Our systems are now restored following recent technical disruption, and we’re working hard to catch up on publishing. We apologise for the inconvenience caused. Find out more

Recommended product

Popular links

Popular links


Italian Gothic Sculpture

Italian Gothic Sculpture

Italian Gothic Sculpture

c.1250–c.1400
Anita Fiderer Moskowitz, State University of New York, Stony Brook
January 2001
Unavailable - out of print July 2003
Hardback
9780521444835
Out of Print
Hardback

    Moskowitz examines the sculpture produced in a variety of genres and media throughout the Italic peninsula, from the late medieval period until the beginning of the early modern era. Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art, nor a mere preparation for the Early Renaissance, she demonstrates that this body of art works is distinguished by a unique visual language and syntax. Tracing the developments of Italian sculpture, from Nicola Pisano's arrival in Tuscany around 1260 through the end of the fourteenth century, this volume surveys developments in Central Italy as well as those in Naples, Compania, Lombardy and the Veneto. This study incorporates the most recent scholarly findings, including archival and archaeological discoveries, and restoration and conservation efforts. The book also addresses broad questions of politics, patronage, and piety.

    • Includes 395 halftones, which emphasize regional as well as mainstream sculpture
    • Sees the works of art as the products of collaboration between artist and patron, as well as hands-on collaboration within the workshop
    • Views the sculptures within their local environments, explaining how they functioned to serve patrons and contemporary viewers

    Reviews & endorsements

    'An impressive work that can serve, on the one hand, as an introduction to the study of Italian Gothic sculpture for students new to the subject, as well as a handy reference book to some of the key monuments of the period for scholars more familiar with the subject.' The Art Book

    See more reviews

    Product details

    January 2001
    Hardback
    9780521444835
    432 pages
    289 × 223 × 33 mm
    1.72kg
    395 b/w illus.
    Unavailable - out of print July 2003

    Table of Contents

    • Introduction
    • 1. Geography and politics
    • 2. Economic growth, socio-religious developments, and the intellectual milieu
    • 3. The practice of sculpture
    • 4. Italian Gothic sculpture: the background
    • 5. Nicola Pisano
    • 6. Arnolfo di Cambio
    • 7. Giovanni Pisano
    • 8. Alternative currents
    • 9. Tino di Camaino in Tuscany
    • 10. Sienese sculpture after Tino
    • 11. Orvieto and 'Lorenzo Maitani'
    • 12. Andrea Pisano
    • 13. Giovanni di Balduccio in Tuscany
    • 14. The second half of the Trecento
    • 15. Tino di Camaino
    • 16. Giovanni and Pacio Bertini da Firenze
    • 17. The second half of the Trecento and beyond
    • 18. Lombard sculpture before 1334
    • 19. Azzone Visconti and Giovanni di Balduccio in Milan
    • 20. Campionese masters of mid-century
    • 21. Lombard assimilation of Tuscan style
    • 22. Gian Galeazzo Visconti and the international Gothic current
    • 23. Venetian sculpture, 1300–1340
    • 24. Andriolo de Santi
    • 25. The sculpture of the Palazzo Ducale
    • 26. Jacobello and Pierpaolo dalle Masegna
    • 27. Verona
    • 28. Pulpits
    • 29. The sculptured Cathedral Facade
    • 30. Tombs
    • 31. Developing a Master's Oeuvre
    • 32. An apparent forgery and a noteworthy imitation
    • 33. A hypothetical reconstruction.
      Author
    • Anita Fiderer Moskowitz , State University of New York, Stony Brook