The Cambridge Companion to Shakespeare and Contemporary Dramatists
The Cambridge Companion to Shakespeare and Contemporary Dramatists
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While Shakespeare's popularity has continued to grow, so has the attention paid to the work of his contemporaries. The contributors to this Companion introduce the distinctive drama of these playwrights, from the court comedies of John Lyly to the works of Richard Brome in the Caroline era. With chapters on a wide range of familiar and lesser-known dramatists, including Thomas Kyd, Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton and John Ford, this book devotes particular attention to their personal and professional relationships, occupational rivalries and collaborations. Overturning the popular misconception that Shakespeare wrote in isolation, it offers a new perspective on the most impressive body of drama in the history of the English stage.
- Focuses not merely on Shakespeare but also devotes equal attention to his fellow dramatists, revealing Shakespeare as part of a complex network of friends, rivals and enemies
- Presents Shakespeare as a collaborator with other dramatists, addressing the general misconception that he worked in isolation
- Strikes a balance between single-authored and co-authored plays, returning the notion of the 'author' to the discussion of the plays, while also allowing space for the still under-researched issue of collaborative authorship
Reviews & endorsements
'… a fine primer for the Shakespearean era.' Reference Reviews
'… will prove useful for both undergraduates and graduate teaching. The volume is framed by a convenient chronology and a thoughtfully prepared bibliography that guide readers both back to formative early publications and forward to a solid selection of more recent work.' Shakespeare Quarterly
'A well-informed and variously interesting survey on the Elizabethan theatre.' Daniela Guardamagna, Memori Di Shakespeare
'The Companion's achievement is twofold: it introduces the reader to a variety of dramatists contemporary with Shakespeare but much less often studied, and it disproves the idea, prevalent for centuries, of Shakespeare as an isolated genius who worked on his own. In the days before copyright, Shakespeare and his colleagues frequently had a finger in one another's plays, to an extent that renders attribution a far more complicated question than it is generally considered. This realisation is a key to understanding early modern drama, and this book conveys it with efficiency and panache.' Mette Sjölin, English Studies
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No date availableAdobe eBook Reader
9781107480988
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7 b/w illus. 1 music example
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Table of Contents
- 1. John Lyly and the university wits: George Peele, Robert Greene, Thomas Lodge and Thomas Nashe Arthur F. Kinney
- 2. Thomas Kyd and the Elizabethan blockbuster: The Spanish Tragedy Clara Calvo
- 3. 'The words of mercury': Shakespeare and Marlowe Richard Wilson
- 4. The dyer's hand: Shakespeare and Jonson Warren Chernaik
- 5. Urbane John Marston: obscenity, playfulness, co-operation Matthew Steggle
- 6. Thomas Dekker and the emergence of city comedy Darryll Grantley
- 7. Shakespeare: colleagues, collaborators, co-authors Ton Hoenselaars
- 8. Thomas Heywood: dramatist of London and playwright of the passions Jean E. Howard
- 9. George Chapman's learned drama Paul Franssen
- 10. Francis Beaumont and John Fletcher's tragicomedy as musical melodrama Catherine Henze
- 11. Thomas Middleton and the early modern theatre Michelle O'Callaghan
- 12. John Webster: collaboration and solitude Robert Henke
- 13. John Ford: suffering and silence in Perkin Warbeck and 'Tis Pity She's a Whore Lisa Hopkins
- 14. Philip Massinger: drama, reputation, and the dynamics of social history Rui Carvalho Homem
- 15. Richard Brome and the idea of a Caroline theatre Heather Hirschfeld
- 16. Troublesome histories: performance and early modern drama Elizabeth Schafer.
