The Bronze Object in the Middle Ages

'Ittai Weinryb's The Bronze Object in the Middle Ages thus signals a welcome, provocative, occasionally challenging, and decidedly fruitful addition to the field. A corpus-specific survey it is not. Instead, Weinryb offers a sustained and many-faceted meditation on how bronze objects, broadly defined, were conceived, perceived, and experienced; how they interacted with their environments and their communities; how they embodied marvelous technologies and different practices of knowledge - in short, how the bronze object was significant.' Joseph Salvatore Ackley, CAA Reviews

'… [A]mbitious in scope and philosophical and imaginative in its realization. … both provocative and stimulating of further study along unexpected avenues of thought.' Cathy Oakes, History

'Ittai Weinryb has written an absorbing and stimulating book about the multivalent meanings of bronze in the Middle Ages and how those meanings are expressed in items created through the lost-wax bronze casting technique. … the book's ambition, the originality of its approach, the richness of its arguments, and the verve with which it is written will undoubtedly ensure its lasting significance for anyone interested in medieval objects, bronze or otherwise.' Douglas Brine, The Medieval Review

'It is rarely said of an art historical study that it not only contributes interesting details to a specialized topic but also has the potential to change our awareness and understanding of the field.' Gerhard Lutz, Speculum

'This is a thought-provoking and ambitious study of monumental cast bronze objects produced through the lost wax process during the Middle Ages. Ittai Weinryb examines a wide range of objects and textual sources, and seeks to move beyond the questions of style and Romanitas that have traditionally dominated literature about medieval bronzes. … The study encompasses doors, bells, fountains and figurative sculpture, concentrating mainly on the modern regions of Germany and Italy. The writing is engaging, and the arguments are supported by excellent illustrations.' L. Cleaver, The English Historical Review