Our systems are now restored following recent technical disruption, and we’re working hard to catch up on publishing. We apologise for the inconvenience caused. Find out more

Recommended product

Popular links

Popular links


Art and Artists in China since 1949

Art and Artists in China since 1949

Art and Artists in China since 1949

Author:
Ying Yi, Central Academy of Fine Art, Beijing
Published:
December 2017
Availability:
Available
Format:
Hardback
ISBN:
9781107024502

Looking for an inspection copy?

This title is not currently available for inspection.

£115.00
GBP
Hardback

    In this lavishly illustrated study, the scholar and critic Yi Ying brings a distinctly Chinese perspective to the development of art and artists in China since 1949. These have been years of dramatic change for China, and the art of this period is therefore of historical, political and cultural interest, being first used to promote the revolutionary cause, later to question and criticise and, more recently, charting the changes in cultural and economic policy that have taken place since 1978. In the twenty-first century, Chinese art is diverse, distinctive, and highly prized in the global art market. Presented here in English translation for the first time, Yi's narrative opens up fresh questions about both the nature of contemporary art and the China of today.

    • Presents the work of one of China's leading art historians and critics in English translation
    • A thought-provoking introductory essay from Xiaobing Tang provides interpretative and historical context for students
    • This book is lavishly illustrated in full colour

    Product details

    December 2017
    Hardback
    9781107024502
    374 pages
    235 × 158 × 22 mm
    0.75kg
    Available

    Table of Contents

    • 1. Under a red sky
    • 2. A glimmer of hope in a new era
    • 3. Moving toward modern art
    • 4. On the threshold of a new century.
      Author
    • Ying Yi , Central Academy of Fine Art, Beijing

      Ying Yi is Professor of the Central Academy of Fine Arts, Beijing.

    • In collaboration with
    • Xiaobing Tang , University of Michigan, Ann Arbor