New Theatre Quarterly 76
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. Articles in volume 76 include: Street Scene: Berlin's Strasse des 17 Juni and the Performance of (Dis)unity; Whose Method? Culture, Commerce, and American Performer Training; Hanswurst, Harlequin, and Opera Comique: Performances in the Theatre at Krumlov; Against Inclusivity: a Happy Heresy about Theory and Practice; The Lord Chamberlain and the Containment of Americanization in the British Theatre of the 1920s; The Sri Lankan Ritual of Devol Madu: Problematizing Dharma in Ethnic Conflict; Shakespeare in the Age of Mechanical Reproduction: Theatrical Practice and Mass Culture.
Product details
June 2004Paperback
9780521535915
104 pages
247 × 176 × 10 mm
0.229kg
Available
Table of Contents
- Street Scene: Berlin's Strasse des 17 Juni and the Performance of (Dis)unity Nicolas Whybrow
- Whose Method? Culture, Commerce, and American Performer Training Keith Walden
- Hanswurst, Harlequin, and Opera Comique: Performances in the Theatre at Krumlov Otto G. Schindler
- Against Inclusivity: a Happy Heresy about Theory and Practice Martin Welton
- The Lord Chamberlain and the Containment of Americanization in the British Theatre of the 1920s Paul Marshall
- The Sri Lankan Ritual of Devol Madu: Problematizing Dharma in Ethnic Conflict Syed Jamil Ahmed
- Shakespeare in the Age of Mechanical Reproduction: Theatrical Practice and Mass Culture Cary Dipietro.