Martin Scorsese's Raging Bull
£22.99
Part of Cambridge Film Handbooks
- Editor: Kevin J. Hayes, University of Central Oklahoma
- Date Published: April 2005
- availability: Available
- format: Paperback
- isbn: 9780521536042
£
22.99
Paperback
Other available formats:
Hardback, eBook
Looking for an inspection copy?
This title is not currently available on inspection
-
Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters, each written by contributors from different disciplines - film studies, literary history, theater history - discuss the film from a variety of perspectives. Though primarily directed toward undergraduate and graduate film courses, this collection should enhance appreciation of Raging Bull for all readers. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate.
Read more- Original essays from film experts
- Written in a jargon-free style
- Variety of viewpoints, accessible to all readers
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: April 2005
- format: Paperback
- isbn: 9780521536042
- length: 178 pages
- dimensions: 229 x 152 x 10 mm
- weight: 0.248kg
- contains: 18 b/w illus.
- availability: Available
Table of Contents
Introduction: the heritage and legacy of Raging Bull Kevin J. Hayes
1. Art and genre in Raging Bull Leger Grindon
2. Visual absurdity in Raging Bull Todd Berliner
3. Raging Bull and the idea of performance Michael Peterson
4. Women in Raging Bull: Scorsese's use of determinist, objective, and subjective techniques Peggy McCormack
5. My victims, my melancholia: Raging Bull and Vincente Minnelli's The Bad and the Beautiful Mark Nicholls.
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×