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This is an introduction to the drama, singling out and discussing its various elements, with detailed and generous quotation from masterpieces. Styan emphasizes that plays are meant to be judged in performance, not in the study, and that the play is something created by a co-operation of author, actor, producer and audience. The actor is doing something for the author's words; he is making the play work; and so is the spectator as he responds to the art of the actor, the producer and the playwright. It is a unique relationship, and the play in performance must be judged by 'theatrical' standards as well as literary ones. Styan begins with the elements of a dramatic text and the way they are built together. For every aspect - words, movement, tempo - and for larger considerations, such as verse-drama, convention, 'character', and audience-participation, Styan provides close analyses of excerpts from plays by Shakespeare, Ibsen, Chekhov, Wilde, Shaw, Strindberg, Pirandello, Synge, Anouilh, Sartre, Eliot and others. These detailed expositions give an insight into the aims and techniques of the particular playwrights as well as into the general themes. This is an ideal introduction to the art of the theatre for the general reader and the student of literature.
Reviews & endorsements
'Sensible and stimulating.' Times Educational SupplementSee more reviews
'A valuable introduction for students of drama, whilst it may remind actors, producer and critics of things forgotten, or reveal things as yet undiscovered.' Donald Fitzjohn, Drama
'A straightforward and lucid introduction to the subject, of its kind a model. The book is sensible, intelligent, interesting and detailed.' James A. Sharaf, Harvard Summer News
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- Date Published: January 1960
- format: Paperback
- isbn: 9780521092012
- length: 316 pages
- dimensions: 215 x 136 x 21 mm
- weight: 0.4kg
- availability: Available
Table of Contents
Part I. The Dramatic Score:
1. Dramatic dialogue is more than conversation
2. Dramatic verse is more than dialogue in verse
3. Making meanings in the theatre
4. Shifting impressions
5. The behaviour of the words on the stage
Part II. Orchestration:
6. Building the sequence of impressions
7. Tempo and meaning
8. Manipulating the characters
9. Breaking the continuity
10. The meaning of the play as a whole
Part III. Values:
11. Audience participation
12. Passing judgment
13. Playground as an art
Short reading list
Index of playwrights and plays
Index of subjects
Index of critics and commentators.
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