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Italian Gothic Sculpture

Italian Gothic Sculpture
c.1250–c.1400

Out of Print

  • Date Published: January 2001
  • availability: Unavailable - out of print July 2003
  • format: Hardback
  • isbn: 9780521444835

Out of Print
Hardback

Unavailable - out of print July 2003
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About the Authors
  • Moskowitz examines the sculpture produced in a variety of genres and media throughout the Italic peninsula, from the late medieval period until the beginning of the early modern era. Arguing that Italian Gothic sculpture is neither a provincial offshoot of northern Gothic art, nor a mere preparation for the Early Renaissance, she demonstrates that this body of art works is distinguished by a unique visual language and syntax. Tracing the developments of Italian sculpture, from Nicola Pisano's arrival in Tuscany around 1260 through the end of the fourteenth century, this volume surveys developments in Central Italy as well as those in Naples, Compania, Lombardy and the Veneto. This study incorporates the most recent scholarly findings, including archival and archaeological discoveries, and restoration and conservation efforts. The book also addresses broad questions of politics, patronage, and piety.

    • Includes 395 halftones, which emphasize regional as well as mainstream sculpture
    • Sees the works of art as the products of collaboration between artist and patron, as well as hands-on collaboration within the workshop
    • Views the sculptures within their local environments, explaining how they functioned to serve patrons and contemporary viewers
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    Reviews & endorsements

    'An impressive work that can serve, on the one hand, as an introduction to the study of Italian Gothic sculpture for students new to the subject, as well as a handy reference book to some of the key monuments of the period for scholars more familiar with the subject.' The Art Book

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    Product details

    • Date Published: January 2001
    • format: Hardback
    • isbn: 9780521444835
    • length: 432 pages
    • dimensions: 289 x 223 x 33 mm
    • weight: 1.72kg
    • contains: 395 b/w illus.
    • availability: Unavailable - out of print July 2003
  • Table of Contents

    Introduction
    1. Geography and politics
    2. Economic growth, socio-religious developments, and the intellectual milieu
    3. The practice of sculpture
    4. Italian Gothic sculpture: the background
    5. Nicola Pisano
    6. Arnolfo di Cambio
    7. Giovanni Pisano
    8. Alternative currents
    9. Tino di Camaino in Tuscany
    10. Sienese sculpture after Tino
    11. Orvieto and 'Lorenzo Maitani'
    12. Andrea Pisano
    13. Giovanni di Balduccio in Tuscany
    14. The second half of the Trecento
    15. Tino di Camaino
    16. Giovanni and Pacio Bertini da Firenze
    17. The second half of the Trecento and beyond
    18. Lombard sculpture before 1334
    19. Azzone Visconti and Giovanni di Balduccio in Milan
    20. Campionese masters of mid-century
    21. Lombard assimilation of Tuscan style
    22. Gian Galeazzo Visconti and the international Gothic current
    23. Venetian sculpture, 1300–1340
    24. Andriolo de Santi
    25. The sculpture of the Palazzo Ducale
    26. Jacobello and Pierpaolo dalle Masegna
    27. Verona
    28. Pulpits
    29. The sculptured Cathedral Facade
    30. Tombs
    31. Developing a Master's Oeuvre
    32. An apparent forgery and a noteworthy imitation
    33. A hypothetical reconstruction.

  • Author

    Anita Fiderer Moskowitz, State University of New York, Stony Brook

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