Our systems are now restored following recent technical disruption, and we’re working hard to catch up on publishing. We apologise for the inconvenience caused. Find out more

Recommended product

Popular links

Popular links


Restoration and Georgian England 1660-1788

Restoration and Georgian England 1660-1788

Restoration and Georgian England 1660-1788

David Thomas
June 2009
Available
Paperback
9780521100816

Looking for an inspection copy?

This title is not currently available for inspection.

£50.00
GBP
Paperback

    This is the first volume in the series Theatre in Europe: a documentary history. The authors have compiled a documentary account of the theatre in Britain during the Restoration and Georgian period, which covers some 120 years of theatrical activity. It was an exciting period that saw the first arrival of the scenic stage in the public theatres of London, bringing with it a whole new approach to staging and performance. The development outlined in the volume shows the progression of the theatre from a tightly controlled, court-based institution in the Restoration to an ebullient, bustling, commercial undertaking with wide popular appeal in the late Georgian period. The collection of primary source material (both verbal and visual) documents changes in government control and censorship, company management, actors and acting styles, stage presentation, playhouse design and audience response.

    Product details

    June 2009
    Paperback
    9780521100816
    492 pages
    229 × 152 × 25 mm
    0.65kg
    Available

    Table of Contents

    • Part I. 1660–1737:
    • 1. Documents of control
    • 2. Contractual and company documents
    • 3. Playhouses
    • 4. Stage presentation
    • 5. Actors and acting
    • 6. Audiences, repertoire, morality debates, criticism
    • Part II. 1737–1788:
    • 7. Documents of control
    • 8. Contractual and company documents
    • 9. Playhouses
    • 10. Stage presentation
    • 11. Actors and Acting
    • 12. Audiences, taste, theatre criticism.
      Editor
    • David Thomas