volumes of Observations on various parts of Britain, which are also reissued in this series.

    Customer reviews

    Not yet reviewed

    Be the first to review

    Review was not posted due to profanity

    ×

    , create a review

    (If you're not , sign out)

    Please enter the right captcha value
    Please enter a star rating.
    Your review must be a minimum of 12 words.

    How do you rate this item?

    ×

    Product details

    • Date Published: March 2014
    • format: Paperback
    • isbn: 9781108066785
    • length: 278 pages
    • dimensions: 216 x 140 x 16 mm
    • weight: 0.36kg
    • availability: Available
  • Table of Contents

    The preface
    Explanation of terms
    1. The principles of painting considered
    2. Observations on the different kinds of prints
    3. Characters of the most noted masters
    4. Remarks on particular prints
    5. Cautions in collecting prints
    Index.

  • Author

    William Gilpin

Related Books

Sorry, this resource is locked

Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org

Register Sign in
Please note that this file is password protected. You will be asked to input your password on the next screen.

» Proceed

You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.

Continue ×

Continue ×

Continue ×
warning icon

Turn stock notifications on?

You must be signed in to your Cambridge account to turn product stock notifications on or off.

Sign in Create a Cambridge account arrow icon
×

Find content that relates to you

Join us online

This site uses cookies to improve your experience. Read more Close

Are you sure you want to delete your account?

This cannot be undone.

Cancel

Thank you for your feedback which will help us improve our service.

If you requested a response, we will make sure to get back to you shortly.

×
Please fill in the required fields in your feedback submission.
×