The Cult of the Avant-Garde Artist
£29.99
- Author: Donald Kuspit
- Date Published: September 1994
- availability: Available
- format: Paperback
- isbn: 9780521469227
£
29.99
Paperback
Looking for an inspection copy?
This title is not currently available on inspection
-
The Cult of the Avant-Garde Artist examines the philosophical, psychological and aesthetic premises for avant-garde art and its subsequent evolution and corruption in the late twentieth century. Arguing that modernist art is essentially therapeutic in intention, both towards self and society, Donald Kuspit further posits that neo-avant-garde, or post-modern art, at once mocks and denies the possibility of therapeutic change. As such, it accommodates the status quo of capitalist society, in which fame and fortune are valued above anything else. Stripping avant-garde art of its missionary, therapeutic intention, neo-avant-garde art instead converts it into a cliché of creative novelty or ironical value for its fashionable look. Moreover, it destroys the precarious balance of artistic narcissism and social empathy that characterizes modern art, tilting it cynically towards the former. Incorporating psychoanalytic ideas, particularly those concerned with narcissism, The Cult of the Avant-Garde Artist offers a reinterpretation of modern art history. Donald Kuspit, one of America's foremost art critics, is a contributing editor to Artforum and the author of many books.
Read more- Written by the top critic on contemporary art
- Accessible approach to controversial topic
- Should appeal to modernists and contemporary art scholars as well as philosophers
Customer reviews
Not yet reviewed
Be the first to review
Review was not posted due to profanity
×Product details
- Date Published: September 1994
- format: Paperback
- isbn: 9780521469227
- length: 188 pages
- dimensions: 228 x 153 x 13 mm
- weight: 0.27kg
- availability: Available
Table of Contents
1. Avant-Garde and the neo-avant-garde: from the pursuit of the primordial to the nihilism of narcissism
1A. The idealisation of the avant-garde artist as transmuter of value
1B. Fame, fortune, publicity, paratism: The narcissistic illusions of the neo-avant-garde artist
2. Preliminary therapeutic attitude: the provocative object as a path to primordiality (Picasso and Duchamp)
3. The geometrical cure: art as a matter of principle (Mondrian and Malevich)
4. The expressive cure: art as the recovery of primal emotion (Expressionism and Surrealism)
5. Fame as the cure-all, or the charisma of cynicism: Andy Warhol
6. Enchanting the disenchanted, or the artist's last stand: Joseph Beuys
7. The decadence or cloning of the avant-garde: appropriating art
Notes
Index.
Related Books
Sorry, this resource is locked
Please register or sign in to request access. If you are having problems accessing these resources please email lecturers@cambridge.org
Register Sign in» Proceed
You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.ebooks.com. Please see the permission section of the www.ebooks.com catalogue page for details of the print & copy limits on our eBooks.
Continue ×Are you sure you want to delete your account?
This cannot be undone.
Thank you for your feedback which will help us improve our service.
If you requested a response, we will make sure to get back to you shortly.
×