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Cosmopolitan Radicalism

Cosmopolitan Radicalism
The Visual Politics of Beirut's Global Sixties

Part of The Global Middle East

  • Publication planned for: August 2020
  • availability: Not yet published - available from August 2020
  • format: Hardback
  • isbn: 9781108487719

Hardback

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  • Exploring the intersections of visual culture, design and politics in Beirut from the late 1950s to the mid-1970s, this compelling interdisciplinary study critically examines a global conjuncture in Lebanon's history, marked by anticolonial struggle and complicated by a Cold War order. Against a celebratory reminiscence of the 'golden years', Beirut's long 1960s is conceived of as a liminal juncture, an anxious time and space when the city held out promises at once politically radical and radically cosmopolitan. Zeina Maasri examines the transnational circuits that animated Arab modernist pursuits, shedding light on key cultural transformations that saw Beirut develop as a Mediterranean site of tourism and leisure, a nexus between modern art and pan-Arab publishing and, through the rise of the Palestinian Resistance, a node in revolutionary anti-imperialism. Drawing on uncharted archives of printed media this book expands the scope of historical analysis of the postcolonial Arab East.

    • Provides a new understanding of the cultural politics of decolonization in transnational circuits and global contexts
    • Examines unexplored primary sources and archives of visual culture, shedding light on graphic design practices and the visual politics of print media
    • Develops new interdisciplinary frameworks for the analysis of visual and print culture and makes a compelling case for applying these methods in future studies
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    Reviews & endorsements

    'Maasri's account of the changing landscape of visual culture in 1960s Beirut provides immense insight into a critical moment in the shifting local, regional, and global dynamics animating post-colonial Lebanon. She challenges exceptionalist and teleological narratives while offering a historically grounded and analytically rigorous account of that period and its legacies.' Ziad M. Abu-Rish, Ohio University

    'This fascinating and absorbing book tells the story of how visual political materials was produced in 1960s Beirut, then an international node in Third Worldist and anti-imperialist movements. What makes Maasri's narrative stand out is its focus not only on the visual scaffolding of transnational solidarity but also on material published by the state, tourism organisations and CIA-funded cultural bodies. This compelling account illuminates the role of both publishing and visual materials in the working of political ideologies and movements.' Laleh Khalili, Queen Mary University of London

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    Product details

    • Publication planned for: August 2020
    • format: Hardback
    • isbn: 9781108487719
    • dimensions: 244 x 170 mm
    • contains: 39 b/w illus. 40 colour illus.
    • availability: Not yet published - available from August 2020
  • Table of Contents

    Introduction. Beirut in the global Sixties: design, politics and translocal visuality
    1. Dislocating the nation: Mediterraneanscapes in Lebanon's tourist promotion
    2. The hot Third World in the cultural Cold War: modernism, Arabic literary journals and US counterinsurgency
    3. The visual economy of 'precious books': publishing, modern art and the design of Arabic books
    4. Ornament is no crime: decolonising the Arabic page from Cairo to Beirut
    5. Art is in the 'Arab street': the Palestinian revolution and printscapes of solidarity
    6. Draw me a gun: radical children's books in the trenches of 'Arab Hanoi'
    Conclusion.

  • Author

    Zeina Maasri, University of Brighton
    Zeina Maasri is a Senior Lecturer at the University of Brighton and a former faculty member at the American University of Beirut. Her work is concerned with the histories and politics of visual culture and design in the modern Middle East. She is the author of Off the Wall: Political Posters of the Lebanese Civil War (2009) and the curator of related exhibitions and online archival resources. She is also the co-editor of Mapping Sitting: On Portraiture and Photography (2002).

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